O objetivo principal deste artigo consiste em averiguar os propósitos que levaram Bacon a compor o que chamou de Instauratio Magna: uma grande instauração da ciência futura nos termos de uma ampla restauração do passado da ciência. Trata-se de uma exposição de seu projeto em contraposição ao que efetivamente realizou. Visto que Kant dedicou a Bacon a Crítica da Razão pura, também se impôs como objetivo deste artigo a necessidade de buscar o motivo dessa dedicatória.

The major aim of this article consists in ascertaining the reasons which drove Bacon to compose what he called Instauratio Magna: a great institution of the future science in terms of an broad restoration of the past of science. It brings an exposition of his project (of what he meant to do) in contradistinction to what he effectively accomplished. Cconsidering that Kant dedicated to Bacon his Critique of Pure Reason, it is also an imperative concern of this article (...) to search for the reasons of this dedication. (shrink)

This volume belongs to the first new critical edition of the works of Francis Bacon (1561-1626) to have been produced since the nineteenth century. The edition presents the works in broadly chronological order and according to the best principles of modern textual scholarship. The seven works in the present volume belong to the final completed stages (Parts III-V) of Bacon's hugely ambitious six-part sequence of philosophical works, collectively entitled Instauratio magna (1620-6). All are presented in the original Latin (...) with new facing-page translations. Three of the seven texts (substantial works in two cases, and all sharing a startlingly improbable textual history) are published and translated here for the first time: these are an early version of the Historia densi, the 'lost' Abecedarium, and the Historia de animato & inanimato. Another--the Prodromi sive anticipationes philosphiae secundae--has likewise never been translated before. Together with their commentaries and the introduction they open the way to important new understandings of Bacon's mature philosophical thought. (shrink)

Volume XIII of the new edition of the works of Francis Bacon presents seven texts belonging to the last stages of Bacon's hugely influential philosophical reform programme. Three of the texts, sharing a bizarre history of literary theft and feuding, are here published for the first time. All seven are presented in their original Latin with brand new facing-page translations.

Das Novum Organum (1620), das zentrale Hauptwerk der berühmten Instauratio Magna (Große Erneuerung der Wissenschaften) Francis Bacons (1561-1626), markiert den radikalen Bruch der neuzeitlichen Wissenschaft mit den antiken und mittelalterlichen Traditionen des Denkens. Methodische "Forschung" sowie "Fortschritt" und soziale "Wohlfahrt" als Erkenntniszweck - das sind die Grundthemen, denen Bacon erstmals Bestimmtheit gab.

Das Novum Organum (1620), das zentrale Hauptwerk der berühmten Instauratio Magna (Große Erneuerung der Wissenschaften) Francis Bacons (1561-1626), markiert den radikalen Bruch der neuzeitlichen Wissenschaft mit den antiken und mittelalterlichen Traditionen des Denkens. Methodische "Forschung" sowie "Fortschritt" und soziale "Wohlfahrt" als Erkenntniszweck - das sind die Grundthemen, denen Bacon erstmals Bestimmtheit gab.

Das Novum Organum (1620), das zentrale Hauptwerk der berühmten Instauratio Magna (Große Erneuerung der Wissenschaften) Francis Bacons (1561-1626), markiert den radikalen Bruch der neuzeitlichen Wissenschaft mit den antiken und mittelalterlichen Traditionen des Denkens. Methodische "Forschung" sowie "Fortschritt" und soziale "Wohlfahrt" als Erkenntniszweck - das sind die Grundthemen, denen Bacon erstmals Bestimmtheit gab.

Francis Bacon, lawyer, statesman, and philosopher, remains one of the most effectual thinkers in European intellectual history. We can trace his influence from Kant in the 1700s to Darwin a century later. The Advancement of Learning , first published in 1605, contains an unprecedented and thorough systematization of the whole range of human knowledge. Bacon’s argument that the sciences should move away from divine philosophy and embrace empirical observation would forever change the way philosophers and natural scientists interpret (...) their world. (shrink)

English summary: Antonio Pellizzari (1747-1845) completed his Italian translation of Francis Bacons De dignitate et augmentis scientiarum in hopes that it would prove useful for Italian youth. It would remain unpublished for two centuries, partly because Bacons work had been place on the Churchs Index of prohibited books. The present edition offers a reproduction of the original manuscript as well as a thorough historical analysis of the translator in his chronological and intellectual context. Italian description: La prima traduzione italiana (...) del De dignitate et augmentis scientiarum (1623) di Francis Bacon e rimasta inedita per due secoli: il traduttore, il canonico trevigiano Antonio Pellizzari (1747-1845), aveva gia dato alle stampe la prima versione italiana del Novum organum (1788) e, ammiratore del filosofo inglese, si era deciso all' impresa di tradurre la piu vasta opera baconiana, con il titolo di Della dignita e degli aumenti delle scienze, convinto che quest' opera avrebbe giovato pur qualche poco la gioventu italiana. Il manoscritto della traduzione, completo di note ed indici, pronto per la stampa, rimase inedito per le lungaggini dovute alla necessaria richiesta dell'imprimatur al S. Uffizio: l' opera infatti era stata messa all' Indice dalla Sacra Congregazione (nel 1669) con la formula donec corrigatur; l' autorizzazione giunse, firmata dal Prefetto dell' Indice Angelo Maj, nel 1847, due anni dopo la morte del pur longevo Antonio Pellizzari. In questo volume si pubblica una trascrizione annotata del manoscritto 1408 del Della dignita e degli aumenti delle scienze conservato nella Biblioteca Comunale di Treviso, corredata, sulla base di carteggi inediti e di fondi manoscritti talora considerati perduti, di una ricostruzione storica della figura del traduttore, inserito nel piu ampio contesto della cultura veneta fra Settecento e Ottocento, segmento significativo per la storia della diffusione della filosofia moderna. (shrink)

La concepciiin de la tecnología de Bacon aparece dispersa en el Novum Organum, la segunda parte de su obra inacabada, Instauratio Magna. Bacon sienta alli un precedente para el papel que la filosofía contemporánea de la ciencia concede a la tecnologia en la constnicción de la racionalidad cie..

Excerpt from The Philosophical Works of Francis Bacon, Baron of Verulam, Viscount St. Albans, and Lord High-Chancellor of England, Vol. 3 of 3: Methodized, and Made English, From the Originals; With Occasional Notes, to Explain What Is Obscure; And Shew How Far the Several Plans of the Author, for the Advancement of All the Parts of Knowledge, Have Been Executed to the Present Time Ibe Nores occafionally added, we bope, will more fully open tbe De fign and Scope of (...) tbe P: ece', jo as to render it generally intelligible, and lead to its fart/oer Advancement. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

The Novum Organum, (or Novum Organum Scientiarum - "New Instrument of Science"), is a philosophical work by Francis Bacon, originally published in 1620. The title is a reference to Aristotle's work Organon, which was his treatise on logic and syllogism. In Novum Organum, Bacon details a new system of logic he believes to be superior to the old ways of syllogism. This is now known as the Baconian method.

Pan, ou la Nature; Persee, ou la Guerre; Orphee, ou la Philosophie; Sphinx, ou la Science; les Sirenes, ou le Plaisir... Dans cet ouvrage singulier, publie en 1609, le promoteur de la grande restauration des savoirs se livre a l'interpretation des mythes de la tradition greco-latine. Mais en restituant la sagesse des anciens, Bacon expose d'abord, avec une grande vigueur et rigueur, sous une forme particulierement attractive, sa propre pensee, envisagee dans ses multiples orientations: philosophie de la nature, conception de (...) la science, morale, politique... Cette nouvelle traduction du texte latin est precedee d'une etude introductive consacree aux fonctions et enjeux de l'audacieuse et complexe entreprise mythographique. (shrink)

The Novum Organum, (or Novum Organum Scientiarum - "New Instrument of Science"), is a philosophical work by Francis Bacon, originally published in 1620. The title is a reference to Aristotle's work Organon, which was his treatise on logic and syllogism. In Novum Organum, Bacon details a new system of logic he believes to be superior to the old ways of syllogism. This is now known as the Baconian method.

The Novum Organum, (or Novum Organum Scientiarum - "New Instrument of Science"), is a philosophical work by Francis Bacon, originally published in 1620. The title is a reference to Aristotle's work Organon, which was his treatise on logic and syllogism. In Novum Organum, Bacon details a new system of logic he believes to be superior to the old ways of syllogism. This is now known as the Baconian method.

Francis Bacon was a genuine midwife of modernity. He was one of the first thinkers to visualise a future which would be guided by a cooperative science-based vision of bettering human welfare. In this the first critical edition of his greatest philosophical work since the nineteenth-century, we find facing-page Latin translations and a thorough and detailed Introduction to the text.

Francis Bacon was a genuine midwife of modernity. He was one of the first thinkers to visualise a future which would be guided by a cooperative science-based vision of bettering human welfare. In this the first critical edition of his greatest philosophical work since the nineteenth-century, we find facing-page Latin translations and a thorough and detailed Introduction to the text.

Volume XIII of the new edition of the works of Francis Bacon presents seven texts belonging to the last stages of Bacon's hugely influential philosophical reform programme. Three of the texts, sharing a bizarre history of literary theft and feuding, are here published for the first time. All seven are presented in their original Latin with brand new facing-page translations.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Excerpt from Francisci Baconi Novum Organum, Sive Indicia Vera De Interpretatione Natur Nor do 1 know any higher praise that can be given to Bacon than that Newton evidently had studied his works deeply, used his terms, and practically carried on the work he had begun; verifying many of his guesses, and interpreting triumphantly the facts of Nature, into whose constitution he had obtained a deep and true insight. About the Publisher Forgotten Books publishes hundreds of thousands of rare and (...) classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

Qu'est-ce que le temps? Cette question nous plonge forcément dans l'embarras. La physique refuse de la poser: elle mesure le temps et en propose diverses théories au sein desquelles nous ne reconnaissons pas le temps de notre monde. Renonçant elle aussi à le définir, la philosophie s'est généralement réfugiée dans la conscience du temps, mais sans rien nous dire du temps lui-même. Il y a pourtant bien un concept de temps qui ne doit rien à la conscience ni à l'ordre (...) cosmique, c'est celui de ce monde où nous vivons et dont nous parlons; celui par lequel se distinguent l'avant et l'après, celui qui nous fait dire que les êtres changent et que Pierre est en retard. Tout cela dépend, à notre échelle, du mobilier du monde commun. La philosophie peut ainsi reprendre l'analyse du concept de temps soutenue par toute la tradition, d'Aristote à Bergson, de Kant à David Lewis. Elle offre alors de nouvelles réponses à nos interrogations les plus classiques: Le devenir n'est-il qu'une illusion? Le passé existe-t-il ou n'est-il qu'un fantôme de la mémoire? Pourquoi le temps est-il irréversible? Devons-nous l'imaginer comme une flèche dirigée vers l'avenir ou comme un fleuve précipitant notre présent en passé? Ces problèmes n'ont pas épuisé leurs mystères. Au bout de l'enquête, il y a l'espoir d'éclairer ce qu'Einstein lui-même estimait être l'énigme du 'maintenant'"--Page 4 of cover. (shrink)

Francis Bacon, the English philosopher, statesman and jurist, is best known for developing the empiricist method which forms the basis of modern science. Bacon's writings concentrated on philosophy and judicial reform. His most significant work is the Instauratio Magna comprising two parts - The Advancement of Learning and the Novum Organum. The first part is noteworthy as the first major philosophical work published in English. James Spedding and his co-editors arranged this fourteen-volume edition, published in London between 1857 (...) and 1874, not in chronological order but by subject matter, so that different volumes would appeal to different audiences. The material is divided into three parts: philosophy and general literature; legal works; and letters, speeches and tracts relating to politics. Volume 8, published in 1862, contains letters, and miscellaneous writings relating to Bacon's political duties from 1561 to 1594, offering a valuable insight into Elizabethan statecraft. (shrink)

¿Es posible volcar en los moldes modernos de la libertad y de la autonomía al antiguo significado de la virtud? Para resolver tal interrogante, nos apoyaremos en las tesis esgrimidas por la Filosofía moral deEric Weil, obra que nos ayudará a medir la magnitud del enfrentamiento de Aristóteles con Kant, conduciéndonos,de la mano de Hegel, a través de una meditación sobre el actuar histórico; orientando, en parejogrado, a la rellexión moral hacia su autosuperación vital y existencial. Por último, sentaremos (...) el valor y fecundidad, faltos todavía de prueba. de este gesto tilosófico. (shrink)

Quiero examinar dos tesis opuestas acerca de la posibilidad de comprender el arte de otras culturas: 1. La tesis según la cual hay una dificultad inherente e insupera-ble en la comprensión del arte de las culturas distintas de la propia. Esta tesis nace de la creencia de que, puesto que el arte es la expresión de significados y sentimientos que pertenecen a esa cultura, el observador externo no puede ni siquiera empezar a comprender tal arte en cuanto que lo que (...) expresa está fuera de su experiencia. 2. La tesis clásica según la cual el arte es único al ser un "lenguaje" universal; tesis defendida por la noción de Kant de una comunidad del gusto y por la de Hegel de un espíritu universal. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Epigram into Lyric: Francis Bacon Translates from the Greek Anthology GORDON BRADEN If sir francis bacon did not exactly invent modern science and technology, he did predict it, with remarkable accuracy. The unfinished project of which the writings of his later years were to be component parts is a reformation of the life of the human mind from the ground up—“a complete Instauration of the arts and (...) sciences and all the learning of mankind, raised upon proper foundations ”1—and the most (arguably the only) successful such plan ever drafted. It foresaw both the previously unimaginable worldly triumph of the human race over nature in the centuries that followed and the intellectual means by which that triumph was to be achieved. He also wrote poetry. It is no surprise that someone of his time and place and station should have done so, and its existence is not in itself remarkable. Not much of it has survived, and we have no particular reason to think there was more; and, despite the extensive scholarly and critical scrutiny that Bacon’s work has received, very little attention has been given to this part of it. Still, one poem has achieved something of an afterlife and is worth attention, especially alongside the triumphalism of Bacon’s Magna Instauratio. It concerns hopelessness. Serious attention has been given to Bacon’s remarks on literature and the imagination, including his proposal, amid all his other plans, for what he calls “literary history” (historia literarum).2 But his poems are a different matter. They can be found in the great 19th-century edition of Bacon’s collected works, tucked in between his Prayers and his Christian Paradoxes.3 Most of the poems are from a small volume of psalm translations published under his own name the year before arion 27.1 spring/summer 2019 his death; these are now available in one of the published volumes of the new Oxford edition of Bacon’s works.4 There is also 12-line poem in hexameter couplets that begins sounding like a translation of Horace’s Integer vitae but goes on to be a fairly straightforward completion of its opening thesis and never gets around to sweetly laughing, sweetly speaking Lalage; a manuscript in the British Library attributes it to Bacon, though it is also printed in two of Thomas Campion’s books of airs as if it were one of his.5 My own interest is in the one remaining poem, a 32-line translation of a 10-line poem from the Greek Anthology (9.359 in the Palatine Anthology, though known in Bacon’s time from the Planudean). It first appears in print in 1626, anonymously, as “Certaine verses concerning the present estate of Man,” appended with other “characters, and many other witty conceits ” to an edition of Thomas Overbury’s poem “A Wife.”6 Three years later the classical scholar Thomas Farnaby prints it with an ascription to Bacon in a selection of poems from the Greek Anthology, along with the original text of the Greek poem, a Latin translation of it, and the editor’s facing translation of Bacon’s poem back into Greek.7 Bacon’s poem can also be found, both complete and in fragmentary form, in quite a few manuscripts, which are being collated for the first time for The Oxford Francis Bacon, though the editors have not yet decided where to put it. Isolated citations and quotations of the poem occur over the next several centuries; Francis Turner Palgrave includes it in his much-reprinted Golden Treasury, with the title “Life.”8 But there has been little discussion of the poem. It is the subject of an excellent scholarly article by Herbert Grierson, but that was over a hundred years ago.9 Paul Fussell has some sharp observations on Bacon’s use of his stanza form, but they fit onto a single page.10 Other comment is mostly incidental. I want to gather and slightly enhance what has been learned or said about the poem, and explore why it has snagged my interest. The Greek original is variously attributed; the most commonly mentioned name is Posidippus, probably the Mace50 epigram into... (shrink)

The article is the study of some aspects of the methodology of scientific knowledge that F. Bacon addressed in his treatise “New Organon” (1620) and in other works in one way or another related to his work on the project of the Instauratio Magna Scientiarum. The article focuses on the following three questions: Bacon’s attitude to Aristotle’s legacy, the context of Bacon’s doctrine of idols and the reasons for the English philosopher to choose a fragmented (aphoristic) form of presentation (...) of his ideas in the “New Organon” and in some other works. Based on an analysis of Bacon’s works related to the above project, it was shown that his statements about Aristotle and his philosophy were differentiated depending on whether the corresponding text was intended for printing or served as a working draft. In the latter case, the estimates of Aristotle by Bacon were more stringent. Baconian criticism of Aristotelianism was formed in the context of the development by the English philosopher of the doctrine of the idols of knowledge. The article shows that developing this doctrine, Bacon proceeded from the idea of mass insanity of the human race (insania publica), which has ancient roots and was shared by a number of contemporaries of F. Bacon. At the same time, the latter considered Aristotle as the creator of “a kind of art of insanity (artemque quondam insaniae componere)”. As a cure for “insania universalis”, Bacon proposed a new method (the “new organon”) of cognition, and the presentation of his ideas in the form of separate, but conceptually related aphorisms, as a way of activating the reader’s thought process. (shrink)

Este artigo trata de uma relação sobre os entraves ao conhecimento científico na perspectiva de Francis Bacon e de Gaston Bachelard. Para ambos os filósofos existem barreiras que se inserem no intelecto humano. Deste modo, causa atraso no desenvolvimento das ciências. Primeiramente buscamos explicitar a “teoria dos ídolos” de Francis Bacon e a teoria dos “obstáculos epistemológicos” no pensamento de Gaston Bachelard. Posteriormente se faz uma tentativa de mostrar algumas convergências e algumas divergências no pensamento dos dois filósofos (...) sobre a referida questão. (shrink)

La cognition humaine paraît étroitement liée à la structure de l'espace et du temps relativement auxquels le corps, le geste, l'intelligibilité semblent devoir se déterminer. Pourtant, ce qui, après les approches physico-mathématiques de Galilée et de Newton, fut caractérisé par Kant comme formes de l'intuition sensible, n'a cessé au cours des siècles qui suivirent de se trouver remis en cause dans leur saisie première par les développements théoriques. En mathématiques d'abord, avec les géométries non-euclidiennes, en physique ensuite, où relativité (...) générale puis théories quantiques et critiques ont dû remanier profondément l'objectivité de ces concepts pour en faire des catégories, certes toujours aussi essentielles, mais de plus en plus contre-intuitives, et maintenant en biologie où la temporalité, notamment, et la causalité se révèlent largement différentes de celles de la physique. C'est ce que nous tentons de présenter et de discuter dans ce texte en vue d'en dégager la pertinence pour la cognition elle-même. (shrink)

This article studies the reception of Christian Wolff's theory of the civitas maxima by Hermann Friedrich Kahrel (1719-1787) and Michael Hanov (1695-1773). According to his previous work mentioned in the article (n. 2), the author considers the concept of civitas maxima as a methodological innovation. It is the normative fiction of a presumed rational consensus of mankind and of the states. As the article tries to show, this concept was misunderstood, not only by the enemies of Wolff but also by (...) his followers. Kahrel considered the consensus of mankind and of the states a tacit factual consensus. The innovative idea of a presumed normative consensus was thereby lost. Hanov interpreted the civitas maxima as a civitas dei in the sense of Leibniz. He transformed the normative idea of a presumed consensus into a fact of metaphysics and natural theology. Nevertheless, he introduced a diachrone dimension into the concept of civitas maxima which he sees as an infinite sequence of all generations of mankind. This anticipates Kant's integration of cosmopolitanism in a certain concept of history. Kahrel and Hanov however misconceived Wolff's idea of a normative fiction of reason by its reduction to a factual reality, be it natural or metaphysical. They thereby are representative for a common misunderstanding of Wolff's theory that also leads to an inadequate critique. (shrink)

Os escritos de Francis Bacon dedicados à filosofia abundam em imagens, metáforas, comparações e alegorias destinadas a ilustrar e apresentar com eloquência suas ideias. Solidamente formado na cultura humanista de seu tempo, Bacon adotou com destreza os recursos da retórica e nutriu-se de um amplo espectro da literatura clássica greco-latina, assim como também dos escritos bíblicos. Em especial, a mitologia clássica (a que dedicou seu De sapientia veterum (1609) - Da sabedoria dos antigos) foi um de seus recursos predilteos (...) na hora de valer-se de alegorias para tornar acessível a um público amplo e não especializado os conteúdos mais inovadores, profundos e abstrusos de sua filosofia.1 Tudo isso converte algumas de suas obras em excelentes peças da literatura filosófica, nas quais Bacon põe em prática sua grande plasticidade como escritor, que, delicadamente e sem tropeços, transporta seus leitores da beleza da poesia e fantasia para os conceitos mais abstratos, sempre em busca de representar suas ideias filosóficas e de transformar a realidade por meio delas. Neste texto, apresentarei brevemente algumas das imagens pelas quais ele quis retratar aspectos fundamentais do seu projeto de restauração do saber. (shrink)

Spike Lee’s film 25 th Hour begins with an act of violence that it does not show: instead, the viewer hears the sounds of a dog being beaten. The dog’s menacing growl is then transformed into the growling image of Montgomery ‘Monty’ Brogan’s car speeding through New York. Monty spots the dog, and stops. It is only then that the viewer witnesses the results of the film’s ‘foundational’ act of violence: the bloody body of a dog beaten to pulp. When (...) Monty approaches the dog, it turns out the animal ‘still has some bite left in him’. Perhaps because the dog is a fighter, Monty decides to save him. Although the dog resists, he ultimately manages to get the dog in the trunk of his car. But Monty does not emerge from the rescue operation unscathed: blood is trickling from a cut in his neck. This scene can be read as a pre-figuration of a stomach-turning scene towards the end of the film, in which Monty’s friend Francis ‘Frank’ Slaughtery will beat up Monty’s face beyond recognition so that Monty will not be raped on his first night in jail. Monty’s face recalls the dog at the beginning of the film. It is through the bloody mess of their bodies that Monty and the dog begin to communicate, to enter into communion. This essay explores how this communion, this communication between Monty and the dog, comes about. I am interested, specifically, in what the significance of such an exploration might be for contemporary conceptions of community. The essay initially approaches this topic against the background of Emmanuel Levinas’ work on ethics, in which the notion of the face has played a crucial role. But its aim is really to situate the film, through the references to the work of Francis Bacon that it includes, in a more contemporary, post-Levinasian debate on an ethics of defacement. I am particularly interested in exploring the significance of such an ethics in the post-September 11 era, which is explicitly evoked at the beginning of Lee’s film. My argument is that Monty and the dog begin to communicate, to enter into a communion, and thus to form a community, through a process of defacement that simultaneously strips them from their ways of life and propels them into a shared ethical and political becoming. (shrink)

On Roger Bacon's life and works, by A. G. Little.--Der einfluss des Robert Grosseteste auf die wissenschaftliche richtung des Roger Bacon, von Ludwig Baur.--La place de Roger Bacon parmi les philosophes du XIIIe siècle, par François Picavet.--Roger Bacon and the Latin vulgate, by Francis Aidan, cardinal Gasquet.--Roger Bacon and philology, by S. A. Hirsch.--The place of Roger Bacon in the history of mathematics, by David Eugene Smith.--Roger Bacon und seine verdienste um die optik, von Eilhard Wiedemann.--Roger Bacons lehre von (...) der sinnlichen spezies und vom seḣvorgange, von Sebastian Vogl.--Roger Bacons art des wissenschaftlichen arbeitens dargestellt nach seiner schrift De speculis, von J. Würschmidt.--Roger Bacon et l'horreur du vide, par Pierre Duhem.--Roger Bacon, his relations to alchemy and chemistry, by M. M. Pattison Muir.--Roger Bacon and gunpowder, by H. W. L. Hime.--Roger Bacon and medicine, by E. Withington. (shrink)

THE LIFE Of FRANCIS BACON, LORD HIGH CHANCELLOR OF ENGLAND. THE ancient Egyptians had a law, which ordained that the actions and characters of their dead ...