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  1.  49
    Kant's Aesthetic Epistemology. [REVIEW]Fiona Hughes - 2010 - Kantian Review 14 (2):155.
    Drawing on resources from both the analytical and continental traditions, this book argues that a comprehension of Immanuel Kant's aesthetics is necessary for grasping the scope and force of his epistemology. It draws on phenomenological and aesthetic resources to bring out the continuing relevance of Kant's project. One of the difficulties faced in reading ‘The Critique of Pure Reason’ is finding a way of reading the text as one continuous discussion. This book offers a reading at each stage of Kant's (...)
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  2. A Passivity Prior to Passive and Active: Merleau-Ponty's Re-Reading of the Freudian Unconscious and Looking at Lascaux.Fiona Hughes - 2013 - Mind 122 (486):fzt061.
    Merleau-Ponty’s understanding of ‘passivity’ is a key to his account of perception. For Merleau-Ponty, perception is the way in which we are involved in the world, and it is on perception that the functions of understanding, reason, and reflection ultimately rest. While in his Phenomenology of Perception it is already clear that passive and active are intertwined, from a series of lectures he gave in 1954–5 we learn that inauguration or ‘institution’ arises out of a passivity that is not merely (...)
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  3.  31
    Reversibility and Chiasm: False Equivalents? An Alternative Approach to Understanding Difference in Merleau-Ponty’s Late Philosophy.Fiona Hughes - 2017 - British Journal for the History of Philosophy 25 (2):356-379.
    The chiasm is usually considered the key notion for Merleau-Ponty’s later philosophy. I argue against a common conclusion, namely that ‘the chiasm’ is equivalent to ‘reversibility’. Even when the two terms are not taken as interchangeable, the precise nature of their relation has not been adequately established. Focusing exclusively on ‘reversibility’ has implications for a range of philosophical issues, including relations between self and other. The danger of substituting one term for the other is that existential relations are construed as (...)
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  4.  2
    Immanuel Kant, Lectures on Logic, Translated and Edited by J Michael Young, Cambridge: Cambridge University Press, 1992, Pp Xxxii + 695, Hb £60Immanuel Kant, Theoretical Writings, 1755-1770, Translated and Edited by David Walford in Collaboration with Ralf Meerbote, Cambridge: Cambridge University Press, 1992, Pp Lxxxi + 543, Hb £55. [REVIEW]Fiona Hughes - 1995 - Hegel Bulletin 16 (2):14-18.
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  5.  66
    On Aesthetic Judgement and Our Relation to Nature: Kant's Concept of Purposiveness.Fiona Hughes - 2006 - Inquiry: An Interdisciplinary Journal of Philosophy 49 (6):547-572.
    I offer a critical reconstruction of Kant's thesis that aesthetic judgement is founded on the principle of the purposiveness of nature. This has been taken as equivalent to the claim that aesthetics is directly linked to the systematicity of nature in its empirical laws. I take issue both with Henry Allison, who seeks to marginalize this claim, and with Avner Baz, who highlights it in order to argue that Kant's aesthetics are merely instrumental for his epistemology. My solution is that (...)
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  6.  62
    Review: Kukla, Aesthetics and Cognition in Kant's Critical Philosophy. [REVIEW]Fiona Hughes - 2009 - European Journal of Philosophy 17 (3):455-460.
  7.  17
    Aesthetics and Cognition in Kant's Critical Philosophy Edited by Rebecca Kukla.Fiona Hughes - unknown
  8.  11
    Aesthetics and Cognition in Kant's Critical Philosophy Edited by Rebecca Kukla.Fiona Hughes - 2009 - European Journal of Philosophy 17 (3):455-460.
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  9.  1
    Forgetful All Too Forgetful: Nietzsche and the Question of Measure.Fiona Hughes - 1998 - Journal of the British Society for Phenomenology 29 (3):252-267.
  10. Kant's Critique of Judgment: A Reader's Guide.Fiona Hughes - 2009 - Continuum.
    Context -- Overview of themes -- Reading the text -- Reception and influence.
     
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  11.  36
    Kant’s Phenomenological Reduction?Fiona Hughes - 2006 - Études Phénoménologiques 22 (43/44):163-192.
  12.  12
    Nietzsche's Janus Perceptions and the Construction of Values.Fiona Hughes - 2002 - Journal of the British Society for Phenomenology 33 (2):116-137.
  13.  9
    Review of Malcolm Budd, The Aesthetic Appreciation of Nature[REVIEW]Fiona Hughes - 2004 - Notre Dame Philosophical Reviews 2004 (6).
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  14.  15
    Taste as Productive Mimesis.Fiona Hughes - 2006 - Journal of the British Society for Phenomenology 37 (3):308-326.
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  15.  17
    The Reader's Guide to Kant's Critique of Judgement.Fiona Hughes - unknown
  16. The Role of the Concepts of Reflexion and Harmonie in Kant's Critical Philosophy.Fiona Hughes - 1993
     
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