This paper has been explicitly composed for oral presentation: written by ear to be (read as) heard. It stages an experiment/experience ( expérience ) with sound—and in the written text with the “sight” of sound—in order to solicit and engage the becoming sens (e) of sound in the space between resonance and response-ability it seeks to explicate and explore. The presentation begins with the sound of the first few bars of a popular song (whose identity I am withholding in this (...) submission in order to preserve the integrity of the expérience upon which its success depends), which is eventually heard in its entirety and which constitutes the point of departure, reference, and return—of resonance and response-ability—for the composition as a whole. (shrink)

This article examines the relationship between spirituality and politics. The author states her frustration at spirituality which is deployed against ethics in the service of politics, this she believes is inherent in many discourses and practices of spirituality. The article asks us to look again at many of the liberation theologies not because they are believed to be wrong, simply disappointing, that is to say they seem to end in concrete identities rather than pushing the very boundaries of meaning and (...) identity themselves. The article calls for spirituality that does not split us off from this world and thus from our creativity and the potential subversive possibilities that lie within it. (shrink)

This selection of essays represents a continuous and coherent developing work which integrates philosophical (abstract) and political (concrete) concerns. The essays draw on an extensive knowledge of and familiarity with 20th-century European philosophy.