In lieu of an abstract, here is a brief excerpt of the content:There are only three surviving biographical notices regarding Marcus of Orvieto: two as colophons of Vatican manuscripts and a third as an entry in a catalog of the papal library in Avignon where we read: "Item, liber de mortalitatibus septem Martini de Urbevetani Ordinis Minorum." While the spelling of the book title and its author can be attributed to scribal errors or misreadings, the 'seven,' place of origin, and (...) religious order affiliation are accurate. Marcus's Liber de Moralitatibus is indeed divided into seven treatises: On the celestial bodies, On the elements, On the birds, On the fish, On the animals, On trees and plants and On precious gems. The colophons of the two Vatican manuscripts attest to his being a Friar Minor: Ego frater Marcus Urbis Veteris Fratrum Minorum Ordinis pauperculus. The prooemium of the Liber de Moralitatibus attests to the fact that Marcus's patron was Benedict Gaetani cardinal of St. Nicholas in carcere Tulliano,' the future pope Boniface VIII. This would put the time of composition circa 1290. Several allusions in Marcus's work to Paris, viz. the Parisian masters, its patron Ste. Genevieve, indicate that Marcus was at one time a student there and it is conceivable that Benedict commissioned the work while he was a papal legate there. Marcus's opus falls into the category of exempla literature, i.e. a source book for preachers.We offer the English translation of the chapter on pelicans as typical of Marcus's way of proceeding which, generally speaking, is threefold. First a physical description, which was generally copied from Bartholomew of England's 'On the Properties of Things,' secondly its spiritual signification attested to by pertinent passages from Scripture and bolstered by citations from the Fathers and Doctors of the Church, and thirdly examples of persons who exemplify the spiritual lesson either supportively or adversely. The legend of the pelican piercing its breast in order to revivify its dead chicks was familiar in Christian literature and art signifying analogously Christ's salvific blood redeeming the human race from its fallen state. The following is the English translation of Marcus's treatise 3, 'De avibus,' chapter 31.Chapter 31: On the pelicanThe pelican is seen to possess the following conditions or properties according to the doctors.1. First of all, as Isidore says, it is a "bird dwelling in solitude along the banks of the Nile." This signifies preachers and contemplative persons who flee the vanities of the world and occupy themselves with heavenly consolations or delightful and re-creative consolations of Sacred Scripture, Psalm 54, 8-9: Far away I would flee; I would lodge in the wilderness. I would hasten to find shelter from the violent storm and the tempest. Bernard, On the Canticle of Canticles and in his sermons: "Divine consolation is delicate, it is not given to those preoccupied with what is alien to it." Ambrose, On Luke: "Those preoccupied with secular vanities cannot know what is divine."2. Secondly, as Isidore says, whatever it eats, it first dips in water with its foot and having done so, using the foot as a hand as it were, puts it [the morsel] in its mouth. This signifies doctors [i. e. teachers] and preachers who practice what they teach or preach after the example of the Apostle, Romans 15, 18: I will not dare to speak of anything except what Christ has accomplished through me. Jerome, To Nepotian: "Make sure your deeds do not 'confound' your words, lest when you speak in the assembly someone might say to himself: 'Physician, cure yourself'."3. Thirdly, as Isidore says, of all the birds, with the exception of the phylargum, only the pelican uses its foot as a hand. This signifies a devout religious who frequently, motivated by holy desires and affections, prefers holy meditations rather than manual labor. 1Tim. 4: 7-8: Train yourself for devotion, for while physical training is of.. (shrink)

In the process of completing his critical edition of Marcus of Orvieto's Liber de Moralitatibus, Girard J. Etzkorn happened upon a set of questions attributed to Henry of Ghent at the end of Rome's Bibliotheca Angelica codex 750. These questions are edited in this volume under the proviso "attributed to" so that scholars may compare the texts with other works of the Ghentian master known to be authentic. Etzkorn concludes that the ten questions appear to be of two literary genres. (...) Moreover, the ten questions seem to be "selected" questions and were not likely disputed at the same time. Future investigations are essential to find out if the questions may indeed be attributed to Henry himself or whether they were written by one of Henry's disciples who was copying the thoughts and words of the master. (shrink)