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  1.  77
    The Brain is the Screen: Deleuze and the Philosophy of Cinema.Gregory Flaxman (ed.) - 2000 - University of Minnesota Press.
    Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little ...
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  2. Cinema Year Zero.Gregory Flaxman - 2000 - In The Brain is the Screen: Deleuze and the Philosophy of Cinema. University of Minnesota Press. pp. 87--108.
     
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  3.  10
    The Laws of Cinematic Hospitality: A Response to Andrew Murphie.Gregory Flaxman - 2001 - Film-Philosophy 5 (2).
    Andrew Murphie 'Is Philosophy Ever Enough?' _Film-Philosophy_, Deleuze Special Issue vol. 5 no. 38, November 2001.
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  4.  6
    The Future of Utopia.Gregory Flaxman - 2007 - Symploke 14 (1):197-215.
  5.  2
    Once More, with Feeling: Cinema and Cinesthesia.Gregory Flaxman - 2016 - Substance 45 (3):174-189.
    Asked to characterize the critical history of cinema studies over the past several decades, one could do much worse than to speak of the age of affect of affect.1 This is a big claim, of course, but it’s not without precedent or parallel. The engagement with affect describes a remarkably widespread shift in the humanities, social sciences, and the neurosciences. Cinema studies is among a number of disciplines that have sought to prioritize matters of sensation and feeling, and for roughly (...)
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  6.  14
    Review of Joe Hughes, Deleuze and the Genesis of Representation[REVIEW]Gregory Flaxman - 2010 - Notre Dame Philosophical Reviews 2010 (4).
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  7.  5
    The Economy of Fear.Gregory Flaxman & Ben Rogerson - 2010 - Symploke 18 (1):333-336.
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  8.  5
    Out of Field.Gregory Flaxman - 2012 - Angelaki 17 (4):119 - 137.
    While every discipline in the humanities worries about its future, film studies is caught in the thrall of a particular anxiety, namely the possibility that it lacks a consistent object and a compelling reason. Behind the question of film studies looms the question of cinema itself, an aging techn? that seems to have hung around in the midst of new(er) media that lay claim to the image as their province. Why cinema? Against so many digital incursions, more traditionally minded critics (...)
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  9. A Politics of Non-Being.Gregory Flaxman - 2008 - In Anna Hickey-Moody & Peta Malins (eds.), Deleuzian Encounters: Studies in Contemporary Social Issues. Palgrave-Macmillan.
  10. Gilles Deleuze and the Fabulation of Philosophy: Powers of the False, Volume 1.Gregory Flaxman - 2011 - Univ of Minnesota Press.
    Although much has been written about Deleuze’s engagement with the arts, _Gilles Deleuze and the Fabulation of Philosoph_y concerns the art of his philosophy. Gregory Flaxman suggests that Deleuze’s notorious rejection of representation gives rise to a singular task—to create new concepts and invent new means of philosophical expression. Tracing this task throughout Deleuze’s vast oeuvre, Flaxman argues that Deleuze’s ambition to think and write “otherwise” constitutes the fabulation of philosophy itself. For Flaxman, Deleuze’s philosophy is organized around the notion (...)
     
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  11. Philosophy.Gregory Flaxman - 2011 - In Charles J. Stivale (ed.), Gilles Deleuze: Key Concepts. Mcgill-Queen's University Press.
     
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  12. Ten Propositions on the Brain.Gregg Lambert & Gregory Flaxman - 2005 - Pli: The Warwick Journal of Philosophy 16:114-28.
     
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