Results for 'Glazko Valery'

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  1. STABLE ADAPTIVE STRATEGY of HOMO SAPIENS and EVOLUTIONARY RISK of HIGH TECH. Transdisciplinary Essay.Valentin Cheshko, Valery Glazko, Gleb Yu Kosovsky & Anna S. Peredyadenko (eds.) - 2015 - new publ.tech..
    The co-evolutionary concept of Three-modal stable evolutionary strategy of Homo sapiens is developed. The concept based on the principle of evolutionary complementarity of anthropogenesis: value of evolutionary risk and evolutionary path of human evolution are defined by descriptive (evolutionary efficiency) and creative-teleological (evolutionary correctly) parameters simultaneously, that cannot be instrumental reduced to others ones. Resulting volume of both parameters define the trends of biological, social, cultural and techno-rationalistic human evolution by two gear mechanism ˗ gene-cultural co-evolution and techno- humanitarian balance. (...)
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  2. Bioethics: Reincarnation of Natural Philosophy in Modern Science.Valentin Teodorovich Cheshko, Valery I. Glazko & Yulia V. Kosova - 2017 - Biogeosystem Technique 4 (2):111-121.
    The theory of evolution of complex and comprising of human systems and algorithm for its constructing are the synthesis of evolutionary epistemology, philosophical anthropology and concrete scientific empirical basis in modern (transdisciplinary) science. «Trans-disciplinary» in the context is interpreted as a completely new epistemological situation, which is fraught with the initiation of a civilizational crisis. Philosophy and ideology of technogenic civilization is based on the possibility of unambiguous demarcation of public value and descriptive scientific discourses (1), and the object and (...)
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  3. Evolutionary Semantics of Anthropogenesis and Bioethics of Nbic-Technologies.Valentin Cheshko, Yulia Kosova & Valery Glazko - 2015 - Biogeosystem Technique 5 (3):256-266.
    The co-evolutionary concept of tri-modal stable evolutionary strategy (SESH) of Homo sapiens is developed. The concept based on the principle of evolutionary complementarity of anthropogenesis: value of evolutionary risk and evolutionary path of human evolution are defined by descriptive (evolutionary efficiency) and creative-teleological (evolutionary correctness) parameters simultaneously, that cannot be instrumental reduced to others ones. Resulting volume of both parameters define the vectors of human evolution by two gear mechanism ˗ genetic and cultural co-evolution and techno-humanitarian balance. Explanatory model and (...)
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  4. Сo-evolutionary biosemantics of evolutionary risk at technogenic civilization: Hiroshima, Chernobyl – Fukushima and further….Valentin Cheshko & Valery Glazko - 2016 - International Journal of Environmental Problems 3 (1):14-25.
    From Chernobyl to Fukushima, it became clear that the technology is a system evolutionary factor, and the consequences of man-made disasters, as the actualization of risk related to changes in the social heredity (cultural transmission) elements. The uniqueness of the human phenomenon is a characteristic of the system arising out of the nonlinear interaction of biological, cultural and techno-rationalistic adaptive modules. Distribution emerging adaptive innovation within each module is in accordance with the two algorithms that are characterized by the dominance (...)
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  5. High Hume (Bio-power and Bio-policy in Society of Risk).V. Cheshko & Valery Glazko (eds.) - 2009 - Russian State Agrarian University - Moscow Timiryazev Agricultural Academy.
    Human simultaneously is the acting person of a few autonomous and interdepending forms of evolutional process. Accordingly, it is possible to select three forms of adaptation and three constituents of evolutional strategy of survival of humanity – biological, sociocultural and technological adaptations. The actual and potential consequences of development of so-called High Hume technologies (technologies of the guided evolution)  most essential from major technological adaptations of humanity  are analyzed. The phenomenon of bio-power within the framework of global coevolutional (...)
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  6. The Problem of Estimation of Evolutionary Risk of High Tech in the Concept of Stable Adaptive Strategy of Homo Sapiens.Valentin Cheshko, Valery Glazko & Yulia Kosova - 2013 - In Teodor N. Țîrdea (ed.), Strategia supravie uirii din perspectiva bioeticii, filosofiei și medicinei. Culegere de articole științifice. Vol. 3. Print-Caro. pp. 157-161.
    the problem of estimation of High Hume (NBIC) technogenic evolutionary risks is analysed as part of concept of 3-components evolutionary strategy of Homo sapiens.
     
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  7. Anthropocene: The philosophy of Biotechnology.Valentin Cheshko, Glazko Valery & Ivanitskaya Lida - 2018 - Moscow, Russia: Kurs INFRA-M.
    The theory of evolution of complex, including the humans system and algorithm for its constructing are a synthesis of evolutionary epistemology, philosophical anthropology and concrete scientific empirical basis in modern science,. In other words, natural philosophy is regaining the status bar element theoretical science in the era of technology-driven evolution. The co-evolutionary concept of 3-modal stable evolutionary strategy of Homo sapiens is developed. The concept based on the principle of evolutionary complementarity of anthropogenesis: value of evolutionary risk and evolutionary path (...)
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  8.  20
    Obstinado rigor: La teoría de la acción poética de Paul Valéry Bogotá: Pontificia Universidad Javeriana, 2008 300 páginas. [REVIEW]Paul Valéry - 2011 - Eidos: Revista de Filosofía de la Universidad Del Norte 14:253-256.
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  9.  8
    Lettres échangées avec Paul valéry.Paul Valéry & René Berthelot - 1946 - Revue de Métaphysique et de Morale 51 (1):1 - 6.
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  10. EVOLUTIONARY RISK OF HIGH HUME TECHNOLOGIES. Article 1. STABLE ADAPTIVE STRATEGY OF HOMO SAPIENS.V. T. Cheshko, L. V. Ivanitskaya & V. I. Glazko - 2014 - Integrative Anthropology (2):4-14.
    Stable adaptive strategy of Homo sapiens (SASH) is a result of the integration in the three-module fractal adaptations based on three independent processes of generation, replication, and the implementation of adaptations — genetic, socio-cultural and symbolic ones. The evolutionary landscape SASH is a topos of several evolutionary multi-dimensional vectors: 1) extraversional projective-activity behavioral intention (adaptive inversion 1), 2) mimesis (socio-cultural inheritance), 3) social (Machiavellian) intelligence, 4) the extension of inter-individual communication beyond their own social groups and their own species in (...)
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  11. EVOLUTIONARY RISK OF HIGH HUME TECHNOLOGIES. Article 3. EVOLUTIONARY SEMANTICS AND BIOETHICS.V. T. Cheshko, L. V. Ivanitskaya & V. I. Glazko - 2016 - Integrative Annthropology (1):21-27.
    The co-evolutionary concept of three-modal stable evolutionary strategy of Homo sapiens is developed. The concept based on the principle of evolutionary complementarity of anthropogenesis: value of evolutionary risk and evolutionary path of human evolution are defined by descriptive (evolutionary efficiency) and creative-teleological (evolutionary correctness) parameters simultaneously, that cannot be instrumental reduced to other ones. Resulting volume of both parameters define the vectors of biological, social, cultural and techno-rationalistic human evolution by two gear mechanism — genetic and cultural co-evolution and techno-humanitarian (...)
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  12. POST-INDUSTRIAL SCIENCE OF XXI CENTURY – RATIONALISM VERSUS IRRATIONALISM: EVOLUTIONARY AND PHILOSOPHICAL ASPECT.Valentin Cheshko, L. V. Ivanitskaya & V. I. Glazko - 2011 - Russian Academy of Natural Sciences Herald 3:68-77.
    The phenomenon of rationalism and irrationalism, contextually related to the transformation methodology and the social function of modern (post-industrial) science – social verification, interpretation and knowledge, etc., are analyzes.
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  13.  79
    EVOLUTIONARY RISK OF HIGH HUME TECHNOLOGIES. Article 2. THE GENESIS AND MECHANISMS OF EVOLUTIONARY RISK.V. T. Cheshko, L. V. Ivanitskaya & V. I. Glazko - 2015 - Integrative Anthropology (1):4-15.
    Sources of evolutionary risk for stable strategy of adaptive Homo sapiens are an imbalance of: (1) the intra-genomic co-evolution (intragenomic conflicts); (2) the gene-cultural co-evolution; (3) inter-cultural co-evolution; (4) techno-humanitarian balance; (5) inter-technological conflicts (technological traps). At least phenomenologically the components of the evolutionary risk are reversible, but in the aggregate they are in potentio irreversible destructive ones for biosocial, and cultural self-identity of Homo sapiens. When the actual evolution is the subject of a rationalist control and/or manipulation, the magnitude (...)
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  14.  35
    Inventive Machine: Second Generation.M. Tsourikov Valery - 1993 - AI and Society 7 (1):62-77.
    Inventive Machine project is the matter of discussion. The project aims to develop a family of AI systems for intelligent support of all stages of engineering design.Peculiarities of the IM project:deep and comprehensive knowledge base — the theory of inventive problem solving (TIPS)solving complex problems at the level of inventionsapplication in any area of engineeringstructural prediction of engineering system developmentThe systems of the second generation are described in detail.
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  15. La Révolution mondiale et la responsabilité de l'Esprit.H. de Keyserling & Paul Valéry - 1934 - Revue de Métaphysique et de Morale 41 (3):7-8.
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  16.  9
    Reflections.Bernard Williams & Paul Valéry - 1986 - Thinking: The Journal of Philosophy for Children 6 (3):22-22.
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  17. Peter Singer et la libération animale.Dardenne Emilie, Giroux Valéry & Utria Enrique (eds.) - forthcoming - Rennes, France: Presses universitaires de REnnes.
    Dans son ouvrage La libération animale, Peter Singer développe trois grandes idées : le principe d'égale considération des intérêts, le rejet du spécisme, et la nécessité de mettre un terme à certains types d'exploitation des animaux, notamment ceux qui ont trait à la recherche et l'élevage industriel. Cette oeuvre phare a connu un retentissement immense, à tel point que sa publication, en 1975, a été présentée comme le moment clef dans l'émergence du mouvement éponyme. Cependant, le mouvement de libération animale (...)
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  18. «DANGEROUS KNOWLEDGE» IN «THE RISK SOCIETY» (Age of Genetics and Biotec.Cheshko Valentin Glazko Valery I. (ed.) - 2007 - Publ.House "INGEK".
    At the heart of the book - two views (naturalist and humanist) on the dangers of and Prospects of "scientific and technological progress," that defining the face of modern civilization. Its leaders are now the information, genetic cal and biological technology.
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  19. Les Chemins divers de la connaissance.Robert Gérard & Paul Valéry - 1945 - Revue Philosophique de la France Et de l'Etranger 135 (7):285-286.
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  20. Les chemins divers de la Connaissance.Robert Gérard & P. Valéry - 1948 - Revue de Métaphysique et de Morale 53 (1):94-95.
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  21. Wat vastgelegd is, misleidt ons: de Cahiers van Paul Valéry.Martijn Boven - 2008 - Deus Ex Machina 127:5-6.
    Paul Valéry is de dichter die zwijgt; de denker die weigert filosoof te zijn; de schrijver die de taal in staat van beschuldiging stelt; de expert die volhoudt een amateur te zijn; de mysticus die zijn heil zoekt bij de wiskunde; de stamelaar die aan een kwaal van precisie lijdt; de Narcissus die misschien toch liever Orpheus had willen zijn. Hij is de chroniqueur van het denken en de meester van de tegenspraak. Ik probeer me hem voor te stellen. Het (...)
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  22. Paul Valéry: per un'estetica della composizione.Benedetta Zaccarello - 2012 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 5 (1).
    Valéry’s conceptions of mind, literature and even philosophy often stress the importance of an effort against heterogeneity that should be led in the name of what the author himself calls pureté. On the other hand, the theories that Valéry develops about composition - which is intended both as an aesthetic and a theoretical concept - show the importance of complexity in his representation of the esprit and allows to compare Valéry’s descriptions of the self with the way he represents creative (...)
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  23. De Descartes ą Athikté: métamorphoses du sensible chez Valéry.Thomas Vercruysse - 2012 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 5 (1).
    In this contribution, we shall examine how Valéry leaves Descartes, and the paradigm of sight, in favor of the dancer Athiktè, typical of the paradigm of hearing and touch. If Descartes offers the pattern of an analytic mapping, that method reveals itself irrelevant to take into account what Valéry calls the C.E.M (Corps Esprit Monde). On the other side, a dancer, like Athiktè appears as the model of poiesis, showing the natura naturans in progress.
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  24. Editoriale–Paul Valéry: strategie del sensibile.Benedetta Zaccarello, Jean-Michel Rey & Fabrizio Desideri - 2012 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 5 (1).
    Sensibilité is in Valéry’s theory the name of a large grasp of functions, involving both perception and creation, and involved both in art and in experience. So far, this key word of Valéry’s aesthetics can be read as the bridge between his conceptions of art and his idea of the self in order to understand the way this author writes and conceives what philosophy can aim to.
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  25.  5
    Cartesianismo y política del espíritu en Paul Valéry.Antonio de Murcia - 2018 - Ingenium. Revista Electrónica de Pensamiento Moderno y Metodología En Historia de Las Ideas 12:1-22.
    Este trabajo se aproxima a la recepción de Descartes en la obra del escritor francés Paul Valéry. Examinando algunos de sus textos sobre el filósofo y las lecturas de autores como Derrida, Benjamin, Löwith o Blumenberg, examinamos algunas de las claves del pensamiento de Valéry. Nuestro objetivo es mostrar cómo la obra en prosa de este poeta resulta fundamental para estudiar la crisis del sujeto y las transformaciones de la filosofía contemporánea.
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  26. Creaturalità: Celan e Valéry.Massimo Baldi - 2012 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 5 (1).
    Subject of this essay is the relationship between Celan’s and Valéry’s theory on language, aesthetic and history. Resorting to the importance of some passages of Valéry’s Cahiers for the conception of Celan’s theoretical doctrine of the poetry, the author underwrites the centrality of this philosophical heritage for the explanation and the justification of Celan’s linguistic choices and of their historical and political meaning.
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  27. Un rimedio esasperato dal male. Ovvero i due corpi di Valéry.Ciro Felice Papparo - 2012 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 5 (1).
    In his Cahiers , Valéry says that writing two of his major dialogues, Eupalinos and L’âme et la danse , was an antidote to his ravaging mood: literature and spirituality are the remedy generated by a necessary and not eliminable evil, particularly the one that shows itself as ‘rage’ in love. The essay investigates thoroughly this contradictory logic and focuses on the problem of sensitiveness in Valéry’s work, pointing out a twofold presence of the ‘body’. Preserving these two presences, the (...)
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  28. Valéry: une poetique du sensible.William Marx - 2012 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 5 (1).
    Contrary to the prevailing view, there is not one, but at least two poetic theories in Paul Valéry: the intellectual, formalist and technical poetics Valéry is usually associated to conflicts with another poetics, which highlights sensitivity, lyricism and subjectivity. The constitutive duplicity of Valéry’s literary theory has probably something to do with the ambiguity of his relationship with Stéphane Mallarmé.
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  29. Corpo, sensibilità ed esperienza: la riflessione di Valéry alla luce dell'estetica pragmatista.Emanuele Crescimanno - 2012 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 5 (1).
    Body, sensibility and experience: Paul Valéry’s reflection and pragmatist aesthetic The pragmatist aesthetic of Dewey and Shusterman can be useful to understand the complexity of the Valéry’s thought: this paper aims to highlight a pragmatist attitude on the Valéry’s aesthetic through the links of the triad Corps, Esprit, Monde and underline the crucial role that the body and the senses play in experience.
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  30. “Der Artist Valéry” nella teoria estetica di Adorno.Giovanni Matteucci - 2012 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 5 (1).
    This paper aims to outline the importance of Valéry with respect to some cornerstones of Adorno’s aesthetic theory as a negative-dialectical thought. Adorno’s concept of aesthetic experience finds in Valéry as an “Artist” (not simply as a “Künstler”) a sort of lieutenant: he helps to specify notions like “apparition”, “form”, “configuration”, and above all the idea of the aesthetic as a relation by which something happens in the field of human experience without being a determinate, or determinable, content of it.
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  31. Approfondire «il difficile del linguaggio». Paul Valéry e l'analisi del rapporto tra parola, sensibilità ed emozioni.Barbara Scapolo - 2009 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 2 (1).
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  32.  1
    Paul Valery Et les Beaux-Arts.G. B. - 1950 - Journal of Aesthetics and Art Criticism 9 (1):69-69.
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  33. Valéry, la Logique, le Langage la Logique du Langage Dans la Théorie Littéraire Et la Philosophie de la Connaissance.Nicole Celeyrette-Pietri & Antonia Soulez - 1988
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  34. Paul Valéry a Philosopher for Philosophers, the Sage.William Kluback - 1999
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  35. Paul Valéry Illusions of Civilization.William Kluback - 1996
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  36. Paul Valéry Philosophical Reflections.William Kluback - 1987
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  37. Paul Valéry, the Search for Intelligence.William Kluback - 1993
     
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  38. Paul Valéry the Continuous Search for Reality.William Kluback - 1997
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  39. Paul Valéry the Statesman of the Intellect.William Kluback - 1999
     
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  40. Modern French Criticism From Proust and Valéry to Structuralism.John K. Simon, Ralph Freedman, John Porter Houston, Angelo Philip Bertocci & René Wellek - 1972
     
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  41.  7
    Valéry et le statut « poïétique » des sollicitations formelles de la sensibilité.Claude Thérien - 2002 - Les Etudes Philosophiques 62 (3):353.
    En quel sens l’expérience esthétique peut-elle être subjective et profondément individuelle sans pour autant être arbitraire ? Le texte suivant essaie de répondre à cette question en tentant de considérer l’expérience esthétique comme le lieu d’une reconduction de la subjectivité individuelle aux éléments symboliques déterminants qui composent la substance de notre vie comme existence finie. C’est en suivant les réflexions de Valéry sur le pouvoir d’émission de la sensibilité formelle que nous visons cette problématique et tentons de dégager les aspects (...)
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  42.  32
    Some Reflections Around the Concept of Value: On Valéry's Claim That Philosophy is Poetry.Simone Weil - 2014 - Philosophical Investigations 37 (2):105-112.
    In response to Paul Valéry's claim that “philosophy is poetry,” Simone Weil set out to examine the nature of philosophical thinking. She argues that it is above all concerned with value. In the course of her argument, she lays out the grammatical differences between thinking about value, and other epistemological endeavours. These differences mean that inconsistencies are not to be avoided in philosophy, and that philosophy is not a matter of system building. In the end, she also believes that thinking (...)
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  43.  8
    Paul Valéry and the Search for Poetic Rhythm.David Evans - 2010 - Paragraph 33 (2):158-176.
    Throughout his theoretical writings, Valéry insists on two fundamental principles: poetic rhythm is undefinable and yet it is central to poetry. Although his verse practice evolves from irregularity to regularity, Valéry insists that predictable metrical forms are no guarantee of poeticity, and rejects the Romantic model of rhythmic mimesis based on the cosmos, nature or the human body. It is not by confirming the meaningfulness of regular patterns, therefore, that poetic rhythm signifies; rather, the complex overlapping of multiple, elusive and (...)
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    Paul Valéry on Photography: A Poetic Writing of Light and Time.Pierre Taminiaux - 2009 - The European Legacy 14 (6):685-695.
    This article studies Paul Valéry's personal reflection on photography, as it appears in his essay ?Le Discours du Centenaire de la Photographie,? based on a speech given at the Sorbonne in 1939 to members of the French Academy. It stresses the relationship between this essay and the French poet's writings on painting and aesthetics, in particular his work on Corot. Moreover, it analyzes the synthetic character of Valéry's critical approach, which attempts to bring together the language of poetry, philosophy and (...)
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  45.  5
    L’énigme du cap acéphale: Autour des parentés philosophiques entre égologie et hétérologie dans la lecture derridienne du Monsieur Teste de Valéry.Pietro Lembo - 2018 - Journal of French and Francophone Philosophy 26 (1):64-83.
    Le but de cette contribution c'est d'analyser la lecture derridienne du Monsieur Teste de Valéry afin de montrer que, par cette figure énigmatique, Derrida a voulu proposer une déconstruction double : une déconstruction de l’égologie souveraine au moyen de l’hétérologie contre-souveraine et vice-versa.
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    Paul Valery's Search for Intellectual Universalism.V. M. Kozovoi - 1972 - Russian Studies in Philosophy 11 (3):270-300.
    When Introduction à la méthode de Léonard de Vinci was published, Valéry was not yet twenty-four. The period during which he wrote this work, as well as Soirée avec M. Teste, which appeared a year later, was extremely important in his biography, for it defined the principal trends of his thought for decades to come. After a twenty-year period of silence and retirement, there appeared his small volume La Jeune Parque, the collection Charmes, Album de vers anciens, and his Socratic (...)
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    A Writer Looking for His Writing Scene: Paul Valéry's Procedures in His Notebooks Around 1894.Karin Krauthausen - 2013 - Science in Context 26 (2):305-343.
    ArgumentThe famousCahiersof Paul Valéry cannot be reduced to a single scientific discipline, a specific philosophical tradition, or a literary genre. For today's reader these notebooks constitute a formatsui generis, one very often characterized by an “observation of a second order”: in theCahiersValéry uses writing, drawing, and calculating not only for purposes of argumentation; he also pays attention to the significance of such writing, drawing, and calculating processes for the production of knowledge. It is particularly thepracticeof note-taking and sketching in Valéry's (...)
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    Paul Valéry: paradojas y desafíos del arte en el sistema económico moderno.John Ramírez Jaramillo - 2017 - Areté. Revista de Filosofía 29 (2):385-406.
    Este artículo busca demostrar que el pensamiento de Paul Valéry desarrolla un análisis crítico de las condiciones en que el arte establece su relación con el sistema económico moderno. Para validar dicha hipótesis, inicialmente es presentada la noción de “máquina económica”, con la que es descrita la teoría de la economía, y son definidas las características de los objetos útiles e inútiles que componen el mercado. A su turno, el artículo detalla el proceso histórico de la mercantilización del arte en (...)
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  49. Discours de la Méthode. Introd. D'Alain Et de Paul Valéry. Éd. Établie, Présentée Et Annotée Par Samuel S. De Sacy.René Descartes, Samuel Alain, Paul Silvestre de Sacy & Valéry - 1970 - Le-Livre de Poche.
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  50. Vom Versuch, Sich in Die Luft Zu Stellen: Die Anthropologie Karl Löwiths Im Spannungsfeld von Weber, Buber, Schmitt Und Valéry.Jan Schenkenberger - 2018 - Transcript Verlag.
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