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Galen A. Johnson [59]Galen Andrew Johnson [1]
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Galen A. Johnson
University of Rhode Island
  1. The Merleau-Ponty Aesthetics Reader: Philosophy and Painting.Galen A. Johnson (ed.) - 1993 - Northwestern University Press.
    PART INTRODUCTIONS TO MERLEAU- PONTY'S PHI LOSOPH Y OF PAI NTI NG Galen A. Johnson ...
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  2.  41
    The Retrieval of the Beautiful: Thinking Through Merleau-Ponty's Aesthetics.Galen A. Johnson - 2009 - Northwestern University Press.
    In this elegant new study Galen Johnson retrieves the concept of the beautiful through the framework of Merleau-Ponty’s aesthetics. Although Merleau-Ponty seldom spoke directly of beauty, his philosophy is essentially about the beautiful. In Johnson’s formulation, the ontology of Flesh as element and the ontology of the Beautiful as elemental are folded together, for Desire, Love, and Beauty are part of the fabric of the world’s element, Flesh itself, the term at which Merleau-Ponty arrived to replace Substance, Matter, or Life (...)
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  3.  5
    Introduction.Galen A. Johnson - 2019 - Chiasmi International 21:67-69.
  4.  4
    Introduction.Galen A. Johnson - 2019 - Chiasmi International 21:63-65.
  5.  7
    Ontology and Alterity in Merleau-Ponty.Galen A. Johnson & Michael B. Smith (eds.) - 1990 - Northwestern University Press.
    McAllestar (computer science, MIT) describes ONTIC, the interactive system for verifying represents a significant change of direction in the field of mechanical deduction, a key area in computer science and artificial intelligence. Fourteen interrelated essays comprise a multifaceted dialogue about intersubjectivity, reciprocity, and the nature of self and other, especially as these themes are developed in Merleau-Ponty's The Visible and the invisible. The question they explore is whether the reversible alterity of sensing and being sensed, a theme at the heart (...)
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  6.  22
    The Flesh of Images, Images of Flesh: Merleau-Ponty Forwarded.Galen A. Johnson - 2017 - Journal of the British Society for Phenomenology 48 (4):360-367.
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  7.  43
    On the Origin(s) of Truth in Art: Merleau-Ponty, Klee, and Cézanne.Galen A. Johnson - 2013 - Research in Phenomenology 43 (3):475-515.
    Beginning from Klee’s statement on truth in self-portraiture that his faces are truer than real ones and Cézanne’s promise to tell us the truth in painting, we consider the origins of truth in art for the philosophy of Merleau-Ponty. We discover that truth in perception, in life, and incarnate existence, as in art, originates from bodily movement. Similar to Heidegger’s argument in “The Origin of the Work of Art,” a truth happens between the work and painter, between the work and (...)
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  8.  60
    The Problem of Origins: In the Timber Yard, Under the Sea.Galen A. Johnson - 2000 - Chiasmi International 2:249-259.
  9.  20
    The Colors of Fire: Depth and Desire in Merleau-Ponty's ``Eye and Mind''.Galen A. Johnson - 1994 - Journal of the British Society for Phenomenology 25 (1Merleau-Ponty):53-63.
  10. Thinking in Color: Merleau-Ponty and Paul Klee.Galen A. Johnson - 1996 - In Véronique Fóti (ed.), Merleau-Ponty: Difference, Materiality, Painting. pp. 169--76.
     
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  11.  3
    The Elusive Self by Hywel D. Lewis. [REVIEW]Galen A. Johnson - 1982 - International Journal for Philosophy of Religion 15 (1):102-103.
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  12.  11
    Hartshorne's Arguments Against Empirical Evidence for Necessary Existence: An Evaluation.Galen A. Johnson - 1977 - Religious Studies 13 (2):175 - 187.
  13.  73
    Merleau-Ponty's Early Aesthetics of Historical Being: The Case of Cezanne.Galen A. Johnson - 1987 - Research in Phenomenology 17 (1):211-225.
  14.  31
    Hartshorne's Arguments Against Empirical Evidence for Necessary Existence: An Evaluation: GALEN A. JOHNSON.Galen A. Johnson - 1977 - Religious Studies 13 (2):175-187.
    Is experiential evidence irrelevant to acceptance or rejection of belief in the existence of a Divine Being? Charles Hartshorne answers that it is indeed irrelevant, and this answer has an initial and, for me, continuing surprising ring to it. Specifically, Hartshorne makes two distinguishable claims: the traditional allegedly a posteriori arguments, the teleological and cosmological, are in fact incompatible with empiricist methodology and are disguised ontological arguments; the conception of God as necessary being demands that belief in such a being's (...)
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  15.  20
    Child Thought and Contradictions: Understanding Reyb and To.Galen A. Johnson - 1978 - Philosophy of the Social Sciences 8 (3):261-264.
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  16.  5
    The Problem of Origins: In the Timber Yard, Under the Sea.Galen A. Johnson - 2000 - Chiasmi International 2:249-257.
  17.  11
    Assault on Genetic Epistemology, or If This Was Piaget.Galen A. Johnson - 1982 - Philosophy of the Social Sciences 12 (4):419-426.
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  18.  7
    A Philosophical Inquiry Into the Moral Sense of Nature and Artifacts.Galen A. Johnson - 1986 - Man and World 19 (1):103-118.
    These inquiries do not diminish or overshadow the power and importance of the gift that isThe Embers and the Stars. It must be counted among the richest, most eloquent, original, and challenging new works of philosophy to appear in recent years, standing alongisde the best of the authors Kohák admires most, like Marcel and Ricoeur. It must be read. Moreover, we must press Kohák for both the philosophical theology and philosophical inquiry into the moral sense of artifacts toward which this (...)
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  19.  1
    4. Continental Aesthetics: Phenomenology and Antiphenomenology.Galen A. Johnson - 2010 - In Alan D. Schrift (ed.), The History of Continental Philosophy. Routledge. pp. 1237-1260.
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  20. Continental Aestheticsi.Galen A. Johnson - 2010 - In Alan D. Schrift (ed.), The History of Continental Philosophy. University of Chicago Press. pp. 4--87.
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  21.  22
    Desire and Invisibility in “Eye and Mind:” Some Remarks on Merleau-Ponty’s Spirituality.Galen A. Johnson - 1993 - In Patrick Burke and Jan Van Der Veken (ed.), Merleau-Ponty in Contemporary Perspective. pp. 85--96.
  22.  3
    Earth and Sky, History and Philosophy: Island Images Inspired by Husserl and Merleau-Ponty.Galen A. Johnson - 1989 - Peter Lang Publishing.
    This book is a philosophical inquiry into historical meaning and narrative understanding. Interpreting selected writings of Husserl and Merleau-Ponty, and stories of Kafka, Rilke, Sartre, and Camus, the author defends the narrative coherence of life and the irreducibility of narrative understanding and truth. The island imagery uncovered in these authors provides the parameters for a contemporary philosophy of history properly mingling earth and sky as natality and mortality, remembering and forgetting, wandering and homecoming, waking and dreaming, wealth and poverty. Johnson (...)
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  23.  17
    From Aristotle’s Poetics to Newman’s Vir Heroicus Sublimis: The Contest Over the Origins of Art.Galen A. Johnson - 2005 - Epoche: A Journal of the History of Philosophy 10 (1):65-79.
    This article explores the question of the cognitivity of the arts. It begins from Kundera’s argument that the novel, originating from Cervantes, offers a response toGalileo and solution to Husserl’s diagnosis of a “crisis of European sciences.” Expanding to the full range of literary arts, we next undertake a re-reading of Aristotle’s Poetics to assess Aristotle’s views of the origins of tragedy and press for a cognitive interpretation of the meaning of catharsis and emotions. Finally, turning to the abstract expressionism (...)
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  24.  32
    Forest and Philosophy: Toward an Aesthetics of Wood.Galen A. Johnson - 2007 - Environmental Philosophy 4 (1/2):59-75.
    This paper initiates a phenomenological study of the aesthetics of forest and wood in three main phases. First, we consider the modalities of wood’s sensuousness and argue against the formalist tradition that restricts aesthetic appreciation to visual forms. Second, we examine the structural, eidetic features of hand-made wooden objects in the “second life” of trees. Third, we engage in reflections on the communities gathered by the first and second lives of trees. These themes outline an aesthetics of the beautiful, the (...)
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  25.  21
    From Aristotle’s Poetics to Newman’s Vir Heroicus Sublimis: The Contest Over the Origins of Art.Galen A. Johnson - 2005 - Epoché: A Journal for the History of Philosophy 10 (1):65-79.
    This article explores the question of the cognitivity of the arts. It begins from Kundera’s argument that the novel, originating from Cervantes, offers a response toGalileo and solution to Husserl’s diagnosis of a “crisis of European sciences.” Expanding to the full range of literary arts, we next undertake a re-reading of Aristotle’s Poetics to assess Aristotle’s views of the origins of tragedy and press for a cognitive interpretation of the meaning of catharsis and emotions. Finally, turning to the abstract expressionism (...)
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  26.  18
    Forest and Philosophy: Toward an Aesthetics of Wood.Galen A. Johnson - 2007 - Environmental Philosophy 4 (1/2):59-75.
    This paper initiates a phenomenological study of the aesthetics of forest and wood in three main phases. First, we consider the modalities of wood’s sensuousness and argue against the formalist tradition that restricts aesthetic appreciation to visual forms. Second, we examine the structural, eidetic features of hand-made wooden objects in the “second life” of trees. Third, we engage in reflections on the communities gathered by the first and second lives of trees. These themes outline an aesthetics of the beautiful, the (...)
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  27. Face of the World, Figure of the World: Ethics and Poetics in the Thought of Merleau-Ponty and Glen Mazis.Galen A. Johnson - 2017 - Chiasmi International: Trilingual Studies Concerning Merleau-Ponty's Thought 19:465-472.
     
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  28.  1
    From Philosophy-Cinema to Philosophy-Screens: Reflections on the Thought of Mauro Carbone.Galen A. Johnson - 2020 - Journal of the British Society for Phenomenology 52 (3):251-257.
    Mauro Carbone’s most recent book, Philosophy-Screens: From Cinema to the Digital Revolution advances the work and thought of his Flesh of Images: Merleau-Ponty Between Painting a...
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  29. Generosity and Forgetting in the History of Being: Merleau-Ponty and Nietzsche.Galen A. Johnson - 1993 - In Hugh J. Silverman (ed.), Questioning Foundations: Truth/Subjectivity/Culture.
  30.  4
    Husserl and History.Galen A. Johnson - 1980 - Journal of the British Society for Phenomenology 11 (1):77-91.
  31.  8
    Husserl and Piaget: Genesis, Sediments, and Stages.Galen A. Johnson - 1998 - New Ideas in Psychology 16 (1):331-337.
  32.  2
    Historicity, Narratives, and the Understanding of Human Life.Galen A. Johnson - 1984 - Journal of the British Society for Phenomenology 15 (3):37-54.
  33.  4
    Introduzione.Galen A. Johnson - 2019 - Chiasmi International 21:71-73.
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  34. Introduction: Alterity as a Reversibility.Galen A. Johnson - 1990 - In Galen A. Johnson & Michael B. Smith (eds.), Ontology and Alterity in Merleau-Ponty. Northwestern University Press.
     
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  35. Inside and Outside: Ontological Considerations.Galen A. Johnson - 1999 - In Dorothea Olkowski and James Morley (ed.), Merleau-Ponty, Interiority and Exteriority, Psychic Life and the World.
  36.  42
    Intentionality, Institutions, and the Interpretation of Historical Action in the Dialectic of Action.Galen A. Johnson - 1985 - Philosophy of the Social Sciences 15 (4):449-459.
  37.  16
    Il problema delle origini (riassunto).Galen A. Johnson - 2000 - Chiasmi International 2:259-259.
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  38.  11
    Kindness, Justice, and the Good Society.Galen A. Johnson - 2004 - Journal of the British Society for Phenomenology 35 (3):313-317.
  39.  16
    Le problème des origines (résumé).Galen A. Johnson - 2000 - Chiasmi International 2:258-258.
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  40. Metamorphosis and Music: Klee and Merleau-Ponty.Galen A. Johnson - 2012 - In Paul Klee (ed.), Paul Klee: Philosophical Vision, From Nature to Art. Mcmullen Museum of Art, Boston College.
     
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  41.  15
    Merleau-Ponty’s Ontology.Galen A. Johnson - 1990 - International Studies in Philosophy 22 (1):95-97.
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  42.  1
    Merleau-Ponty’s Ontology. [REVIEW]Galen A. Johnson - 1990 - International Studies in Philosophy 22 (1):95-97.
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  43. Merleau-Ponty’s Philosophy of Perception and the Art of Van Gogh: On Going Further and Going Beyond.Galen A. Johnson - 2017 - In Van Gogh Among the Philosophers: Painting, Thinking, Being. Landham, MD: Lexington Books. pp. 159-183.
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  44.  5
    Merleau-Ponty's Poetic of the World: Philosophy and Literature.Galen A. Johnson, Mauro Carbone & Emmanuel de Saint Aubert - 2020 - Fordham University Press.
    Merleau-Ponty has long been known as one of the most important philosophers of aesthetics, yet most discussions of his aesthetics focus on visual art. This book corrects that balance by turning to Merleau-Ponty's extensive engagement with literature. From Proust, Merleau-Ponty developed his conception of "sensible ideas," from Claudel, his conjoining of birth and knowledge as "co-naissance," from Valéry came "implex" or the "animal of words" and the "chiasma of two destinies." Literature also provokes the questions of expression, metaphor, and truth (...)
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  45.  4
    Presentazione.Galen A. Johnson - 2019 - Chiasmi International 21:19-22.
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  46.  4
    Présentation.Galen A. Johnson - 2019 - Chiasmi International 21:11-14.
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  47.  9
    Presentation.Galen A. Johnson - 2019 - Chiasmi International 21:15-18.
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  48. Présence de L’Oeuvre, Un Passé Qui Ne Passe Pas: Merleau-Ponty and Paul Klee.Galen A. Johnson - 2008 - Alter: revue de phénoménologie 16:227-242.
  49.  40
    Painting, Nostalgia And Metaphysics: Merleau-Ponty’s Line.Galen A. Johnson - 1993 - Bulletin de la Société Américaine de Philosophie de Langue Française 5 (1):55-70.
  50.  30
    Résumé: Le beau et Ie sublime chez Merleau-Ponty et Lyotard.Galen A. Johnson - 2008 - Chiasmi International 10:226-226.
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