4 found
  1. Dire Cela, sans savoir quoi : The question of meaning in Adorno and in the musical avantgarde.Gianmario Borio - 2006 - In Berthold Hoeckner (ed.), Apparitions: New Perspectives on Adorno and Twentieth Century Music. Routledge.
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    The crisis of musical aesthetics in the 21st century.Gianmario Borio - 2009 - Topoi 28 (2):109-117.
    This essay is an attempt to understand the reasons for the current crisis of musical aesthetics. It examines the function of this discipline as the mediator between philosophy and musicology, it inquires into its connections with the ideals of autonomy, beauty and free subjectivity. During the 20th Century, major changes in society and their communication forms happened; anthropology and semiotics began to compete with aesthetics in explaining musical facts. The last paragraphs test the chances of resistance of musical aesthetics ; (...)
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  3. Introduction.Gianmario Borio - 2022 - In Immediacy and the Mediations of Music: Critical Approaches After Theodor W. Adorno. Routledge.
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    Immediacy and the mediations of music: critical approaches after Theodor W. Adorno.Gianmario Borio (ed.) - 2022 - New York: Routledge.
    Adorno believed that a circular relationship was established between immediacy and mediation. Should we now say that this model with its clear Hegelian influence is outdated? Or does it need some theoretical integration? This volume addresses these questions by covering the performance of music, its technological reproduction and its modes of communication - in particular, pedagogy and dissemination through the media. The book's four parts each deal with different aspects of the mediation process. The contributing authors outline the problematic moments (...)
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