Judith Butler’s idea of gender as performative (introduced in Gender Trouble and now a commonplace in feminist theory) is brought into dialogue with feminist performance art (exemplified by Valie Export, the Austrian media- and performance-artist). Butler’s claim that gender is performative and that it can be changed only through a parodic repetition of performative acts is revisited through the lens of Export’s subversive performance pieces. This “interaction” between theory and art practice shall highlight the political potential of Butler’s work and (...) serve to expand her notion of parody as it pertains more directly to women and the female body. (shrink)

: This work argues from a social-theoretical perspective for the view that every concept of 'gender' remains bound to reproduction. As every culture is interested in its continuity, it distinguishes individuals according to their assumed possible contribution to reproduction and so develops a fundamental dual classification. Subsequent gender categories are necessarily derived from this one. The conceptual and empirical arguments for this thesis are illustrated through an imagined dystopia. There I envision under what conditions a complete dissociation of the concepts (...) 'sex' and 'gender' from the old dual distinction would be possible and in what way a multiplicity of genders would be accomplished. (shrink)

This work argues from a social-theoretical perspective for the view that every concept of 'gender' remains bound to reproduction. As every culture is interested in its continuity, it distinguishes individuals according to their assumed possible contribution to reproduction and so develops a fundamental dual classification. Subsequent gender categories are necessarily derived from this one. The conceptual and empirical arguments for this thesis are illustrated through an imagined dystopia. There I envision under what conditions a complete dissociation of the concepts 'sex' (...) and 'gender' from the old dual distinction would be possible and in what way a multiplicity of genders would be accomplished. (shrink)

: This paper relates Arendt's critique of a labor society to her thoughts on the "good life." I begin with the claim that in the post–mass production era, Western societies, traditionally centered around gainful employment, encounter a decrease in the relevance of labor and can thus no longer rely on it as a resource for individual or social meaning. From Arendt's perspective, however, the current situation allows for the possibility of a transition from a society based on labor to a (...) society centered around activities. I explore Arendt's different types of activities—labor, work, action—with respect to the question of justice between the genders. (shrink)

This paper relates Arendt's critique of a labor society to her thoughts on the "good life." I begin with the claim that in the post-mass production era, Western societies, traditionally centered around gainful employment, encounter a decrease in the relevance of labor and can thus no longer rely on it as a resource for individual or social meaning. From Arendt's perspective, however, the current situation allows for the possibility of a transition from a society based on labor to a society (...) centered around activities. I explore Arendt's different types of activities-labor, work, action-with respect to the question of justice between the genders. (shrink)

: Using the notion of a transfiguration of sexed bodies, this text deals with the stratifications of the gender-specific imaginary. Starting from the figurative—thus creative—force of the psyche-soma, its interaction with the configurations of a collective body will be developed from the perspectives of social philosophy and philosophy of history. At the center of my discussion is the interdependence between the individual psyche-soma, the socialized individual, and a collective bodily imaginary, on the one hand, and the strata of a gender (...) imaginary on the other. The ontological metaphor (meaning the metaphor that brings about social modes of being) as well as the dimension of political action will be highlighted as playing a crucial role for these processes. (shrink)

Using the notion of a transfiguration of sexed bodies, this text deals with the stratifications of the gender-specific imaginary. Starting from the figurative-thus creative-force of the psyche-soma, its interaction with the configurations of a collective body will be developed from the perspectives of social philosophy and philosophy of history. At the center of my discussion is the interdependence between the individual psyche-soma, the socialized individual, and a collective bodily imaginary, on the one hand, and the strata of a gender imaginary (...) on the other. The ontological metaphor (meaning the metaphor that brings about social modes of being) as well as the dimension of political action will be highlighted as playing a crucial role for these processes. (shrink)

How to read the canonical texts of the male philosophical tradition has been an ongoing question for feminist philosophers. This paper wants to investigate Luce Irigaray’s notion of mimesis so as to offer an alternative reading practice for traditional philosophical texts. The paper will consist of two parts: in a firstsection, Irigaray’s concept of mimesis will be discussed in its affirmative as well as its transformative version; the second part attempts to apply the concept of mimesis to contemporary feminist readings (...) of the philosophical canon. It will be shown that most existing feminist scholarship in philosophy follows the pattern of an affirmative mimetic approach while Irigaray’s own readings of male philosophers offers a stylistic example for the use of a transformative version of mimesis. It will be claimed that both approaches are necessary since they complement each other in significant ways, one interpreting traditional texts, the other re-writing them. (shrink)

Using the notion of a transfiguration of sexed bodies, this text deals with the stratifications of the gender-specific imaginary. Starting from the figurative—thus creative—force of the psyche-soma, its interaction with the configurations of a collective body will be developed from the perspectives of social philosophy and philosophy of history. At the center of my discussion is the interdependence between the individual psyche-soma, the socialized individual, and a collective bodily imaginary, on the one hand, and the strata of a gender imaginary (...) on the other. The ontological metaphor as well as the dimension of political action will be highlighted as playing a crucial role for these processes. (shrink)