167 found
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  1. Recreative Minds: Imagination in Philosophy and Psychology.Gregory Currie & Ian Ravenscroft - 2002 - Oxford University Press.
    Recreative Minds develops a philosophical theory of imagination that draws upon the latest work in psychology. This theory illuminates the use of imagination in coming to terms with art, its role in enabling us to live as social beings, and the psychological consequences of disordered imagination. The authors offer a lucid exploration of a fascinating subject.
  2. The Nature of Fiction.Gregory Currie - 1990 - Cambridge University Press.
    This important book provides a theory about the nature of fiction, and about the relation between the author, the reader and the fictional text. The approach is philosophical: that is to say, the author offers an account of key concepts such as fictional truth, fictional characters, and fiction itself. The book argues that the concept of fiction can be explained partly in terms of communicative intentions, partly in terms of a condition which excludes relations of counterfactual dependence between the world (...)
  3. Aesthetic Sense and Social Cognition: A Story From the Early Stone Age.Gregory Currie & Xuanqi Zhu - forthcoming - Synthese.
    Human aesthetic practices show a sensitivity to the ways that the appearance of an artefact manifests skills and other qualities of the maker. We investigate a possible origin for this kind of sensibility, locating it in the need for co-ordination of skill-transmission in the Acheulean stone tool culture. We argue that our narrative supports the idea that Acheulian agents were aesthetic agents. In line with this we offer what may seem an absurd comparison: between the Acheulian and the Quattrocento. In (...)
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  4. Narratives and Narrators: A Philosophy of Stories.Gregory Currie - 2010 - Oxford University Press.
    This text offers a reflection on the nature and significance of narrative in human communication.
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  5.  29
    Mimesis as Make-Believe: On the Foundations of the Representational Arts by Kendall Walton. [REVIEW]Gregory Currie - 1993 - Journal of Philosophy 90 (7):367-370.
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  6. Imagination, Delusion and Hallucinations.Gregory Currie - 2000 - In Max Coltheart & Martin Davies (eds.), Mind and Language. Blackwell. pp. 168-183.
    Chris Frith has argued that a loss of the sense of agency is central to schizophrenia. This suggests a connection between hallucinations and delusions on the one hand, and the misidentification of the subject’s imaginings as perceptions and beliefs on the other. In particular, understanding the mechanisms that underlie imagination may help us to explain the puzzling phenomena of thought insertion and withdrawal. Frith sometimes states his argument in terms of a loss of metarepresentational capacity in schizophrenia. I argue that (...)
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  7.  53
    An Ontology of Art.Gregory Currie - 1989 - St. Martin's Press.
  8. Image and Mind: Film, Philosophy and Cognitive Science.Gregory Currie - 1995 - Cambridge University Press.
    This is a book about the nature of film: about the nature of moving images, about the viewer's relation to film, and about the kinds of narrative that film is capable of presenting. It represents a very decisive break with the semiotic and psychoanalytic theories of film which have dominated discussion. The central thesis is that film is essentially a pictorial medium and that the movement of film images is real rather than illusory. A general theory of pictorial representation is (...)
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  9.  16
    Imagination, Delusion and Hallucinations.Gregory Currie - 2000 - Mind and Language 15 (1):168-183.
    Chris Frith has argued that a loss of the sense of agency is central to schizophrenia. This suggests a connection between hallucinations and delusions on the one hand, and the misidentification of the subject’s imaginings as perceptions and beliefs on the other. In particular, understanding the mechanisms that underlie imagination may help us to explain the puzzling phenomena of thought insertion and withdrawal. Frith sometimes states his argument in terms of a loss of metarepresentational capacity in schizophrenia. I argue that (...)
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  10. The Methodology of Scientific Research Programmes: Philosophical Papers.Imre Lakatos, John Worrall & Gregory Currie - 1979 - British Journal for the Philosophy of Science 30 (4):381-402.
     
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  11. Frege's Conception of Numbers as Objects. [REVIEW]Gregory Currie - 1985 - British Journal for the Philosophy of Science 36 (4):475-479.
  12. Recreative Minds: Imagination in Philosophy and Psychology.Gregory Currie & Ian Ravenscroft - 2004 - Philosophy 79 (308):331-335.
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  13. How to Think About the Modularity of Mind-Reading.Gregory Currie & Kim Sterelny - 2000 - Philosophical Quarterly 50 (199):145-160.
  14.  77
    Arts and Minds.Gregory Currie - 2004 - Oxford University Press.
    Philosophical questions about the arts go naturally with other kinds of questions about them. Art is sometimes said to be an historical concept. But where in our cultural and biological history did art begin? If art is related to play and imagination, do we find any signs of these things in our nonhuman relatives? Sometimes the other questions look like ones the philosopher of art has to answer. Anyone who thinks that interpretation in the arts is an activity that leaves (...)
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  15.  58
    Some Ways to Understand People.Gregory Currie - 2008 - Philosophical Explorations 11 (3):211 – 218.
    Shaun Gallagher and Dan Hutto claim that those once bitter rivals, simulation theory and theory-theory, are now to be treated as partners in crime. It's true that the debate has become more nuanced, with detailed suggestions abroad as to how these two approaches might peaceably divide the field. And there is common ground between them, at least to the extent that they agree on what needs to be explained. But I see no fatal flaw in what they share. In particular, (...)
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  16. Delusion, Rationality, Empathy.Gregory Currie & Jon Jureidini - 2001 - Philosophy, Psychiatry, and Psychology 8 (2-3):159-62.
  17. The Moral Psychology of Fiction.Gregory Currie - 1995 - Australasian Journal of Philosophy 73 (2):250 – 259.
    What can we learn from fiction? I argue that we can learn about the consequences of a certain course of action by projecting ourselves, in imagination, into the situation of the fiction's characters.
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  18.  92
    Desire in Imagination.Gregory Currie - 2002 - In Tamar Szabo Gendler & John Hawthorne (eds.), Conceivability and Possibility. Oxford University Press. pp. 201-221.
  19.  78
    Visual Imagery as the Simulation of Vision.Gregory Currie - 1995 - Mind and Language 10 (1-2):25-44.
  20.  3
    Delusion, Rationality, Empathy: Commentary on Martin Davies Et Al.Gregory Currie & Jon Jureidini - 2001 - Philosophy, Psychiatry, and Psychology 8 (2):159-162.
  21. Imagination as Simulation: Aesthetics Meets Cognitive Science.Gregory Currie - 1995 - In Martin Davies & Tony Stone (eds.), Mental Simulation. Blackwell.
  22.  8
    Image and Mind: Film, Philosophy, and Cognitive Science.Berys Gaut & Gregory Currie - 1998 - Philosophical Review 107 (1):138.
    In this important and impressive book, Gregory Currie tackles several fundamental topics in the philosophy of film and says much of general interest about the nature of imagination. The first part examines the nature of film representation, rejecting the view that spectators are subject to any kind of cognitive or perceptual illusions. Currie also argues against Walton’s transparency claim, which holds that when we look at a photograph we are literally seeing the object photographed. He instead defends perceptual realism, the (...)
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  23. Why Irony is Pretence.Gregory Currie - 2006 - In Shaun Nichols (ed.), The Architecture of the Imagination: New Essays on Pretence, Possibility, and Fiction. Clarendon Press.
  24. Film, Reality, and Illusion.Gregory Currie - 1996 - In David Bordwell Noel Carroll (ed.), Post-Theory: Reconstructing Film Studies. University of Wisconsin Press. pp. 325--44.
     
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  25.  11
    Empathy for Objects1.Gregory Currie - 2011 - In Amy Coplan & Peter Goldie (eds.), Empathy: Philosophical and Psychological Perspectives. Oxford University Press. pp. 82.
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  26. Image and Mind: Film, Philosophy, and Cognitive Science.Gregory Currie - 1998 - Philosophical Quarterly 48 (190):127-129.
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  27. Photography, Painting and Perception.Gregory Currie - 1991 - Journal of Aesthetics and Art Criticism 49 (1):23-29.
  28.  34
    Standing in the Last Ditch: On the Communicative Intentions of Fiction Makers.Gregory Currie - 2014 - Journal of Aesthetics and Art Criticism 72 (4):351-363.
    Some of us have suggested that what fiction makers do is offer us things to imagine, that this is what is distinctive of fiction and what distinguishes it from narrative-based but assertive activities such as journalism or history. Some of us hold, further, that it is the maker's intention which confers fictional status. Many, I think, feel the intuitive appeal of this idea at the same time as they sense looming problems for any proposal about fiction's nature based straightforwardly on (...)
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  29. Fictional Names.Gregory Currie - 1988 - Australasian Journal of Philosophy 66 (4):471 – 488.
  30. Image and Mind: Film, Philosophy, and Cognitive Science.Gregory Currie - 1995 - Philosophy 71 (278):617-622.
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  31.  56
    Pretence, Pretending, and Metarepresenting.Gregory Currie - 1998 - Mind and Language 13 (1):35-55.
    I assess the claim that metarepresentation is a key notion in understanding the nature and development of our capacity to engage in pretence. I argue that the metarepresentational programme is unhelpful in explaining how pretence operates and, in particular, how agents distinguish pretence from belief. I sketch an alternative approach to the relations between pretending and believing. This depends on a distinction between pretending and pretence, and upon the claim that pretence stands to pretending as truth stands to belief.
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  32.  46
    Art For Art’s Sake In The Old Stone Age.Gregory Currie - 2009 - Postgraduate Journal of Aesthetics 6 (1):1-23.
    Is there a sensible version of the slogan “Art for art’s sake”? If there is, does it apply to anything? I believe that the answers to these questions are Yes and Yes. A positive answer to the first question alone would not be of interest; an intelligible claim without application does not do us much good. It’s the positive answer to the second question which is, I think, more important and perhaps surprising, since I claim to find art for art’s (...)
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  33. Visible Traces: Documentary and the Contents of Photographs.Gregory Currie - 1999 - Journal of Aesthetics and Art Criticism 57 (3):285-297.
  34.  46
    Realism of Character and the Value of Fiction.Gregory Currie - 1998 - In Jerrold Levinson (ed.), Aesthetics and Ethics: Essays at the Intersection. Cambridge University Press. pp. 161--81.
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  35. Literature and Truthfulness.Gregory Currie - 2012 - In James Maclaurin (ed.), Rationis Defensor. pp. 23-31.
    How should we characterise the view that we can learn about the mind from literature? Should we say that such learning consists in acquiring knowledge of truths? That option is more attractive than it is sometimes made to seem by those who oppose propositional knowledge to practical knowledge or “knowing how”. But some writers on this topic—Lamarque and Olsen—argue that, while literature may express interesting propositions, it is not their truth that matters, but their “content”. Matters to what? To literary (...)
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  36. Imagination as Motivation.Gregory Currie - 2002 - Proceedings of the Aristotelian Society 102 (3):201-16.
    What kinds of psychological states motivate us? Beliefs and desires are the obvious candidates. But some aspects of our behaviour suggest another idea. I have in mind the view that imagination can sometimes constitute motivation.
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  37. McGinn on Delusion and Imagination. [REVIEW]Gregory Currie & Nicholas Jones - unknown
  38.  54
    Simulation-Theory, Theory-Theory, and the Evidence From Autism.Gregory Currie - 1996 - In Peter Carruthers & Peter K. Smith (eds.), Theories of Theories of Mind. Cambridge University Press. pp. 242.
  39. Genre.Gregory Currie - 2004 - Oxford University Press.
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  40.  80
    Individualism and Global Supervenience.Gregory Currie - 1984 - British Journal for the Philosophy of Science 35 (December):345-58.
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  41.  93
    Narrative and Coherence.Gregory Currie & Jon Jureidini - 2004 - Mind and Language 19 (4):409–427.
  42. Imagination and Make-Believe.Gregory Currie - 2001 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.
     
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  43.  56
    Interpretation and Objectivity.Gregory Currie - 1993 - Mind 102 (407):413-428.
  44. Both Sides of the Story: Explaining Events in a Narrative.Gregory Currie - 2007 - Philosophical Studies 135 (1):49-63.
    Our experience of narrative has an internal and an external aspect--the content of the narrative’s representations, and its intentional, communicative aetiology. The interaction of these two things is crucial to understanding how narrative works. I begin by laying out what I think we can reasonably expect from a narrative by way of causal information, and how causality interacts with other attributes we think of as central to narrative. At a certain point this discussion will strike a problem: our judgements about (...)
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  45. Supervenience, Essentialism and Aesthetic Properties.Gregory Currie - 1990 - Philosophical Studies 58 (3):243 - 257.
  46. Unreliability Refigured: Narrative in Literature and Film.Gregory Currie - 1995 - Journal of Aesthetics and Art Criticism 53 (1):19-29.
    Aims to improve an understanding of the theoretical issues in response to the influence of fiction. Four things in narrative unreliability; Relation between narration in literary fictions and film; Comprehension of narrative essentially a matter of intentional inference; Fictions misdescribed; Asymmetry between literature and film; Ambiguity and unreliability; Implied author and narrator.
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  47.  95
    Mental Simulation and Motor Imagery.Gregory Currie & Ian Ravenscroft - 1997 - Philosophy of Science 64 (1):161-80.
    Motor imagery typically involves an experience as of moving a body part. Recent studies reveal close parallels between the constraints on motor imagery and those on actual motor performance. How are these parallels to be explained? We advance a simulative theory of motor imagery, modeled on the idea that we predict and explain the decisions of others by simulating their decision-making processes. By proposing that motor imagery is essentially off-line motor action, we explain the tendency of motor imagery to mimic (...)
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  48.  59
    Narrative Representation of Causes.Gregory Currie - 2006 - Journal of Aesthetics and Art Criticism 64 (3):309–316.
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  49.  49
    Music, Art, and Metaphysics.Gregory Currie - 1993 - Philosophy and Phenomenological Research 53 (2):471-475.
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  50. Imagination, Hallucination and Delusion.Gregory Currie - 2000 - Mind and Language 15 (1):168-183.
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