The discussion of Kant's Practical Philosophy has been marred by viewing it as purely formalist and centered only on the categorical imperative. This important new study sets out a much more vivid account of the nature and range of Kant's concerns demonstrating his commitment to the notion of rational religion and including extensive discussion of his treatment of evil. Culminating with accounts of property, the nature of right and virtue, this work presents Kant as a vital revolutionary thinker.
The role and place of transcendental psychology in Kant's Critique of Pure Reason has been a source of some contention. This work presents a detailed argument for restoring transcendental psychology to a central place in the interpretation of Kant's Analytic, in the process providing a detailed response to more "austere" analytic readings.
This is a book focused primarily on reading the *Critique of Judgment* but which takes the central topics of it to be central to understanding the Critical Philosophy generally. It distinguishes types of aesthetics and teleology and in the process suggests an ambitious reconstruction of the landscape of Kant's architectonic.
In this article I revisit the relationship between Immanuel Kant and the Marquis De Sade, following not Jacques Lacan but Pierre Klossowski. In the process I suggest that Sade's work is marred by a series of antinomies that prevent him from stating a pure practical libertine reason and leave his view purely theoretical.
This piece presents an account of Kant's notion of provisional right and connects this conception to his defence of two principles of publicity. The argument is to the effect that understanding the notion of provisional right will enable us to comprehend the Kantian picture of the state of nature, the basis of the transition from such a state to the civil condition and also his treatment of international right. The paper also presents the sketch of a Kantian theory of normatively (...) justified institutions. (shrink)
In this piece I address the question of how the two parts of the *Metaphysics of Morals* are to be related to each other through invocation of the notion of practical schematism. In the process I argue that understanding the notion of moral teleology will help us address the relationship between Kant's principles of right, virtue and the categorical imperative.
The first genuine and comprehensive English-language handbook to the study of Kant's philosophy, containing sections on Kant's key works, the philosophical and historical contexts of his philosophy, essays on the reception and influence of the Kantian philosophy, a lexical A-Z list of lemmata addressing central themes and concepts of Kant's thought and an extensive English-language bibliography of secondary literature.
This piece presents an account of Kant's notion of provisional right and connects this conception to his defence of two principles of publicity. The argument is to the effect that understanding the notion of provisional right will enable us to comprehend the Kantian picture of the state of nature, the basis of the transition from such a state to the civil condition and also his treatment of international right. The paper also presents the sketch of a Kantian theory of normatively (...) justified institutions. (shrink)
Full-text of this article is not available in this e-prints service. This article was originally published following peer-review in British Journal for the History of Philosophy, published by and copyright Routledge.
This paper addresses the question about the understanding of the history of continental philosophy by tracing a tradition in which this philosophy figures itself in relation to futurity. This is considered in relation to the distinct ways in which futurity is a question for Kant, Hegel and Nietzsche.
This paper presents an argument for seeing Marcel Duchamp and Robert Mapplethorpe as opposite ends of a tradition of negotiation of art with its conditions of production. The piece takes seriously Kant's suggestions concerning the fine arts and contests views of art that see the Kantian tradition as formally fixed.
Full-text of this article is not available in this e-prints service. This article was originally published following peer-review in British Journal for the History of Philosophy, published by and copyright Routledge.
Incorporating a diversity of approaches from a variety of disciplines, this book provides a major reassessment of the question of nihilism in modernity and interrogates this through the growing interest in angels and demons in contemporary philosophy. The collection examines the uncanny return of angelic and demonic principles in current cultural production and thinking and aims to show that the repression of thought about spiritual entities at the onset of modernity is linked to the appearance of a new form of (...) evil that manifests itself through nihilism. (shrink)
The general conception of Kantian cosmology in Universal Natural History is one that folds into the âpre-Criticalâ period in the basic sense that the status of the types of principles invoked within the work is not subjected by Kant to critical assessment. This is far from meaning that the enquiry of Universal Natural History is simply abandoned by Kant. Rather, the stakes of the inquiry into cosmology become transformed and this transformation has much to do with the results of the (...) Critique of Pure Reason, not least the arguments of the Transcendental Dialectic. In this piece I will first review some of the most salient lines of argument in Universal Natural History prior to undertaking to investigate a reason for re-thinking cosmology in Kantian terms both within the Critique of Pure Reason and in the wake of it. This latter enquiry will hinge both on an understanding of the nature of Kantâs use of the notion of the âregulative ideaâ and also upon an investigation of his uses of cosmic images within the Critical period. (shrink)
In 1795 Immanuel Kant proclaimed that the peoples of the earth have entered into a "universal community". Since Kant wrote this the processes of inter-connection between the peoples of the earth has grown even more pronounced and the notion of "cosmopolitics" has thus come to seem a defining one for the contemporary age. As such this volume makes a timely contribution to contemporary debates about international law, global ecology and economy and transnational synergies. The volume is inter-disciplinary and is intended (...) to be a contribution to a debate that crosses borders and disciplines. (shrink)
The interpretation of Kant's Critical philosophy as a version of traditional idealism has a long history. In spite of Kant's and his commentators’ various attempts to distinguish between traditional and transcendental idealism, his philosophy continues to be construed as committed (whether explicitly or implicitly and whether consistently or inconsistently) to various features usually associated with the traditional idealist project. As a result, most often, the accusation is that his Critical philosophy makes too strong metaphysical and epistemological claims.
This is a short review of a work by Bencivenga on Kant's ethics that argues for a view of Kant that treats his moral rules as not prescriptive but only transcendental and takes issue with this reading.
This paper assesses Jurgen Habermas' reconstruction of Kant's cosmopolitan project suggesting ways in which this reconstruction creates new problems that were not part of Kant's endeavour as well as indicating critical appreciation of the idea of the project.
Full-text of this article is not available in this e-prints service. This article was originally published following peer-review in British Journal for the History of Philosophy, published by and copyright Routledge.
In this article I seek to address the way that Jean-Luc Nancy's project of the ‘deconstruction of Christianity’ relates to the understanding of what might be meant by ‘Christian art’. In the process of looking at Nancy's treatment of some signal ‘Christian’ scenes I describe some ways in which the motif of ‘touching’ arises as significant for how Nancy addresses the possibility of ‘alienation from the world’, a possibility that he takes to be central to the self-deconstructive potential of ‘Christianity’. (...) Subsequently the topic of the distinction between ‘faith’ and ‘belief’ is related to how Derrida understands the notion of the ‘messianic’ and I conclude with a suggestion concerning how the plurality of ‘deconstructions’ might complicate the question of what is meant by the view that the ‘deconstruction of Christianity’ is itself a ‘Christian’ project. (shrink)
Full-text of this article is not available in this e-prints service. This article was originally published following peer-review in British Journal for the History of Philosophy, published by and copyright Routledge.
In this paper I present some reasons for seeing Duchamp's ready-mades as part of the history of sculpture and relate them to his engagement with both nudes and chess motifs.
This book promises a ‘radical reappraisal’ of Derrida, concentrating particularly on the relationship of Derrida to philosophy, one of the most vexed questions in the reception of his work. The aim of the book is to provide the grounds for this reappraisal through a reinterpretation in particular of two of the major works Derrida published in 1967: Speech and Phenomena and Of Grammatology. However the study of the development of Derrida's work is the real achievement of the book as Kates (...) discusses major works dating from the 1954 study of genesis in Husserl's phenomenology through to the essays on Levinas and Foucault in the early 1960's as part of his story of how Derrida arrived at the writing of the two major works from 1967. (shrink)
