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  1.  6
    New Takes in Film-Philosophy.Havi Carel & Greg Tuck (eds.) - 2011 - Palgrave-Macmillan.
    New Takes in Film-Philosophy offers a space for the advancement of the film-philosophy debate by some of its major figures. Fifteen leading academics from Philosophy and Film Studies develop new approaches to film-philosophy, broaden theoretical analyses of the topic and map out problems and possibilities for its future. The collection examines theoretical issues about the relationship between film and philosophy; looks at the relationships film-philosophy has to other media such as photography and literature; and applies theoretical approaches to particular films (...)
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  2.  7
    Film as Philosophy.Havi H. Carel & Greg Tuck - 2010 - The Philosophers' Magazine 50:30-31.
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  3.  79
    Film as Philosophy.Havi H. Carel & Greg Tuck - 2010 - The Philosophers' Magazine 50 (50):30-31.
    More people desperately require an organ than become donors themselves. When discussing organ donation, people mainly consider the question whether they want to donate, whereas empirically they are more likely to be on the receiving end. So it is rational for each of us to join the organ donor register and to agree to donate our relative’s organs, if we are ever in that situation.
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  4.  11
    Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde.Greg Tuck - 2005 - Historical Materialism 13 (1):195-206.
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  5. Dead Lively.Esther Leslie & Greg Tuck - 2005 - Historical Materialism 13 (1):195-205.
     
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  6.  9
    Mainstreaming the Money Shot: Reflections on the Representation of Ejaculation in Contemporary American Cinema.Greg Tuck - 2003 - Paragraph 26 (1-2):263-279.
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  7.  47
    Sex, Dialectics and the Misery of Happiness.Greg Tuck - 2011 - Film-Philosophy 15 (1):33-62.
    This paper offers a reading of Todd Solondz Happiness (1998) in relation to Lacan’s notion of sexual difference. It argues that both the film and theorist present a ‘logic’ of sexuality and sexual difference which seems to owe much to Hegel’s master-slave dialectic but that in the end owes more to Kojève’s (mis)reading than to Hegel himself. It outlines the usefulness of an expanded notion of the dialectic to understand sexual difference through the inclusion of the Hegelian figures of the (...)
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