9 found
Order:
  1. The Crisis in Modernism: Bergson and the Vitalist Controversy.Frederick Burwick & Paul Douglass (eds.) - 1992 - Cambridge University Press.
    The modernist movement has been regarded as representing a crisis point in Western thought. This volume looks at that crisis in terms of its reinterpretation of ideas concerning vitalism: the animation of the universe, whether spiritual or based in physical energies) of the universe. Beginning with vitalism's historical background in the enlightenment and the nineteenth century, and moving through scientific, philosophical and literary disciplines, the contributors chart the progress of vitalism and its influence on modernist thought. The focal point is (...)
     
    Export citation  
     
    Bookmark   3 citations  
  2. And Paul Douglass.Frederick Burwick - 1992 - In Frederick Burwick & Paul Douglass (eds.), The Crisis in Modernism: Bergson and the Vitalist Controversy. Cambridge University Press.
     
    Export citation  
     
    Bookmark   1 citation  
  3.  16
    The Grotesque: Illusion Vs. Delusion.Frederick Burwick - 1990 - In Frederick Burwick & Walter Pape (eds.), Aesthetic Illusion: Theoretical and Historical Approaches. W. De Gruyter. pp. 122--132.
    Direct download  
     
    Export citation  
     
    Bookmark  
  4.  5
    Aesthetic Illusion.F. Burwick W. Pape & Frederick Burwick - 1990 - In Frederick Burwick & Walter Pape (eds.), Aesthetic Illusion: Theoretical and Historical Approaches. W. De Gruyter. pp. 1.
  5.  3
    Goethe Contra Newton: Polemics and the Project for a New Science of Color. Dennis L. Sepper.Frederick Burwick - 1989 - Isis 80 (4):710-711.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  6.  33
    Aesthetic Illusion: Theoretical and Historical Approaches.Frederick Burwick & Walter Pape (eds.) - 1990 - W. De Gruyter.
    Art treats appearance as appearance and thus does not want to be an illusion, but is true. [...] truths are illusions which we are oblivious of their being ...
    Direct download  
     
    Export citation  
     
    Bookmark  
  7. Mimesis and its Romantic Reflections.Frederick Burwick - 2001 - Pennsylvania State University Press.
    In Romantic theories of art and literature, the notion of mimesis—defined as art’s reflection of the external world—became introspective and self-reflexive as poets and artists sought to represent the act of creativity itself. Frederick Burwick seeks to elucidate this Romantic aesthetic, first by offering an understanding of key Romantic mimetic concepts and then by analyzing manifestations of the mimetic process in literary works of the period. Burwick explores the mimetic concepts of "art for art's sake," "Idem et Alter," and "palingenesis (...)
     
    Export citation  
     
    Bookmark  
  8. Mimesis and its Romantic Reflections.Frederick Burwick - 2007 - Pennsylvania State University Press.
    In Romantic theories of art and literature, the notion of mimesis—defined as art’s reflection of the external world—became introspective and self-reflexive as poets and artists sought to represent the act of creativity itself. Frederick Burwick seeks to elucidate this Romantic aesthetic, first by offering an understanding of key Romantic mimetic concepts and then by analyzing manifestations of the mimetic process in literary works of the period. Burwick explores the mimetic concepts of "art for art's sake," "Idem et Alter," and "palingenesis (...)
     
    Export citation  
     
    Bookmark  
  9.  22
    Reflecting Senses: Perception and Appearance in Literature, Culture, and the Arts.Walter Pape & Frederick Burwick (eds.) - 1995 - W. De Gruyter.
    Introduction In "search of instances where the American imagination demands the real thing, and, to attain it, must fabricate the absolute fake," Umberto ...
    Direct download  
     
    Export citation  
     
    Bookmark