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Gerald Cipriani
National University of Ireland, Galway
  1. Merleau-Ponty and Buddhism.Michael P. Berman, David Brubaker, Gerald Cipriani, Jay Goulding, Hyong-hyo Kim, Gereon Kopf, Glen A. Mazis, Shigenori Nagatomo, Carl Olson, Bernard Stevens, Funaki Toru & Brook Ziporyn (eds.) - 2009 - Lexington Books.
    Merleau-Ponty and Buddhism explores a new mode of philosophizing through a comparative study of Maurice Merleau-Ponty's phenomenology and philosophies of major Buddhist thinkers including Nagarjuna, Chinul, Dogen, Shinran, and Nishida Kitaro. The book offers an intercultural philosophy in which opposites intermingle in a chiasmic relationship, and which brings new understanding regarding the self and the self's relation with others in a globalized and multicultural world.
     
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  2.  16
    Editorial: Culture and the Environment.Gerald Cipriani, ジェラルド シプリアーニ, Kinya Nishi & 欣也 西 - 2017 - Culture and Dialogue 5 (1):1-6.
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  3.  5
    Editorial: Dialogue and Creativity.Gerald Cipriani - 2019 - Culture and Dialogue 7 (1):1-3.
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  4.  3
    Editorial: Dialogue, Culture and Globalisation.Gerald Cipriani - 2018 - Culture and Dialogue 6 (2):119-125.
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  5.  9
    Editorial: Eastern and Western Thought in Dialogue.Gerald Cipriani - 2018 - Culture and Dialogue 6 (1):1-8.
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  6.  9
    Editorial: History and Dialogue.Gerald Cipriani - 2017 - Culture and Dialogue 5 (2):155-156.
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  7.  2
    Editorial: Interpretation and Dialogue.Gerald Cipriani - 2016 - Culture and Dialogue 4 (2):223-224.
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  8.  2
    Editorial: Of the Philosophies of Africa – Theory and Practice.Gerald Cipriani & Felix O. Olatunji - 2020 - Culture and Dialogue 8 (1):1-4.
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  9. El significado en la forma.Gérald Cipriani - 2003 - Diálogo Filosófico 56:229-246.
    ¿Qué relación guardan forma y significado en la experiencia artística? Frente a la tendencia objetivadora de fenomenólogos como Geiger y Dufrenne, este trabajo niega que quepa separar ambas cosas. Los conceptos de "figural", "morfismo" y "exmorfismo" desempeñarán una función capital en el curso de la argumentación.
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  10.  2
    Editorial: The Culture of Sovereignty – and War.Gerald Cipriani - 2019 - Culture and Dialogue 7 (2):113-116.
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  11.  23
    Hermeneutics and Art. Objectification or Experience?Gerald Cipriani - 2000 - Philosophical Inquiry 22 (1-2):85-101.
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  12.  31
    Hope and Despair in Postmodernity.Gerald Cipriani - 2007 - The Proceedings of the Twenty-First World Congress of Philosophy 7:15-19.
    Far from having overcome the human, all too human essence of knowledge the West has replaced its modern objectifying subjectivity by what may be called a postmodern subjectifying subjectivity. The modern will to power and its drive for controlling the Other has given way to a postmodern form of 'unavailability', a key concept in the ethical reflections of the Christian Socratic philosopher Gabriel Marcel. This paper attempts to highlight the degree to which fundamental features of Postmodernity, from instrumental technology to (...)
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  13. Merleau-Ponty, Cézanne, and the Basho of the Visible.Gerald Cipriani - 2009 - In Jin Y. Park & Gereon Kopf (eds.), Merleau-Ponty and Buddhism. Lexington Books.
     
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  14.  15
    Resistance of the Sensible World an Introduction to Merleau-Ponty.Gerald Cipriani - 2018 - Journal of the British Society for Phenomenology 50 (3):279-282.
    Volume 50, Issue 3, July 2019, Page 279-282.
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  15.  9
    The Self-Overcoming of (Western) Postmodern Aesthetics.Gerald Cipriani - 2020 - Espes 9 (1):16-25.
    This essay explores the nihilistic nature of the idea of postmodern aesthetics in the Western world by highlighting its historical and cultural specificity in contrast with non-Western postmodernities, in particular in East Asia, and this in spite of their formal similarities. We then have to question the nature, possibility and implication of Western postmodern aesthetics overcoming itself within the context of globalisation.
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  16.  4
    The Art of Renewal and Consideration: Marcelian Reflections.Gérald Cipriani - 2004 - Revista Portuguesa de Filosofia 60 (1):167 - 175.
    This essay attempts to address ethical issues concerning interpretation and art practices. It explores an alternative to both modern institutional authority and postmodern nihilism by referring to the concept of 'creative fidelity' developed by the French 'existentialist' philosopher Gabriel Marcel. As it is well known, contemporary radical reactions against the excesses of modernity in the Western world have led to a profound mistrust in the idea of subject/object, and have as a result favoured attitudes which tend to dissolve such a (...)
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