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  1.  3
    Vision and Difference: Femininity, Feminism, and Histories of Art.Griselda Pollock - 1988 - Burns & Oates.
    The publication of 'Vision and Difference' marked a milestone in the development of modern art history. Its introduction of a feminist perspective into this largely male-oriented discipline made shockwaves that are still felt forcefully today. Drawing upon feminist cultural theory previously little applied to the visual arts, Griselda Pollock offers concrete historical analyses of key moments in the formation of modern culture to reveal the sexual politics at the heart of modernist art. Crucially, she not only provides a feminist re-reading (...)
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  2. Old Mistresses: Women, Art and Ideology.Rozsika Parker & Griselda Pollock - 1981
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  3. Differencing the Canon Feminist Desire and the Writing of Art's Histories.Griselda Pollock - 1999
  4.  2
    Generations & Geographies in the Visual Arts: Feminist Readings.Griselda Pollock - 1996 - Routledge.
    In Generations and Geographies in the Visual Achallenge of Arts: Feminist Readings the challenge of contemporary feminist theory encounters the provocation of the visual arts made by women in the twentieth century. The major issue is difference: sexual, cultural and social. The book points to the singularity of each artist's creative negotiation of time and historical and political circumstance. Griselda Pollock calls attention to the significance of place, location and cultural diversity, connecting issues of sexuality to those of nationality, imperialism, (...)
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  5.  9
    Thinking the Feminine.Griselda Pollock - 2004 - Theory, Culture and Society 21 (1):5-65.
    Bracha Ettinger is an Israeli-born Paris-based artist, analyst and feminist theorist who has produced over the last decade a major theoretical intervention through a tripartite practice. This article offers an expository introduction and overview of core aspects of her theoretical contribution while relating it to major trends in feminist and general cultural theory of subjectivity, hysteria, memory, trauma and the aesthetic. Organized in several parts, each section addresses the developing vocabulary, terminology and significance of her work. With core concepts are (...)
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  6.  2
    Dealing with Degas: Representations of Women and the Politics of Vision.Richard Kendall & Griselda Pollock - 1992 - Pandora Press.
    Leading scholars offer new readings of Degas1 representations of the family, prostitution, city life and leisure in which looking at women is shown to be a complex and ambiguous process. One major topic of the book is the encounter between feminism and art history. Having put images of women1 on the agenda of cultural analysis, feminist interventions in the theory and analysis of representation have created a diverse and intricate field of interpretation which now supersedes that formulation. These essays challenge (...)
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  7.  15
    Framing Feminism: Art and the Women's Movement, 1970-85.Rozsika Parker & Griselda Pollock - 1987 - Pandora Press.
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  8.  15
    BERGSTEIN, MARY. Mirrors of Memory.(Ithaca & London: Cornell University Press). 2010. Pp. 335.£ 18.95 (Hbk). BOYLAN, MICHAEL and JOHNSON, CHARLES. Philosophy: An Innovative Introduction.(Boulder: Westview Press). 2010. Pp. 344. $50.00 (Pbk). [REVIEW]Anthony Bryant, Griselda Pollock, Patrizia di Bello, Gabriel Koureas, Jason Edwards, Imogen Hart, Lars Ellestrom, Samb Girgus, Joseph Margolis & Peggy Samuels - 2010 - British Journal of Aesthetics 50 (3).
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  9.  2
    Feminism, Femininity and the Hayward Annual Exhibition 1978.Griselda Pollock - 1979 - Feminist Review 2 (1):33-55.
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  10. Griselda Pollock 90.Griselda Pollock - 2007 - In Diarmuid Costello & Jonathan Vickery (eds.), Art: Key Contemporary Thinkers. Berg. pp. 89.
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  11.  8
    Liquid Modernity and Cultural Analysis.Griselda Pollock - 2007 - Theory, Culture and Society 24 (1):111-116.
    This extended introductory article sets the scene for consideration of liquid modernity and Bauman’s recent work in general. His ideas are placed against Pollock’s concept of the ‘trans-disciplinary’. The ramifications of Bauman’s work for cultural analysis are discussed, particularly his ideas about migration, tourism, borders and the impact of global social trends on citizenship and agency. One central theme is deterritorialization - both in terms of academic disciplines and the shift from solid, defined, localized, territorialized, nation-bound modernity to the liquid (...)
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  12. Painting, Feminism, History.Griselda Pollock - 1992 - In Michèle Barrett & Anne Phillips (eds.), Destabilizing Theory: Contemporary Feminist Debates. Stanford University Press. pp. 138--76.
     
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  13. Response to WJT Mitchell.Griselda Pollock - 2008 - In Diarmuid Costello & Dominic Willsdon (eds.), The Life and Death of Images: Ethics and Aesthetics. Cornell University Press. pp. 209--212.
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  14.  30
    Staging Subjectivity: Love and Loneliness in the Scene of Painting with Charlotte Salomon and Edvard Munch.Griselda Pollock - 2017 - Text Matters - a Journal of Literature, Theory and Culture 7 (7):114-144.
    This paper proposes a conversation between Charlotte Salomon and Edvard Munch that is premised on a reading of Charlotte Salomon’s monumental project of 784 paintings forming a single work Leben? oder Theater? as itself a reading of potentialities for painting, as a staging of subjectivity in the work of Edvard Munch, notably in his assembling paintings to form the Frieze of Life. Drawing on both Mieke Bal’s critical concept of “preposterous history” and my own project of “the virtual feminist museum” (...)
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  15. The Aesthetics of Difference.Griselda Pollock - 2002 - In Michael Ann Holly & Keith P. F. Moxey (eds.), Art History, Aesthetics, Visual Studies. Sterling and Francine Clark Art Institute. pp. 147--174.
     
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  16.  12
    Thinking in Dark Times: Assessing the Transdisciplinary Legacies of Zygmunt Bauman.Griselda Pollock & Mark Davis - 2020 - Thesis Eleven 156 (1):3-9.
    In 2018, the Bauman Institute and the Centre for Cultural Analysis, Theory & History, both based at the University of Leeds, initiated a transdisciplinary programme to assess the legacies of Zygmunt Bauman, whose prolific writings we felt to be profoundly relevant to the multiple challenges of the 21st century. In this special issue of Thesis Eleven, we are marking just over three years since the death of Zygmunt Bauman by bringing together some of the contributions to that programme in order (...)
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  17. The Lessons of Janina Bauman: Cultural Memory From the Holocaust.Griselda Pollock - 2011 - Thesis Eleven 107 (1):81-93.
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  18.  29
    Thinking Sociologically: Thinking Aesthetically. Between Convergence and Difference with Some Historical Reflections on Sociology and Art History.Griselda Pollock - 2007 - History of the Human Sciences 20 (2):141-175.
    This article takes as its provocation Marx's intriguing statement about the disjunction between the flowering of Greek art and the underdeveloped stage of social and economic development made as an epilogue to the Introduction to the Grundrisse in order to ask what are the relations between that which has been considered art and what Marx calls `production as such'. In the elaborated conditions of contemporary capitalist societies, we can ask: Is art still being made? To examine this question I juxtapose (...)
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  19. The Visual.Griselda Pollock - 2003 - In Mary Eagleton (ed.), A Concise Companion to Feminist Theory. Blackwell.
     
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