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Garry L. Hagberg [57]Garry Lyn Hagberg [1]
  1.  32
    Kivy’s Mystery: Absolute Music and What the Formalist Can (or Could) Hear.Garry L. Hagberg - forthcoming - Journal of Aesthetics and Art Criticism.
    Peter Kivy has said that the power of purely instrumental music remains an unexplained wonder. With this larger question in mind, I will consider: the issues in musical aesthetics that led to what Kivy termed his enhanced formalism, his conception of expressive properties in music and how a distinction between having and understanding an emotion can help clarify this issues here, and, most importantly for Kivy’s larger mystery, the way that counterpoint, in an often unrecognized way, can present mimetic content (...)
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  2.  13
    Wittgenstein on Aesthetic Understanding.Garry L. Hagberg (ed.) - 2017 - Cham: Palgrave-Macmillan.
    This book investigates the significance of Wittgenstein’s philosophy for aesthetic understanding. Focusing on the aesthetic elements of Wittgenstein’s philosophical work, the authors explore connections to contemporary currents in aesthetic thinking and the illuminating power of Wittgenstein’s philosophy when considered in connection with the interpretation of specific works of literature, music, and the arts. Taken together, the chapters presented here show what aesthetic understanding consists of and the ways we achieve it, how it might be articulated, and why it is important. (...)
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  3.  21
    The Imaginary Museum of Musical Works.Garry L. Hagberg - 1994 - Journal of Aesthetic Education 28 (4):99.
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  4.  17
    Jazz improvisation and ethical interaction : a sketch of the connections.Garry L. Hagberg - 2008 - In Garry Hagberg (ed.), Art and Ethical Criticism. Oxford, UK: Blackwell. pp. 259–285.
    This chapter contains sections titled: Attentiveness Awareness of the Circumstances of Action Acknowledging the Autonomy of Others Respecting Complexity Memory Respecting Individuality Rethinking the Past The Habit of Resourcefulness Kantian Mutual Respect Genuineness and Insight Sensitivity to the Context of Discourse Excessive Attentiveness The Diversity of Intentional Action.
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  5.  39
    Wittgenstein, Music and the Philosophy of Culture.Garry L. Hagberg - 2014 - The Harvard Review of Philosophy 21:23-40.
    Wittgenstein’s scattered remarks on music, when brought together and then related to his similarly scattered remarks on culture, show a deep and abiding concern with music as a repository and conveyer of meaning in human life. Yet the conception of meaning at work in these remarks is not of a kind that is amenable to brief or concise articulation. This paper explores that conception, considering in turn the relational networks within which musical meaning emerges, what he calls a discernible “kinship” (...)
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  6.  15
    How to Read Wittgenstein.Garry L. Hagberg - 2007 - Philosophical Quarterly 57 (228):491-494.
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  7.  8
    Meaning and Interpretation: Wittgenstein, Henry James, and Literary Knowledge.Garry L. Hagberg - 2018 - Cornell University Press.
    'What is the meaning of a word?' In this thought-provoking book, Hagberg demonstrates how this question—which initiated Wittgenstein's later work in the philosophy of language—is significant for our understanding not only of linguistic meaning but of the meaning of works of art and literature as well.
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  8.  24
    Stanley Cavell on Aesthetic Understanding.Garry L. Hagberg (ed.) - 2018 - Springer Verlag.
    This book investigates the scope and significance of Stanley Cavell’s lifelong and lasting contribution to aesthetic understanding. Focusing on various strands of the rich body of Cavell’s philosophical work, the authors explore connections between his wide-ranging writings on literature, music, film, opera, autobiography, Wittgenstein, and Austin to contemporary currents in aesthetic thinking. Most centrally, the writings brought together here from an international team of senior, mid-career, and emerging scholars, explore the illuminating power of Cavell’s work for our deeper and richer (...)
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  9. Art and Ventriloquism.David Goldblatt & Garry L. Hagberg - 2007 - Journal of Aesthetics and Art Criticism 65 (2):238-240.
     
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  10.  29
    Wittgenstein's Philosophical Investigations, Linguistic Meaning and Music.Garry L. Hagberg - 2011 - Paragraph 34 (3):388-405.
    This article undertakes a comparison between Wittgenstein's philosophy of the early and late periods with the musical theories of Wittgenstein's contemporary, Heinrich Schenker, an influential Viennese theorist of tonality, as well as those of their contemporary Arnold Schoenberg. Schenker's reductive analytical procedure was designed to unveil fundamental and uniform ways in which all works of music function, unfolding a deep structure constituting their essence. Schoenberg deplored this line of thought, and for reasons strikingly parallel to those that led Wittgenstein back (...)
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  11. On Rhythm.Garry L. Hagberg - 2010 - Journal of Aesthetics and Art Criticism 68 (3):281-284.
     
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  12.  21
    How to Read Wittgenstein – Ray Monk.Garry L. Hagberg - 2007 - Philosophical Quarterly 57 (228):491-495.
  13. Introduction.Garry L. Hagberg & Walter Jost - 2007 - In Garry Hagberg & Walter Jost (eds.), A Companion to the Philosophy of Literature. Wiley-Blackwell.
     
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  14.  21
    The Quest for Voice: Music, Politics, and the Limits of Philosophy.Garry L. Hagberg - 2000 - Journal of Aesthetics and Art Criticism 58 (1):85-88.
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  15. Metaphor.Garry L. Hagberg - 2000 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.
     
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  16.  92
    The Thinker and The Draughtsman: Wittgenstein, Perspicuous Relations, and ‘Working on Oneself’: Garry L. Hagberg.Garry L. Hagberg - 2010 - Royal Institute of Philosophy Supplement 66:67-81.
    In 1931, in the remarks collected as Culture and Value, Wittgenstein writes: ‘A thinker is very much like a draughtsman whose aim it is to represent all the interrelations between things.’ At a glance it is clear that this analogy might contribute significantly to a full description of the autobiographical thinker as well. And this conjunction of relations between things and the work of the draughtsman immediately and strongly suggests that the grasping of relations is in a sense visual, or (...)
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  17.  10
    What, after all, is a work of art?Garry L. Hagberg - 2002 - British Journal of Aesthetics 42 (2):206-209.
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  18.  7
    Seeing Wittgenstein Anew.Norton Batkin, Sandra Laugier, Timouthy Gould, Stanley Cavell, Garry L. Hagberg & Victor J. Krebs (eds.) - 2010 - Cambridge University Press.
    Seeing Wittgenstein Anew is a collection which examines Ludwig Wittgenstein's remarks on the concept of aspect-seeing, showing that it was not simply one more topic of investigation in Wittgenstein's later writings but rather a pervasive and guiding concept in his efforts to turn philosophy's attention to the actual conditions of our common life in language. The essays in this 2010 volume open up novel paths across familiar fields of thought: the objectivity of interpretation, the fixity of the past, the acquisition (...)
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  19. Autobiographical memory: Wittgenstein, Davidson, and the 'descent into ourselves'.Garry L. Hagberg - 2006 - In David Rudrum (ed.), Literature and philosophy: a guide to contemporary debates. New York: Palgrave-Macmillan.
  20.  12
    2. A Person’s Words: Literary Characters and Autobiographical Understanding.Garry L. Hagberg - 2015 - In Christopher Cowley (ed.), The Philosophy of Autobiography. University of Chicago Press. pp. 39-71.
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  21.  32
    Art Rethought: The Social Practices of Art.Garry L. Hagberg - 2017 - British Journal of Aesthetics 57 (3):331-334.
    © British Society of Aesthetics 2017. Published by Oxford University Press on behalf of the British Society of Aesthetics. All rights reserved. For Permissions, please email: [email protected] exists, according to Nicholas Wolterstorff in this deeply engaging and exemplary study, a Grand Narrative that runs through much of our thinking about art. That narrative, emerging from and solidified since the eighteenth century, is in essence that art is created for, and remains in museums and galleries as occasions for, abstract and transcendent (...)
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  22.  11
    Adaptation, Translation, and Philosophical Investigation in Adaptation.Garry L. Hagberg - 2019 - In Noël Carroll, Laura T. Di Summa & Shawn Loht (eds.), The Palgrave Handbook of the Philosophy of Film and Motion Pictures. Springer. pp. 823-841.
    This chapter investigates the content of the concept of adaptation, as it is seen on analogy to linguistic translation and as it is seen as itself a representation of the process of human self-definition and self-composition. Word-to-word translation is uncovered as a misleading analogy, but larger frames of translation are shown to be illuminating. Quine’s work on the indeterminacy of translation is intertwined with Charlie Kaufman’s script for his film Adaptation, and the simple notion of the matching of the adaptation (...)
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  23. David G. Stern, Wittgenstein's Philosophical Investigations: An Introduction Reviewed by.Garry L. Hagberg - 2006 - Philosophy in Review 26 (5):384-386.
     
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  24.  7
    Engaging Henry James.Garry L. Hagberg - 2022 - In Jonathan Gilmore & Lydia Goehr (eds.), A Companion to Arthur C. Danto. Hoboken, NJ, USA: Wiley. pp. 199–206.
    The fact that Arthur Danto is so well known for his vibrant writing on the visual arts should not blind us to his deep interest in literature and writing, his vision of its role in the living of a human life, and the special way he interweaves his literary interests with his writing on the visual arts. In Danto's life and work, the writings of Henry James proved particularly powerful in this regard. Between life and literature, Danto found parallels that (...)
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  25.  5
    Editor's Note.Garry L. Hagberg - 2012 - Philosophy and Literature 36 (1):iv-v.
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  26.  30
    Fictional Worlds and the Moral Imagination.Garry L. Hagberg (ed.) - 2021 - Palgrave-Macmillan.
    This edited collection investigates the kinds of moral reflection we can undertake within the imaginative worlds of literature. In philosophical contexts of ethical inquiry we can too easily forget that literary experience can play an important role in the cultivation of our ethical sensibilities. Because our ethical lives are conducted in the real world, fictional representations of this world can appear removed from ethical contemplation. However, as this stimulating volume shows, the dichotomy between fact and fiction cannot be so easily (...)
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  27. Fictional Worlds and Philosophical Reflection.Garry L. Hagberg (ed.) - 2022
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  28.  15
    Fictional Worlds and the Political Imagination.Garry L. Hagberg (ed.) - 2024 - Palgrave-Macmillan.
    There has been a steady stream of articles written on the relations between political thought and the interpretation of literature, but there remains a need for a book that both introduces and significantly contributes to the field – particularly one that shows in detail how we can think more freely and creatively about political possibilities by reading and reflecting on politically significant literature. This volume offers analytically acute and culturally rich ways of understanding how it is that we can productively (...)
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  29.  35
    Fictional Worlds and the Political Imagination.Garry L. Hagberg (ed.) - 2024 - Palgrave-Macmillan.
    There has been a steady stream of articles written on the relations between political thought and the interpretation of literature, but there remains a need for a book that both introduces and significantly contributes to the field – particularly one that shows in detail how we can think more freely and creatively about political possibilities by reading and reflecting on politically significant literature. This volume offers analytically acute and culturally rich ways of understanding how it is that we can productively (...)
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  30. In a new light: Wittgenstein, aspect-perception, and retrospective change in self-understanding.Garry L. Hagberg - 2010 - In William Day & Víctor J. Krebs (eds.), Seeing Wittgenstein Anew. Cambridge University Press.
  31.  20
    Implication in Interpretation: Wittgenstein, Artistic Content, and ‘The Field of a Word’.Garry L. Hagberg - 2015 - In Danièle Moyal-Sharrock, Volker Munz & Annalisa Coliva (eds.), Mind, Language and Action: Proceedings of the 36th International Wittgenstein Symposium. Boston: De Gruyter. pp. 45-64.
  32.  6
    Introduction: Literary Experience and Self-Reflection.Garry L. Hagberg - 2019 - In Narrative and Self-Understanding. Palgrave. pp. 1-7.
    There has been a vast wave of work on narrative in the last decade: this work includes numerous volumes on the philosophy of narrative and its definition, on the place of narrative in literary analysis, on the sense-making power of narrative construction, on narrative in its evolutionary aspects, and on the relation between narrative and the constitution of personhood. However, one sees less work specifically on the relations between literary narrative and self-understanding. Self-knowledge and its philosophical questions have often remained (...)
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  33.  10
    Introductory Note: Denis Dutton, Editor.Garry L. Hagberg - 2014 - Philosophy and Literature 38 (1A):iv-vi.
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  34.  19
    Introduction: Not "Of," "As," or "And," but "In".Garry L. Hagberg - 2017 - Philosophy and Literature 41 (1A):v-v.
    The philosophy of literature, a topic on which we publish numerous articles, concerns what we at the journal take to be engaging and interestingly intricate issues; these include the ontology of fictional characters and the precise nature of our emotional responses to fiction. Philosophy as literature, although we perhaps publish fewer works of this kind, considers philosophical writing from a literary standpoint; issues here include the varying stylistics of philosophical writing over the ages and the role of figurative or metaphorical (...)
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  35.  28
    Introduction: On the Ground of Ethical Criticism.Garry L. Hagberg - 2015 - Philosophy and Literature 39 (1A):v-vi.
    One can characterize the relation between philosophy and literature in a number of interestingly different ways: literature provides examples that put flesh on the bones of philosophical ideas; literature shows what philosophy says; literature serves philosophy by displaying the complexity of circumstance that philosophy may oversimplify; literature captures a kind of content that is not amenable to propositional encapsulation; literature offers a portal into an imaginative world and a special kind of vicarious experience within it that philosophy does not and (...)
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  36.  21
    Improvisation within the Range of Implication: Cora Diamond, Henry James, and the Adventure of Literature.Garry L. Hagberg - 2021 - In Maria Balaska (ed.), Cora Diamond on Ethics. Springer Verlag. pp. 103-124.
    The paper examines an important theme in Cora Diamond’s work, as this appears particularly in her reply to Martha Nussbaum, namely the theme of moral attention—being sensitive to the complexity of facts as opposed to obtuseness, and the role that improvisation plays for moral attention. To further elucidate what improvisation is I consider its role in music and literature as mimetic portrayals of the complexity of moral life. I use the examples of Coltrane’s jazz music and of James’s rewriting of (...)
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  37. James K. Wright, Schoenberg, Wittgenstein and the Vienna Circle Reviewed by.Garry L. Hagberg - 2006 - Philosophy in Review 26 (6):449-452.
     
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  38. Jenefer Robinson, ed., Music and Meaning Reviewed by.Garry L. Hagberg - 1999 - Philosophy in Review 19 (1):52-55.
     
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  39.  10
    Living in Words: Literature, Autobiographical Language, and the Composition of Selfhood.Garry L. Hagberg - 2023 - Oxford, GB: Oxford University Press.
    Living in Words: Literature, Autobiographical Language, and the Composition of Selfhood pursues three main questions: What role does literature play in the constitution of a human being? What is the connection between the language we see at work in imaginative fiction and the language we develop to describe ourselves? And is something more powerful than just description at work -- that is, does self-descriptive or autobiographical language itself play an active role in shaping and solidifying our identities? This adventurous book (...)
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  40. Multiple interpretations and singular selves.Garry L. Hagberg - 2018 - In Christine M. Koggel & Andreea Ritivoi (eds.), Interpretation, Relativism, and Identity: Essays on the Philosophy of Michael Krausz. Lexington Books.
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  41.  39
    Narrative and Self-Understanding.Garry L. Hagberg (ed.) - 2019 - Palgrave.
    This exciting new edited collection bridges the gap between narrative and self-understanding. The problem of self-knowledge is of universal interest; the nature or character of its achievement has been one continuing thread in our philosophical tradition for millennia. Likewise the nature of storytelling, the assembly of individual parts of a potential story into a coherent narrative structure, has been central to the study of literature. But how do we gain knowledge from an artform that is by definition fictional, by definition (...)
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  42.  6
    Self-Expression.Garry L. Hagberg - 2010 - British Journal of Aesthetics 50 (1):107-109.
    (No abstract is available for this citation).
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  43.  4
    Self-defining reading : literature and the constitution of personhood.Garry L. Hagberg - 2007 - In Garry Hagberg & Walter Jost (eds.), A Companion to the Philosophy of Literature. Oxford, UK: Wiley-Blackwell. pp. 120–158.
    This chapter contains sections titled: Possible Selves and Webs of Belief The Textually Cultivated “I”: Making up One's Mind Metaphorical Identification and Self‐Individuation.
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  44.  32
    The Approach of a Lyricist.Garry L. Hagberg - 2014 - Common Knowledge 20 (2):214-222.
    As part of a Common Knowledge colloquium on “lyric philosophy,” this essay considers some of the connections between linguistic and nonlinguistic meaning, the connection between linguistic meaning and what Wittgenstein called aspect perception or imagination-enriched perception, issues in the analysis of meaning down to constituent parts and the problematic legacy of atomistic approaches to word-meaning, the inflection of experience across time and across context and the role of sensibility in both perception and linguistic meaning, and the larger problem of what (...)
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  45.  8
    The Medium Itself: Modernism in Art and Philosophy’s Linguistic Self-Analysis.Garry L. Hagberg - 2018 - In Ana Falcato & Antonio Cardiello (eds.), Philosophy in the Condition of Modernism. Cham: Springer Verlag. pp. 101-126.
    Multiple definitions of Modernism have been put forward, often focusing on the character or features of the works of art and literature produced within this cultural movement. Here I want to focus, instead, on the sensibility of Modernism as this has manifested itself to be especially concerned not with the content of representation, but with the materials out of which a representation is made. Through an analysis of eighteenth-century English portraiture, nineteenth-century French political painting, and up to twentieth-century Modernist painting, (...)
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  46. The self rewritten : the case of self-forgiveness.Garry L. Hagberg - 2011 - In Christel Fricke (ed.), The Ethics of Forgiveness: A Collection of Essays. Routledge.
  47.  7
    20 Wittgenstein and the Question of True Self-Interpretation.Garry L. Hagberg - 2002 - In Michael Krausz (ed.), Is There a Single Right Interpretation? Pennsylvania State University Press. pp. 381-406.
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  48.  38
    Word and Object: Museums and the Matter of Meaning.Garry L. Hagberg - 2016 - Royal Institute of Philosophy Supplement 79:261-293.
    We often think of works of art as possessors of meaning, and we think of museums as places where that meaning can be exhibited and encountered. But it is precisely at this first step of thinking about artistic meaning that we too easily import a conceptually entrenched model or picture of linguistic meaning that then constrains our appreciation of artistic meaning and what museum exhibitions actually do. That model of linguistic meaning is atomism: the notion that the single, self-contained word (...)
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  49.  8
    Wittgenstein, Consciousness, and The Golden Bowl: James’s Maggie Verver and the Linguistic Mind.Garry L. Hagberg - 2019 - In Narrative and Self-Understanding. Palgrave. pp. 225-266.
    This chapter explores the significance that Wittgenstein’s work in the philosophy of mind holds for self-understanding, looking into issues of the dualist-introspectionist model of the mind, its antithesis in behaviorism, and the role of language as what Wittgenstein called “the vehicle of thought”, where these considerations are all brought together as a way of investigating how we think of the contents of consciousness. It then takes these Wittgensteinian reflections into a discussion of the way in which Henry James illuminates both (...)
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  50.  6
    Wittgenstein Re-Reading.Garry L. Hagberg - 2013 - In Sascha Bru, Wolfgang Huemer & Daniel Steuer (eds.), Wittgenstein Reading. Berlin & New York: De Gruyter. pp. 243-262.
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