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  1.  5
    The Aesthetic Value of Performing Music.Gilead Bar-Elli - 2017 - Journal of Aesthetic Education 51 (1):84-97.
    And indeed we think it not manly to perform music, except when drunk or for fun.Composing, performing, and listening are three familiar musical practices, each having various forms and manifestations. Aesthetic value is usually ascribed to objects—whether artistic or natural. But “object” needs to be understood here in a very wide sense, including, for example, a theatrical production or a ballet. In dealing with music, I assume that complete works are the primary bearers of such value, but we need not (...)
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  2.  33
    Wittgenstein on the Experience of Meaning and the Meaning of Music.Gilead Bar-Elli - 2006 - Philosophical Investigations 29 (3):217-249.
    An argument is presented to the effect that the ability to feel or to experience meaning conditions the ability to mean, and is thus essential to our notion of meaning. The experience of meaning is manifested in the "fine shades" of use and behavior. Theses, so obvious in music, constitute understanding music, which makes music understanding so relevant to understanding language. Applying these notions of understanding, feeling, and experience--as well as their explication in terms of comparisons, internal relation, and mastery (...)
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  3.  83
    Can Revenge Be Just or Otherwise Justified?Gilead Bar-Elli & David Heyd - 1986 - Theoria 52 (1-2):68-86.
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  4.  83
    A Fregean Look at Kripke's Modal Notion of Meaning.Gilead Bar-Elli - unknown
    In Naming and Necessity Kripke accuses Frege of conflating two notions of meaning (or sense), one is meaning proper, the other is determining of reference (p. 59). More precisely, Kripke argues that Frege conflated the question of how the meaning of a word is given or determined with the question of how its reference is determined. The criterial mark of meaning determination, according to Kripke, is a statement of synonymy: if we give the sense of “a” by means of “b”, (...)
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  5.  57
    The Sense of Reference: Intentionality in Frege.Gilead Bar-Elli - 1996 - De Gruyter.
    Chapter: Sense and Intentionality A: Reference and Sense — Preliminary Remarks Few people during Frege's lifetime paid due attention to his work and its ...
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  6.  40
    Identity in Frege's Begriffsschrift: Where Both Thau-Caplan and Heck Are Wrong.Gilead Bar-Elli - 2006 - Canadian Journal of Philosophy 36 (3):355-370.
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  7.  4
    Identity in Frege's Begriffsschrift.Gilead Bar-Elli - 2006 - Canadian Journal of Philosophy 36 (3):355-370.
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  8.  55
    Introduction.Gilead Bar-Elli - unknown
    The meaning of words, according to Wittgenstein, is grounded in their use – in the ways they are used. This does not mean only that in order to know the meaning of a word we should look at its use; it is not only a practical recommendation for the linguist or the learner. It is rather a philosophical thesis about the very notion of meaning, according to which use is what constitutes meaning, and about what the very ascription of meaning (...)
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  9.  23
    Frege and the Determination of Reference.Gilead Bar-Elli - 1981 - Erkenntnis 16 (1):137 - 160.
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  10.  41
    Interpretation: Keeping in Touch with Reality.Gilead Bar-Elli - unknown
    I doubt whether these three theses, which characterize basic features of Davidson's conception of meaning, are coherent. The narrow sense of (1) has (2) as an obvious corollary. The wider sense of (1), or some aspects of it, is partly explicated by (3). But this doesn’t seem to cohere with (2). When theory of meaning is taken in the wider sense to include an account of how one could come to know that such a theory of truth was true (for (...)
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  11.  19
    Frege's Context Principle.Gilead Bar-Elli - 1997 - Philosophia 25 (1-4):99-129.
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  12.  35
    Pause and Silence – Symmetry and the General End-Pause in Beethoven.Gilead Bar-Elli - unknown
    A musical work is an organized system of notes and of higher musical units such as motives, themes, harmonies, etc. We shall here confine ourselves to notes. A note is not just a physical event (an acoustic disturbance, a passage of wave energy), but a musical entity with functional properties sensitive to context. Roughly, it can be described as an acoustic event under a particular description (“tonic”, “dominant”, “leading tone”, “appoggiatura”, “upper voice of a septachord”, etc.). Are pauses genuine notes (...)
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  13.  16
    Analyticity and Justification in Frege.Gilead Bar-Elli - 2010 - Erkenntnis 73 (2):165 - 184.
    That there are analytic truths may challenge a principle of the homogeneity of truth. Unlike standard conceptions, in which analyticity is couched in terms of "truth in virtue of meanings", Frege's notions of analytic and a priori concern justification, respecting a principle of the homogeneity of truth. Where there is no justification these notions do not apply, Frege insists. Basic truths and axioms may be analytic (or a priori), though unprovable, which means there is a form of justification which is (...)
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  14.  7
    On the Ontological Status of Senses in Frege.Gilead Bar-Elli - 2015 - Revista Portuguesa de Filosofia 71 (2-3):287-306.
    Resumo Os sentidos para Frege são reais e objectivos, mas não são nem objectos nem funções. Eles são reais por causa da sua objectividade e por serem referências em contextos oblíquos. E, mesmo assim, eles não são objectos: eles não têm o modo de ser dos objectos – entidades identificáveis auto-subsistentes independentes – nem são funções. Assim, a ontologia de Frege inclui ainda uma outra categoria ontológica, a do sentido, que tem o seu próprio modo especial de ser. Entre as (...)
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  15.  30
    Sense and Objectivity in Frege's Logic.Gilead Bar-Elli - unknown
    Important aspects of its philosophical basis, and its significance for the foundations of mathematics, appeared in The Foundations of Mathematics (FA, 1884). Six years later, at the beginning of the 1890s, Frege published three articles that mark significant changes in his conception: "Function and Concept" (FC, 1891), "On Sense and Reference" (SR, 1892) and "Concept and Object" (1892). Notable among these changes are: (a) The systematic distinction between the sense and the reference of expressions as two separate ingredients of their (...)
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  16.  29
    Identity and the Formation of the Notion of Object. Or: The Identity of Indiscernibles: A Synthetic a Priori.Gilead Bar-Elli - 1982 - Erkenntnis 17 (2):229 - 248.
  17.  22
    Constituents and Denotation in Russell.Gilead Bar-Elli - 1980 - Theoria 46 (1):37-51.
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  18.  29
    Identity, Semantics and Ontology in Carnap.Gilead Bar-Elli - 1986 - Philosophia 16 (3-4):315-331.
  19.  24
    Identity and the Formation of the Notion of Object.Gilead Bar-Elli - 1982 - Erkenntnis 17 (2):229-248.
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  20.  22
    Evaluating a Performance -- Ideal Vs. Great Performance.Gilead Bar-Elli - 2004 - Journal of Aesthetic Education 38 (2):7-19.
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  21.  20
    Ideal Performance.Gilead Bar-Elli - 2002 - British Journal of Aesthetics 42 (3):223-242.
    Based on a conception that a musical composition is constituted by normative properties, it is argued that every such composition has one ideal performance—a performance that fulfils all the aesthetic-normative properties that the composition determines. A performance is conceived of (and evaluated) as inherently and essentially ‘intentionalistic’—being, by its very nature, a performance of a certain composition. This conception allows for various different performances, none of which is preferable over the others. The properties concerned are conceived of broadly as comprising (...)
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  22.  2
    Three Kantian Strands in Frege’s View of Arithmetic.Gilead Bar-Elli - 2014 - Journal for the History of Analytical Philosophy 2 (7).
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  23. Acquaintance, Knowledge and Description in Russell.Gilead Bar-Elli - 1989 - Russell: The Journal of Bertrand Russell Studies 9 (2):133.
     
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  24. Acquaintance, Knowledge and Description in Russell.Gilead Bar-Elli - 2014 - Russell: The Journal of Bertrand Russell Studies 9 (2).
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  25. On the Philosophical Significance of Russell's “On Denoting”.Gilead Bar-Elli - 1998 - In Anat Biletzki & Anat Matar (eds.), The Story of Analytic Philosophy: Plot and Heroes. Routledge. pp. 167.
     
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  26. Summaries of Hebrew Articles.Gilead Bar-Elli - 2004 - Iyyun 53:118.
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  27. The Sense of Reference.Gilead Bar-Elli - 2001 - Mind 110 (437):160-163.
     
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  28. The Sense of Reference: Intentionality in Frege.Gilead Bar-Elli - 2000 - Studia Logica 64 (3):408-410.
     
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