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  1.  8
    Aesthetic Theory and Nonpropositional Truth Content in Adorno.Gerhard Richter - 2010 - In Language Without Soil: Adorno and Late Philosophical Modernity. Fordham University Press.
    This chapter offers a close reading of a passage from the literary and philosophical work Minima Moralia that enacts Theodor W. Adorno's radical concept of nonpropositional truth content in philosophical aesthetics after Auschwitz. Readers of Adorno's texts, especially those devoted to philosophical aesthetics, can hardly fail to be struck by their chiastic structure. The aesthetic theory that Adorno develops constitutes not only a theory of the aesthetic but also a theory that is itself aesthetic, hence a theory of literature that (...)
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  2. Language Without Soil: Adorno and Late Philosophical Modernity.Gerhard Richter (ed.) - 2010 - Fordham University Press.
  3.  32
    Projecting Culture.Gerhard Richter - 1990 - Semiotics:362-369.
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  4.  18
    Think, Again: A Reply to Ulrich Plass.Gerhard Richter - 2009 - Telos: Critical Theory of the Contemporary 2009 (148):170-172.
    In Mixed Opinions and Maxims Nietzsche offers sage advice on the topic of being misunderstood. He writes: “When one is misunderstood as a whole, it is impossible to remove completely a single misunderstanding. One has to realize this lest one waste superfluous energy on one's defense.” I shall bear this wisdom in mind as I respond to Ulrich Plass's review of recent scholarship on the work of Theodor W. Adorno (Telos 146, Spring 2009), which includes my book Thought-Images: Frankfurt School (...)
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  5.  11
    Can Hope Be Disappointed?: Contextualizing a Blochian Question.Gerhard Richter - 2006 - Symploke 14 (1):42-54.
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  6.  20
    Crude Thinking Rethought.Gerhard Richter - 2005 - Angelaki 10 (3):3 – 13.
  7.  7
    Borrowed Lives (Review).Gerhard Richter - 1993 - Philosophy and Literature 17 (1):139-140.
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  8.  12
    Benjamin Redux.Gerhard Richter - 1996 - Philosophy and Literature 20 (1):200-217.
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  9. The Daily Practice of Painting: Writings 1962-1993.Maurice Brown & Gerhard Richter - 1998 - Journal of Aesthetic Education 32 (1):104.
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  10. Sound Figures of Modernity: German Music and Philosophy.Jost Hermand & Gerhard Richter (eds.) - 2006 - University of Wisconsin Press.
    The rich conceptual and experiential relays between music and philosophy—echoes of what Theodor W. Adorno once called _Klangfiguren_, or "sound figures"—resonate with heightened intensity during the period of modernity that extends from early German Idealism to the Critical Theory of the Frankfurt School. This volume traces the political, historical, and philosophical trajectories of a specifically German tradition in which thinkers take recourse to music, both as an aesthetic practice and as the object of their speculative work. The contributors examine the (...)
     
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  11. December.Alexander Kluge & Gerhard Richter - 2012 - Seagull Books.
     
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  12. Afterness: Figures of Following in Modern Thought and Aesthetics.Gerhard Richter - 2011 - Columbia University Press.
    Gerhard Richter's groundbreaking study argues that the concept of "afterness" is a key figure in the thought and aesthetics of modernity. It pursues questions such as: What does it mean for something to "follow" something else? Does that which follows mark a clear break with what came before it, or does it in fact tacitly perpetuate its predecessor as a consequence of its inevitable indebtedness to the terms and conditions of that from which it claims to have departed? Indeed, is (...)
     
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  13.  18
    Benjamin's Ghosts: Interventions in Contemporary Literary and Cultural Theory.Gerhard Richter (ed.) - 2002 - Stanford University Press.
    Although Walter Benjamin's writings are considered to be among the most powerful theoretical enterprises of the twentieth century, his ideas are resistant to cooptation by the doctrines of various critical programs. These essays engage this resistance by examining the ghostly in Benjamin's work. The contributors show that the haunting truths Benjamin offers point towards new forms of responsibility. These truths reside in a figurative elsewhere, a ghostly space that his texts delimit but never fully inhabit, and these essays seek to (...)
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  14. Introduction.Gerhard Richter - 2010 - In Language Without Soil: Adorno and Late Philosophical Modernity. Fordham University Press.
     
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  15. The Debt of Inheritance Revisited: Heidegger's Mortgage, Derrida's Appraisal.Gerhard Richter - 2015 - Oxford Literary Review 37 (1):67-91.
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  16.  13
    Thought-Images: Frankfurt School Writers’ Reflections From Damaged Life.Gerhard Richter - 2007 - Stanford University Press.
    In this book, Gerhard Richter explores the aesthetic and political ramifications of the literary genre of the Denkbild, or thought-image, as it was employed by four major German-Jewish writers and philosophers of the first half of the ...
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