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  1.  53
    Kant's Aesthetic Epistemology. [REVIEW]Fiona Hughes - 2010 - Kantian Review 14 (2):155.
    Drawing on resources from both the analytical and continental traditions, this book argues that a comprehension of Immanuel Kant's aesthetics is necessary for grasping the scope and force of his epistemology. It draws on phenomenological and aesthetic resources to bring out the continuing relevance of Kant's project. One of the difficulties faced in reading ‘The Critique of Pure Reason’ is finding a way of reading the text as one continuous discussion. This book offers a reading at each stage of Kant's (...)
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  2. A Passivity Prior to Passive and Active: Merleau-Ponty's Re-Reading of the Freudian Unconscious and Looking at Lascaux.Fiona Hughes - 2013 - Mind 122 (486):fzt061.
    Merleau-Ponty’s understanding of ‘passivity’ is a key to his account of perception. For Merleau-Ponty, perception is the way in which we are involved in the world, and it is on perception that the functions of understanding, reason, and reflection ultimately rest. While in his Phenomenology of Perception it is already clear that passive and active are intertwined, from a series of lectures he gave in 1954–5 we learn that inauguration or ‘institution’ arises out of a passivity that is not merely (...)
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  3.  11
    Relief and the Structure of Intentions in Late Palaeolithic Cave Art.Fiona Hughes - 2021 - Journal of Aesthetics and Art Criticism 79 (3):285-300.
    Artworks at Lascaux and other late Palaeolithic caves integrate geological features or “relief” of the cave wall in a way that suggests a symbiotic relation between nature and culture. I argue this qualifies as “receptivity to a situation,” which is neither fully active nor merely passive and emerges as a necessary element of the intentions made apparent by such cave art. I argue against prominent interpretations of cave art, including the shamanist account and propose a structural interpretation attentive to particular (...)
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  4.  2
    Kant's Aesthetic Epistemology: Form and World.Fiona Hughes - 2007 - Edinburgh University Press.
    Drawing on resources from both the Analytical and Continental traditions, Form and World argues that a comprehension of Kant's aesthetics is necessary for grasping the scope and force of his epistemology. Fiona Hughes draws on phenomenological and aesthetic resources to bring out the continuing relevance of Kant's project. One of the difficulties faced in reading the Critique of Pure Reason is finding a way of reading the text as one continuous discussion. This book offers a reading at each stage of (...)
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  5.  33
    Reversibility and Chiasm: False Equivalents? An Alternative Approach to Understanding Difference in Merleau-Ponty’s Late Philosophy.Fiona Hughes - 2017 - British Journal for the History of Philosophy 25 (2):356-379.
    The chiasm is usually considered the key notion for Merleau-Ponty’s later philosophy. I argue against a common conclusion, namely that ‘the chiasm’ is equivalent to ‘reversibility’. Even when the two terms are not taken as interchangeable, the precise nature of their relation has not been adequately established. Focusing exclusively on ‘reversibility’ has implications for a range of philosophical issues, including relations between self and other. The danger of substituting one term for the other is that existential relations are construed as (...)
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  6.  4
    Immanuel Kant, Lectures on Logic, Translated and Edited by J Michael Young, Cambridge: Cambridge University Press, 1992, Pp Xxxii + 695, Hb £60Immanuel Kant, Theoretical Writings, 1755-1770, Translated and Edited by David Walford in Collaboration with Ralf Meerbote, Cambridge: Cambridge University Press, 1992, Pp Lxxxi + 543, Hb £55. [REVIEW]Fiona Hughes - 1995 - Hegel Bulletin 16 (2):14-18.
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  7.  43
    Kant’s Phenomenological Reduction?Fiona Hughes - 2006 - Études Phénoménologiques 22 (43/44):163-192.
  8.  66
    Review: Kukla, Aesthetics and Cognition in Kant's Critical Philosophy. [REVIEW]Fiona Hughes - 2009 - European Journal of Philosophy 17 (3):455-460.
  9.  13
    Kant's Critique of Judgment: A Reader's Guide.Fiona Hughes - 2009 - Continuum.
    Context -- Overview of themes -- Reading the text -- Reception and influence.
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  10. The Role of the Concepts of Reflexion and Harmonie in Kant's Critical Philosophy.Fiona Hughes - 1993
     
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  11.  14
    Aesthetics and Cognition in Kant's Critical Philosophy Edited by Rebecca Kukla.Fiona Hughes - 2009 - European Journal of Philosophy 17 (3):455-460.
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  12.  71
    On Aesthetic Judgement and Our Relation to Nature: Kant's Concept of Purposiveness.Fiona Hughes - 2006 - Inquiry: An Interdisciplinary Journal of Philosophy 49 (6):547-572.
    I offer a critical reconstruction of Kant's thesis that aesthetic judgement is founded on the principle of the purposiveness of nature. This has been taken as equivalent to the claim that aesthetics is directly linked to the systematicity of nature in its empirical laws. I take issue both with Henry Allison, who seeks to marginalize this claim, and with Avner Baz, who highlights it in order to argue that Kant's aesthetics are merely instrumental for his epistemology. My solution is that (...)
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  13.  2
    The Temporality of Contemporaneity and Contemporary Art: Kant, Kentridge and Cave Art as Elective Contemporaries.Fiona Hughes - 2021 - Kantian Review 26 (4):583-602.
    This article contributes to understanding of Contemporary Art and of the temporality of contemporaneity, along with the philosophy of time more generally. I propose a diachronic contemporaneity over time gaps – elective contemporaneity – through examination of Kant’s Transcendental Aesthetic, the Third Analogy and the concept of ‘following’ among artistic geniuses; diachronic recognition and disjunctive synchronicity discoverable in William Kentridge’s multimedia artworks; as well as non-chronological temporal implications of superimpositions in late Palaeolithic cave art suggesting ‘graphic respect’. Elective contemporaneity shows (...)
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  14.  17
    Aesthetics and Cognition in Kant's Critical Philosophy Edited by Rebecca Kukla.Fiona Hughes - unknown
  15.  17
    The Reader's Guide to Kant's Critique of Judgement.Fiona Hughes - unknown
  16.  12
    Nietzsche's Janus Perceptions and the Construction of Values.Fiona Hughes - 2002 - Journal of the British Society for Phenomenology 33 (2):116-137.
  17.  16
    Taste as Productive Mimesis.Fiona Hughes - 2006 - Journal of the British Society for Phenomenology 37 (3):308-326.
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  18.  9
    Review of Malcolm Budd, The Aesthetic Appreciation of Nature[REVIEW]Fiona Hughes - 2004 - Notre Dame Philosophical Reviews 2004 (6).
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  19.  1
    Forgetful All Too Forgetful: Nietzsche and the Question of Measure.Fiona Hughes - 1998 - Journal of the British Society for Phenomenology 29 (3):252-267.