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  1.  73
    Emerging Visions of the Aesthetic Process: Psychology, Semiology, and Philosophy.Gerald C. Cupchik & János László (eds.) - 1992 - Cambridge University Press.
    This book is about aesthetic processes and play from the perspectives of psychologists, philosophers, and semiologists. They explore the underlying processes from many viewpoints, including the prehistoric roots of language and art; the historical evolution of artistic, literary, and musical styles; the structure of artworks from both gestalt and semiotic perspectives; the biological and psychological processes underlying production and appreciation; the appeal of sentimental art; emotional responses to art and other aesthetic forms; personality in relation to artistic style; the testing (...)
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  2.  14
    From Perception to Production: A Multilevel Analysis of the Aesthetic Process.Gerald C. Cupchik - 1992 - In Gerald C. Cupchik & János László (eds.), Emerging Visions of the Aesthetic Process: Psychology, Semiology, and Philosophy. Cambridge University Press. pp. 61--81.
  3.  35
    The Landscape of Time in Literary Reception: Character Experience and Narrative Action.Gerald C. Cupchik & Janos Laszlo - 1994 - Cognition and Emotion 8 (4):297-312.
  4.  15
    The Landscape of Emotion in Literary Encounters.Gerald C. Cupchik, Garry Leonard, Elise Axelrad & Judith D. Kalin - 1998 - Cognition and Emotion 12 (6):825-847.
  5. Chapter Four Complementary Relations Between Quantitative and Qualitative Approaches to Research in Aesthetics.Gerald C. Cupchik & Michelle C. Hilscher - 2007 - In L. I͡A Dorfman, Colin Martindale & Vladimir Petrov (eds.), Aesthetics and Innovation. Cambridge Scholars Press. pp. 47.
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  6. Reconciling an Underlying Contradiction in the Distancing-Embracing Model.Gerald C. Cupchik - 2017 - Behavioral and Brain Sciences 40.
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  7.  6
    A Qualitative Inquiry Into the Experience of Sacred Art Among Eastern and Western Christians in Canada.Jacob Lang, Despina Stamatopoulou & Gerald C. Cupchik - 2020 - Archive for the Psychology of Religion 42 (3):317-334.
    This article begins with a review of studies in perception and depth psychology concerning the experience of exposure to sacred artworks in Roman Catholic and Eastern Orthodox contexts. This follows with the results of a qualitative inquiry involving 45 Roman Catholic, Eastern and Coptic Orthodox, and Protestant Christians in Canada. First, participants composed narratives detailing memories of spiritual experiences involving iconography. Then, in the context of a darkened room evocative of a sacred space, they viewed artworks depicting Biblical themes and (...)
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