Results for 'Figure Ground Discrimination'

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  1. Training on Movement Figure-Ground Discrimination Remediates Low-Level Visual Timing Deficits in the Dorsal Stream, Improving High-Level Cognitive Functioning, Including Attention, Reading Fluency, and Working Memory.Teri Lawton & John Shelley-Tremblay - 2017 - Frontiers in Human Neuroscience 11.
  2. Effects of Saturation and Contrast Polarity on the Figure-Ground Organization of Color on Gray.Birgitta Dresp-Langley & Adam Reeves - 2014 - Frontiers in Psychology 5:1-9.
    Poorly saturated colors are closer to a pure grey than strongly saturated ones and, therefore, appear less “colorful”. Color saturation is effectively manipulated in the visual arts for balancing conflicting sensations and moods and for inducing the perception of relative distance in the pictorial plane. While perceptual science has proven quite clearly that the luminance contrast of any hue acts as a self-sufficient cue to relative depth in visual images, the role of color saturation in such figure-ground organization (...)
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  3.  74
    Color and Figure-Ground: From Signals to Qualia.Birgitta Dresp-Langley & Adam Reeves (eds.) - 2014 - Routledge.
    The laws which predict how the perceptual quality of figure-ground can be extracted from the most elementary visual signals were discovered by the Gestaltists, and form an essential part of their movement (see especially Metzger, 1930, and Wertheimer, 1923 translated and re-edited by Lothar Spillmann, 2009 and 2012, respectively). Distinguishing figure from ground is a prerequisite for perception of both form and space (the relative positions, trajectories, and distances of objects in the visual field. The human (...)
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  4.  32
    The Hot Fringes of Consciousness: Perceptual Fluency and Affect.Rolf Reber & Norbert Schwarz - 2001 - Consciousness and Emotion 2 (2):223-231.
    High figure-ground contrast usually results in more positive evaluations of visual stimuli. This may either reflect that high figure-ground contrast per se is a desirable attribute or that this attribute facilitates fluent processing. In the latter case, the influence of high figure-ground contrast should be most pronounced under short exposure times, that is, under conditions where the facilitative influence on perceptual fluency is most pronounced. Supporting this hypothesis, ratings of the prettiness of visual stimuli (...)
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  5.  3
    Reading a Standing Wave: Figure-Ground-Alternation Masking of Primes in Evaluative Priming.Christina Bermeitinger, Michael Kuhlmann & Dirk Wentura - 2012 - Consciousness and Cognition 21 (3):1109-1121.
    We propose a new masking technique for masking word stimuli. Drawing on the phenomena of metacontrast and paracontrast, we alternately presented two prime displays of the same word with the background color in one display matching the font color in the other display and vice versa. The sequence of twenty alterations was sandwich-masked by structure masks. Using this masking technique, we conducted evaluative priming experiments with positive and negative target and prime words. Significant priming effects were found – for primes (...)
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  6.  5
    Brightness Contrast as a Function of Figure-Ground Relations.Stanley Coren - 1969 - Journal of Experimental Psychology 80 (3p1):517.
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  7.  13
    The Role of Autism in a Visual Figure-Ground Relationship.R. Schafer & G. Murphy - 1943 - Journal of Experimental Psychology 32 (4):335.
  8.  9
    The Influence of Figure-Ground Relationships in Binocular Rivalry.Lawrence T. Alexander - 1951 - Journal of Experimental Psychology 41 (5):376.
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  9.  6
    Brightness Differences and the Perception of Figure-Ground.Martin S. Lindauer & Judith G. Lindauer - 1970 - Journal of Experimental Psychology 84 (2):291.
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  10.  8
    Figure-Ground Contrast and Binocular Rivalry.L. T. Alexander & P. D. Bricker - 1952 - Journal of Experimental Psychology 44 (6):452.
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  11.  3
    Figure-Ground Reversal as a Function of Visual Satiation.Julian E. Hochberg - 1950 - Journal of Experimental Psychology 40 (5):682.
  12.  6
    A Threshold Difference Produced by a Figure-Ground Dichotomy.Bernard Weitzman - 1963 - Journal of Experimental Psychology 66 (2):201.
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  13.  3
    Effect of Training on Figure-Ground Organization.Henry G. Cornwell - 1964 - Journal of Experimental Psychology 68 (1):108.
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  14.  3
    The Region of the Vision-Field, Within Which Arbitrary Reversion of Ambivalent Figure-Ground Patterns is Possible.W. Ehrenstein - 1940 - Journal of Experimental Psychology 27 (6):699.
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  15.  3
    A Re-Examination of the Effect of Monetary Reward and Punishment on Figure-Ground Perception.Irvin Rock & Frederick S. Fleck - 1950 - Journal of Experimental Psychology 40 (6):766.
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  16.  3
    Prior Experience as a Determinant of Figure-Ground Organization.Henry G. Cornwell - 1963 - Journal of Experimental Psychology 65 (2):156.
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  17.  2
    Figure-Ground Dominance as a Function of Sector Angle, Brightness, Hue, and Orientation.Tadasu Oyama - 1960 - Journal of Experimental Psychology 60 (5):299.
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  18. The Role of Punishment in Figure-Ground Reorganization.G. L. Mangan - 1959 - Journal of Experimental Psychology 58 (5):369.
  19. Figure-Ground Duality in Humour: A Multi-Modal Perspective.Tony Veale - 2008 - Lodz Papers in Pragmatics 4 (1):63-81.
    Figure-Ground Duality in Humour: A Multi-Modal Perspective Creativity with words or pictures is not simply a matter of communicating a message, but of communicating it well, in a way that is effective, original and which defies convention. Effectiveness here pertains to the pragmatic goals of the communicator, and the extent to which these are achieved, while originality pertains to the manner in which the message is framed. Language, for instance, provides a wealth of conventions for framing a message; (...)
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  20.  9
    Reversing Figure and Ground in the Rationality Debate: An Evolutionary Perspective.W. Todd DeKay, Martie G. Haselton & Lee A. Kirkpatrick - 2000 - Behavioral and Brain Sciences 23 (5):670-671.
    A broad evolutionary perspective is essential to fully reverse figure and ground in the rationality debate. Humans' evolved psychological architecture was designed to produce inferences that were adaptive, not normatively logical. This perspective points to several predictable sources of errors in modern laboratory reasoning tasks, including inherent, systematic biases in information-processing systems explained by Error Management Theory.
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  21.  1
    FigureGround Organization and the Emergence of Proto-Objects in the Visual Cortex.Rüdiger von der Heydt - 2015 - Frontiers in Psychology 6.
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  22. Neural Dynamics of Feedforward and Feedback Processing in Figure-Ground Segregation.Oliver W. Layton, Ennio Mingolla & Arash Yazdanbakhsh - 2014 - Frontiers in Psychology 5.
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  23.  1
    Cortical Dynamics of Three-Dimensional Figure-Ground Perception of Two-Dimensional Pictures.Stephen Grossberg - 1997 - Psychological Review 104 (3):618-658.
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  24.  34
    The Figure-Ground Model for the Explanation of the Determination of Indexical Reference.Lawrence D. Roberts - 1986 - Synthese 68 (3):441 - 486.
  25. Lower Region: A New Cue for Figure-Ground Assignment.Shaun P. Vecera, Edward K. Vogel & Geoffrey F. Woodman - 2002 - Journal of Experimental Psychology: General 131 (2):194-205.
  26.  5
    The Initial Identification of Figure-Ground Relationships: Contributions From Shape Recognition Processes.Mary A. Peterson & Bradley S. Gibson - 1991 - Bulletin of the Psychonomic Society 29 (2):199-202.
  27.  2
    Metaphor and Figure-Ground Relationship: Comparisons From Poetry, Music, and the Visual Arts.Vandaele Jeroen & Brône Geert - 2009 - In Jeroen Vandaele & Geert Brône (eds.), Cognitive Poetics: Goals, Gains and Gaps. Mouton de Gruyter.
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  28.  4
    The Effect of Figure-Ground Segregation on Visual Search and Implicit Learning.E. Kim, J. Lee & W. Jung - 2004 - In Robert Schwartz (ed.), Perception. Malden Ma: Blackwell. pp. 137-137.
  29.  1
    Cortical Dynamics of Figure-Ground Separation in Response to 2D Pictures and 3D Scenes: How V2 Combines Border Ownership, Stereoscopic Cues, and Gestalt Grouping Rules. [REVIEW]Stephen Grossberg - 2016 - Frontiers in Psychology 6.
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  30.  2
    Expectation and Satiation Accounts of Ambiguous Figure-Ground Perception.Martin S. Lindauer - 1989 - Bulletin of the Psychonomic Society 27 (3):227-230.
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  31.  3
    The Figure-Ground Phenomenon in Experimental and Phenomenological Psychology.Jan C. Bouman - 1968 - Solna, Seelig.
  32. The Figure-Ground Phenomenon in Experimental and Phenomenological Psychology.C. Bouman Jan - 1970 - Philosophy and Phenomenological Research 31 (2):301-301.
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  33. J. C. Bouman's "The Figure-Ground Phenomenon in Experimental and Phenomenological Psychology". [REVIEW]V. J. Mcgill - 1970 - Philosophy and Phenomenological Research 31 (2):301.
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  34. The Relationship Between Sitting and the Use of Symmetry As a Cue to Figure-Ground Assignment in 6.5-Month-Old Infants.Shannon Ross-Sheehy, Sammy Perone, Shaun P. Vecera & Lisa M. Oakes - 2016 - Frontiers in Psychology 7.
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  35. Perceptual Representation and Effectiveness of Local FigureGround Cues in Natural Contours.Ko Sakai, Shouhei Matsuoka, Ken Kurematsu & Yasuhiro Hatori - 2015 - Frontiers in Psychology 6.
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  36. Feature-Based Attention in Early Vision for the Modulation of FigureGround Segregation.Nobuhiko Wagatsuma, Megumi Oki & Ko Sakai - 2013 - Frontiers in Psychology 4.
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  37.  4
    Visual Subliminal Perception Where a Figure is Obscured by the Illumination of the Ground.H. E. King, C. Landis & J. Zubin - 1944 - Journal of Experimental Psychology 34 (1):60.
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  38. Is Female to Male as Ground is to Figure?Barbara Johnson - 1989 - In Richard Feldstein & Judith Roof (eds.), Feminism and Psychoanalysis. Cornell University Press. pp. 255--67.
     
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  39.  21
    The Figure and Ground of Engagement.Phil Turner - 2014 - AI and Society 29 (1):33-43.
  40.  12
    J. H. Oakley: Corpus Vasorum Antiquorum, USA Fasc. 28. The Walters Art Gallery, Baltimore, Maryland: Attic Red-Figure and White-Ground Vases. (CVA.) Pp. X+81; 18 Figs., 60 Plates. Baltimore, MD: The Walters Art Gallery/Union Académique Internationale, 1992. [REVIEW]Elizabeth Moignard - 1994 - The Classical Review 44 (01):228-.
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  41.  10
    Figure-Background Color Differences and Transfer of Discrimination From Objects to Line Drawings with Pigeons.Patrick A. Cabe & Margaret L. Healey - 1979 - Bulletin of the Psychonomic Society 13 (3):124-126.
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  42.  1
    More Greek Vases. Slehoferova Corpus Vasorum Antiquorum. Schweiz. Basel, Antikenmuseum Und Sammlung Ludwig. Pp. 151, Ills, Pls. Basel: Schwabe Verlag, 2015. Cased, Chf135, €135. Isbn: 978-3-7965-3462-1. Matheson Corpus Vasorum Antiquorum. Yale University Art Gallery, New Haven, Connecticut. Attic Black-Figure Amphorae, Loutrophoros-Amphora, Loutrophoros-Hydria, Hydria, Olpai/Oinochoai, Lekythoi, Alabastra, Exaleiptra/Kothones/Plemochoai, Pyxides, Askos, Plate, Phiale, Skyphoi, Cups, and Six's Technique Lekythos, Boeotian Black-Figure Lekane, Kantharoi, Skyphos, Attic Red-Figure Bell Krater. From the Martin Robertson Collection: Attic Black-Figure Cassel Cup and Fragments, Red-Figure Pelike and Fragments, White-Ground Lekythos Fragment. Pp. XIV + 150, Ills, Pls. Darmstadt: Philipp Von Zabern, 2016. Cased, €99.95. Isbn: 978-3-8053-4888-1. [REVIEW]Pieter Heesen - forthcoming - The Classical Review:1-4.
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  43.  5
    Determination of Visual Figure and Ground in Dynamically Deforming Shapes.Elan Barenholtz & Jacob Feldman - 2006 - Cognition 101 (3):530-544.
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  44.  2
    Deutschland, 62. Berlin, Antikenmuseum Ehemals Antiquarium, 8USA, 28.1. The Walters Art Gallery, Baltimore. Attic Red-Figure and White-Ground Vases. [REVIEW]Lucilla Burn, Corpus Vasorum Antiquorum, I. Wehgartner & J. H. Oakley - 1994 - Journal of Hellenic Studies 114:227.
  45.  1
    Relational and Absolute Discrimination Learning by Squirrel Monkeys: Establishing a Common Ground with Human Cognition.Barry T. Jones - 2012 - In David McFarland, Keith Stenning & Maggie McGonigle (eds.), The Complex Mind. Palgrave-Macmillan. pp. 12.
  46.  1
    Application of a Phenomenological Method To the Faces-Goblet Stimulus Display: I. Initiating the Inquiry and Defining Figure and Ground.Ronald E. Shor - 1979 - Journal of Phenomenological Psychology 10 (2):189-231.
    "I don't want to hurry it ... When you want to hurry something, that means you no longer care about it and want to get on to other things. I just want to get at it slowly, but carefully and thoroughly, with the same attitude I remember was present just before . It is that attitude that found it, nothing else.".
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  47. Individual Differences in Reasoning: Implications for the Rationality Debate?-Open Peer Commentary-Reversing Figure and Ground in the Rationality Debate: An Evolutionary Perspective.K. E. Stanovich, R. F. West, W. T. DeKay, M. G. Haselton & La Kirkpatrick - 2000 - Behavioral and Brain Sciences 23 (5):670-670.
     
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  48. Visual Figure Discrimination and the Mediation of Equivalence Responses.A. L. Towe - 1955 - Psychological Review 62 (4):287-289.
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  49.  5
    The Feeling of Fluent Perception: A Single Experience From Multiple Asynchronous Sources☆.P. Wurtz, R. RebeR & T. Zimmermann - 2008 - Consciousness and Cognition 17 (1):171-184.
    Zeki and co-workers recently proposed that perception can best be described as locally distributed, asynchronous processes that each create a kind of microconsciousness, which condense into an experienced percept. The present article is aimed at extending this theory to metacognitive feelings. We present evidence that perceptual fluency—the subjective feeling of ease during perceptual processing—is based on speed of processing at different stages of the perceptual process. Specifically, detection of briefly presented stimuli was influenced by figure-ground contrast, but not (...)
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  50.  20
    On Simultaneous Masking in the Visual Field.Giovanni Bruno Vicario - 2003 - Axiomathes 13 (3-4):399-432.
    The concept of simultaneous masking in visual field is discussed, in the light of classical examples, of the various kinds of the phenomenon, of a modal completion, of the figure/ground phenomenon, of ambiguous and reversible figures, of mimicry and camouflage and eventually of the complexity of the stimulus. There is some reference to masking in auditory field. The “reality” of the masked configuration is discussed, drawing the conclusion that it is perceptually unreal. The fact that the masking phenomenon (...)
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