Results for 'Hélio Côrtes Vieira Lopes'

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  1.  4
    Appellate Court Modifications Extraction for Portuguese.William Paulo Ducca Fernandes, Luiz José Schirmer Silva, Isabella Zalcberg Frajhof, Guilherme da Franca Couto Fernandes de Almeida, Carlos Nelson Konder, Rafael Barbosa Nasser, Gustavo Robichez de Carvalho, Simone Diniz Junqueira Barbosa & Hélio Côrtes Vieira Lopes - forthcoming - Artificial Intelligence and Law:1-34.
    Appellate Court Modifications Extraction consists of, given an Appellate Court decision, identifying the proposed modifications by the upper Court of the lower Court judge’s decision. In this work, we propose a system to extract Appellate Court Modifications for Portuguese. Information extraction for legal texts has been previously addressed using different techniques and for several languages. Our proposal differs from previous work in two ways: our corpus is composed of Brazilian Appellate Court decisions, in which we look for a set of (...)
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  2.  11
    Contra o Fanatismo: Algumas Idéias Do Padre Vieira.Marcos Antonio Lopes - 2007 - Dialogos 11 (3).
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  3.  2
    Pessimismo Como Postura: O Elemento Afetivo da Tese Do "Pior Dos Mundos Possíveis".Marcelo Vieira Lopes - 2019 - Voluntas: Revista Internacional de Filosofia 10 (2):82.
    O objetivo geral deste trabalho é abordar a tese pessimista encontrada na filosofia de Arthur Schopenhauer a partir da noção de postura. Nesta abordagem exponho os traços característicos de sua metafísica da Vontade e a implicação para a avaliação deste mundo como o “pior dos mundos possíveis”. Em seguida pretendo abordar a ligação entre filosofia e temperamento, a partir de alguns vieses identificados em alterações afetivas, bem como avaliar como ocorre essa ligação na filosofia pessimista de Schopenhauer. Após essa análise (...)
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  4.  3
    Fenomenologia da Enfermidade.Marcelo Vieira Lopes - 2019 - Filosofia Unisinos 20 (1).
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  5.  20
    Observações sobre o tema da atemporalidade em Freud, Kant e Bergson.Hélio Lopes - 2007 - Discurso 36:327-356.
    This paper shows that the Freudian “timelessness” of psychical process is not to be understood as a bare consequence of his distinction between conscious and unconscious psychical process. It shows that Freud have a positive and phenomenological characterization of that timelessness, obtained and affirmed beyond and against that distinction, and that the challenge that Freud, with this timelessness, throws to a “Kantian” philosophy is not completely senseless, but can be well worked-out in a somewhat Bergsonian lines.
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  6. Algo Donoso Pero No Cortés. Una Lectura Diferencial Del Bifronte Marqués de Valdegamas a Tenor de la Modernidad de Vico.Juan Donoso Cortés - 1997 - Cuadernos Sobre Vico 7:281.
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  7. Sergio Pérez Cortés, El pensamiento libre y la razón en la Fenomenología del espíritu de Hegel.Sergio Pérez Cortés - 2008 - Revista de Filosofía (México) 40 (121):125-152.
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  8.  11
    [Recensão a] Mário Vieira de Carvalho, Lopes‑Graça e a Modernidade Musical.Margarida Teixeira Neves - 2019 - Revista Filosófica de Coimbra 28 (55):267-275.
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  9.  19
    Go Social! Replies to Abell and Atencia-Linares.Catharine Abell, Paloma Atencia-Linares, Dominic McIver Lopes & Diarmuid Costello - 2018 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 11 (2):207-234.
    Dominic McIver Lopes’ Four Arts of Photography and Diarmuid Costello’s On Photography: A Philosophical Inquiry examine the state of the art in analytic philosophy of photography and present a new approach to the study of the medium. As opposed to the orthodox and prevalent view, which emphasizes its epistemic capacities, the new theory reconsiders the nature of photography, and redirects focus towards the aesthetic potential of the medium. This symposium comprises two papers that critically examine central questions addressed in (...)
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  10.  23
    The Routledge Companion to Philosophy and Music. [REVIEW]António Lopes - 2015 - Disputatio 7 (40):100-112.
    Lopes_The Routledge companion to Philosophy and Music, by Kania and Gracyk.
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  11.  94
    Understanding Pictures.Dominic Lopes - 1996 - Oxford University Press.
    There is not one but many ways to picture the world--Australian "x-ray" pictures, cubish collages, Amerindian split-style figures, and pictures in two-point perspective each draw attention to different features of what they represent. Understanding Pictures argues that this diversity is the central fact with which a theory of figurative pictures must reckon. Lopes advances the theory that identifying pictures' subjects is akin to recognizing objects whose appearances have changed over time. He develops a schema for categorizing the different ways (...)
  12.  65
    Sight and Sensibility: Evaluating Pictures.Dominic McIver Lopes - 2005 - Clarendon Press.
    Images have power - for good or ill. They may challenge us to see things anew and, in widening our experience, profoundly change who we are. The change can be ugly, as with propaganda, or enriching, as with many works of art. Sight and Sensibility explores the impact of images on what we know, how we see, and the moral assessments we make. Dominic Lopes shows how these are part of, not separate from, the aesthetic appeal of images. His (...)
  13.  30
    Beyond Art.Dominic McIver Lopes - 2014 - Oxford University Press.
    This book offers a bold new approach to the philosophy of art. General theories of art don't work: they can't deal with problem cases. Instead of trying to define art, we should accept that a work of art is nothing but a work in one of the arts. Lopes's buck passing theory works well for the avant garde, illuminating its radical provocations.
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  14. Being for Beauty: Aesthetic Agency and Value.Dominic McIver Lopes - 2018 - Oxford University Press.
    For centuries, philosophers have identified beauty with what brings pleasure. Dominic McIver Lopes challenges this interpretation by offering an entirely new theory of beauty - that beauty engages us in action, in concert with others, in the context of social networks - and sheds light on why aesthetic engagement is crucial for quality of life.
     
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  15.  56
    A Philosophy of Computer Art.Dominic Lopes - 2009 - Routledge.
    What is computer art? Do the concepts we usually employ to talk about art, such as ‘meaning’, ‘form’ or ‘expression’ apply to computer art? _A Philosophy of Computer Art_ is the first book to explore these questions. Dominic Lopes argues that computer art challenges some of the basic tenets of traditional ways of thinking about and making art and that to understand computer art we need to place particular emphasis on terms such as ‘interactivity’ and ‘user’. Drawing on a (...)
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  16.  20
    A infecção da alma: um estudo do combate à imoralidade no jornal O Diário no período do Estado Novo.Albert Drummond Lopes - 2015 - Horizonte 13 (37):619-620.
    Dissertação: LOPES, Albert Drummond. A infecção da alma: um estudo do combate à imoralidade no jornal O Diário no período do Estado Novo. 2014. Dissertação , Programa de Pós-graduação em Ciências da Religião, Pontifícia Universidade Católica de Minas Gerais, Belo Horizonte.
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  17.  8
    Aesthetics on the Edge: Where Philosophy Meets the Human Sciences.Dominic McIver Lopes - 2018 - Oxford University Press.
    This book proposes a new methodology for aesthetics, where problems in philosophy are addressed by examining how aesthetic phenomena are understood in the human sciences. Lopes then puts the methodology to work, illuminating the perceptual and social-pragmatic capacities involved in responding to works of visual art, literature, and music.
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  18. Pictures: Their Power in Practice.Dominic McIver Lopes - 2018 - In Jérôme Pelletier & Alberto Voltolini (eds.), The Pleasure of Pictures: Pictorial Experience and Aesthetic Appreciation. London: Routledge. pp. 36-51.
    What are pictures good for? “Nothing” recurs as the apparently irrepress- ible reply of a motley collection iconophobes from Plato to the mediaeval iconoclasts, to parents concerned about comic books, to postmoderns in a lather over “scopic regimes”. In the aftermath of Nelson Goodman’s Languages of Art (1976), philosophers doubled down on theories of depiction and pictorial experience, but they have not rushed to work on the value of pictures. Those few who have written about pictorial value have taken for (...)
     
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  19. A disciplina química: currículo, epistemologia e história.Alice Ribeiro Casimiro Lopes - 1998 - Episteme 3 (5):119-142.
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  20.  44
    Précis of Being for Beauty: Aesthetic Agency and Value.Dominic McIver Lopes - forthcoming - Philosophy and Phenomenological Research.
    One question that leads us into aesthetics is: why does beauty matter? Or, what do aesthetic goods bring to my life, to make it a life that goes well? Or, how does beauty deserve the place we have evidently made for it in our lives? A theory of aesthetic value states what beauty is so as to equip us to answer this question. According to aesthetic hedonism, aesthetic values are properties of items that stand in constitutive relation to pleasure. Contemporary (...)
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  21. Perpetuating the Patriarchy: Misogyny and (Post-)Feminist Backlash.Filipa Melo Lopes - 2019 - Philosophical Studies 176 (9):2517-2538.
    How are patriarchal regimes perpetuated and reproduced? Kate Manne’s recent work on misogyny aims to provide an answer to this central question. According to her, misogyny is a property of social environments where women perceived as violating patriarchal norms are ‘kept down’ through hostile reactions coming from men, other women and social structures. In this paper, I argue that Manne’s approach is problematically incomplete. I do so by examining a recent puzzling social phenomenon which I call (post-)feminist backlash: the rise (...)
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  22.  50
    Spontaneity and Materiality: What Photography Is in the Photography of James Welling.Dominic McIver Lopes & Diarmuid Costello - 2019 - Art History 42 (1):154-76.
    Images are double agents. They receive information from the world, while also projecting visual imagination onto the world. As a result, mind and world tug our thinking about images, or particular kinds of images, in contrary directions. On one common division, world traces itself mechanically in photographs, whereas mind expresses itself through painting.1 Scholars of photography disavow such crude distinctions: much recent writing attends in detail to the materials and processes of photography, the agency of photographic artists, and the social (...)
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  23.  4
    .Rogério Lopes - 2013 - Kriterion: Journal of Philosophy 54 (128):281-285.
  24.  86
    Information-Seeking, Curiosity, and Attention: Computational and Neural Mechanisms.Jacqueline Gottlieb, Pierre-Yves Oudeyer, Manuel Lopes & Adrien Baranes - 2013 - Trends in Cognitive Sciences 17 (11):585-593.
  25. What Is It Like to See with Your Ears? The Representational Theory of Mind.Dominic M. McIver Lopes - 2000 - Philosophy and Phenomenological Research 60 (2):439-453.
    Representational theories of mind cannot individuate the sense modalities in a principled manner. According to representationalism, the phenomenal character of experiences is determined by their contents. The usual objection is that inverted qualia are possible, so the phenomenal character of experiences may vary independently of their contents. But the objection is inconclusive. It raises difficult questions about the metaphysics of secondary qualities and it is difficult to see whether or not inverted qualia are possible. This paper proposes an alternative test (...)
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  26.  3
    Transcranial Direct Current Stimulation and Sports Performance.Dylan J. Edwards, Mar Cortes, Susan Wortman-Jutt, David Putrino, Marom Bikson, Gary Thickbroom & Alvaro Pascual-Leone - 2017 - Frontiers in Human Neuroscience 11.
  27. Understanding Pictures.Dominic Lopes - 1999 - Philosophical Quarterly 49 (196):398-400.
  28. Nobody Needs a Theory of Art.Dominic McIver Lopes - 2008 - Journal of Philosophy 105 (3):109-127.
    The question "what is art?" is often said to be venerable and vexing. In fact, the following answer to the question should be obvious: (R) item x is a work of art if and only if x is a work in practice P and P is one of the arts. Yet (R) has appeared so far from obvious that nobody has given it a moment's thought. The trouble is not that anyone might seriously deny the truth of (R), but rather (...)
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  29. The Myth of (Non-Aesthetic) Artistic Value.Dominic McIver Lopes - 2011 - Philosophical Quarterly 61 (244):518-536.
    Art works realize many values. According to tradition, not all of these values are characteristic of art: art works characteristically bear aesthetic value. Breaking with tradition, some now say that art works bear artistic value, as distinct from aesthetic value. I argue that there is no characteristic artistic value distinct from aesthetic value. The argument for this thesis suggests a new way to think about aesthetic value as it is characteristically realized by works of art.
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  30.  8
    Understanding Pictures.Dominic Lopes - 1999 - Journal of Aesthetics and Art Criticism 57 (3):385-388.
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  31. The Aesthetics of Photographic Transparency.Dominic McIver Lopes - 2003 - Mind 112 (447):434--48.
    When we look at photographs we literally see the objects that they are of. But seeing photographs as photographs engages aesthetic interests that are not engaged by seeing the objects that they are of. These claims appear incompatible. Sceptics about photography as an art form have endorsed the first claim in order to show that there is no photographic aesthetic. Proponents of photography as an art form have insisted that seeing things in photographs is quite unlike seeing things face-to-face. This (...)
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  32.  14
    Feeling for Freedom: K. C. Bhattacharyya on Rasa.Dominic McIver Lopes - forthcoming - British Journal of Aesthetics:ayz022.
    Aesthetic hedonists agree that an aesthetic value is a property of an item that stands in some constitutive relation to pleasure. Surprisingly, however, aesthetic hedonists need not reduce aesthetic normativity to hedonic normativity. They might demarcate aesthetic value as a species of hedonic value, but deny that the reason we have to appreciate an item is simply that it pleases. Such is the approach taken by an important strand of South Asian rasa theory that is represented with great clarity and (...)
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  33. Musical Works and Performance Evaluation.António Lopes - 2005 - Postgraduate Journal of Aesthetics 2 (2):76-86.
    This paper addresses the following problem: to what extent do ontological considerations about musical works affect our evaluation of performances of those works? I argue for the claim that at least some important grounds on which performances are evaluated are specific to them, in that these grounds are either independent from, or related but not fully determined by, the properties of the works they are of. In the first part of the paper, I explore the relations between good-making features of (...)
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  34.  17
    Emotional Intelligence in Organizations: Bridging Research and Practice.Paulo N. Lopes - 2016 - Emotion Review 8 (4):316-321.
  35.  96
    Virtues of Art: Good Taste.Dominic McIver Lopes - 2008 - Aristotelian Society Supplementary Volume 82 (1):197-211.
    If good taste is a virtue, then an account of good taste might be modelled on existing accounts of moral or epistemic virtue. One good reason to develop such an account is that it helps solve otherwise intractable problems in aesthetics. This paper proposes an alternative to neo-Aristotelian models of good taste. It then contrasts the neo-Aristotelian models with the proposed model, assessing them for their potential to contend with otherwise intractable problems in aesthetics.
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  36. Hearing and Seeing Musical Expression.Vincent Bergeron & Dominic McIver Lopes - 2009 - Philosophy and Phenomenological Research 78 (1):1-16.
    Everybody assumes (1) that musical performances are sonic events and (2) that their expressive properties are sonic properties. This paper discusses recent findings in the psychology of music perception that show that visual information combines with auditory information in the perception of musical expression. The findings show at the very least that arguments are needed for (1) and (2). If music expresses what we think it does, then its expressive properties may be visual as well as sonic; and if its (...)
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  37. Sight and Sensibility. Evaluating Pictures.Dominic M. Mciver Lopes - 2006 - Tijdschrift Voor Filosofie 68 (2):434-434.
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  38. Understanding Pictures.Domenic Lopes - 2000 - Mind 109 (433):158-162.
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  39.  30
    A Philosophy of Mass Art. [REVIEW]Dominic M. McIver Lopes & Noel Carroll - 2000 - Philosophical Review 109 (4):614.
    The chief sources of aesthetic experience for most people around the world are now the mass broadcasting and recording technologies. Yet analytic aesthetics has had little to say about mass art. Recent accounts of art and the aesthetic, while accommodating the consensus concerning central cases, are largely propelled by problem cases drawn from the avant-garde, and one wonders what the effect will be of adding works of mass art to the equation. One also wonders whether making room for mass art (...)
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  40.  7
    Neo-Picturesque.Dominic McIver Lopes & Susan Herrington - 2019 - In Jeanette Bicknell, Carolyn Korsmeyer & Jennifer Judkins (eds.), Philosophical Perspectives on Ruins, Monuments, and Memorials. London, UK: pp. 133-146.
    Neo-picturesque landscapes are former industrial sites redeveloped as parks in a way that preserves, maintains, and shapes memory of the materials, mechanics, and scale of the industrial age. This paper presents case studies of Duisburg Nord, the High Line, and Evergreen Brick Works. It distinguishes neo-picturesque ruins from archaeological ruins on the one hand and mere redevelopment projects on the other hand; traces a continuity between the eighteenth-century picturesque and the neo-picturesque; pinpoints the distinctive form of memory that the neo-picturesque (...)
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  41.  20
    Normative Theories of Rationality: Occam's Razor, Procrustes' Bed?Lola L. Lopes - 1983 - Behavioral and Brain Sciences 6 (2):255-256.
  42.  8
    An Argument for the New Theory of Photography: Reply to Costello.Dominic Mciver Lopes - 2019 - Journal of Aesthetics and Art Criticism 77 (3):311-313.
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  43.  53
    Aesthetic Experts, Guides to Value.Dominic Mciver Lopes - 2015 - Journal of Aesthetics and Art Criticism 73 (3):235-246.
    A theory of aesthetic value should explain the performance of aesthetic experts, for aesthetic experts are agents who track aesthetic value. Aesthetic empiricism, the theory that an item's aesthetic value is its power to yield aesthetic pleasure, suggests that aesthetic experts are best at locating aesthetic pleasure, especially given aesthetic internalism, the view that aesthetic reasons always have motivating force. Problems with empiricism and internalism open the door to an alternative. Aesthetic experts perform a range of actions not aimed at (...)
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  44.  12
    Model-Based Decision and Inference in Stud Poker.Lola L. Lopes - 1976 - Journal of Experimental Psychology: General 105 (3):217-239.
  45. Genre.Brian Laetz & Dominic McIver Lopes - 2008 - In Paisley Livingston & Carl Plantinga (eds.), The Routledge Companion to Philosophy and Film. Routledge. pp. 152-161.
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  46.  15
    Corrigendum: Marital Satisfaction, Sex, Age, Marriage Duration, Religion, Number of Children, Economic Status, Education, and Collectivistic Values: Data From 33 Countries.Piotr Sorokowski, Ashley K. Randall, Agata Groyecka, Tomasz Frackowiak, Katarzyna Cantarero, Peter Hilpert, Khodabakhsh Ahmadi, Ahmad M. Alghraibeh, Richmond Aryeetey, Anna Bertoni, Karim Bettache, Marta Błazejewska, Guy Bodenmann, Tiago S. Bortolini, Carla Bosc, Marina Butovskaya, Felipe N. Castro, Hakan Cetinkaya, Diana Cunha, Daniel David, Oana A. David, Fahd A. Dileym, Alejandra C. Domínguez Espinosa, Silvia Donato, Daria Dronova, Seda Dural, Maryanne Fisher, Aslihan Hamamcıoğlu Akkaya, Takeshi Hamamura, Karolina Hansen, Wallisen T. Hattori, Ivana Hromatko, Evrim Gülbetekin, Raffaella Iafrate, Bawo James, Feng Jiang, Charles O. Kimamo, Firat Koç, Anna Krasnodębska, Amos Laar, Fívia A. Lopes, Rocio Martinez, Norbert Meskó, Natalya Molodovskaya, Khadijeh Moradi Qezeli, Zahrasadat Motahari, Jean C. Natividade, Joseph Ntayi, Oluyinka Ojedokun, Mohd S. B. Omar-Fauzee, Ike E. Onyishi, Barış Özener, Anna Paluszak, Alda Portugal, Anu Realo, Ana P. Relvas, Muhammad Rizwan & Agn Sabiniewicz - 2017 - Frontiers in Psychology 8.
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  47. Ontologia da Arte.António Lopes - 2013 - Compêndio Em Linha de Problemas de Filosofia Analítica.
    Este artigo aborda as principais teorias sobre a natureza metafísica das obras de arte, cobrindo as propostas eliminativistas, monistas e pluralistas. Entre estas últimas, é dado destaque ao trabalho sobre a ontologia das artes performativas, e em particular, da música. Termina-se com uma referência à recente viragem da discussão para o campo da meta-ontologia e a polémica sobre a plausibilidade do revisionismo ontológico no caso de artefactos ou objectos sociais.
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  48.  39
    The Latent Structure of Dictionaries.Philippe Vincent‐Lamarre, Alexandre Blondin Massé, Marcos Lopes, Mélanie Lord, Odile Marcotte & Stevan Harnad - 2016 - Topics in Cognitive Science 8 (3):625-659.
    How many words—and which ones—are sufficient to define all other words? When dictionaries are analyzed as directed graphs with links from defining words to defined words, they reveal a latent structure. Recursively removing all words that are reachable by definition but that do not define any further words reduces the dictionary to a Kernel of about 10% of its size. This is still not the smallest number of words that can define all the rest. About 75% of the Kernel turns (...)
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  49.  9
    Does Work-Family Conflict Mediate the Associations of Job Characteristics With Employees’ Mental Health Among Men and Women?Vânia S. Carvalho, Maria J. Chambel, Mariana Neto & Silvia Lopes - 2018 - Frontiers in Psychology 9.
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  50. Imagination, Philosophy, and the Arts.Matthew Kieran & Dominic McIver Lopes (eds.) - 2003 - Routledge.
    _Imagination, Philosophy and the Arts_ is the first comprehensive collection of papers by philosophers examining the nature of imagination and its role in understanding and making art. Imagination is a central concept in aesthetics with close ties to issues in the philosophy of mind and the philosophy of language, yet it has not received the kind of sustained, critical attention it deserves. This collection of seventeen brand new essays critically examines just how and in what form the notion of imagination (...)
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