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George Dickie [83]George T. Dickie [10]
  1. Art and the Aesthetic: An Institutional Analysis.George Dickie - 1974 - Cornell University Press.
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  2.  99
    Validity in Interpretation.George Dickie - 1967 - Journal of Aesthetics and Art Criticism 26 (4):550-552.
    By demonstrating the uniformity and universality of the principles of valid interpretation of verbal texts of any sort, this closely reasoned examination provides a theoretical foundation for a discipline that is fundamental to virtually all humanistic studies. It defines the grounds on which textual interpretation can claim to establish objective knowledge, defends that claim against such skeptical attitudes as historicism and psychologism, and shows that many confusions can be avoided if the distinctions between meaning and significance, interpretation and criticism are (...)
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  3. The Art Circle a Theory of Art.George Dickie - 1997
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  4.  5
    The Ascent of Life: A Philosophical Study of the Theory of Evolution.George Dickie - 1961 - Philosophy 37 (141):268-272.
  5. Introduction to Aesthetics: An Analytic Approach.George Dickie - 1997 - Oxford University Press.
    This book is an introduction to aesthetics, from the perspective of analytic philosophy. It traces aesthetics from its ancient beginnings through the changes it underwent in the eighteenth, nineteenth, and the first half of the twentieth century. The responses in the 1960s of the cultural theories to these earlier developments are discussed in detail. Five traditional art evaluational theories, Beardsley's and Goodman's evaluational theories, and the author's own evaluational theory are presented. Four miscellaneous topics are discussed - internationalist criticism, symbolism, (...)
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  6. The Myth of the Aesthetic Attitude.George Dickie - 1964 - American Philosophical Quarterly 1 (1):56-65.
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  7.  8
    Philosophy and Scientific Realism.George Dickie - 1965 - Philosophy and Phenomenological Research 26 (1):138-140.
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  8. Defining Art.George Dickie - 1969 - American Philosophical Quarterly 6 (3):253 - 256.
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  9. The Triumph in Triumph of the Will.George Dickie - 2005 - British Journal of Aesthetics 45 (2):151-156.
    The question at issue is whether moral defects of artworks can be aesthetic defects. Noël Carroll claims they can be, Berys Gaut claims they are, and James Anderson and Jeffrey Dean claim they are not. I side with Anderson and Dean and produce additional arguments against Carroll and Gaut. Triumph of the Will serves as an example that all five of us agree is a morally flawed artwork. I argue and conclude that its horrible moral defects are not aesthetic ones. (...)
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  10. What is Art.George Dickie - 1976 - In Lars Aagaard-Mogensen (ed.), Culture and Art: An Anthology. Humanities Press.
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  11. Beardsley's Phantom Aesthetic Experience.George Dickie - 1965 - Journal of Philosophy 62 (5):129-136.
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  12.  80
    The Century of Taste: The Philosophical Odyssey of Taste in the Eighteenth Century.George Dickie - 1996 - Oxford University Press.
    The Century of Taste offers an exposition and critical account of the central figures in the early development of the modern philosophy of art. Dickie traces the modern theory of taste from its first formulation by Francis Hutcheson, to blind alleys followed by Alexander Gerard and Archibald Allison, its refinement and complete expression by Hume, and finally to its decline in the hands of Kant. In a clear and straightforward style, Dickie offers sympathetic discussions of the theoretical aims of these (...)
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  13. The Intentional Fallacy: Defending Beardsley.George Dickie & W. Kent Wilson - 1995 - Journal of Aesthetics and Art Criticism 53 (3):233-250.
  14.  4
    Art and Value.George Dickie - 2005 - Journal of Aesthetics and Art Criticism 63 (2):197-198.
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  15.  7
    Works and Worlds of Art.George Dickie - 1983 - Philosophy and Phenomenological Research 44 (2):279-281.
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  16. Intentions: Conversations and Art.George Dickie - 2006 - British Journal of Aesthetics 46 (1):70-81.
    This paper is a continuation of a debate between Noël Carroll, who defends intentionalism, and Kent Wilson and myself, who argue that the intentions of artists are not relevant to the interpretation of works of art.
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  17. Scobie on "the Identity of a Work of Art".George T. Dickie - 1962 - Mind 71 (281):98-99.
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  18.  23
    Symposium: Monroe Beardsley's Legacy in Aesthetics Edited by Michael Wreen and Donald Callen.George Dickie - 2005 - Journal of Aesthetics and Art Criticism 63 (2):175-178.
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  19.  73
    Art: Function or Procedure: Nature or Culture?George Dickie - 1997 - Journal of Aesthetics and Art Criticism 55 (1):19-28.
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  20.  64
    Reading Sibley.George Dickie - 2004 - British Journal of Aesthetics 44 (4):408-412.
    Haydar claim that Frank Sibley offers a criterion for distinguishing aesthetically valenced from non-aesthetically valenced properties. I argue that they have misunderstood what Sibley was doing and that he never even intended to offer any such criterion. They also argue that Sibley was wrong to claim that inherently aesthetic merits are reversible. They claim that aesthetic merits—for example, elegance—are irreversible and offer some arguments for their view. I produce a counterexample to their claim about elegance and suggest that such counterexamples (...)
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  21.  51
    Beardsley, Sibley, and Critical Principles.George Dickie - 1987 - Journal of Aesthetics and Art Criticism 46 (2):229-237.
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  22. Art and Value.George Dickie - 2001 - Wiley-Blackwell.
    _ _ _Art and Value_ focuses on the questions of history, methods, and nature of art theories, and on the value and evaluation of art. It serves as a valuable primer to aesthetics, as well as a summary and extension of Dickie's contribution to the field.
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  23.  94
    Stolnitz’s Attitude: Taste and Perception.George Dickie - 1984 - Journal of Aesthetics and Art Criticism 43 (2):195-203.
  24. Aesthetics; An Introduction.George Dickie - 1974 - Mind 83 (331):459-460.
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  25.  67
    Is Psychology Relevant to Aesthetics?George Dickie - 1962 - Philosophical Review 71 (3):285-302.
  26.  41
    Peter Kivy, "The Seventh Sense: A Study of Francis Hutcheson's Aesthetics and Its Influence in Eighteenth-Century Britain". [REVIEW]George Dickie - 1980 - Journal of the History of Philosophy 18 (1):90.
  27.  27
    Images of Man: The Classic Tradition in Sociological Thinking. C. Wright Mills.George Dickie - 1962 - Philosophy of Science 29 (2):220-221.
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  28.  19
    Dean, Definition, and the Romantic Artist.George Dickie - 2004 - Journal of Aesthetics and Art Criticism 62 (4):389-391.
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  29.  6
    The Shape of Time: Remarks on the History of Things.George T. Dickie - 1962 - Journal of Aesthetics and Art Criticism 23 (2):283-284.
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  30.  8
    Introduction to Aesthetics: An Analytic ApproachPhilosophy of the Arts: An Introduction to AestheticsAesthetics.Theodore Gracyk, George Dickie, Gordon Graham & Colin Lyas - 1999 - Journal of Aesthetics and Art Criticism 57 (1):82.
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  31.  93
    Taste and Attitude: The Origin of the Aesthetic.George Dickie - 1973 - Theoria 39 (1-3):153-170.
  32. Wollheim's Dilemma.George Dickie - 1998 - British Journal of Aesthetics 38 (2):127-135.
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  33. Defining Art : Intension and Extension.George Dickie - 2004 - In Peter Kivy (ed.), The Blackwell Guide to Aesthetics. Blackwell.
     
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  34.  56
    James Shelley on Critical Principles.George Dickie - 2003 - British Journal of Aesthetics 43 (1):57-64.
    James Shelley claims that Hume's principles of taste have value-neutral subjects rather than value-laden ones that, for example, refer to aesthetic properties. I try to rebut his claim. I argue that Hume's essay on taste contains the conceptual means for recognizing the problem of the interaction of aesthetic properties with other properties in artworks, even if he does not explicitly make this point. I also deny Shelley's contention that I claim that principles are used as part of a temporal process (...)
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  35.  22
    The Century of Taste.Stephanie A. Ross & George Dickie - 1998 - Philosophical Review 107 (3):459.
    George Dickie's The Century of Taste is a readable and informative guide to the family of eighteenth-century aesthetic theories that sought to explain our judgments of taste. Dickie treats the five theories he discusses out of chronological order so that he can give pride of place to his favorite view, that of David Hume. Dickie's grand narrative claims Hume "all but perfected" the theory of taste, while the associationists, on the one hand, and Kant, on the other, led it down (...)
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  36.  17
    A Reply to Professor Margolis.George Dickie - 1975 - Journal of Aesthetics and Art Criticism 34 (2):229.
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  37.  88
    Clive Bell and the Method of Principia Ethica.George T. Dickie - 1965 - British Journal of Aesthetics 5 (2):139-143.
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  38.  81
    What is Anti-Art?George Dickie - 1975 - Journal of Aesthetics and Art Criticism 33 (4):419-421.
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  39.  27
    Images of Man: The Classic Tradition in Sociological Thinking.George Dickie - 1962 - Science and Society 26 (1):77-81.
  40.  10
    Art and Pornography: An Experiment in Explanation.George Dickie & Morse Peckham - 1971 - Journal of Aesthetic Education 5 (2):157.
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  41.  70
    Psychical Distance: In a Fog at Sea.George Dickie - 1973 - British Journal of Aesthetics 13 (1):17-29.
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  42.  32
    An Artistic Misunderstanding.George Dickie - 1993 - Journal of Aesthetics and Art Criticism 51 (1):69-71.
  43. The Ascent of Life: A Philosophical Study of the Theory of Evolution.George Dickie - 1963 - Philosophy of Science 30 (2):196-197.
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  44.  59
    Kant, Mothersill and Principles of Taste.George Dickie - 1989 - Journal of Aesthetics and Art Criticism 47 (4):375-376.
  45.  12
    The Age of Ideology. Henry D. Aiken.George T. Dickie - 1958 - Philosophy of Science 25 (4):308-309.
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  46.  56
    Evaluating Art: Reprise.George Dickie - 1999 - British Journal of Aesthetics 39 (3):288-296.
  47.  15
    J. J. C. Smart's "Philosophy and Scientific Realism". [REVIEW]George Dickie - 1965 - Philosophy and Phenomenological Research 26 (1):138.
    During the past few years, Smart has published a series of provocative articles in which he has argued for a "tough-Minded" scientific materialism. In this book, Which makes use of the articles and combines them with new material, He boldly defends the possibility of a synthetic philosophy which attempts to think clearly and comprehensively about the nature of the universe and the principles of conduct. Starting with a critique of phenomenalism, He argues that the physicist's picture of the world is (...)
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  48.  47
    Attitude and Object: Aldrich on the Aesthetic.George Dickie - 1966 - Journal of Aesthetics and Art Criticism 25 (1):89-91.
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  49.  44
    Reply to Noël Carroll.George Dickie - 1997 - Journal of Aesthetics and Art Criticism 55 (3):311-312.
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  50.  39
    I. A. Richards's Phantom Double.George Dickie - 1968 - British Journal of Aesthetics 8 (1):54-59.
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