19 found
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  1.  17
    God, the Highest Good, and the Rationality of Faith: Reflections on Kant’s Moral Proof of the Existence of God.Gabriele Tomasi - 2016 - In Thomas Höwing (ed.), The Highest Good in Kant’s Philosophy. De Gruyter. pp. 111-130.
  2. Wittgenstein on “Beautiful” and “The Beautiful”.Gabriele Tomasi - 2013 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 6 (1):115-137.
    In an entry in his Notebooks 1914-1916 Wittgenstein appears to give some credit to the idea widespread in modern aesthetics that «the end of art is the beautiful »: «[…] there is certainly something» – he writes – in this conception. And he comments on: «[…] the beautiful is what makes happy » (NB 21.10.16). Maybe influenced by Tolstoy, who wrote that «people will come to understand the meaning of art only when they cease to consider that the aim of (...)
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  3. Introduzione.Elisa Caldarola, Quattrocchi Davide & Gabriele Tomasi - 2013 - In Elisa Caldarola, Davide Quattrocchi & Gabriele Tomasi (eds.), Wittgenstein, l’estetica e le arti. Roma - Bari: Carocci.
  4.  22
    Wittgenstein, l'estetica e le arti.Elisa Caldarola, Davide Quattrocchi & Gabriele Tomasi (eds.) - 2013 - Carocci.
    In his writings Wittgenstein has touched some key aspects of aesthetic experience, of the experience of art, and of the dynamics of culture. Moreover, several lines of research in these fields have emerged and are still emerging from the roots of Wittgenstein's thought. This volume collects a number of essays on these topics by renowned international scholars (such as H.-J. Glock, J. Hyman, S. Majetschak, J. Schulte, A. Voltolini, and W. Vossenkuhl) and younger researchers. Our aim is to document the (...)
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  5.  32
    Individuals, Minds and Bodies: Themes From Leibniz.Massimiliano Carrara, Antonio M. Nunziante & Gabriele Tomasi (eds.) - 2004 - Franz Steiner Verlag.
    The other aim of the volume is to show that there is a close semantic connection between the concepts of individual, mind and body in Leibniz.
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  6.  89
    “Etica ed estetica sono tutt'uno” riflessioni su tlp 6.421.Gabriele Tomasi - 2011 - Trans/Form/Ação 34 (s2):109-136.
    Per il primo Wittgenstein etica ed estetica erano tutt’uno. Scopo del saggio è fornire un’interpretazione di questa concezione. Esaminando il modo in cui è proposta nel Tractatus e considerando alcune annotazioni dei Quaderni 1914-1916 si evidenzia che l’unità di etica ed estetica è in un modo di vedere il mondo per cui esso non appare come fonte di limitazione. L’etica è un’estensione al mondo – alla vita – della capacità di conferire signifi cato che nell’arte si realizza nei riguardi di (...)
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  7. Il" dolce sogno" dei filosofi. Politica e metafisica nello scritto kantiano Zum ewigen Frieden.Gabriele Tomasi - 1996 - Verifiche: Rivista Trimestrale di Scienze Umane 25 (1):3-52.
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  8. Il salvataggio kantiano della bellezza.Gabriele Tomasi - 1993 - Verifiche: Rivista Trimestrale di Scienze Umane 22 (1):3-94.
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  9. Frege, Kant e le Vorstellungen.Gabriele Tomasi & Alberto Vanzo - 2006 - Rivista di Storia Della Filosofia 61 (supplement):227-238.
    Gottlob Frege criticized Kant's use of the term "representation" in a footnote in the Foundations of Arithmetics. According to Frege, Kant used the term "representation" for mental images, which are private and incommunicable, and also for objects and concepts. Kant thereby gave "a strongly subjectivistic and idealistic coloring" to his thought. The paper argues that Kant avoided the kind of subjectivism and idealism which Frege hints in his remark. For Kant, having "Vorstellungen" requires the capacity of synthesis, by virtue of (...)
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  10.  93
    Kant on Painting and the Representation of the Sublime.Gabriele Tomasi - 2005 - Croatian Journal of Philosophy 5 (3):545-567.
    The essay deals with the question of how works of art that evoke a sense of the sublime are to be analysed in terms of Kant’s theory. Although Kant assumes the possibility of a beautiful representation of the sublime, of a sublime “shaped by beauty”, that a work can appear sublime is not immediately clear. Contrapurposiveness plays a key role in the experience of the sublime, but art is an essentially purposive context and aims at beauty. Following readings such as (...)
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  11.  6
    Kant on the Reality of Beauty.Gabriele Tomasi - 2013 - In Margit Ruffing, Claudio La Rocca, Alfredo Ferrarin & Stefano Bacin (eds.), Kant Und Die Philosophie in Weltbürgerlicher Absicht: Akten des Xi. Kant-Kongresses 2010. De Gruyter. pp. 287-300.
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  12. L¿ idea della formazione dello Stato tra felicità e libertà. Note sul rapporto fra politica e filosifa practica in Kant.Gabriele Tomasi - 1990 - Verifiche: Rivista Trimestrale di Scienze Umane 19 (4):435-488.
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  13. Libertá, ragione e moralità: a proposito del concetto kantiano di azione.Gabriele Tomasi - 1986 - Verifiche: Rivista Trimestrale di Scienze Umane 15 (3):243-280.
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  14. Lo sguardo artistico. Su¿ lléstetica, l¿ etica e il valore nel Tractatus di Wittgenstein.Gabriele Tomasi - 2003 - Verifiche: Rivista Trimestrale di Scienze Umane 32 (1):31-68.
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  15. Moralitá e libertà. Appunti su un problema della prima recezione dell¿ etica kantiana.Gabriele Tomasi - 1988 - Verifiche: Rivista Trimestrale di Scienze Umane 17 (4):301-326.
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  16.  6
    On Wines as Works of Art.Gabriele Tomasi - 2012 - Rivista di Estetica 51:155-174.
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  17.  11
    Self-Knowledge as Religious Experience. On an Aspect of Kant’s Conception of the Vocation of Human Beings.Gabriele Tomasi - 2015 - Anuario Filosófico 48 (3):515-541.
  18. Tra critica del linguaggio e conoscenza ineffabile. La filosofia nel Tractatus di Wittgenstein.Gabriele Tomasi - 2005 - Verifiche: Rivista Trimestrale di Scienze Umane 34 (1):63-90.
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  19.  6
    Wittgenstein and Hegel on Bodies, Souls and Works of Art.Gabriele Tomasi - 2017 - In Anja Weiberg & Stefan Majetschak (eds.), Aesthetics Today: Contemporary Approaches to the Aesthetics of Nature and of Arts. Proceedings of the 39th International Wittgenstein Symposium in Kirchberg. De Gruyter. pp. 449-466.
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