Results for 'Gary Hudson Iseminger'

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  1.  10
    An Introduction to Deductive Logic.Gary Hudson Iseminger (ed.) - 1968 - New York: Appleton-Century-Crofts.
    One of the main aims of modern logic at its inception was to show that mathematics could be "reduced to logic"; that is, that mathematical notions could be defined in terms of logical constants in the sense in which we have defined some logical ...
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  2. The Aesthetic Function of Art.Gary Iseminger - 2004 - Cornell University Press.
    Art and the aesthetic -- Traditional aestheticism -- A new aestheticism -- Aesthetic communication -- The artworld and the practice of art -- The artifactual concept of function -- Art as an aesthetic practice -- Artistic value as aesthetic.
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  3.  18
    The Aesthetics of Music.Gary Iseminger - 1997 - Journal of Aesthetics and Art Criticism 57 (3):374-375.
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  4. Gary Iseminger.Nick Zangwill - 2009 - Sztuka I Filozofia (Art and Philosophy) 35.
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  5.  10
    The Boundaries of Art.Gary Iseminger - 1994 - Philosophical Quarterly 44 (177):547-549.
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  6.  54
    Sonicism and Jazz Improvisation.Gary Iseminger - 2010 - Journal of Aesthetics and Art Criticism 68 (3):297-299.
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  7. An Intentional Demonstration.Iseminger Gary - 1992 - In Gary Iseminger (ed.), Intention and Interpretation. Temple University Press. pp. 76--96.
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  8.  13
    Fictional Points of View.Gary Iseminger - 1996 - Philosophical and Phenomenological Research 59 (4):1098-1100.
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  9.  19
    The Aesthetic Function of Art.Gary Iseminger - 1999 - The Proceedings of the Twentieth World Congress of Philosophy 4:169-176.
    Like most aestheticians today I begin by firmly separating the concept of art from the concept of the aesthetic; unlike them, I conclude by reuniting these concepts in the thesis that the function of art is to promote the aesthetic. I understand the existence of artworks and of artists to be “institutional facts”, while I take “aesthetic situations,” involving appreciators and objects made, at least in part, to be appreciated, to constitute something approaching a natural kind. Rather than dealing directly (...)
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  10. Gary Iseminger, The Aesthetic Function of Art. [REVIEW]Roger Seamon - 2005 - Philosophy in Review 25:37-40.
     
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  11.  9
    On Criticizing Music: Five Philosophical Perspectives.Gary Iseminger - 1982 - Journal of Aesthetics and Art Criticism 41 (2):219-221.
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  12. Gary Iseminger, The Aesthetic Function of Art Reviewed by.Roger Seamon - 2005 - Philosophy in Review 25 (1):37-40.
     
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  13.  8
    The Aesthetic Understanding: Essays in the Philosophy of Art and Culture.Gary Iseminger - 1985 - Journal of Aesthetics and Art Criticism 43 (3):320-321.
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  14. Aesthetic experience.Gary Iseminger - 2003 - In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oxford University Press. pp. 99--116.
     
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  15.  1
    Gary Iseminger, The Aesthetic Function of Art. [REVIEW]Robert Stecker - 2007 - Philosophical Review 116 (1):115-118.
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  16.  1
    Love and Beauty.Gary Iseminger - 1991 - Journal of Aesthetics and Art Criticism 49 (2):167-168.
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  17.  13
    Action and Purpose. By Richard Taylor. (Englewood Cliffs, New Jersey: Prentice-Hall, Inc. 1966. Pp. 269 + xiv. Price 48s.). [REVIEW]Gary Iseminger - 1968 - Philosophy 43 (163):73-.
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  18. Intention and Interpretation.Gary Iseminger (ed.) - 1992 - Temple University Press.
    " The essays, mostly commissioned by the editor, explore the presuppositions and consequences of arguing for the importance of the author's intentions in the ...
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  19. Critical notices.Gary Iseminger - 1999 - Philosophy and Phenomenological Research 59 (4):1098.
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  20. John Passmore, Serious Art Reviewed by.Gary Iseminger - 1992 - Philosophy in Review 12 (6):424-426.
     
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  21. John Passmore, Serious Art. [REVIEW]Gary Iseminger - 1992 - Philosophy in Review 12:424-426.
     
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  22. Knowledge and Argument.Gary Iseminger - 1984 - Upa.
    Provides a succinct exposition of a systematic strategy for assessing arguments from a cognitive point of view.
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  23. Logic and Philosophy: Selected Readings.Gary Iseminger (ed.) - 1968 - New York, NY, USA: Irvington Publishers.
  24. Logic and Philosophy: Selected Readings.Gary Iseminger (ed.) - 1968 - New York: Appleton-Century-Crofts.
  25. Sztuka i publiczność.Gary Iseminger - 2009 - Sztuka I Filozofia (Art and Philosophy) 35.
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  26. TAYLOR, Richard.-"Action and Purpose". [REVIEW]Gary Iseminger - 1968 - Philosophy 43:73.
     
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  27.  7
    V—Uses, Regularities, and Rules.Gary Iseminger - 1967 - Proceedings of the Aristotelian Society 67 (1):73-86.
    Gary Iseminger; V—Uses, Regularities, and Rules, Proceedings of the Aristotelian Society, Volume 67, Issue 1, 1 June 1967, Pages 73–86, https://doi.org/10.1093/.
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  28.  6
    Successful Argument and Rational Belief.Gary Iseminger - 1974 - Philosophy and Rhetoric 7 (1):47 - 57.
  29.  28
    Fictional Points of View.Gary Iseminger - 1999 - Philosophy and Phenomenological Research 59 (4):1098-1100.
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  30.  18
    The Aesthetic Function of Art.Gary Iseminger - 2005 - Journal of Aesthetics and Art Criticism 63 (4):385-386.
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  31.  16
    Foreknowledge and necessity: Summa theologiae la. 14, 13 ad 2.Gary Iseminger - 1976 - Midwest Studies in Philosophy 1 (1):5-12.
  32.  5
    Intention Interpretation.Gary Iseminger - 1995 - Temple University Press.
    " The essays, mostly commissioned by the editor, explore the presuppositions and consequences of arguing for the importance of the author's intentions in the way Hirsch does.
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  33.  7
    Knowledge of Actions. By Betty Powell. (London: George Allen & Unwin Ltd. 1967. Price 18s.).Gary Iseminger - 1968 - Philosophy 43 (163):71-.
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  34. Actual intentionalism vs. hypothetical intentionalism.Gary Iseminger - 1996 - Journal of Aesthetics and Art Criticism 54 (4):319-326.
  35.  5
    Geach and the Lewis result.Gary Iseminger - 1978 - Notre Dame Journal of Formal Logic 19 (1):145-146.
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  36.  77
    The work of art as artifact.Gary Iseminger - 1973 - British Journal of Aesthetics 13 (1):3-16.
  37.  59
    Aesthetic appreciation.Gary Iseminger - 1981 - Journal of Aesthetics and Art Criticism 39 (4):389-397.
  38.  60
    How strange a sadness?Gary Iseminger - 1983 - Journal of Aesthetics and Art Criticism 42 (1):81-82.
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  39.  75
    Putnam's Miraculous Argument.Gary Iseminger - 1988 - Analysis 48 (4):190--5.
  40.  7
    Music in the Moment.Gary Iseminger & Jerrold Levinson - 2000 - Philosophical Review 109 (1):141.
    Jerrold Levinson’s Music in the Moment is a welcome addition to the impressive list of books in aesthetics, particularly the philosophy of music, published in the last several years by Cornell University Press. In it Levinson expounds and defends a view, inspired by the work of the nineteenth-century English psychologist and musician Edmund Gurney, that he calls “concatenationism.” This view is billed as “a defense of the intuitive listener” against Schenkerian and other “architectonicist” theorists promoting the notion that “elaborate apprehensions (...)
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  41. Music in the moment.Gary Iseminger - 2000 - Philosophical Review 109 (1):141-144.
    Jerrold Levinson’s Music in the Moment is a welcome addition to the impressive list of books in aesthetics, particularly the philosophy of music, published in the last several years by Cornell University Press. In it Levinson expounds and defends a view, inspired by the work of the nineteenth-century English psychologist and musician Edmund Gurney, that he calls “concatenationism.” This view is billed as “a defense of the intuitive listener” against Schenkerian and other “architectonicist” theorists promoting the notion that “elaborate apprehensions (...)
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  42.  47
    The Asymmetry Thesis.Gary Iseminger - 1989 - The Monist 72 (1):25-39.
    In a series of articles Gerald Massey has defended “the asymmetry thesis,” the thesis that “at the present stage of logical theory our ability to prove validity totally eclipses our ability to show invalidity.” My initial strategy in discussing this thesis will be to close in on it gradually by considering, sometimes summarily but sometimes in greater detail, various distinguishable theses in the neighborhood, gradually approximating the thesis which Massey wishes to defend.
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  43.  3
    No Title available: PHILOSOPHY.Gary Iseminger - 1968 - Philosophy 43 (163):73-74.
  44.  19
    Is relevance necessary for validity?Gary Iseminger - 1980 - Mind 89 (354):196-213.
  45. Aesthetic judgements and non-aesthetic conditions.Gary Iseminger - 1973 - Analysis 33 (4):129-132.
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  46. No Title available: PHILOSOPHY.Gary Iseminger - 1968 - Philosophy 43 (163):71-73.
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  47. Salim Kemal and Ivan Gaskell, Eds., Explanation and Value in The Arts.Gary Iseminger - 1995 - Journal of Aesthetics and Art Criticism 53 (3):338-339.
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  48.  52
    Meaning, Criteria, and P-Predicates.Gary Iseminger - 1963 - Analysis 24 (1):11 - 18.
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  49.  1
    Knowledge of Actions. By Betty Powell. [REVIEW]Gary Iseminger - 1968 - Philosophy 43 (163):71-73.
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  50.  42
    Malcolm on explanations and causes.Gary Iseminger - 1969 - Philosophical Studies 20 (October):73-77.
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