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Fred Rush [50]Fred L. Rush [4]Fred L. Rush Jr [2]Fred Leland Rush [1]
  1.  64
    The Art of Living: Socratic Reflections from Plato to Foucault.Fred L. Rush - 1998 - Journal of Aesthetics and Art Criticism 57 (4):473-475.
    For much of its history, philosophy was not merely a theoretical discipline but a way of life, an "art of living." This practical aspect of philosophy has been much less dominant in modernity than it was in ancient Greece and Rome, when philosophers of all stripes kept returning to Socrates as a model for living. The idea of philosophy as an art of living has survived in the works of such major modern authors as Montaigne, Nietzsche, and Foucault. Each of (...)
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  2.  44
    The Cambridge companion to critical theory.Fred Rush (ed.) - 2004 - New York: Cambridge University Press.
    Critical Theory constitutes one of the major intellectual traditions of the twentieth century, and is centrally important for philosophy, political theory, aesthetics and theory of art, the study of modern European literatures and music, the history of ideas, sociology, psychology, and cultural studies. In this volume an international team of distinguished contributors examines the major figures in Critical Theory, including Horkheimer, Adorno, Marcuse, Benjamin, and Habermas, as well as lesser known but important thinkers such as Pollock and Neumann. The volume (...)
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  3. The harmony of the faculties.Fred L. Rush - 2001 - Kant Studien 92 (1):38-61.
    The primary task confronting an examination of the claimed connection between Kant's general theory of cognition and his account of aesthetic judgment requires clarifying perhaps the most obscure component of that account, the doctrine of the harmony of the faculties. Kant's presentation of this doctrine makes it notoriously difficult to penetrate. Much of what Kant says about the harmony of the faculties – perhaps the very phrase “the harmony of the faculties” – is rather imprecise and metaphorical. Yet, the importance (...)
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  4.  65
    The Unity of Reason: Essays in Kant’s Philosophy.Fred L. Rush, Dieter Henrich, Richard Velkley, Guenter Zoeller, Manfred Kuehn, Louis Hunt, Jeffrey Edwards, Eckart Forster, Abraham Anderson & Taylor Carman - 1998 - Journal of Philosophy 95 (3):149.
  5.  74
    The Romantic Imperative: The Concept of Early German Romanticism.Fred Rush - 2005 - Mind 114 (455):709-713.
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  6. Conceptual foundations of early Critical Theory.Fred Rush - 2004 - In The Cambridge companion to critical theory. New York: Cambridge University Press. pp. 6--39.
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  7.  37
    Irony and idealism : rereading Schlegel, Hegel, and Kierkegaard.Fred Rush - 2016 - Oxford, GB: Oxford University Press.
    Fred Rush investigates the historical and conceptual structure of the development of a distinctive conception of irony in early- to mid-nineteenth century European philosophy. He explores the thought of Schlegel and Novalis, Hegel and Kierkegaard, and argues that the development of irony in this period offered an alternative to German idealism.
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  8.  32
    Reason and Regulation In Kant.Fred L. Rush Jr - 2000 - Review of Metaphysics 53 (4):837-862.
    Much critical attention to the Dialectic of the Critique of Pure Reason is devoted to two related concerns. The first is Kant's skeptical attack on the claims of pure reason to epistemic authority, where the focus is on the paralogisms and the antinomies of pure reason. The second involves Kant's refutation of idealism. These two concerns are of course intimately connected with one another and there are various ways to express that interconnection. Perhaps most generally it can be said that (...)
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  9.  64
    Adorno's Negative Dialectic: Philosophy and the Possibility of Critical Rationality.Fred Rush - 2007 - Philosophical Review 116 (1):131-135.
  10. Appreciating Susan Sontag.Fred Rush - 2009 - Philosophy and Literature 33 (1):pp. 36-49.
    In lieu of an abstract, here is a brief excerpt of the content:Appreciating Susan SontagFred RushMuch education from the mid-1960s to the mid-1970s was self-education. Although one might happen to take a university course that incorporated contemporary art and criticism, it was a rarity. More often one supplemented university fare with one's own reading, listening, and viewing of cutting-edge art, anthropology, music, philosophy, linguistics, etc. Susan Sontag was for many Americans of that time a preeminent guide in this process, opening (...)
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  11.  33
    Symposium: Arthur Danto, the abuse of beauty.Fred Rush - 2005 - Inquiry: An Interdisciplinary Journal of Philosophy 48 (2):172 – 188.
  12.  21
    The Culture Industry.Fred Rush - 2019 - In Peter Eli Gordon (ed.), A companion to Adorno. Hoboken: Wiley. pp. 85–102.
    Adorno and Horkheimer critically develop the concept of the “culture industry” in the third chapter of Dialectic of Enlightenment. The treatment there has some right to be considered one of the core texts in Critical Theory's philosophy of art. This essay discusses the main claims and arguments of that work, as well as earlier essays in Adorno's music theory and later essays that turn to film aesthetics. Attention focuses on illuminating the basis for Adorno and Horkheimer's views on the culture (...)
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  13.  13
    Introduction: Five Pieces for Arthur Danto (1924–2013) In memoriam.Lydia Goehr, Daniel Herwitz, Fred Rush & Jonathan Gilmore - 2021 - In Lydia Goehr & Jonathan Gilmore (eds.), A Companion to Arthur C. Danto. Hoboken: Wiley. pp. 1–14.
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  14.  13
    Moving Pictures.Fred Rush - 2021 - In Lydia Goehr & Jonathan Gilmore (eds.), A Companion to Arthur C. Danto. Hoboken: Wiley. pp. 216–222.
    Arthur Danto's philosophy of film is contained almost entirely in a single, rich, but unruly essay, “Moving Pictures”, chock full of examples but digressive to the point of distraction. Danto's method is to address senses in which pictures generally may be said to be “moving” and to determine in which sense, indicative only of it, might film be said to be so. Danto dismisses out‐of‐hand communal viewing as a basis for understanding film on a purely theatrical model. Danto's discussion of (...)
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  15.  12
    Einleitung.Karl Ameriks, Fred Rush & Jürgen Stolzenberg - 2009 - In Jürgen Stolzenberg, Karl Ameriks & Fred Rush (eds.), Internationales Jahrbuch des Deutschen Idealismus / International Yearbook of German Idealism : Romantik / Romanticism. Walter de Gruyter. pp. 1-11.
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  16.  7
    Introduction.Karl Ameriks, Fred Rush & Jürgen Stolzenberg - 2009 - In Jürgen Stolzenberg, Karl Ameriks & Fred Rush (eds.), Internationales Jahrbuch des Deutschen Idealismus / International Yearbook of German Idealism : Romantik / Romanticism. Walter de Gruyter. pp. 12-22.
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  17.  19
    Autoren/authors.Fred Rush & Jürgen Stolzenberg - 2014 - In Jürgen Stolzenberg & Fred Rush (eds.), Geschichte/History. De Gruyter. pp. 307-308.
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  18. Art, aesthetics and subjectivity.Fred Rush - 2007 - European Journal of Philosophy 15 (2):283–296.
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  19.  15
    Adorno After Adorno.Fred Rush - 2022 - In J. M. Bernstein, Claudia Brodsky, Anthony J. Cascardi, Thierry de Duve, Aleš Erjavec, Robert Kaufman & Fred Rush (eds.), Art and Aesthetics After Adorno. Fordham University Press. pp. 41-68.
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  20.  32
    Art and Sociality in Kant.Fred Rush - 2013 - In Stefano Bacin, Alfredo Ferrarin, Claudio La Rocca & Margit Ruffing (eds.), Kant und die Philosophie in weltbürgerlicher Absicht. Akten des XI. Internationalen Kant-Kongresses. Boston: de Gruyter. pp. 237-248.
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  21.  23
    A Philosopher Looks at Architecture.Fred Rush - 2022 - Journal of Aesthetics and Art Criticism 80 (1):109-112.
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  22.  19
    Diabolus in dialectica.Fred Rush - 2017 - Hegel Bulletin 38 (2):221-240.
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  23. Dialectic, Objectivity, and the Unity of Reason.Fred Rush - 2007 - In Brian Leiter & Michael Rosen (eds.), The Oxford handbook of continental philosophy. New York: Oxford University Press.
  24. (1 other version)Dialectic, value objectivity, and the unity of reason.Fred Rush - 2007 - In Brian Leiter & Michael Rosen (eds.), The Oxford handbook of continental philosophy. New York: Oxford University Press.
     
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  25.  20
    Hinweis an die Verlage/letter to Publishers.Fred Rush & Jürgen Stolzenberg - 2014 - In Jürgen Stolzenberg & Fred Rush (eds.), Geschichte/History. De Gruyter. pp. 309-310.
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  26.  37
    Hegel, Humour, and the Ends of Art.Fred Rush - 2010 - Hegel Bulletin 31 (2):1-22.
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  27.  30
    Hegel, moderniste? Remarks on Robert Pippin's After the Beautiful.Fred Rush - 2015 - Journal of Aesthetics and Art Criticism 73 (3):312-318.
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  28.  14
    Inhalt.Fred Rush & Jürgen Stolzenberg - 2014 - In Jürgen Stolzenberg & Fred Rush (eds.), Geschichte/History. De Gruyter.
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  29.  20
    Kant and Schlegel.Fred L. Rush - 2001 - In Ralph Schumacher, Rolf-Peter Horstmann & Volker Gerhardt (eds.), Kant Und Die Berliner Aufklärung: Akten des Ix. Internationalen Kant-Kongresses. Bd. I: Hauptvorträge. Bd. Ii: Sektionen I-V. Bd. Iii: Sektionen Vi-X: Bd. Iv: Sektionen Xi-Xiv. Bd. V: Sektionen Xv-Xviii. New York: De Gruyter. pp. 622-629.
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  30. Literature and Politics.Fred Rush - 2009 - In Richard Thomas Eldridge (ed.), The Oxford handbook of philosophy and literature. New York: Oxford University Press.
     
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  31.  31
    Notes on Sontag by lopate, phillip Reborn: Journals and Notebooks 1947-1963 by sontag, susan.Fred Rush - 2010 - Journal of Aesthetics and Art Criticism 68 (2):183-186.
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  32.  19
    On Architecture.Fred Leland Rush - 2008 - Routledge.
    Architecture is a philosophical puzzle. Although we spend most of our time in buildings, we rarely reflect on what they mean or how we experience them. With some notable exceptions, they have generally struggled to be taken seriously as works of art compared to painting or music and have been rather overlooked by philosophers. In On Architecture , Fred Rush argues this is a consequence of neglecting the role of the body in architecture. Our encounter with a building is first (...)
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  33.  17
    Preface.Fred Rush & Jürgen Stolzenberg - 2014 - In Jürgen Stolzenberg & Fred Rush (eds.), Geschichte/History. De Gruyter.
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  34.  8
    Philosophy of Sculpture: Historical Problems, Contemporary Approaches.Fred Rush, Ingvild Torsen & Kristin Gjesdal (eds.) - 2020 - Routledge.
    This volume comprises ten essays at the cutting edge of thinking about sculpture in philosophical terms, representing approaches to sculpture from the perspectives of both Anglo-American and European philosophy. Some of the essays are historically situated, while others are more straightforwardly conceptual.
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  35.  41
    Reason and receptivity in critical theory.Fred Rush - 2011 - Philosophy and Social Criticism 37 (9):1043-1051.
    Nikolas Kompridis' Critique and Disclosure is a sustained argument for the proposition that critical social theory in the tradition of the Frankfurt School is best carried forward by rejecting central aspects of Habermas' neo-Kantian version of it. The most promising future direction for critical theory according to Kompridis involves a reconsideration of the resources of hermeneutic phenomenology, especially renewed attention to the Heideggerian concept ‘disclosure’. To this end, Kompridis develops a distinctive dialectical version of this concept. I agree that Kantian (...)
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  36.  22
    Symposium: Arthur Danto, The Abuse of Beauty*: Remnants of Beauty.Fred Rush - 2005 - Inquiry: An Interdisciplinary Journal of Philosophy 48 (2):172-188.
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  37.  30
    Sotto voce: Inscription as Voiceover in Malick’s Days of Heaven.Fred Rush - 2020 - Film and Philosophy 24:84-97.
    Terrence Malick’s widespread use of voiceover is generally noted, as is its nonstandard bearing. Malick’s use of voiceover is non-standard in virtue of its loose narrative fit. That too is often marked. Much less discussed is the philosophical basis for Malick’s voiceover, more specifically its ontological function in bounding the filmworld with intentionality. This paper addresses such ontological questions. It first develops a general schema for voiceover and Malick’s use of it in several of his films. Malick’s discovery of the (...)
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  38.  38
    The availability of Heidegger?S later thought.Fred Rush - 2001 - Inquiry: An Interdisciplinary Journal of Philosophy 44 (2):201 – 222.
    Beginning with his work in the mid-1930s, Heidegger's later thought is generally considered to pose severe interpretative difficulties, even for those well acquainted with Being and Time. It is often claimed that his later thought either defies reconstruction because of its arcane nature or that it should not be reconstructed because doing so compromises its subtleties. It is argued that this 'availability problem' with Heidegger's later thought is not insurmountable, at least not with regard to one of its major strands, (...)
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  39. The Limits of Reason: Kant's Theory of Reflection and its Criticism.Fred Rush - 1996 - Dissertation, Columbia University
    The thesis provides a new interpretation of Kant's claims for the epistemological significance of aesthetic judgment. I argue that the harmony of the imagination and the understanding in aesthetic judgment consists in a potentially unending activity of mental modeling, or "exhibiting," of figures corresponding to possible conceptual determinations of the perceptual form of a beautiful object. Since Kant holds just this capacity to exhibit concepts as figures in intuition to be a prerequisite to empirical conception, judgments of taste are based (...)
     
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  40.  39
    The Romantic Absolute: Being and Knowing in Early German Romantic Philosophy, 1795–1804 by Dalia Nassar.Fred Rush - 2014 - Journal of Philosophy 111 (8):437-442.
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  41.  33
    Wittgenstein and the Craft of Reading: On Reckoning with the Imagination: Wittgenstein and the Aesthetics of Literary Experience, By Charles Altieri.Fred Rush - 2018 - Philosophy and Literature 42 (1):236-243.
    Charles Altieri's Reckoning with the Imagination: Wittgenstein and the Aesthetics of Literary Experience addresses a perceived problem in literary theory.1 That problem is how to reintegrate practices of "close reading" in a field dominated by "grand theory": deconstruction, postcolonial studies, queer studies, New Historicism, and other regimens. Unlike the New Criticism that controlled the reading, writing, and teaching of serious literature in the United States through the 1940s and '50s, in which intricate analysis of text as text was all, Altieri (...)
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  42.  16
    Freiheit / Freedom.Jürgen Stolzenberg & Fred Rush (eds.) - 2013 - De Gruyter.
    Freedom is the central theme of classical German philosophy. Kant s theory of freedom as a function of autonomy provided the first theoretical framework that expressed the political turn in self-understanding emerging from the French Revolution. For champions of philosophy who came after Kant, freedom became a fundamental element in their philosophical systems. Volume 9 of the Internationalen Jahrbuchs des Deutschen Idealismus/International Yearbook of German Idealism addresses different interpretations of the notion of freedom that were put forward in Kant s (...)
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  43.  25
    Geschichte/History.Jürgen Stolzenberg & Fred Rush (eds.) - 2014 - De Gruyter.
    Der Deutsche Idealismus gehört zu den bedeutendsten und wirkungsmächtigsten Epochen der neuzeitlichen Philosophie. Die Verständigung über den Begriff der Philosophie und über das, was philosophische Theoriebildung zu leisten vermag, wurde entscheidend von der systematischen Philosophie nach Kant geprägt und wird bis heute von ihr in Bewegung gehalten. In den letzten Jahrzehnten hat die Erforschung des Deutschen Idealismus einen bemerkenswerten Aufschwung erfahren - und dies im internationalen Ausmaß. Besonders im angloamerikanischen Sprachraum ist ein zunehmendes Interesse festzustellen; aber auch in Frankreich, Italien, (...)
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  44.  15
    Glaube Und Vernunft. / Faith and Reason.Jürgen Stolzenberg, Fred Rush & Karl P. Ameriks (eds.) - 2010 - De Gruyter.
    Kants Vernunftkritik hat das Wissen zugunsten des Glaubens aufgehoben. Angeregt vor allem durch F.H. Jacobi, wird das Verhältnis von Glauben und Vernunft in der Philosophie nach Kant erneut zu einem zentralen Thema. Zur Entscheidung stehen die Fragen, ob der Glaube das Fundament von Wissen sein kann, ob der Glaube eine Grenze der Vernunft markiert oder ob eine absolut ges.
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  45.  8
    Introduction. Faith and Reason.Jürgen Stolzenberg & Fred Rush - 2010 - In Jürgen Stolzenberg, Fred Rush & Karl P. Ameriks (eds.), Glaube Und Vernunft. / Faith and Reason. De Gruyter. pp. 9-18.
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  46.  14
    Philosophie Und Wissenschaft / Philosophy and Science.Jürgen Stolzenberg & Fred Rush (eds.) - 2011 - De Gruyter.
    The contributions to volume 8 of the Internationales Jahrbuch des Deutschen Idealismus/International Yearbook of German Idealism pursue from various perspectives the multifarious relations of German Idealism to the natural sciences and mathematics. The concepts of nature and of the basis for mathematics develop complexly in German philosophy after Kant. At issue are: the foundation of mathematics; the relation of freedom to nature; the significance of philosophy to emerging research in biology, chemistry, and physics, and reconsideration of the thought of Leibniz (...)
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  47.  49
    Kant's critique of taste: The feeling of life, by Katalin Makkai. Cambridge Cambridge University Press, 2021, ISBN : 9781108497794, pp. viii +209, £75.00, Hbk. [REVIEW]Fred Rush - 2022 - European Journal of Philosophy 30 (1):436-439.
    European Journal of Philosophy, EarlyView.
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  48.  24
    Hegel on Beauty, by Julia Peters. New York, NY: Routledge, 2015, 161 pp. ISBN 978‐1‐138‐79595‐2 hb $145.00. [REVIEW]Fred Rush - 2017 - European Journal of Philosophy 25 (2):535-540.
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  49.  47
    Hegel on the Modern Arts, by Benjamin Rutter. Cambridge: Cambridge University Press, 2010, xiii + 282 pp. ISBN 978-0-521-11401-1 hb £50.00. [REVIEW]Fred Rush - 2013 - European Journal of Philosophy 21 (S1):E12--E16.
  50.  34
    Review of Manfred Frank, The Philosophical Foundations of Early German Romanticism[REVIEW]Fred Rush - 2004 - Notre Dame Philosophical Reviews 2004 (12).
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