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  1.  2
    Dialectical Passions: Negation in Postwar Art Theory.Gail Day - 2010 - Columbia University Press.
    Exploring core debates in discourses on art, from the New Left to theories of 'critical postmodernism' and beyond, Day counters the belief that recent tendencies in art fail to be adequately critical and challenges the political inertia ...
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  2.  33
    The Project of Autonomy: Politics and Architecture Within and Against Capitalism, Pier Vittorio Aureli, New York: The Temple Hoyne Buell Center for the Study of American Architecture at Columbia University and Princeton Architectural Press, 2008.Gail Day - 2010 - Historical Materialism 18 (4):219-236.
  3.  35
    Manfredo Tafuri, Fredric Jameson and the Contestations of Political Memory.Gail Day - 2012 - Historical Materialism 20 (1):31-77.
    The Italian architectural historian Manfredo Tafuri developed a distinctive Marxist approach of critical analysis, which has prompted extensive responses. The reception of his work in the United States in the 1970s and 80s – the intervention of Fredric Jameson, especially – forms an important moment of historiographical mutation, in which the status of Tafuri’s politics holds an intriguing place: it was eviscerated in the very act of its affirmation. At stake is not simply the problems attending the transatlantic migration of (...)
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    ‘What Keeps Mankind Alive?’: The Eleventh International Istanbul Biennial. Once More on Aesthetics and Politics.David Mabb, Steve Edwards & Gail Day - 2010 - Historical Materialism 18 (4):135-171.
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  5. Marxism and the History of Art: From William Morris to the New Left.Andrew Hemingway & Gail Day - 2008 - Radical Philosophy 149:59.
     
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