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Garry L. Hagberg [49]Garry Lyn Hagberg [1]
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  1.  1
    Wittgenstein on Aesthetic Understanding.Garry L. Hagberg (ed.) - 2017 - Palgrave-Macmillan.
    This book investigates the significance of Wittgenstein’s philosophy for aesthetic understanding. Focusing on the aesthetic elements of Wittgenstein’s philosophical work, the authors explore connections to contemporary currents in aesthetic thinking and the illuminating power of Wittgenstein’s philosophy when considered in connection with the interpretation of specific works of literature, music, and the arts. Taken together, the chapters presented here show what aesthetic understanding consists of and the ways we achieve it, how it might be articulated, and why it is important. (...)
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  2.  10
    The Imaginary Museum of Musical Works.Garry L. Hagberg - 1994 - Journal of Aesthetic Education 28 (4):99.
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  3. Jazz Improvisation and Ethical Interaction : A Sketch of the Connections.Garry L. Hagberg - 2008 - In Garry Hagberg (ed.), Art and Ethical Criticism. Blackwell.
     
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  4.  25
    Wittgenstein, Music and the Philosophy of Culture.Garry L. Hagberg - 2014 - The Harvard Review of Philosophy 21:23-40.
  5.  6
    How to Read Wittgenstein.Garry L. Hagberg - 2007 - Philosophical Quarterly 57 (228):491-494.
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  6.  68
    A Companion to the Philosophy of Literature.Garry L. Hagberg & Walter Jost (eds.) - 2007 - Wiley-Blackwell.
    This monumental collection of new and recent essays from an international team of eminent scholars represents the best contemporary critical thinking relating to both literary and philosophical studies of literature. Helpfully groups essays into the field's main sub-categories, among them ‘Relations Between Philosophy and Literature’, ‘Emotional Engagement and the Experience of Reading’, ‘Literature and the Moral Life’, and ‘Literary Language’ Offers a combination of analytical precision and literary richness Represents an unparalleled work of reference for students and specialists alike, ideal (...)
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  7.  40
    On Rhythm.Garry L. Hagberg - 2010 - Journal of Aesthetics and Art Criticism 68 (3):281-284.
  8.  6
    How to Read Wittgenstein – Ray Monk.Garry L. Hagberg - 2007 - Philosophical Quarterly 57 (228):491-495.
  9.  11
    Wittgenstein's Philosophical Investigations, Linguistic Meaning and Music.Garry L. Hagberg - 2011 - Paragraph 34 (3):388-405.
    This article undertakes a comparison between Wittgenstein's philosophy of the early and late periods with the musical theories of Wittgenstein's contemporary, Heinrich Schenker, an influential Viennese theorist of tonality, as well as those of their contemporary Arnold Schoenberg. Schenker's reductive analytical procedure was designed to unveil fundamental and uniform ways in which all works of music function, unfolding a deep structure constituting their essence. Schoenberg deplored this line of thought, and for reasons strikingly parallel to those that led Wittgenstein back (...)
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  10.  70
    Art and Ethical Criticism.Garry L. Hagberg (ed.) - 2008 - Wiley-Blackwell.
  11.  6
    The Quest for Voice: Music, Politics, and the Limits of Philosophy.Garry L. Hagberg - 2000 - Journal of Aesthetics and Art Criticism 58 (1):85-88.
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  12. Seeing Wittgenstein Anew.Norton Batkin, Sandra Laugier, Timouthy Gould, Stanley Cavell, Garry L. Hagberg & Victor J. Krebs - unknown - Cambridge University Press.
     
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  13. Art and Ventriloquism.David Goldblatt & Garry L. Hagberg - 2007 - Journal of Aesthetics and Art Criticism 65 (2):238-240.
     
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  14.  2
    Aesthetic Legacies. [REVIEW]Garry L. Hagberg - 1996 - Journal of Aesthetic Education 30 (1):115.
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  15. Autobiographical Memory: Wittgenstein, Davidson, and the 'Descent Into Ourselves'.Garry L. Hagberg - 2006 - In David Rudrum (ed.), Literature and Philosophy: A Guide to Contemporary Debates. Palgrave-Macmillan.
  16.  2
    2. A Person’s Words: Literary Characters and Autobiographical Understanding.Garry L. Hagberg - 2019 - In Christopher Cowley (ed.), The Philosophy of Autobiography. University of Chicago Press. pp. 39-71.
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  17.  18
    Art Rethought: The Social Practices of Art.Garry L. Hagberg - 2017 - British Journal of Aesthetics 57 (3):331-334.
    © British Society of Aesthetics 2017. Published by Oxford University Press on behalf of the British Society of Aesthetics. All rights reserved. For Permissions, please email: [email protected] exists, according to Nicholas Wolterstorff in this deeply engaging and exemplary study, a Grand Narrative that runs through much of our thinking about art. That narrative, emerging from and solidified since the eighteenth century, is in essence that art is created for, and remains in museums and galleries as occasions for, abstract and transcendent (...)
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  18.  2
    Adaptation, Translation, and Philosophical Investigation in Adaptation.Garry L. Hagberg - 2019 - In Noël Carroll, Laura T. Di Summa & Shawn Loht (eds.), The Palgrave Handbook of the Philosophy of Film and Motion Pictures. Springer. pp. 823-841.
    This chapter investigates the content of the concept of adaptation, as it is seen on analogy to linguistic translation and as it is seen as itself a representation of the process of human self-definition and self-composition. Word-to-word translation is uncovered as a misleading analogy, but larger frames of translation are shown to be illuminating. Quine’s work on the indeterminacy of translation is intertwined with Charlie Kaufman’s script for his film Adaptation, and the simple notion of the matching of the adaptation (...)
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  19. David G. Stern, Wittgenstein's Philosophical Investigations: An Introduction Reviewed By.Garry L. Hagberg - 2006 - Philosophy in Review 26 (5):384-386.
     
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  20.  18
    Editor's Note.Garry L. Hagberg - 2012 - Philosophy and Literature 36 (1):iv-v.
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  21. Fictional Characters, Real Problems: The Search for Ethical Content in Literature.Garry L. Hagberg (ed.) - 2016 - Oxford University Press UK.
    Literature is a complex and multifaceted expression of our humanity, one dimension of which is ethical content. This striking collection of new essays pursues a fuller and richer understanding of five of the central aspects of this ethical content. These aspects are: the question of character, its formation, and its role in moral discernment; poetic vision in the context of ethical understanding; literature's distinctive role in self-identity and self-understanding; patterns of moral growth and change that emerge from the philosophical reading (...)
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  22.  2
    Fictional Worlds and the Moral Imagination.Garry L. Hagberg (ed.) - 2021 - Palgrave-Macmillan.
    This edited collection investigates the kinds of moral reflection we can undertake within the imaginative worlds of literature. In philosophical contexts of ethical inquiry we can too easily forget that literary experience can play an important role in the cultivation of our ethical sensibilities. Because our ethical lives are conducted in the real world, fictional representations of this world can appear removed from ethical contemplation. However, as this stimulating volume shows, the dichotomy between fact and fiction cannot be so easily (...)
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  23.  12
    Goldman, Alan H. Philosophy and the Novel. Oxford University Press, 2013, 209 Pp., $53.40 Cloth. [REVIEW]Garry L. Hagberg - 2014 - Journal of Aesthetics and Art Criticism 72 (3):332-335.
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  24.  28
    Review of Ray Monk, How to Read Wittgenstein[REVIEW]Garry L. Hagberg - 2007 - Philosophical Quarterly 57 (228):491–495.
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  25. Introduction.Garry L. Hagberg & Walter Jost - 2010 - In Garry Hagberg & Walter Jost (eds.), A Companion to the Philosophy of Literature. Wiley-Blackwell.
     
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  26. In a New Light: Wittgenstein, Aspect-Perception, and Retrospective Change in Self-Understanding.Garry L. Hagberg - 2010 - In William Day & Víctor J. Krebs (eds.), Seeing Wittgenstein Anew. Cambridge University Press.
  27.  13
    Implication in Interpretation: Wittgenstein, Artistic Content, and ‘The Field of a Word’.Garry L. Hagberg - 2015 - In Annalisa Coliva, Volker Munz & Danièle Moyal-Sharrock (eds.), Mind, Language and Action: Proceedings of the 36th International Wittgenstein Symposium. De Gruyter. pp. 45-64.
  28.  3
    Introduction: Literary Experience and Self-Reflection.Garry L. Hagberg - 2019 - In Narrative and Self-Understanding. Palgrave.
    There has been a vast wave of work on narrative in the last decade: this work includes numerous volumes on the philosophy of narrative and its definition, on the place of narrative in literary analysis, on the sense-making power of narrative construction, on narrative in its evolutionary aspects, and on the relation between narrative and the constitution of personhood. However, one sees less work specifically on the relations between literary narrative and self-understanding. Self-knowledge and its philosophical questions have often remained (...)
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  29.  6
    Introductory Note: Denis Dutton, Editor.Garry L. Hagberg - 2014 - Philosophy and Literature 38 (1A):iv-vi.
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  30.  8
    Introduction: Not "Of," "As," or "And," but "In".Garry L. Hagberg - 2017 - Philosophy and Literature 41 (1A):v-v.
    The philosophy of literature, a topic on which we publish numerous articles, concerns what we at the journal take to be engaging and interestingly intricate issues; these include the ontology of fictional characters and the precise nature of our emotional responses to fiction. Philosophy as literature, although we perhaps publish fewer works of this kind, considers philosophical writing from a literary standpoint; issues here include the varying stylistics of philosophical writing over the ages and the role of figurative or metaphorical (...)
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  31.  19
    Introduction: On the Ground of Ethical Criticism.Garry L. Hagberg - 2015 - Philosophy and Literature 39 (1A):v-vi.
    One can characterize the relation between philosophy and literature in a number of interestingly different ways: literature provides examples that put flesh on the bones of philosophical ideas; literature shows what philosophy says; literature serves philosophy by displaying the complexity of circumstance that philosophy may oversimplify; literature captures a kind of content that is not amenable to propositional encapsulation; literature offers a portal into an imaginative world and a special kind of vicarious experience within it that philosophy does not and (...)
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  32. James K. Wright, Schoenberg, Wittgenstein and the Vienna Circle Reviewed By.Garry L. Hagberg - 2006 - Philosophy in Review 26 (6):449-452.
     
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  33. Jenefer Robinson, Ed., Music and Meaning Reviewed By.Garry L. Hagberg - 1999 - Philosophy in Review 19 (1):52-55.
     
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  34.  9
    Kivy’s Mystery: Absolute Music and What the Formalist Can (or Could) Hear.Garry L. Hagberg - forthcoming - Journal of Aesthetics and Art Criticism.
    Peter Kivy has said that the power of purely instrumental music remains an unexplained wonder. With this larger question in mind, I will consider: the issues in musical aesthetics that led to what Kivy termed his enhanced formalism, his conception of expressive properties in music and how a distinction between having and understanding an emotion can help clarify this issues here, and, most importantly for Kivy’s larger mystery, the way that counterpoint, in an often unrecognized way, can present mimetic content (...)
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  35. Metaphor.Garry L. Hagberg - 2001 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.
     
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  36.  7
    "Mimesis" and Abstract Art.Garry L. Hagberg - 1984 - Philosophy 59:365.
    Does non-representational art itself constitute a refutation of any theory of art based upon mimesis or imitation? Our intuitions regarding this question seem to support an affirmative answer: it appears impossible to account for abstract and non-representational art in terms of imitation , because, to put the problem simply, if nothing is copied in a work of art then there can be nothing essentially imitative about it. The very notion of abstract imitative art seems self-contradictory.
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  37.  14
    Narrative and Self-Understanding.Garry L. Hagberg (ed.) - 2019 - Palgrave.
    This exciting new edited collection bridges the gap between narrative and self-understanding. The problem of self-knowledge is of universal interest; the nature or character of its achievement has been one continuing thread in our philosophical tradition for millennia. Likewise the nature of storytelling, the assembly of individual parts of a potential story into a coherent narrative structure, has been central to the study of literature. But how do we gain knowledge from an artform that is by definition fictional, by definition (...)
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  38.  15
    Review of Stephen Davies, Themes in the Philosophy of Music[REVIEW]Garry L. Hagberg - 2006 - Notre Dame Philosophical Reviews 2006 (1).
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  39.  24
    Self-Expression.Garry L. Hagberg - 2010 - British Journal of Aesthetics 50 (1):107-109.
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  40.  1
    Stanley Cavell on Aesthetic Understanding.Garry L. Hagberg (ed.) - 2018 - Springer Verlag.
    This book investigates the scope and significance of Stanley Cavell’s lifelong and lasting contribution to aesthetic understanding. Focusing on various strands of the rich body of Cavell’s philosophical work, the authors explore connections between his wide-ranging writings on literature, music, film, opera, autobiography, Wittgenstein, and Austin to contemporary currents in aesthetic thinking. Most centrally, the writings brought together here from an international team of senior, mid-career, and emerging scholars, explore the illuminating power of Cavell’s work for our deeper and richer (...)
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  41. Self-Defining Reading : Literature and the Constitution of Personhood.Garry L. Hagberg - 2010 - In Garry Hagberg & Walter Jost (eds.), A Companion to the Philosophy of Literature. Wiley-Blackwell.
     
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  42.  40
    Thinking of Others: On the Talent for Metaphor, by Ted Cohen. [REVIEW]Garry L. Hagberg - 2010 - Mind 119 (476):1145-1151.
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  43. The Self Rewritten : The Case of Self-Forgiveness.Garry L. Hagberg - 2011 - In Christel Fricke (ed.), The Ethics of Forgiveness: A Collection of Essays. Routledge.
     
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  44.  67
    The Thinker and The Draughtsman: Wittgenstein, Perspicuous Relations, and ‘Working on Oneself’: Garry L. Hagberg.Garry L. Hagberg - 2010 - Royal Institute of Philosophy Supplement 66:67-81.
    In 1931, in the remarks collected as Culture and Value, Wittgenstein writes: ‘A thinker is very much like a draughtsman whose aim it is to represent all the interrelations between things.’ At a glance it is clear that this analogy might contribute significantly to a full description of the autobiographical thinker as well. And this conjunction of relations between things and the work of the draughtsman immediately and strongly suggests that the grasping of relations is in a sense visual, or (...)
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  45. What, After All, is a Work of Art?Garry L. Hagberg - 2002 - British Journal of Aesthetics 42 (2):206-209.
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  46.  25
    Word and Object: Museums and the Matter of Meaning.Garry L. Hagberg - 2016 - Royal Institute of Philosophy Supplement 79:261-293.
    We often think of works of art as possessors of meaning, and we think of museums as places where that meaning can be exhibited and encountered. But it is precisely at this first step of thinking about artistic meaning that we too easily import a conceptually entrenched model or picture of linguistic meaning that then constrains our appreciation of artistic meaning and what museum exhibitions actually do. That model of linguistic meaning is atomism: the notion that the single, self-contained word (...)
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  47. Wittgenstein, Consciousness, and The Golden Bowl: James’s Maggie Verver and the Linguistic Mind.Garry L. Hagberg - 2019 - In Narrative and Self-Understanding. Palgrave.
    This chapter explores the significance that Wittgenstein’s work in the philosophy of mind holds for self-understanding, looking into issues of the dualist-introspectionist model of the mind, its antithesis in behaviorism, and the role of language as what Wittgenstein called “the vehicle of thought”, where these considerations are all brought together as a way of investigating how we think of the contents of consciousness. It then takes these Wittgensteinian reflections into a discussion of the way in which Henry James illuminates both (...)
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  48.  2
    Wittgenstein, Verbal Creativity and the Expansion of Artistic Style.Garry L. Hagberg - 2016 - In Sebastian Sunday Grève & Jakub Mácha (eds.), Wittgenstein and the Creativity of Language. Palgrave Macmillan. pp. 141-176.
    Of the famous passage from Augustine’s Confessions1 that opens Philosophical Investigations, Wittgenstein writes, These words, it seems to me, give us a particular picture of the essence of human language. It is this: the words in language name objects — sentences are combinations of such names. — In this picture of language we find the roots of the following idea: Every word has a meaning. This meaning is correlated with the word. It is the object for which the word stands. (...)
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  49.  1
    Into the Light of Things: The Art of the Commonplace From Wordsworth to John Cage.Garry L. Hagberg - 1996 - Journal of Aesthetics and Art Criticism 54 (3):295-297.
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