Results for 'G��rard Remy'

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  1.  16
    Diagnostic Errors and Reflective Practice in Medicine.Sílvia Mamede, Henk G. Schmidt & Remy Rikers - 2007 - Journal of Evaluation in Clinical Practice 13 (1):138-145.
  2.  6
    Editorial: Using Noise to Characterize Vision.Remy Allard, Jocelyn Faubert & Denis G. Pelli - 2015 - Frontiers in Psychology 6.
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  3.  3
    "Society and the Freedom of the Creative Man in Diderot's Thought," in Diderot Studies V.Remy G. Saisselin - 1966 - Journal of Aesthetics and Art Criticism 24 (3):454-455.
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  4. The Potential Benefit of the Placebo Effect in Sham-Controlled Trials: Implications for Risk-Benefit Assessments and Informed Consent.Remy L. Brim & Franklin G. Miller - 2013 - Journal of Medical Ethics 39 (11):703-707.
    Next SectionThere has been considerable debate surrounding the ethics of sham-controlled trials of procedures and interventions. Critics argue that these trials are unethical because participants assigned to the control group have no prospect of benefit from the trial, yet they are exposed to all the risks of the sham intervention. However, the placebo effect associated with sham procedures can often be substantial and has been well documented in the scientific literature. We argue that, in light of the scientific evidence supporting (...)
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  5.  6
    Le Thé'tre de Luigi Pirandello, Dans le Mouvement Dramatique Contemporain. Essai.Remy G. Saisselin - 1966 - Journal of Aesthetics and Art Criticism 25 (1):113-114.
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  6.  11
    Taste in Eighteenth Century France.Rémy G. Saisselin - 1965 - Syracuse, N.Y.]Syracuse University Press.
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  7. Buffon, Style, and Gentlemen.Remy G. Saisselin - 1958 - Journal of Aesthetics and Art Criticism 16 (3):357-361.
  8. From Baudelaire to Christian Dior: The Poetics of Fashion.Remy G. Saisselin - 1959 - Journal of Aesthetics and Art Criticism 18 (1):109-115.
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  9.  5
    Esthetique du Rococo.Remy G. Saisselin - 1967 - Journal of Aesthetics and Art Criticism 26 (2):259-260.
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  10. Architecture and Language: The Sensationalism of le Camus de Mézières.Rémy G. Saisselin - 1975 - British Journal of Aesthetics 15 (3):239-253.
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  11.  83
    Critical Reflections on the Origins of Modern Aesthetics.Rémy G. Saisselin - 1964 - British Journal of Aesthetics 4 (1):7-21.
  12. A Second Note on Eighteenth Century "Disinterestedness".Rémy G. Saisselin - 1962 - Journal of Aesthetics and Art Criticism 21 (2):209-210.
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  13. The Absurd, Death, and History.Rémy G. Saisselin - 1961 - Pacific Philosophical Quarterly 42 (2):165.
     
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  14. Ut Pictura Poesis: DuBos To Diderot.Remy G. Saisselin - 1961 - Journal of Aesthetics and Art Criticism 20 (2):145-156.
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  15.  56
    Poetics of the Western.Rémy G. Saisselin - 1962 - British Journal of Aesthetics 2 (2):159-169.
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  16.  9
    Diderot and the Esthetics of the Enlightenment. Diderot Studies XI.Remy G. Saisselin - 1969 - Journal of Aesthetics and Art Criticism 27 (4):463-463.
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  17.  42
    The Rococo as a Dream of Happiness.Remy G. Saisselin - 1960 - Journal of Aesthetics and Art Criticism 19 (2):145-152.
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  18.  4
    Rousseau's Venetian Story - An Essay Upon Art and Truth in "Les Confessions".Remy G. Saisselin - 1968 - Journal of Aesthetics and Art Criticism 26 (3):416-416.
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  19.  33
    Room at the Top of the Eighteenth Century: From Sin to Aesthetic Pleasure.Rémy G. Saisselin - 1968 - Journal of Aesthetics and Art Criticism 26 (3):345-350.
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  20.  30
    Painting, Truth and Miss Wells's Sheepish Look.Rémy G. Saisselin - 1965 - British Journal of Aesthetics 5 (2):179-187.
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  21.  29
    Ut Pictura Poesis: Dubos to Diderot.Remy G. Saisselin - 1961 - Journal of Aesthetics and Art Criticism 20 (2):144-156.
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  22.  8
    Brancusi's BirdsImitation and Illusion in the French Memoir-Novel, 1700-1750.Remy G. Saisselin, Athena T. Spear & Philip Stewart - 1970 - Journal of Aesthetics and Art Criticism 29 (2):284.
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  23.  7
    Treasures From the National Gallery of Art.Remy G. Saisselin, Huntington Cairns & John Walker - 1964 - Journal of Aesthetics and Art Criticism 23 (2):286.
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  24.  6
    De l'Esthetique a la metaphysiqueL'Oeuvre de philosophie.Remy G. Saisselin & J. -Claude Piguet - 1961 - Journal of Aesthetics and Art Criticism 19 (3):354.
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  25. Taste in Eighteenth Century France Critical Reflections of the Origins of Aesthetics; or, an Apology for Amateurs.Rémy G. Saisselin - 1965 - Syracuse University Press.
     
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  26.  14
    Paul Valéry: The Aesthetics of the Grand Seigneur.Remy G. Sajsselin - 1960 - Journal of Aesthetics and Art Criticism 19 (1):47-52.
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  27.  4
    Flumen Historicum (Victor Cousin's Aesthetic and Sources)The Bride and the Bachelors: The Heretical Courtship in Modern Art.Remy G. Saisselin, Frederic Will & Calvin Tomkins - 1966 - Journal of Aesthetics and Art Criticism 25 (1):112.
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  28.  8
    The Art of Sinking in Aesthetics.Remy G. Saisselin - 1962 - Journal of Aesthetics and Art Criticism 20 (4):413-419.
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  29.  9
    Malraux: From the Hero to the Artist.Remy G. Saisselin - 1957 - Journal of Aesthetics and Art Criticism 16 (2):256-260.
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  30.  1
    Kunst Und Dichtungstheorien Zwischen Aufklärung Und Klassik.Remy G. Saisselin - 1961 - Journal of Aesthetics and Art Criticism 19 (4):485-486.
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  31.  21
    Some Remarks on French Eighteenth-Century Writings on the Arts.Remy G. Saisselin - 1966 - Journal of Aesthetics and Art Criticism 25 (2):187-195.
  32.  2
    Repertoire.Remy G. Saisselin & Michel Butor - 1961 - Journal of Aesthetics and Art Criticism 19 (4):484.
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  33.  6
    Aspects of the Eighteenth CenturyIllusion Und Wirklichkeit in "Tristram Shandy" Und "Jacques le Fataliste"On Imitation and Other Essays.Remy G. Saisselin, Earl R. Wasserman, Rainer Warning, Johann Elias Schlegel & Edward Allen McCormick - 1966 - Journal of Aesthetics and Art Criticism 24 (4):597.
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  34. La Substitution: Pertinence Ou Non-Pertinence d'Un Concept Théologique.G. Remy - 1994 - Revue Thomiste 94 (4):559-600.
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  35. Sacerdoce Et Médiation Chez Saint Thomas.G. Remy - 1999 - Revue Thomiste 99 (1):101-118.
     
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  36.  13
    Selected Writings.Remy G. Saisselin - 1967 - Journal of Aesthetics and Art Criticism 25 (3):338-338.
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  37. La Déréliction du Christ: Terme d'Une Contradiction Ou Mystère de Communion?G. Remy - 1998 - Revue Thomiste 98 (1):39-94.
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  38.  11
    Modern Criticism.Dr Dubuque & G. Remi - 1964 - Renascence 17 (2):110-112.
  39.  69
    Adam Smith on Dignity and Equality.Remy Debes - 2012 - British Journal for the History of Philosophy 20 (1):109 - 140.
    Where exactly should we place Adam Smith in the cannon of classical liberalism? Smith's advocacy of free market economics and defence of religious liberty in The Wealth of Nations suffice for including him somewhere in that tradition.1 The nature and extent of Smith's liberalism, however, remain up for debate. One recent trend has been to characterise Smith as a proponent of social liberalism. This includes those like Stephen Darwall, Samuel Fleischacker and Charles Griswold, who have drawn attention to a kind (...)
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  40.  33
    A Phenomenology of Social Existence. By Remy Kwant. / Social Philosophy. By Martin G. Plattel. / Person and Society: A Christian View. By John H. Walgrave. [REVIEW]John F. Kavanaugh - 1968 - Modern Schoolman 45 (2):155-159.
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  41.  19
    "Critique: Its Nature and Function," by Remy C. Kwant, Trans. Henry J. Koren.Edward G. Farrugia - 1972 - Modern Schoolman 49 (2):169-170.
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  42. "Taste in Eighteenth Century France": Remy G. Saisselin. [REVIEW]Vivienne Mylne - 1966 - British Journal of Aesthetics 6 (2):207.
     
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  43.  7
    L'analogie et l'image.Gérard Rémy - 2004 - Recherches de Science Religieuse 3 (3):383-427.
    Cet essai se situe sur le terrain de la théologie pour relever l’usage qu’elle en fait comme clef du langage sur Dieu. A ce titre, l’analogie déborde et dépasse le domaine de la logique et de l’épistémologie pour servir une pensée non seulement spéculative, mais encore spirituelle et mystique. Son emploi en théologie traduit l’aspect intellectuel d’une attitude d’abord existentielle et croyante où l’homme se reconnaît comme créature distante de son Créateur, mais surtout en tant que nature raisonnable, comme fait (...)
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  44.  9
    The Poitiers School of Mathematical and Theoretical Biology: Besson–Gavaudan–Schützenberger’s Conjectures on Genetic Code and RNA Structures.Alain Miranville, Rémy Guillevin, Jean-Pierre Françoise & Hermine Biermé - 2016 - Acta Biotheoretica 64 (4):403-426.
    The French school of theoretical biology has been mainly initiated in Poitiers during the sixties by scientists like J. Besson, G. Bouligand, P. Gavaudan, M. P. Schützenberger and R. Thom, launching many new research domains on the fractal dimension, the combinatorial properties of the genetic code and related amino-acids as well as on the genetic regulation of the biological processes. Presently, the biological science knows that RNA molecules are often involved in the regulation of complex genetic networks as effectors, e.g., (...)
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  45.  11
    The Beneficial Effect of Contextual Emotion on Memory: The Role of Integration.Anthony Macri, Amélie Pavard & Rémy Versace - 2017 - Cognition and Emotion 32 (6):1355-1361.
    ABSTRACTThis study investigates the effects of emotion on the integration mechanism which binds together the components of an event and the relations between these components and encodes them within a memory trace [Versace, R., Vallet, G. T., Riou, B., Lesourd, M., Labeye, É, & Brunel, L.. Act-In: An integrated view of memory mechanisms. Journal of Cognitive Psychology, 26, 280–306. doi:10.1080/20445911.2014.892113]. Based on the literature, the authors argue that, in a memory task, contextual emotion could strengthen the integration mechanism and, more (...)
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  46. The Legend of the Middle Ages: Philosophical Explorations of Medieval Christianity, Judaism, and Islam.Lydia G. Cochrane (ed.) - 2009 - University of Chicago Press.
    This volume presents a penetrating interview and sixteen essays that explore key intersections of medieval religion and philosophy. With characteristic erudition and insight, Rémi_ _Brague focuses less on individual Christian, Jewish, and Muslim thinkers than on their relationships with one another. Their disparate philosophical worlds, Brague shows, were grounded in different models of revelation that engendered divergent interpretations of the ancient Greek sources they held in common. So, despite striking similarities in their solutions for the philosophical problems they all faced, (...)
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  47. The Law of God: The Philosophical History of an Idea.Lydia G. Cochrane (ed.) - 2007 - University of Chicago Press.
    The law of God: these words conjure an image of Moses breaking the tablets at Mount Sinai, but the history of the alliance between law and divinity is so much longer, and its scope so much broader, than a single Judeo-Christian scene can possibly suggest. In his stunningly ambitious new history, Rémi Brague goes back three thousand years to trace this idea of divine law in the West from prehistoric religions to modern times—giving new depth to today’s discussions about the (...)
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  48. The Legend of the Middle Ages: Philosophical Explorations of Medieval Christianity, Judaism, and Islam.Lydia G. Cochrane (ed.) - 2011 - University of Chicago Press.
    This volume presents a penetrating interview and sixteen essays that explore key intersections of medieval religion and philosophy. With characteristic erudition and insight, Rémi_ _Brague focuses less on individual Christian, Jewish, and Muslim thinkers than on their relationships with one another. Their disparate philosophical worlds, Brague shows, were grounded in different models of revelation that engendered divergent interpretations of the ancient Greek sources they held in common. So, despite striking similarities in their solutions for the philosophical problems they all faced, (...)
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  49. The Law of God: The Philosophical History of an Idea.Lydia G. Cochrane (ed.) - 2008 - University of Chicago Press.
    The law of God: these words conjure an image of Moses breaking the tablets at Mount Sinai, but the history of the alliance between law and divinity is so much longer, and its scope so much broader, than a single Judeo-Christian scene can possibly suggest. In his stunningly ambitious new history, Rémi Brague goes back three thousand years to trace this idea of divine law in the West from prehistoric religions to modern times—giving new depth to today’s discussions about the (...)
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  50.  1
    Les Muses.Jean-Luc Nancy - 1994 - Galilée.
    « Pourquoi y a-t-il plusieurs arts, et non pas un seul ? Cette question paraît trop simple : on pensera même qu’elle ne fait pas question. Et cependant, pour peu qu’on se dérobe à une idée romantique de l’Art majuscule, elle est de nature à déplacer toute notre manière de considérer ce qu’on appelle les arts, et avec eux d’une part les sens (et le sens de “sens”), d’autre part la technique (dont l’“art” n’est jamais que la traduction). Avec les (...)
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