96 found
Order:
Disambiguations
George Dickie [90]George T. Dickie [6]
  1.  19
    Symposium: Monroe Beardsley's Legacy in Aesthetics Edited by Michael Wreen and Donald Callen.George Dickie - 2005 - Journal of Aesthetics and Art Criticism 63 (2):175-178.
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark  
  2. The Art Circle a Theory of Art.George Dickie - 1997
    No categories
     
    Export citation  
     
    Bookmark   8 citations  
  3.  17
    Art and the Aesthetic: An Institutional Analysis.Kendall L. Walton & George Dickie - 1977 - Philosophical Review 86 (1):97.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   17 citations  
  4. Art and the Aesthetic: An Institutional Analysis.George Dickie - 1974 - Cornell University Press.
  5. Beardsley's Phantom Aesthetic Experience.George Dickie - 1965 - Journal of Philosophy 62 (5):129-136.
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  6.  78
    The Art Circle.George Dickie - 1987 - Philosophical Review 96 (1):141-146.
  7. Introduction to Aesthetics: An Analytic Approach.George Dickie - 1997 - Oxford University Press.
    This book is an introduction to aesthetics, from the perspective of analytic philosophy. It traces aesthetics from its ancient beginnings through the changes it underwent in the eighteenth, nineteenth, and the first half of the twentieth century. The responses in the 1960s of the cultural theories to these earlier developments are discussed in detail. Five traditional art evaluational theories, Beardsley's and Goodman's evaluational theories, and the author's own evaluational theory are presented. Four miscellaneous topics are discussed - internationalist criticism, symbolism, (...)
    Direct download  
     
    Export citation  
     
    Bookmark   4 citations  
  8.  78
    The Century of Taste: The Philosophical Odyssey of Taste in the Eighteenth Century.George Dickie - 1996 - Oxford University Press.
    The Century of Taste offers an exposition and critical account of the central figures in the early development of the modern philosophy of art. Dickie traces the modern theory of taste from its first formulation by Francis Hutcheson, to blind alleys followed by Alexander Gerard and Archibald Allison, its refinement and complete expression by Hume, and finally to its decline in the hands of Kant. In a clear and straightforward style, Dickie offers sympathetic discussions of the theoretical aims of these (...)
  9. Defining Art.George Dickie - 1969 - American Philosophical Quarterly 6 (3):253 - 256.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark   6 citations  
  10. The Triumph in Triumph of the Will.George Dickie - 2005 - British Journal of Aesthetics 45 (2):151-156.
    The question at issue is whether moral defects of artworks can be aesthetic defects. Noël Carroll claims they can be, Berys Gaut claims they are, and James Anderson and Jeffrey Dean claim they are not. I side with Anderson and Dean and produce additional arguments against Carroll and Gaut. Triumph of the Will serves as an example that all five of us agree is a morally flawed artwork. I argue and conclude that its horrible moral defects are not aesthetic ones. (...)
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  11. Scobie on "the Identity of a Work of Art".George T. Dickie - 1962 - Mind 71 (281):98-99.
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark  
  12.  38
    Art and the Aesthetic: An Institutional Analysis.George Dickie - 1975 - Journal of Aesthetics and Art Criticism 33 (3):341-345.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  13.  3
    Introduction to Aesthetics: An Analytic Approach.George Dickie, Gordon Graham & Colin Lyas - 1999 - Journal of Aesthetics and Art Criticism 57 (1):82-86.
    Direct download  
     
    Export citation  
     
    Bookmark   4 citations  
  14.  13
    The Century of Taste: The Philosophical Odyssey of Taste in the Eighteenth Century.George Dickie - 1998 - Journal of Aesthetics and Art Criticism 56 (4):417-419.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   3 citations  
  15.  61
    Art: Function or Procedure: Nature or Culture?George Dickie - 1997 - Journal of Aesthetics and Art Criticism 55 (1):19-28.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark   3 citations  
  16.  11
    Evaluating Art.Cynthia A. Freeland & George Dickie - 1992 - Philosophical Review 101 (2):486.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  17.  23
    Art and the Aesthetic.George Dickie - 1975 - Journal of Philosophy 72 (22):823-825.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   5 citations  
  18. The Intentional Fallacy: Defending Beardsley.George Dickie & W. Kent Wilson - 1995 - Journal of Aesthetics and Art Criticism 53 (3):233-250.
  19.  45
    Aesthetics: An Introduction.George Dickie - 1973 - Journal of Philosophy 70 (10):303-307.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  20. What is Art.George Dickie - 1976 - In Lars Aagaard-Mogensen (ed.), Culture and Art: An Anthology. Humanities Press.
    No categories
     
    Export citation  
     
    Bookmark   2 citations  
  21.  79
    Intentions: Conversations and Art.George Dickie - 2006 - British Journal of Aesthetics 46 (1):70-81.
    This paper is a continuation of a debate between Noël Carroll, who defends intentionalism, and Kent Wilson and myself, who argue that the intentions of artists are not relevant to the interpretation of works of art.
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  22.  17
    Dean, Definition, and the Romantic Artist.George Dickie - 2004 - Journal of Aesthetics and Art Criticism 62 (4):389-391.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  23.  67
    Is Psychology Relevant to Aesthetics?George Dickie - 1962 - Philosophical Review 71 (3):285-302.
  24.  89
    Taste and Attitude: The Origin of the Aesthetic.George Dickie - 1973 - Theoria 39 (1-3):153-170.
  25.  2
    Art and the Aesthetic.George Dickie - 1975 - Philosophy and Phenomenological Research 35 (3):434-435.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   5 citations  
  26. Wollheim's Dilemma.George Dickie - 1998 - British Journal of Aesthetics 38 (2):127-135.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  27.  45
    Beardsley, Sibley, and Critical Principles.George Dickie - 1987 - Journal of Aesthetics and Art Criticism 46 (2):229-237.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  28.  91
    Stolnitz's Attitude: Taste and Perception.George Dickie - 1984 - Journal of Aesthetics and Art Criticism 43 (2):195-203.
  29.  87
    Clive Bell and the Method of Principia Ethica.George T. Dickie - 1965 - British Journal of Aesthetics 5 (2):139-143.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  30.  70
    What is Anti-Art?George Dickie - 1975 - Journal of Aesthetics and Art Criticism 33 (4):419-421.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  31.  15
    Aesthetics: A Critical Anthology.George Dickie & Richard J. Sclafani - 1978 - Journal of Aesthetics and Art Criticism 36 (3):372-374.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  32.  69
    Psychical Distance: In a Fog at Sea.George Dickie - 1973 - British Journal of Aesthetics 13 (1):17-29.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  33. Defining Art : Intension and Extension.George Dickie - 2004 - In Peter Kivy (ed.), The Blackwell Guide to Aesthetics. Blackwell.
     
    Export citation  
     
    Bookmark   1 citation  
  34.  4
    Art and the Aesthetic, An Institutional Analysis.George Dickie - 1979 - Noûs 13 (1):113-117.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  35. The Art Circle.George Dickie - 1986 - Noûs 20 (2):281-282.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  36.  56
    Reading Sibley.George Dickie - 2004 - British Journal of Aesthetics 44 (4):408-412.
    Haydar claim that Frank Sibley offers a criterion for distinguishing aesthetically valenced from non-aesthetically valenced properties. I argue that they have misunderstood what Sibley was doing and that he never even intended to offer any such criterion. They also argue that Sibley was wrong to claim that inherently aesthetic merits are reversible. They claim that aesthetic merits—for example, elegance—are irreversible and offer some arguments for their view. I produce a counterexample to their claim about elegance and suggest that such counterexamples (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  37.  6
    Images of Man: The Classic Tradition in Sociological Thinking. C. Wright Mills.George Dickie - 1962 - Philosophy of Science 29 (2):220-221.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  38.  55
    Evaluating Art: Reprise.George Dickie - 1999 - British Journal of Aesthetics 39 (3):288-296.
  39.  55
    Kant, Mothersill and Principles of Taste.George Dickie - 1989 - Journal of Aesthetics and Art Criticism 47 (4):375-376.
  40.  1
    Aesthetics: An Introduction.George Dickie - 1973 - Journal of Aesthetics and Art Criticism 32 (1):115-118.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  41.  4
    The Art Circle.George Dickie - 1985 - Journal of Aesthetics and Art Criticism 44 (1):80-82.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  42.  45
    Attitude and Object: Aldrich on the Aesthetic.George Dickie - 1966 - Journal of Aesthetics and Art Criticism 25 (1):89-91.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  43. Aesthetics; An Introduction.George Dickie - 1974 - Mind 83 (331):459-460.
    No categories
     
    Export citation  
     
    Bookmark   2 citations  
  44.  38
    I. A. Richards's Phantom Double.George Dickie - 1968 - British Journal of Aesthetics 8 (1):54-59.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  45.  40
    Reply to Noël Carroll.George Dickie - 1997 - Journal of Aesthetics and Art Criticism 55 (3):311-312.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  46.  2
    Art and Pornography: An Experiment in Explanation.George Dickie & Morse Peckham - 1971 - Journal of Aesthetic Education 5 (2):157.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  47.  39
    Bullough and the Concept of Psychical Distance.George Dickie - 1961 - Philosophy and Phenomenological Research 22 (2):233-238.
    No categories
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  48.  38
    The Seventh Sense: A Study of Francis Hutcheson's Aesthetics and its Influence in Eighteenth-Century Britain.George Dickie - 1980 - Journal of the History of Philosophy 18 (1):90-92.
  49.  37
    James Shelley on Critical Principles.George Dickie - 2003 - British Journal of Aesthetics 43 (1):57-64.
    James Shelley claims that Hume's principles of taste have value-neutral subjects rather than value-laden ones that, for example, refer to aesthetic properties. I try to rebut his claim. I argue that Hume's essay on taste contains the conceptual means for recognizing the problem of the interaction of aesthetic properties with other properties in artworks, even if he does not explicitly make this point. I also deny Shelley's contention that I claim that principles are used as part of a temporal process (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  50.  7
    Evaluating Art.George Dickie - 1991 - Philosophy and Phenomenological Research 51 (3):731-733.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
1 — 50 / 96