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Profile: George Wilson (Cranfield University)
Profile: George Wilson (University of Southern California)
  1. George M. Wilson (1989). The Intentionality of Human Action. Stanford University Press.
    CHAPTER ONE Introduction Twenty-five years ago it was pretty widely held among Anglo- American philosophers that it was sheer confusion to suppose that an ...
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  2. George M. Wilson (1998). Semantic Realism and Kripke's Wittgenstein. Philosophy and Phenomenological Research 58 (1):99-122.
    This article argues, first, that the fundamental structure of the skeptical argument in Kripke's book on Wittgenstein has been seriously misunderstood by recent commentators. Although it focuses particularly on recent commentary by John McDowell, it emphasizes that the basic misunderstandings are widely shared by other commentators. In particular, it argues that, properly construed, Kripke offers a fully coherent reading of PI #201 and related passages. This is commonly denied, and given as a reason for rejecting Kripke's reading of Wittgenstein's text. (...)
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  3.  60
    George M. Wilson (2007). Elusive Narrators in Literature and Film. Philosophical Studies 135 (1):73 - 88.
    It is widely held in theories of narrative that all works of literary narrative fiction include a narrator who fictionally tells the story. However, it is also granted that the personal qualities of a narrator may be more or less radically effaced. Recently, philosophers and film theorists have debated whether movies similarly involve implicit audio-visual narrators. Those who answer affirmatively allow that these cinematic narrators will be radically effaced. Their opponents deny that audio-visual narrators figure in the ontology of movies (...)
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  4.  52
    George M. Wilson (1994). Kripke on Wittgenstein and Normativity. Midwest Studies in Philosophy 19 (1):366-390.
  5.  37
    George M. Wilson (1997). Le Grand Imagier Steps Out. Philosophical Topics 25 (1):295-318.
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  6. George M. Wilson (2003). Narrative. In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oxford University Press. pp. 392--407.
     
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  7.  12
    George M. Wilson (1997). On Some Untamed Anaphora. Canadian Journal of Philosophy 27 (sup1):111-140.
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  8.  30
    George M. Wilson (2004). Comments on Authority and Estrangement. [REVIEW] Philosophy and Phenomenological Research 69 (2):440–447.
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  9.  27
    George M. Wilson (1984). Pronouns and Pronominal Descriptions: A New Semantical Category. Philosophical Studies 45 (1):1 - 30.
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  10.  26
    George M. Wilson (1991). Reference and Pronominal Descriptions. Journal of Philosophy 88 (7):359-387.
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  11.  33
    George M. Wilson (2000). Satisfaction Through the Ages. The Proceedings of the Twentieth World Congress of Philosophy 2000:89-97.
    In a recent paper, Ebbs has given an elegant statement of a notable puzzle that has recurred in the literature since the original publication of Putnam’s “The Meaning of ‘Meaning’.” The puzzle can be formulated, for a certain characteristic case, along the following lines. There are very strong intuitions in support of a thesis that Putnam has explicitly endorsed, namely, the thesis: The extension of the word ‘gold’, as we use it now, is the same as the extension of ‘gold’, (...)
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  12.  7
    Edward Branigan & George M. Wilson (1988). Narration in Light: Studies in Cinematic Point of View. Substance 17 (2):118.
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  13.  3
    George M. Wilson (1994). Springs of Action: Understanding Intentional Behavior. Philosophical Review 103 (1):175.
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  14.  32
    George M. Wilson (2011). Narratives and Narrators: A Philosophy of Stories by Currie, Gregory. Journal of Aesthetics and Art Criticism 69 (3):331-333.
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  15.  7
    George M. Wilson (1991). Comments on Mimesis as Make-Believe. [REVIEW] Philosophy and Phenomenological Research 51 (2):395-400.
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  16. George M. Wilson & Francois Recanati (1995). Direct Reference: From Language to Thought. Philosophical Review 104 (1):159.
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  17.  8
    George M. Wilson (1978). Dummett on Frege: Semantic Realism. Journal of the History of Philosophy 16 (4):457-466.
  18.  24
    George M. Wilson (1994). Edward Said on Contrapuntal Reading. Philosophy and Literature 18 (2):265-273.
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  19.  1
    John Martin Fischer & George M. Wilson (1984). The Intentionality of Human Action. Philosophical Review 93 (3):483.
  20.  1
    George M. Wilson & Stanley Cavell (1974). The World Viewed: Reflections on the Ontology of Film. Philosophical Review 83 (2):240.
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  21.  4
    George Macklin Wilson (1988). Ee Ja Nai Ka on the Eve of the Meiji Restoration in Japan. Semiotica 70 (3-4):301-320.
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  22.  9
    George M. Wilson (1991). Review: Comments on Mimesis as Make-Believe. [REVIEW] Philosophy and Phenomenological Research 51 (2):395 - 400.
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  23.  8
    George M. Wilson (2004). Review: Comments on "Authority and Estrangement". [REVIEW] Philosophy and Phenomenological Research 69 (2):440 - 447.
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  24.  6
    George M. Wilson (1979). Cheap Materialism. Midwest Studies in Philosophy 4 (1):51-72.
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  25.  2
    George M. Wilson (1992). Again, Theory: On Speaker's Meaning, Linguistic Meaning, and the Meaning of a Text. Critical Inquiry 19 (1):164-185.
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  26. Haruhiro Fukui & George M. Wilson (1972). Crisis Politics in Prewar Japan: Institutional and Ideological Problems of the 1930s. Journal of the American Oriental Society 92 (4):547.
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  27. George M. Wilson & Noel Carroll (1991). Philosophical Problems of Classical Film Theory. Philosophical Review 100 (3):506.
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  28. George M. Wilson (1991). Reference and Pronominal Descriptions. Journal of Philosophy 88 (7):359.
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  29.  15
    George M. Wilson (2011). Seeing Fictions in Film: The Epistemology of Movies. Oxford University Press.
    In works of literary fiction, it is a part of the fiction that the words of the text are being recounted by some work-internal 'voice': the literary narrator. One can ask similarly whether the story in movies is told in sights and sounds by a work-internal subjectivity that orchestrates them: a cinematic narrator. George M. Wilson argues that movies do involve a fictional recounting (an audio-visual narration ) in terms of the movie's sound and image track. Viewers are usually prompted (...)
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  30. George Macklin Wilson & W. G. Beasley (1976). The Meiji Restoration. Journal of the American Oriental Society 96 (2):350.
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