We invite systematic consideration of the metaphors of cycles and circulation as a long-term theme in the history of the life and environmental sciences and medicine. Ubiquitous in ancient religious and philosophical traditions, especially in representing the seasons and the motions of celestial bodies, circles once symbolized perfection. Over the centuries cyclic images in western medicine, natural philosophy, natural history and eventually biology gained independence from cosmology and theology and came to depend less on strictly circular forms. As potent ‘canonical (...) icons’, cycles also interacted with representations of linear and irreversible change, including arrows, arcs, scales, series and trees, as in theories of the Earth and of evolution. In modern times life cycles and reproductive cycles have often been held to characterize life, in some cases especially female life, while human efforts selectively to foster and disrupt these cycles have harnessed their productivity in medicine and agriculture. But strong cyclic metaphors have continued to link physiology and climatology, medicine and economics, and biology and manufacturing, notably through the relations between land, food and population. From the grand nineteenth-century transformations of matter to systems ecology, the circulation of molecules through organic and inorganic compartments has posed the problem of maintaining identity in the face of flux and highlights the seductive ability of cyclic schemes to imply closure where no original state was in fact restored. More concerted attention to cycles and circulation will enrich analyses of the power of metaphors to naturalize understandings of life and their shaping by practical interests and political imaginations. (shrink)

This article examines the philosophical implications underlying Bacon's views on historical knowledge, paying special attention to that variety of historical knowledge described by Bacon as “natural.” More specifically, this article explores the interplay of history and fable. In the sphere of thought, fabula is the equivalent to materia in nature. Both are described by Bacon as being “versatile” and “pliant.” In Bacon's system of knowledge, philosophy, as the domain of reason, starts from historiae and fabulae, once memory and the imagination (...) have fulfilled their cognitive tasks. This means that, for Bacon, there is no such thing as a pure use of reason. He advocates a kind of reason that, precisely because it is involved with matter's inner motions, is constitutively 'impure'. The article shows how the terms historia and fabula cover key semantic areas in defining Bacon's philosophy: historia may mean “history” as well as “story,” fabula “myth” as well “story.” In both cases, we can see significant oscillations from a stronger meaning to a weaker one, as if the power of nature decreases moving from histories and myths to stories. On the other hand, there are cases in which Bacon seems to stick to a diachronic view of the meaning of fables and histories, such that the transition from myths to history, especially natural history, is described as a collective effort towards reality and enlightenment. (shrink)

ArgumentThis article investigates the reasons behind the disappearance of Francis Glisson's theory of irritability during the eighteenth century. At a time when natural investigations were becoming increasingly polarized between mind and matter in the attempt to save both man's consciousness and the inert nature of theres extensa, Glisson's notion of a natural perception embedded in matter did not satisfy the new science's basic injunction not to superimpose perceptions and appetites on nature. Knowledgeofnature could not be based on knowledgewithinnature, i.e., on (...) the very knowledge that nature has of itself; or – to look at the same question from the point of view of the human mind – man's consciousness could not be seen as participating in forms of natural selfhood. Albrecht Haller played a key role in this story. Through his experiments, Haller thought he had conclusively demonstrated that the response given by nature when irritated did not betray any natural perceptivity, any inner life, anysentiment interiéur. In doing so, he provided a less bewildering theory of irritability for the rising communities of experimental physiology. (shrink)

Francis Bacon’s elusive notion of experience can be better understood when we relate it to his views on matter, motion, appetite and intellect, and bring to the fore its broader philosophical implications. Bacon’s theory of knowledge is embedded in a programme of disciplinary redefinition, outlined in the Advancement of Learning and De augmentis scientiarum. Among all disciplines, prima philosophia plays a key foundational role, based on the idea of both a physical parallelism between the human intellect and nature and a (...) theological parallelism between nature and God. Failure to assess Bacon’s distinctive position concerning the way in which the mind mirrors both the natural and the divine world, that is to say, the meaning of “reality,” has resulted in notoriously jejune discussions on Baconian empiricism, monotonously driven by epistemological concerns. As a result, the standard view on Bacon’s empiricism is as epistemologically comforting as it is imaginary, an “idol” in a genuinely Baconian sense. In this article, Bacon’s notion of experience will be discussed by examining those steps that he considered to be the crucial initial stages in the formation of human experience, stages described as a process of experiential literacy or, in emblematic terms, as a hunting expedition led by the mythological figure of Pan. I argue that a well-rounded analysis of Bacon’s experientia literata needs to take into account the complementary notion of the “spelling-book of nature”, that is, the original code of the primordial motions of matter. By getting acquainted with the first rudiments of experience through its spelling-book, one learns to read the book of nature and, most of all, to write new pages in it. (shrink)

_Brill's Companion to Medieval and Early Platonism_ explores the impact exercised by Platonism on philosophy and many other fields of European culture, and the links it established with Christian, Jewish, Byzantine and Arabic traditions of thought during the Middle Ages and the early modern period.

This book offers a comprehensive and unitary study of the philosophy of Francis Bacon, with special emphasis on the medical, ethical and political aspects of his thought. It presents an original interpretation focused on the material conditions of nature and human life. In particular, coverage in the book is organized around the unifying theme of Bacon’s notion of appetite, which is considered in its natural, ethical, medical and political meanings. The book redefines the notions of experience and experiment in Bacon’s (...) philosophy of nature, shows the important presence of Stoic themes in his work as well as provides an original discussion of the relationships between natural magic, prudence and political realism in his philosophy. Bringing together scholarly expertise from the history of philosophy, the history of science and the history of literature, this book presents readers with a rich and diverse contextualization of Bacon’s philosophy. (shrink)

Platonism, Ficino to Foucault explores some key chapters in the history Platonic philosophy from the revival of Plato in the fifteenth century to the new reading of Platonic dialogues promoted by the so-called ‘Critique of Modernity’.

As Jasper Reid argues in his book, there are plenty of reasons for taking More’s philosophy seriously, both as an example of early modern metaphysics and a speculative effort in its own terms. More’s metaphysics was experimental, fictional, and theological at once, for it deliberately and passionately engages with the study of nature, stories of preternatural apparitions and the mysteries of revealed religion. More’s philosophical inquiry feeds on experiments, stories, and visions, and these become an organic part of his metaphysical (...) equipment. This, of course, was a hazardous and edgy undertaking, which no doubt contributed to the bad... (shrink)

In the collection of poems entitled Psychodia Platonica, and in particular in the poem entitled Psychozoia, Henry More laid the groundwork for his life-long inquiry into the nature of the human self. He provided a poetic commentary of Plotinus’s Enneads in which three ontological dimensions – the life of nature, animal perception and the intellect – created an allegorical background against which one could articulate a systematic analysis of the individual human self in its relationships with God and created reality. (...) Psychozoia ended with a conversion, in which the soul of a Platonic pilgrim was released from its condition of ‘autaesthesia’ so that it was finally able to reach a state of ‘anautoaesthesia’. Significantly, More characterized this crucial shift from self-perception to the annihilation of the individual self as a motion towards ‘self-senslessnesse’ and ‘self-deadnesse’. Regardless of its aesthetic merits, More’s poem dramatizes key philosophical notions, while bringing to the fore the prodigious effervescence of his linguistic skills. In this sense, Psychozoia remains an important document to understand the evolution of More’s thought. (shrink)