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Profile: Gabriel Rockhill (Villanova University, Critical Theory Workshop / Atelier de Théorie Critique, Collège International de Philosophie)
  1.  36
    Le débat sur le temps présent.Gabriel Rockhill - 2008 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 12 (1):126-145.
    Au lieu d’intervenir dans le debat sur la nature du temps present en créant une nouvelle schématisation de notre âge, nous proposons ici une intervention sur ce débat en esquissant les coordonnées conceptuelIes qui déterminent I’espace des possibles de la controverse. Il s ’agil alors d’une réflexion sur la logique historique, sociale et normative qui structure le débat sur le temps présent, et plus particulièrement la controverse postmoderne. Loin pourtant d’être une simple analyse «externe», cette interrogation sur les paramètres conceptuels (...)
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  2.  72
    Analytic Philosophy and the History of Philosophy (Review).Gabriel Rockhill - 2007 - Journal of the History of Philosophy 45 (4):678-679.
    Gabriel Rockhill - Analytic Philosophy and the History of Philosophy - Journal of the History of Philosophy 45:4 Journal of the History of Philosophy 45.4 678-679 Muse Search Journals This Journal Contents Reviewed by Gabriel Rockhill Villanova University Tom Sorell and G. A. J. Rogers, editors. Analytic Philosophy and the History of Philosophy. Oxford-New York: Oxford University Press, 2005. Pp. 239. Cloth, $65.00. It has often been assumed that history is one of the major dividing lines between analytic and continental (...)
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  3.  43
    Comment penser le temps présent? De l'ontologie de l'actualité à l'ontologie sans l'être.Gabriel Rockhill - 2012 - Rue Descartes 75 (3):114.
    This paper explores Michel Foucault’s contribution to rethinking the nature of the present through his examination of the ontology of contemporary reality he locates in Immanuel Kant’s “What Is Enlightenment?” By raising a series of critical questions concerning the epochal thinking that plagues Foucault’s various engagements with this text, the article goes on to argue that the attempt to find a single concept—or question—that appropriately summarizes a given era is an endeavor fraught with methodological problems. Highlighting the limitations of Foucault’s (...)
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  4.  72
    Rancière's Productive Contradictions: From the Politics of Aesthetics to the Social Politicity of Artistic Practice.Gabriel Rockhill - 2011 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 15 (2):28-56.
    This article explores the force and limitations of Jacques Rancière’s novel attempt to rethink the relationship between aesthetics and politics. In particular, it unravels the paradoxical threads of the fundamental contradiction between two of his steadfast claims: (1) art and politics are consubstantial, and (2) art and politics never truly merge. In taking Rancière to task on this point, the primary objective of this article is to work through the nuances of his project andforeground the problems inherent therein in order (...)
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  5.  18
    The Silent Revolution.Gabriel Rockhill - 2004 - Substance 33 (1):54-76.
  6.  27
    La différence est-elle une valeur en soi? Critique d'une axiologie métaphilosophique.Gabriel Rockhill - 2013 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 17 (1):250-272.
    L’objectif principal de cet article est de mettre en évidence l’axiologie métaphilosophique et la logique normative binaire – la valorisation de la différence par rapport à l’identité – qui a dominé « la philosophie de la différence » en France, et qui a trouvé un terrain d’accueil relativement favorable dans « la politique de la différence » en Amérique du Nord. En détaillant une série d’opérations conceptuelles liées à cette axiologie fondamentale, il s’agira de remettre en question la sacralisation de (...)
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  7.  6
    Rancière’s Productive Contradictions.Gabriel Rockhill - 2011 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 15 (2):28-56.
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  8.  16
    No God, No Caesar, No Tribune! .Gabriel Rockhill - 2010 - Epoché: A Journal for the History of Philosophy 15 (1):1-12.
    In this interview, Cornelius Castoriadis explains and develops many of the central themes in his later writings on politics and social criticism. In particular, he poignantly articulates his critique of contemporary pseudo-democracy, while advocating a form of democracy founded on collective education and self-government. He also explores how the “insignificance” in the current political arena relates to insignificance in other areas, such as the arts and philosophy, to form the core feature of our Zeitgeist. Finally, he seeks to break through (...)
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  9.  8
    Critical Leverage in the Current Conjuncture: A Dialogue with Gabriel Rockhill Concerning Politics of Culture and the Spirit of Critique.Gabriel Rockhill & Summer Renault-Steele - 2012 - Phaenex 7 (1):347-364.
  10.  3
    The Dissimulation of Law and Power: Michel Foucault.Gabriel Rockhill - 2002 - Philosophy Today 46 (4):339-355.
  11.  4
    Modernism as a Misnomer: Godard's Archeology of the Image.Gabriel Rockhill - 2010 - Journal of French and Francophone Philosophy 18 (2):107-130.
    "The standard historical image of Jean-Luc Godard is that of a resolute iconoclast breaking with the representational norms and codes of classical cinema in the name of liberating film from the deadening weight of its past. His numerous formal innovations—syncopated montage, unconventional framing, unique experiments with dialogue, etc.—along with his abandonment of traditional narrative and character development, his playful pastiche of genres, his debunking of the representational illusions of cinematic realism, his reflexive preoccupation with film itself and the general dissolution (...)
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  12.  2
    No God, No Caesar, No Tribune! . . .: Cornelius Castoriadis Interviewed by Daniel Mermet.Daniel Mermet & Gabriel Rockhill - 2010 - Epoché: A Journal for the History of Philosophy 15 (1):1-12.
    In this interview, Cornelius Castoriadis explains and develops many of the central themes in his later writings on politics and social criticism. In particular, he poignantly articulates his critique of contemporary pseudo-democracy, while advocating a form of democracy founded on collective education and self-government. He also explores how the “insignificance” in the current political arena relates to insignificance in other areas, such as the arts and philosophy, to form the core feature of our Zeitgeist. Finally, he seeks to break through (...)
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  13. No God, No Caesar, No Tribune!...: Cornelius Castoriadis Interviewed by Daniel Mermet.Daniel Mermet & Gabriel Rockhill - 2010 - Epoché: A Journal for the History of Philosophy 15 (1):1-12.
    In this interview, Cornelius Castoriadis explains and develops many of the central themes in his later writings on politics and social criticism. In particular, he poignantly articulates his critique of contemporary pseudo-democracy, while advocating a form of democracy founded on collective education and self-government. He also explores how the “insignificance” in the current political arena relates to insignificance in other areas, such as the arts and philosophy, to form the core feature of our Zeitgeist. Finally, he seeks to break through (...)
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  14. Jacques Rancière: History, Politics, Aesthetics.Gabriel Rockhill & Philip Watts (eds.) - 2009 - Duke University Press.
    The French philosopher Jacques Rancière has influenced disciplines from history and philosophy to political theory, literature, art history, and film studies. His research into nineteenth-century workers’ archives, reflections on political equality, critique of the traditional division between intellectual and manual labor, and analysis of the place of literature, film, and art in modern society have all constituted major contributions to contemporary thought. In this collection, leading scholars in the fields of philosophy, literary theory, and cultural criticism engage Rancière’s work, illuminating (...)
     
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  15. La différence est-elle une valeur en soi? Critique d’une axiologie métaphilosophique.Gabriel Rockhill - 2013 - Symposium 17 (1):250-272.
    L’objectif principal de cet article est de mettre en évidence l’axiologie métaphilosophique et la logique normative binaire – la valorisation de la différence par rapport à l’identité – qui a dominé « la philosophie de la différence » en France, et qui a trouvé un terrain d’accueil relativement favorable dans « la politique de la différence » en Amérique du Nord. En détaillant une série d’opérations conceptuelles liées à cette axiologie fondamentale, il s’agira de remettre en question la sacralisation de (...)
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  16. L'écriture de l'histoire philosophique.Gabriel Rockhill - 2005 - Philosophie 87 (3):59.
  17.  2
    Logique de l'histoire: pour une analytique des pratiques philosophiques.Gabriel Rockhill - 2010 - Editions Hermann.
    Philosopher, c’est, pense-t-on, faire de l’histoire de la philosophie ; c’est lire et interpréter les textes canoniques des grands penseurs de la tradition européenne en suivant l’enchaînement des idées depuis les Grecs anciens. Cette manière de pratiquer la philosophie est devenue tellement naturelle qu’elle en a oublié sa propre historicité. D’où la nécessité de la mettre en évidence en examinant de près ses multiples conséquences. C’est justement un des objectifs de l’analytique des pratiques philosophiques entreprise dans le présent ouvrage. -/- (...)
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  18. Le débat sur le temps présent.Gabriel Rockhill - 2008 - Symposium 12 (1):126-145.
    Au lieu d’intervenir dans le debat sur la nature du temps present en créant une nouvelle schématisation de notre âge, nous proposons ici une intervention sur ce débat en esquissant les coordonnées conceptuelIes qui déterminent I’espace des possibles de la controverse. Il s ’agil alors d’une réflexion sur la logique historique, sociale et normative qui structure le débat sur le temps présent, et plus particulièrement la controverse postmoderne. Loin pourtant d’être une simple analyse «externe», cette interrogation sur les paramètres conceptuels (...)
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  19. Le débat sur le temps présent: Analyse des coordonnées conceptuelles de la controverse postmoderne.Gabriel Rockhill - 2008 - Symposium 12 (1):126-145.
    Au lieu d’intervenir dans le debat sur la nature du temps present en créant une nouvelle schématisation de notre âge, nous proposons ici une intervention sur ce débat en esquissant les coordonnées conceptuelIes qui déterminent I’espace des possibles de la controverse. Il s ’agil alors d’une réflexion sur la logique historique, sociale et normative qui structure le débat sur le temps présent, et plus particulièrement la controverse postmoderne. Loin pourtant d’être une simple analyse «externe», cette interrogation sur les paramètres conceptuels (...)
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  20.  5
    Politics of Culture and the Spirit of Critique: Dialogues.Gabriel Rockhill & Alfredo Gomez-Muller (eds.) - 2011 - Columbia University Press.
    This book of tightly woven dialogues engages prominent thinkers in a discussion about the role of culture-broadly construed-in contemporary society and politics.
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  21. Radical History and the Politics of Art.Gabriel Rockhill - 2014 - Columbia University Press.
    The primary objective of this book is to open space for rethinking the relationship between art and politics. It seeks to combat one of the fundamental assumptions that has plagued many of the previous debates on this issue: that art and politics are distinct entities definable in terms of common properties, and that they have privileged points of intersection, which can be determined once and for all in terms of an established formula. This common sense assumption is rooted in a (...)
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  22. Rancière’s Productive Contradictions.Gabriel Rockhill - 2011 - Symposium 15 (2):28-56.
    This article explores the force and limitations of Jacques Rancière’s novel attempt to rethink the relationship between aesthetics and politics. In particular, it unravels the paradoxical threads of the fundamental contradiction between two of his steadfast claims: art and politics are consubstantial, and art and politics never truly merge. In taking Rancière to task on this point, the primary objective of this article is to work through the nuances of his project andforeground the problems inherent therein in order to break (...)
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  23. The Politics of Aesthetics : Political History and the Hermeneutics of Art.Gabriel Rockhill - 2009 - In Gabriel Rockhill & Philip Watts (eds.), Jacques Rancière: History, Politics, Aesthetics. Duke University Press.