A classic of 18th-century thought, Schiller’s treatise on the role of art in society ranks among German philosophy’s most profound works. An important contribution to the history of ideas, it employs a political analysis of contemporary society—and of the French Revolution, in particular—to define the relationship between beauty and art. Schiller’s proposal of art as fundamental to the development of society and the individual remains an influential concept, and this volume offers his philosophy’s clearest, most relevant expression. Translated and with (...) an introduction by Reginald Snell. (shrink)
Schiller's 1795 essay on the educative function of art is one of the most important contributions to the history of ideas in modern times. This English-German parallel text edition includes a long analytical introduction and extensive notes.
Our contact with men of distant lands has made possible the notion of universal history. All societies are members of the same human civilization, though at different stages in its development. From the small sum of known past events the universal historian selects only those whose influence on contemporary life has been essential and readily discernible, and moves backward in time toward the origins. This produces an aggregate of world-changes which fit together only in a disconnected and fortuitous way. But (...) his philosophical understanding transforms the aggregate into a coherent whole: the unity of the laws of physical and human nature allows him to infer backward to phenomena which had been left hidden or unrecorded. The universal historian transplants his reasoned harmony into the nature of things, a teleological principle into the course of world history. This elevates our every deed to immortality in the progression toward human perfectibility. (shrink)
Friedrich Schiller: Über Anmut und Würde Edition Holzinger. Taschenbuch Berliner Ausgabe, 2016 Vollständiger, durchgesehener Neusatz mit einer Biographie des Autors bearbeitet und eingerichtet von Michael Holzinger Entstanden 1793, Erstdruck in: Neue Thalia, 2. Jg., 1793, Heft 2. Textgrundlage ist die Ausgabe: Friedrich Schiller: Sämtliche Werke, Auf Grund der Originaldrucke herausgegeben von Gerhard Fricke und Herbert G. Göpfert in Verbindung mit Herbert Stubenrauch, Band 1-5, 3. Auflage, München: Hanser, 1962. Herausgeber der Reihe: Michael Holzinger Reihengestaltung: Viktor Harvion Umschlaggestaltung unter Verwendung des (...) Bildes: Friedrich Schiller Gesetzt aus der Minion Pro, 11 pt. (shrink)
Resumo: Este artigo tem por objetivo apontar uma relação entre a estética e a ética em Sartre, mostrando que a constituição ética do indivíduo não se distingue da sua constituição estética. Primeiramente, parte-se da crítica que Merle faz em seu artigo à psicanálise existencial e se evidencia como o encontro com a história e a postulação de uma teoria da personalização nas obras biográficas destituem tais críticas. Num segundo momento, legitimam-se as postulações anteriores, apontando-se como na obra Saint Genet Sartre (...) ratifica a constituição do gosto sobre a moral pelo processo de personalização. Por fim, será visto que toda ética tem um pressuposto transgressor, na medida em que o sujeito ético é também sujeito estético.: This article aims to point out a relation between aesthetics and ethics in Sartre, showing that the ethical constitution of the individual does not distinguish from his or her aesthetic constitution. First, we start from Merle’s criticism of existential psychoanalysis, and we show how such criticisms can be dismissed on the basis of the encounter with history and the postulation of a theory of personalization in biographical works. Second, we point out how Sartre, in his Saint Genet, ratifies the constitution of a taste regarding the moral by the process of personalization. Finally, we will see that all ethics have a transgressive presupposition insofar as the ethical subject is also an aesthetic subject. (shrink)
Ce sont en tout dix textes, dont beaucoup étaient devenus introuvables depuis longtemps, qui sont rassemblés ici dans une nouvelle traduction, tournant autour de la grâce, du sublime et du pathétique. La réflexion esthétique de Schiller est largement tributaire de la Critique de la faculté de juger de Kant; elle lui emprunte ses principaux concepts. Mais par son souci de leur découvrir de nouveaux champs d’application, Schiller a contribué à leur ouvrir de nouveaux horizons et à démontrer ainsi la fécondité (...) de ce texte, central s’il en fut, pour le premier idéalisme allemand. (shrink)
