95 found
Order:
Disambiguations
George Dickie [85]George T. Dickie [10]
  1. Art and the aesthetic: an institutional analysis.George Dickie - 1974 - Ithaca, N.Y.: Cornell University Press.
  2. The Myth of the Aesthetic Attitude.George Dickie - 1964 - American Philosophical Quarterly 1 (1):56-65.
    No categories
     
    Export citation  
     
    Bookmark   75 citations  
  3. Validity in Interpretation.George Dickie - 1967 - Journal of Aesthetics and Art Criticism 26 (4):550-552.
    By demonstrating the uniformity and universality of the principles of valid interpretation of verbal texts of any sort, this closely reasoned examination provides a theoretical foundation for a discipline that is fundamental to virtually all humanistic studies. It defines the grounds on which textual interpretation can claim to establish objective knowledge, defends that claim against such skeptical attitudes as historicism and psychologism, and shows that many confusions can be avoided if the distinctions between meaning and significance, interpretation and criticism are (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   46 citations  
  4.  65
    The Art Circle: A Theory of Art.George Dickie - 1984 - Haven.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark   23 citations  
  5. Defining Art.George Dickie - 1969 - American Philosophical Quarterly 6 (3):253 - 256.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark   33 citations  
  6.  9
    The Ascent of Life: A Philosophical Study of the Theory of Evolution.George Dickie - 1961 - Philosophy 37 (141):268-272.
  7.  11
    Philosophy and Scientific Realism.George Dickie - 1965 - Philosophy and Phenomenological Research 26 (1):138-140.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   37 citations  
  8. Introduction to aesthetics: an analytic approach.George Dickie - 1997 - New York: Oxford University Press.
    This book is an introduction to aesthetics, from the perspective of analytic philosophy. It traces aesthetics from its ancient beginnings through the changes it underwent in the eighteenth, nineteenth, and the first half of the twentieth century. The responses in the 1960s of the cultural theories to these earlier developments are discussed in detail. Five traditional art evaluational theories, Beardsley's and Goodman's evaluational theories, and the author's own evaluational theory are presented. Four miscellaneous topics are discussed - internationalist criticism, symbolism, (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   11 citations  
  9.  99
    The century of taste: the philosophical odyssey of taste in the eighteenth century.George Dickie - 1996 - New York: Oxford University Press.
    The Century of Taste offers an exposition and critical account of the central figures in the early development of the modern philosophy of art. Dickie traces the modern theory of taste from its first formulation by Francis Hutcheson, to blind alleys followed by Alexander Gerard and Archibald Allison, its refinement and complete expression by Hume, and finally to its decline in the hands of Kant. In a clear and straightforward style, Dickie offers sympathetic discussions of the theoretical aims of these (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   11 citations  
  10. Beardsley’s Phantom Aesthetic Experience.George Dickie - 1965 - Journal of Philosophy 62 (5):129–136.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark   11 citations  
  11. Aesthetics; An Introduction.George Dickie - 1974 - Mind 83 (331):459-460.
    No categories
     
    Export citation  
     
    Bookmark   11 citations  
  12.  19
    Works and Worlds of Art.George Dickie - 1983 - Philosophy and Phenomenological Research 44 (2):279-281.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   11 citations  
  13. Art and Value.George Dickie - 2001 - Malden, Mass.: Wiley-Blackwell.
    _ _ _Art and Value_ focuses on the questions of history, methods, and nature of art theories, and on the value and evaluation of art. It serves as a valuable primer to aesthetics, as well as a summary and extension of Dickie's contribution to the field.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   6 citations  
  14. The intentional fallacy: Defending Beardsley.George Dickie & W. Kent Wilson - 1995 - Journal of Aesthetics and Art Criticism 53 (3):233-250.
  15.  87
    Is psychology relevant to aesthetics?George Dickie - 1962 - Philosophical Review 71 (3):285-302.
  16. The triumph in triumph of the will.George Dickie - 2005 - British Journal of Aesthetics 45 (2):151-156.
    The question at issue is whether moral defects of artworks can be aesthetic defects. Noël Carroll claims they can be, Berys Gaut claims they are, and James Anderson and Jeffrey Dean claim they are not. I side with Anderson and Dean and produce additional arguments against Carroll and Gaut. Triumph of the Will serves as an example that all five of us agree is a morally flawed artwork. I argue and conclude that its horrible moral defects are not aesthetic ones. (...)
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark   6 citations  
  17.  11
    Art and Value.George Dickie - 2005 - Journal of Aesthetics and Art Criticism 63 (2):197-198.
    Direct download  
     
    Export citation  
     
    Bookmark   8 citations  
  18. What is Art.George Dickie - 1976 - In Lars Aagaard-Mogensen (ed.), Culture and Art: An Anthology. Humanities Press.
    No categories
     
    Export citation  
     
    Bookmark   4 citations  
  19. Intentions: Conversations and art.George Dickie - 2006 - British Journal of Aesthetics 46 (1):70-81.
    This paper is a continuation of a debate between Noël Carroll, who defends intentionalism, and Kent Wilson and myself, who argue that the intentions of artists are not relevant to the interpretation of works of art.
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  20.  91
    Art: Function or procedure: Nature or culture?George Dickie - 1997 - Journal of Aesthetics and Art Criticism 55 (1):19-28.
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark   5 citations  
  21.  7
    The Shape of Time: Remarks on the History of Things.George T. Dickie - 1962 - Journal of Aesthetics and Art Criticism 23 (2):283-284.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   7 citations  
  22.  16
    Introduction to Aesthetics: An Analytic ApproachPhilosophy of the Arts: An Introduction to AestheticsAesthetics.Theodore Gracyk, George Dickie, Gordon Graham & Colin Lyas - 1999 - Journal of Aesthetics and Art Criticism 57 (1):82.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   5 citations  
  23.  65
    Beardsley, Sibley, and critical principles.George Dickie - 1987 - Journal of Aesthetics and Art Criticism 46 (2):229-237.
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  24.  3
    Evaluating art.George Dickie - 1988 - Philadelphia: Temple University Press.
    "Those who think they know George Dickie's views should be sure to read this book. They are in for some interesting surprises. Of course, those unfamiliar with Dickie's views will also learn a lot." --Anita Silvers, San Francisco State University In this book George Dickie presents a theory about how to judge a work of art--as opposed to a theory that explains why a particular work is defined as art. Focusing mainly on the writings of Monroe Beardsley and critically examining (...)
    Direct download  
     
    Export citation  
     
    Bookmark   3 citations  
  25.  5
    Defining art : Intension and extension.George Dickie - 2004 - In Peter Kivy (ed.), The Blackwell Guide to Aesthetics. Oxford, UK: Blackwell. pp. 45–62.
    Direct download  
     
    Export citation  
     
    Bookmark   2 citations  
  26. Typical Forms and Special Ends in Creation.James Mccosh & George Dickie - 1857 - Thomas Constable and Co.
    No categories
     
    Export citation  
     
    Bookmark   2 citations  
  27. Taste and attitude: the origin of the aesthetic.George Dickie - 1973 - Theoria 39 (1-3):153-170.
  28. Stolnitz’s Attitude: Taste and Perception.George Dickie - 1984 - Journal of Aesthetics and Art Criticism 43 (2):195-203.
  29.  3
    The Ascent of Life: A Philosophical Study of the Theory of Evolution.George Dickie - 1963 - Philosophy of Science 30 (2):196-197.
  30. What is anti-art?George Dickie - 1975 - Journal of Aesthetics and Art Criticism 33 (4):419-421.
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  31. Scobie on "the identity of a work of art".George T. Dickie - 1962 - Mind 71 (281):98-99.
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark  
  32.  78
    Reading Sibley.George Dickie - 2004 - British Journal of Aesthetics 44 (4):408-412.
    Haydar claim that Frank Sibley offers a criterion for distinguishing aesthetically valenced from non-aesthetically valenced properties. I argue that they have misunderstood what Sibley was doing and that he never even intended to offer any such criterion. They also argue that Sibley was wrong to claim that inherently aesthetic merits are reversible. They claim that aesthetic merits—for example, elegance—are irreversible and offer some arguments for their view. I produce a counterexample to their claim about elegance and suggest that such counterexamples (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  33.  4
    A Tale of Two Artworlds.George Dickie - 2012 - In Ernest Lepore & Mark Rollins (eds.), Danto and his Critics. Oxford, UK: Wiley‐Blackwell. pp. 109–117.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark   1 citation  
  34.  28
    The Century of Taste.Stephanie A. Ross & George Dickie - 1998 - Philosophical Review 107 (3):459.
    George Dickie's The Century of Taste is a readable and informative guide to the family of eighteenth-century aesthetic theories that sought to explain our judgments of taste. Dickie treats the five theories he discusses out of chronological order so that he can give pride of place to his favorite view, that of David Hume. Dickie's grand narrative claims Hume "all but perfected" the theory of taste, while the associationists, on the one hand, and Kant, on the other, led it down (...)
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  35.  49
    Peter Kivy, "The Seventh Sense: A Study of Francis Hutcheson's Aesthetics and Its Influence in Eighteenth-Century Britain". [REVIEW]George Dickie - 1980 - Journal of the History of Philosophy 18 (1):90.
  36. Altamira y la invención de la representación visual.George Dickie - 2007 - Estudios Filosóficos 56:5-16.
    No categories
     
    Export citation  
     
    Bookmark  
  37. Books received. [REVIEW]George Dickie - 1973 - Theoria 39 (1/3):174.
    No categories
     
    Export citation  
     
    Bookmark  
  38. 125 George Dickie.George Dickie - 2007 - In Diarmuid Costello & Jonathan Vickery (eds.), Art: Key Contemporary Thinkers. Berg. pp. 124.
     
    Export citation  
     
    Bookmark  
  39. Hume’s Way: The Path Not Taken.George Dickie - 1985 - In Peter J. McCormick (ed.), The Reasons of Art: Artworks and the Transformations of Philosophy. Ottawa University Press.
     
    Export citation  
     
    Bookmark  
  40. L’artista Romantico.George Dickie - 2005 - Discipline Filosofiche 15 (2).
    No categories
     
    Export citation  
     
    Bookmark  
  41. Review. [REVIEW]George Dickie - 1973 - Theoria 39 (1/3):171.
    No categories
     
    Export citation  
     
    Bookmark  
  42. The Actuality of Art: Remarks on Criticisms by Cohen.George Dickie - 1977 - Pacific Philosophical Quarterly 58 (2):169.
    No categories
     
    Export citation  
     
    Bookmark  
  43.  90
    Clive bell and the method of principia ethica.George T. Dickie - 1965 - British Journal of Aesthetics 5 (2):139-143.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  44.  26
    Dean, definition, and the romantic artist.George Dickie - 2004 - Journal of Aesthetics and Art Criticism 62 (4):389-391.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  45.  82
    Psychical distance: In a fog at sea.George Dickie - 1973 - British Journal of Aesthetics 13 (1):17-29.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  46.  28
    Images of Man: The Classic Tradition in Sociological Thinking. C. Wright Mills. [REVIEW]George Dickie - 1962 - Philosophy of Science 29 (2):220-221.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  47.  70
    Kant, Mothersill and principles of taste.George Dickie - 1989 - Journal of Aesthetics and Art Criticism 47 (4):375-376.
  48.  59
    Evaluating art: Reprise.George Dickie - 1999 - British Journal of Aesthetics 39 (3):288-296.
  49.  59
    Reply to noël Carroll.George Dickie - 1997 - Journal of Aesthetics and Art Criticism 55 (3):311-312.
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark  
  50.  58
    Bullough and the concept of psychical distance.George Dickie - 1961 - Philosophy and Phenomenological Research 22 (2):233-238.
    No categories
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
1 — 50 / 95