17 found
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  1.  4
    .Glenn Peers - 2019 - 112 (1):256-260.
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  2.  24
    Die Fresken der Soteras Christos-Kirche bei Potamies: Studie zur byzantinischen Wandmalerei auf Kreta im 14. Jahrhundert.Chryssoula Ranoutsaki.Glenn Peers - 1997 - Speculum 72 (2):555-556.
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  3.  11
    Holy Man, Supplicant, and Donor: On Representations of the Miracle of the Archangel Michael at Chonae.Glenn Peers - 1997 - Mediaeval Studies 59 (1):173-182.
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  4.  23
    Hierotopy: The Creation of Sacred Spaces in Byzantium and Medieval Russia. Alexei Lidov.Glenn Peers - 2008 - Speculum 83 (2):458-459.
  5.  10
    Charles Barber and Stratis Papaioannou, Eds., Michael Psellos on Literature and Art: A Byzantine Perspective on Aesthetics. Notre Dame, IN: Notre Dame University Press, 2017. Paper. Pp. Xvi, 429. $40. ISBN: 978-0-268-10048-3. [REVIEW]Glenn Peers - 2018 - Speculum 93 (3):789-790.
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  6.  18
    Mahmoud Zibawi, Images de l'Égypte Chrétienne: Iconologie Copte. Paris: Picard, 2003. Pp. 239; 291 Black-and-White and Color Figures and 1 Map. €90. [REVIEW]Glenn Peers - 2006 - Speculum 81 (1):292-293.
  7.  4
    Orthodox Magic in Trebizond and Beyond, Besprochen von Rudolf Stefec.Glenn Peers - 2019 - Byzantinische Zeitschrift 112 (1):256-260.
    Name der Zeitschrift: Byzantinische Zeitschrift Jahrgang: 112 Heft: 1 Seiten: 256-260.
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  8.  12
    Guntram Koch, ed., Byzantinische Malerie: Bildprogramme–Ikonographie–Stil. Symposion in Marburg, vom 25.–29.6.1997. Wiesbaden: Reichert, 2000. Pp. 457 plus 63 color plates; black-and-white figures.Glenn Peers - 2003 - Speculum 78 (1):220-221.
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  9.  13
    Framing and Conserving Byzantine Art at the Menil Collection: Experiences of Relative Identity.Glenn Peers - 2015 - Zeitschrift für Medien- Und Kulturforschung 2015 (2):25-44.
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  10.  9
    Byzantine Figural Processional Crosses.John A. Cotsonis.Glenn Peers - 1996 - Speculum 71 (4):938-939.
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  11.  9
    The Icons of Their Bodies: Saints and Their Images in ByzantiumHenry Maguire.Glenn Peers - 2003 - Speculum 78 (1):224-226.
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  12.  11
    Massimo Bernabò, Ed., Il Tetravangelo di Rabbula. Firenze, Biblioteca Medicea Laurenziana, Plut. 1.56: L'illustrazione Del Nuovo Testamento Nella Siria Del VI Secolo. Rome: Edizioni di Storia E Letteratura, 2008. Paper. Pp. Ix, 177 Plus Separate Errata Sheet, 31 Black-and-White and Color Plates, and 126 Black-and-White and Color Figures; Black-and-White Figures, Tables, and Graphs. €75. [REVIEW]Glenn Peers - 2010 - Speculum 85 (3):635-637.
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  13.  8
    Byzantine Garden CultureAntony Littlewood Henry Maguire Joachim Wolschke-Bulmahn.Glenn Peers - 2004 - Speculum 79 (1):232-235.
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  14. Icons of the Holy Monastery of Pantokrator. Mount Athos: Holy Monastery of Pantokrator, 1998. Pp. 375; 191 Color and Black-and-White Figures. $120. [REVIEW]Glenn Peers - 2001 - Speculum 76 (1):176-177.
     
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  15.  6
    Byzantine Art and Architecture: An Introduction.Lyn Rodley.Glenn Peers - 1996 - Speculum 71 (2):484-486.
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  16.  5
    Transfiguring Materialities: Relational Abstraction in Byzantium and its Exhibition.Glenn Peers - 2015 - Convivium 2 (2):112-133.
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  17. Hagiographic Models of Worship of Images and Angels.Glenn Peers - 1997 - Byzantion 67 (2):407-420.
    L'assimilation des images à une attitude chrétienne correcte fut le résultat d'un long débat sur la nature du culte chrétien. Les icones n'excluaient pas d'autres approches comme la vertu chrétienne , mais elles faisaient désormais partie inextricablement d'une éthique chrétienne complète. Les hagiographies de Théodore Stoudite, de Photios, de Nicéphore ont contribué à la diffusion du culte des images comme une pratique chrétienne acceptable. L'exemple miraculeux de Michel au sanctuaire d'Eusèbe intervient également dans la mise en place d'un consensus.
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