26 found
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  1.  4
    The Psammetichus Syndrome and Beyond.Göran Sonesson - 2019 - American Journal of Semiotics 35 (1):11-32.
    Thanks to Bruno Galantucci, “experimental semiotics” is usually nowadays taken to mean the study of “novel forms of communication which people develop when they cannot use pre-established communication systems”. In spite of Galantucci’s claim to have picked the label because it was free, it has actually been used in different ways at least twice before: by Colin Ware, who takes it to be involved with “the elucidation of symbols that gain their meaning by being structured to take advantage of the (...)
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  2.  7
    Greimasean Phenomenology and Beyond: From Isotopy to Time Consciousness.Göran Sonesson - 2017 - Semiotica 2017 (219):93-113.
    Journal Name: Semiotica Issue: Ahead of print.
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  3.  11
    Mimikrist mimeesi kaudu miimini.Göran Sonesson - 2010 - Sign Systems Studies 38 (1/4):66-66.
    Practically all theories of iconicity are denunciations of its subject matter. My own theory of iconicity was developed in order to save a particular kind of iconicity, pictoriality, from such criticism. In this interest, I distinguished pure iconicity, iconic ground, and iconic sign, on one hand, and primary and secondary iconic signs, on the other hand. Since then, however, several things have happened. The conceptual tools that I created to explain pictoriality have been shown by others to be relevant to (...)
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  4.  13
    Meaning Redefined.Göran Sonesson - 2018 - American Journal of Semiotics 34 (1):65-86.
    From the point of view of semiotics, the essential contribution of John Deely consists in having made us all aware of the richness of the Scholastic heritage, and to have explained it to us latter-day semioticians. Even for those, who, like the present author, think that semiotics was alive and well between the dawn of the Latin Age, and the rediscovery of Scholastic realism by Peirce, the notions coined by the Scholastic philosophers are intriguing. To make sense of scholastic notions (...)
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  5.  21
    Semiosis and the Elusive Final Interpretant of Understanding.Göran Sonesson - 2010 - Semiotica 2010 (179):145-258.
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  6.  9
    Ego Meets Alter: The Meaning of Otherness in Cultural Semiotics.Göran Sonesson - 2000 - Semiotica 128 (3-4):537-560.
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  7.  6
    From Sign to Action: Studies in Chimpanzee Pictorial Competence.Josep Call, Alenka Hribar & Göran Sonesson - 2014 - Semiotica 2014 (198):205-240.
    Journal Name: Semiotica - Journal of the International Association for Semiotic Studies / Revue de l'Association Internationale de Sémiotique Volume: 2014 Issue: 198 Pages: 205-240.
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  8.  4
    Meaning Redefined in Advance.Göran Sonesson - forthcoming - American Journal of Semiotics.
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  9.  5
    The Globalization of Ego and Alter: An Essay in Cultural Semiotics.Göran Sonesson - 2004 - Semiotica 2004 (148).
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  10.  12
    Prolegomena to the Semiotic Analysis of Prehistoric Visual Displays.Göran Sonesson - 1994 - Semiotica 100 (2-4):267-332.
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  11.  4
    Translation as Culture: The Example of Pictorial-Verbal Transposition in Sahagún’s Primeros Memoriales and Codex Florentino.Göran Sonesson - 2020 - Semiotica 2020 (232):5-39.
    Many items of culture which are conveyed from one culture to another may take verbal form, and then constitute what Jakobson called “translation proper.” If such diffusions involve a co-occurrent change of semiotic systems, they are of such a different nature, that we better reserve another term for it: transposition. Whether or not accompanied by transpositions, such as pictures, translational events may play an important part in the encounter between cultures, not only in the negative sense of deformations as postulated (...)
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  12.  10
    New Approaches to Plastic Language: Prolegomena to a Computer-Aided Approach to Pictorial Semiotics.Everardo Reyes & Göran Sonesson - 2019 - Semiotica 2019 (230):71-95.
    In this paper we summarize observations bridging the declared aspirations of pictorial semiotics and its real achievements. Pictorial semiotics is here understood as the general study of pictures as signs and it constituted a fundamental step beyond the art historical captivation with individual images. In the first part of our contribution we present a review of the most important methods that have been proposed as an answer to deal with several pictorial problems. In the second part, we offer some positive (...)
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  13.  19
    От мимикрии через мимезис к миму.Göran Sonesson - 2010 - Sign Systems Studies 38 (1/4):65-65.
    Practically all theories of iconicity are denunciations of its subject matter. My own theory of iconicity was developed in order to save a particular kind of iconicity, pictoriality, from such criticism. In this interest, I distinguished pure iconicity, iconic ground, and iconic sign, on one hand, and primary and secondary iconic signs, on the other hand. Since then, however, several things have happened. The conceptual tools that I created to explain pictoriality have been shown by others to be relevant to (...)
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  14.  9
    Elements of Peircean Phenomenology: From Categories to Signs by Way of Grounds.Göran Sonesson - 2019 - Semiotica 2019 (228):259-285.
    Journal Name: Semiotica Issue: Ahead of print.
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  15.  11
    On Mimicry, Signs and Other Meaning-Making Acts. Further Studies in Iconicity.Göran Sonesson - 2019 - Biosemiotics 12 (1):99-114.
    In an earlier paper, I set out to apply to animal mimicry the definition of the sign, and, more specifically, of the iconic sign, which I originally elaborated in the study of pictures, and which was then extended by myself and others to language, gesture, and music. The present contribution, however, while summarizing some of the results of those earlier studies, is dedicated to the demonstration that animal mimicry, as well as phenomena of the human Lifeworld comparable to it, are (...)
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  16.  3
    The Pencils of Nature and Culture: New Light on and in the Lifeworld.Göran Sonesson - 2001 - Semiotica 2001 (136):27-53.
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  17. The Pencils of Nature and Culture.Göran Sonesson - 2002 - Semiotica 136 (4):27-53.
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  18.  18
    Значение значения в биологии и когнитивных науках.Göran Sonesson - 2006 - Sign Systems Studies 34 (1):211-212.
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  19.  14
    Semiotics of Art, Life, and Thought: Three Scenarios for (Post) Modernity.Göran Sonesson - 2011 - Semiotica 2011 (183):219-241.
    It is difficult to make sense of the notion of postmodernity, because “modernity” is clearly a shifter, in the sense of Jespersen and Jakobson: a term dependent for its meaning on its moment of enunciation. It is true that, from the Middle Ages onwards, several meanings of modernity have received an objectified reference. But in the arts, particularly in the visual arts, this is not true. Modernity has been defined as the ever-new transgression of norms established by the period coming (...)
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  20.  12
    Tähenduse tähendus bioloogias ja kognitiivteadustes.Göran Sonesson - 2006 - Sign Systems Studies 34 (1):212-213.
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  21.  5
    Beyond the “Tragedy of Culture”.Göran Sonesson - 2017 - American Journal of Semiotics 33 (3):141-180.
    Spelling out the more or less implicit phenomenology found in Peirce’s categories and in the “Basisphänomene” suggested by the late Cassirer, this paper attempts to extend Cassirer’s own suggestion for the grounding of the human, or, as we prefer to say, semiotic, sciences, by means of an elucidation of the components of the basic situation of communication, revised on the basis of the Prague school approach to semiotics. In the first part of the paper, we consider Cassirer’s proposal for a (...)
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  22.  12
    New Rules for the Spaces of Urbanity.Göran Sonesson - 2014 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 27 (1):7-26.
    The best way to conceive semiotical spaces that are not identical to single buildings, such as a cityscape, is to define the place in terms of the activities occurring there. This conception originated in the proxemics of E. T. Hall and was later generalized in the spatial semiotics of Manar Hammad. It can be given a more secure grounding in terms of time geography, which is involved with trajectories in space and time. We add to this a qualitative dimension which (...)
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  23.  3
    Beyond the “Tragedy of Culture” in Advance.Göran Sonesson - forthcoming - American Journal of Semiotics.
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  24.  3
    In Search of the Swedish Model in Semiotics: Considerations on a Body of Literature in the Process of Constitution.Göran Sonesson - 1992 - Semiotica 90 (1-2):31-124.
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  25. Introduction: The Making of Them and Us – Cultural Encounters Conveyed Also Through Pictorial Means.Anna Cabak Rédei, Sara Lenninger & Göran Sonesson - 2020 - Semiotica 2020 (232):1-4.
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  26. The Life of Signs in Society-and Out of It: Critique.Göran Sonesson - 1999 - Σημιοτκή-Sign Systems Studies 1:88-128.
     
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