6 found
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  1.  90
    Auditory Expectation: The Information Dynamics of Music Perception and Cognition.Marcus T. Pearce & Geraint A. Wiggins - 2012 - Topics in Cognitive Science 4 (4):625-652.
    Following in a psychological and musicological tradition beginning with Leonard Meyer, and continuing through David Huron, we present a functional, cognitive account of the phenomenon of expectation in music, grounded in computational, probabilistic modeling. We summarize a range of evidence for this approach, from psychology, neuroscience, musicology, linguistics, and creativity studies, and argue that simulating expectation is an important part of understanding a broad range of human faculties, in music and beyond.
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  2.  7
    Computer Models of (Music) Cognition.Geraint A. Wiggins - 2011 - In Patrick Rebuschat, Martin Rohrmeier, John A. Hawkins & Ian Cross (eds.), Language and Music as Cognitive Systems. Oxford University Press. pp. 169--188.
  3.  8
    Mind the Gap: An Attempt to Bridge Computational and Neuroscientific Approaches to Study Creativity.Geraint A. Wiggins & Joydeep Bhattacharya - 2014 - Frontiers in Human Neuroscience 8.
  4.  7
    Linking Neural and Symbolic Representation and Processing of Conceptual Structures.Frank van der Velde, Jamie Forth, Deniece S. Nazareth & Geraint A. Wiggins - 2017 - Frontiers in Psychology 8.
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  5. The Synthesis of Logic Programs From Inductive Proofs.Alan Bundy, Smaill & Geraint A. Wiggins - 1990 - Department of Artificial Intelligence, University of Edinburgh.
     
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  6. Alpuk91 Proceedings of the 3rd Uk Conference on Logic Programming, Edinburgh, 10-12 April 1991.Tim Duncan, C. S. Mellish, Geraint A. Wiggins & British Computer Society - 1992
     
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