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  1.  10
    Marx’s Legacy – A Response.György Markus - 2017 - Thesis Eleven 138 (1):132-139.
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  2.  13
    The Path of Culture: From the Refined to the High, From the Popular to Mass Culture.György Markus - 2013 - Critical Horizons 14 (2):127-155.
    From the late seventeenth century on the idea of culture underwent a gradual transformation. Originally this concept referred essentially to the “refined” way of life of the ruling social elite. Popular culture, on the other hand, refers to the usually collective practices of groups of rural and urban workers taking the form of performance. They were not only excluded from refined culture, but it was regarded as completely unsuitable for them, potentially creating dangerous social aspirations. It is with the great (...)
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  3.  43
    The Paradoxical Unity of Culture The Arts and the Sciences.György Markus - 2003 - Thesis Eleven 75 (1):7-24.
    The two main domains of high culture - the arts and the sciences - seem to be completely different, simply unrelated. Is there any sense then in talking about culture in the singular as a unity? A positive answer to this question presupposes that there is a single conceptual scheme, in terms of which it is possible to articulate both the underlying similarities and the basic differences between these domains. This article argues that - at least in respect of ‘classical’ (...)
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  4. On Ideology-Critique— Critically.György Markus - 1995 - Thesis Eleven 43 (1):66-99.
  5.  30
    Why Is There No Hermeneutics of Natural Sciences? Some Preliminary Theses.Gyorgy Markus - 1987 - Science in Context 1 (1):5-51.
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  6. Adorno and Mass Culture: Autonomous Art Against the Culture Industry.György Markus - 2006 - Thesis Eleven 86 (1):67-89.
  7.  22
    Culture, Science, Society: The Constitution of Cultural Modernity.Gyorgy Markus - 2011 - Brill.
    The book addresses the constitution of the high culture of modernity as an uneasy unity of the sciences, including philosophy, and the arts. Their internal dynamism and strain is established through, on the one hand, the relationship of the author - work - recipient, and, on the other, the respective roles of experts and the market.
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  8. Praxis and Poiesis: Beyond the Dichotomy.Gyorgy Markus - 1986 - Thesis Eleven 15 (1):30-47.
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  9. Thesis Eleven: A View From Sydney.Maria Markus & György Markus - 2010 - Thesis Eleven 100 (1):18-20.
  10. Language and Production. A Critique of the Paradigms.György Márkus - 1986 - Boston Studies in the Philosophy of Science 96.
  11.  24
    Hegelian Recognition: A Critique.György Márkus - 2015 - Thesis Eleven 126 (1):100-122.
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  12. Marxism and Theories of Culture.György Markus - 1990 - Thesis Eleven 25 (1):91-106.
  13. Ferenc Feher 1933-1994.György Markus - 1995 - Thesis Eleven 42 (1):vi-vii.
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  14.  51
    Political Philosophy as Phenomenology: On the Method of Hegel's Philosophy of Right.György Markus - 1997 - Thesis Eleven 48 (1):1-19.
    Hegel's Philosophy of Right represents a unique theory type in the history of political philosophy. It is a normative theory that departs in its construction from an empirical facticity without reducing norms to facts. It unifies teleological and deontic considerations. It is a theory of the normatively requisite institutional structures able to realize the demands of a historically particular form of individuality, and simultaneously it presents the phenomenology of modern subjectivity committed to the ultimate value of true freedom. In this (...)
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  15.  35
    Adorno's Wagner.Gyorgy Markus - 1999 - Thesis Eleven 56 (1):25-55.
    Adorno's first musical monograph, his book on Wagner, represents his most consistent effort to apply commodity analysis to one of the seminal oeuvres of cultural modernity. The notion of commodity character and the associated concept of phantasmagoria are to fulfil the function of mediation between the more narrowly conceived technical analysis of Wagner's music and the disclosure of its aesthetic-social substance, providing the ultimate social ground for their unity. This project, however, fails. Commodity analysis proves to be radically vague, incapable (...)
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  16.  53
    On Freedom: Positive and Negative.Gyorgy Markus - 1999 - Constellations 6 (3):273-289.
  17. Culture and Enlightenment Essays for György Markus.John E. Grumley, Paul Crittenden, Pauline Johnson & György Márkus - 2002
     
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  18.  88
    Condorcet: Communication/Science/Democracy.György Márkus - 2007 - Critical Horizons 8 (1):18-32.
    Condorcet's arguments concerning the dependence of unhindered scientific development on the presence of democratic conditions still sounds relevant today, because they are based on specific and complex considerations concerning the character of the social enterprise of science that articulates problems that still continue. The implicit dispute between Condorcet and Rousseau is also the first great historical example of the conflict between the Enlightenment and Romanticism, which accompanies the history of modernity, as an unresolved and indeed irresolvable opposition that belongs to (...)
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  19.  38
    "Ideology" and its Ideologies: Lukács and Goldmann on Kant.György Márkus - 1981 - Philosophy and Social Criticism 8 (2):127-147.
  20.  81
    The Marxian Concept of Consciousness.Gyorgy Markus - 1975 - Philosophy and Social Criticism 3 (1):19-28.
  21.  1
    Le Paradigme Marxien de la Production Et L'Herméneutique.György Markus, Sandra Salomon & Jacques Bidet - 1988 - Actuel Marx 2:119.
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  22.  27
    The Ends of Metaphysics.György Markus - 1995 - Graduate Faculty Philosophy Journal 18 (1):249-270.
    Among the many “post”-isms, through which the thought of the present attempts both to create an orientation in regard to its historical place and possibilities, and simultaneously to express its frustration and anxiety about the lack of such an orientation, there is one—certainly predating all the others—which seems to enjoy, perhaps alone among them, a rather strong consensual acceptance. We live in post-metaphysical times, at the times of, or even after, the end of metaphysics. The relatively broad unanimity with respect (...)
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  23. Die Seele und das Leben: Der “Junge” Lukács und das Problem der Kultur.György Markus - 1973 - Revue Internationale de Philosophie 27 (106):407-438.
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  24. A Society of Culture: The Constitution of Modernity.Gyorgy Markus - 1994 - In Gillian Robinson & John F. Rundell (eds.), Rethinking Imagination: Culture and Creativity. Routledge.
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  25. Diogenes Laertius Contra Gadamer.György Márkus - 1988 - In John Fekete (ed.), Life After Postmodernism: Essays on Value and Culture. Macmillan Education.