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Helene Cixous [37]Hélène Cixous [3]H. Cixous [2]Hfilfene Cixous [1]
H.?L.?ne Cixous [1]
  1.  31
    Three Steps on the Ladder of Writing.Hélène Cixous & Susan Sellers (eds.) - 1993 - Columbia University Press.
    _Three Steps on the Ladder of Writing_ is a poetic, insightful, and ultimately moving exploration of 'the strange science of writing.' In a magnetic, irresistible narrative, Cixous reflects on the writing process and explores three distinct areas essential for 'great' writing: _The School of the Dead_--the notion that something or someone must die in order for good writing to be born; _The School of Dreams_--the crucial role dreams play in literary inspiration and output; and _The School of Roots_--the importance of (...)
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  2.  27
    Portrait of Jacques Derrida as a Young Jewish Saint.Hélène Cixous - 2004 - Columbia University Press.
    Who can say "I am Jewish?" What does "Jew" mean? What especially does it mean for Jacques Derrida, founder of deconstruction, scoffer at boundaries and fixed identities, explorer of the indeterminate and undecidable? In _Portrait of Jacques Derrida as a Young Jewish Saint_, French feminist philosopher Hélène Cixous follows the intertwined threads of Jewishness and non-Jewishness that play through the life and works of one of the greatest living philosophers. Cixous is a lifelong friend of Derrida. They both grew up (...)
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  3.  8
    Insister of Jacques Derrida.Helene Cixous - 2007 - Stanford University Press.
    In Insister, Hlne Cixous brings a unique mixture of theoretical speculation, breath-taking textual explication and scholarly erudition to an extremely close reading of Derrida's work, always attentive to the details of his thinking. At the same time, Insister is an extraordinarily poetic meditation, a work of literature and of mourning for Jacques Derrida the person, who was a close friend and accomplice of Cixous's from the beginning of their careers.
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  4.  9
    Hyperdream.Hélène Cixous - 2009 - Polity.
    _Hyperdream_ is a major new novel by celebrated French author Hélène Cixous. It is a literary tour de force, returning anew to challenge necessity itself, the most implacable of human certainties: you die in the end – and that’s the end. For you, for me. But what if? What if death did not inevitably spell the end of life? _Hyperdream_ invests this fragile, tentative suspension of disbelief with the sheer force of its poetic audacity, inventing a sort of magic telephone: (...)
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  5.  12
    Veils.Hélène Cixous, Jacques Derrida & Geoffrey Bennington - 2001 - Stanford University Press.
    This book combines loosely "autobiographical" texts by two of the most influential French intellectuals of our time. "Savoir," by Hélène Cixous is an account of her experience of recovered sight after a lifetime of severe myopia; Jacques Derrida's "A Silkworm of One's Own" muses on a host of motifs, including his varied responses to "Savoir.".
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  6. Jacques Derrida : Co-responding voix you.Hélène Cixous - 2009 - In Pheng Cheah & Suzanne Guerlac (eds.), Derrida and the time of the political. Durham: Duke University Press.
     
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  7.  25
    (1 other version)Stigmata: Job the Dog.Hélène Cixous - 1997 - Philosophy Today 41 (1):12-17.
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  8.  36
    (1 other version)Jacques Derrida as a Proteus Unbound.Hélène Cixous - 2007 - Critical Inquiry 33 (2):389.
  9.  28
    French Feminism Reader.Simone de Beauvoir, Michele Le Doeuff, Christine Delphy, Colette Guillaumin, Monique Wittig, Julia Kristeva, Luce Irigaray & Helene Cixous (eds.) - 2000 - Rowman & Littlefield Publishers.
    French Feminism Reader is a collection of essays representing the authors and issues from French theory most influential in the American context. The book is designed for use in courses, and it includes illuminating introductions to the work of each author. These introductions include biographical information, influences and intellectual context, major themes in the author's work as a whole, and specific introductions to the selections in this volume. This collection includes selections by Simone de Beauvoir, Christine Delphy, Colette Guilluamin, Monique (...)
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  10.  33
    A Kind of Magic.Hélène Cixous - 2013 - Paragraph 36 (2):161-188.
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  11.  25
    Décendre 1981.Hélène Cixous - 2014 - Rue Descartes 82 (3):162-168.
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  12.  17
    Dream I Tell You.Hélène Cixous - 2006 - Columbia University Press.
    "I used to feel guilty at night. I live in, I always used to live in two countries, the diurnal one and the continuous very tempestuous nocturnal one.... What a delight to head off with high hopes to night's court, without any knowledge of what may happen! Where shall I be taken tonight! Into which country? Into which country of countries?"--Hélène Cixous, from _Dream I Tell You_ For years, Hélène Cixous has been writing down fragments of her dreams immediately after (...)
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  13.  6
    Eve Escapes.Hélène Cixous - 2012 - Polity.
    "I get up every day with one day more," says Eve, the writer's 97-year-old mother. She is escaping into the New Life and the writer must race to catch up. As things slip away and fall into oblivion, as her mother's world and thus her own relentlessly shrinks, the writer is stunned to see for the first time the vestiges of a prison scene in her beloved Tower of Montaigne, which she has been visiting for fifty years. It represents the (...)
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  14. (1 other version)Freincipe de plaisir; ou paradoxe perdu'.Hélène Cixous - 1983 - Temps de la Réflexion 4:427-33.
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  15.  11
    From My Menagerie to Philosophy.Hfilfene Cixous - 2000 - In Dorothea Olkowski (ed.), Resistance, flight, creation: feminist enactments of French philosophy. Ithaca, N.Y.: Cornell University Press. pp. 40.
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  16.  7
    Hemlock.Hélène Cixous - 2011 - Polity.
    A compelling work of autobiographical fiction, Hélène Cixous's Hemlock weaves tragedy and comedy, narrative and meditation in its exploration of various human attachments: between an elderly but still truculent mother and her writer-daughter, between the mother and her sister, and between the writer and her vanished but nonetheless intensely present friend, Jacques Derrida, whose death is movingly evoked. "I have in mind two lovely faces, old women in bloom," writes the author with a backwards nod to Proust's ‘jeunes filles.' "Here," (...)
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  17.  41
    Le Bouc lié.Hélène Cixous - 2005 - Rue Descartes 48 (2):15-26.
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  18.  52
    L'Enregistrement de maman.Hélène Cixous - 2001 - Rue Descartes 2 (2):11-21.
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  19.  10
    Love Itself: In the Letter Box.H.?L.?ne Cixous - 2008 - Polity.
    Love's memories, love recalling itself in letters lost and found over an interval of forty years: Cixous's writer-narrator advances here far into a labyrinth of passions long ago delivered and yet still arriving through the mail, through letters and literature, in other words, the poetry of the post. As for the lovers' returning scenes, they have their addresses in Paris and in New York, but also in a lost oasis of the Egyptian desert during the Napoleonic wars, in Athens and (...)
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  20.  20
    La Jeune Nee: An Excerpt.Helene Cixous & Meg Bortin - 1977 - Diacritics 7 (2):64.
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  21.  26
    Lettre élue.Hélène Cixous - 1995 - Horizons Philosophiques 6 (1):49.
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  22.  40
    La voix étrangère, la plus profonde, la plus antique.Hélène Cixous - 2002 - Rue Descartes 37 (3):111-119.
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  23.  23
    Portrait of Dora.Helene Cixous & Sarah Burd - 1983 - Diacritics 13 (1):2.
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  24.  6
    Tombe.Hélène Cixous - 2014 - Seagull Books.
    "Instead of suicide, [Hélène Cixous] began to dream of writing a tomb for herself. This tomb became a work that is a testament to Cixous's life and spirit and a secret book, the first book she ever authored"--Jacket.
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  25. The last painting or the portrait of God.Hélène Cixous - 2000 - In Clive Cazeaux (ed.), The Continental Aesthetics Reader. New York: Routledge.
     
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  26. This stranjew body.Hélène Cixous - 2007 - In Bettina Bergo, Joseph D. Cohen & Raphael Zagury-Orly (eds.), Judeities: questions for Jacques Derrida. New York: Fordham University Press.
     
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  27.  42
    We Who Are Free, Are We Free?Hélène Cixous & Chris Miller - 1993 - Critical Inquiry 19 (2):201-219.
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  28.  55
    Interview with Helene Cixous.Christiane Makward & Helene Cixous - 1976 - Substance 5 (13):19.
  29.  42
    À propos de l’affaire des « femmes de réconfort » de l’armée japonaise. La cinéaste Byun Young-Joo s’entretient avec Hélène Cixous.Byun Young-joo & Hélène Cixous - 2003 - Clio 17:187-202.
    Byun Young-joo, jeune réalisatrice coréenne, filme avec beaucoup de pudeur, de tact et même de tendresse le visage des vieilles dames, anciennes victimes de l’esclavage sexuel de l’armée japonaise. La réalisatrice s’est rendue pendant un an à la « Maison de Nanum » à Séoul, où certaines survivantes vivent ensemble, jusqu’à ce que six d’entre elles acceptent d’être filmées. Le film montre le quotidien sobre et discret de ces femmes recelant le passé douloureux et leur évolution, devant la caméra. Hélène (...)
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  30.  67
    Shakespeare ghosting Derrida.Hélène Cixous - 2012 - Oxford Literary Review 34 (1):1-24.
    This ‘fabulous’ essay sketches a hauntological bond of debts between Shakespeare and Derrida as a complex intertextual scene of translation across languages and literatures (but also philosophy and psychoanalysis), times and cultures. Starting from Derrida's essay ‘What is a “Relevant” Translation?’, Cixous explores via numerous voices, cloaks and masks (Celan, Joyce, Genet, Blanchot, Marx, Freud, Poe, Socrates but also Cixous's own father Georges, etc.) the spectral ‘visor effect’ of texts and languages concealing one another, or burrowing secretly underground like moles, (...)
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  31.  61
    Allegri, F., Le radici storiche dell'etica analitica. Richard Price e il fondamento della virtù, Milano, Angeli, 2004. Armogathe, J.-R., L'anticristo nell'età moderna. Esegesi e politica, Fi-renze, Le Monnier, 2004. [REVIEW]F. Aronadio, P. Burrin, Bollati Boringhieri Torino, G. Canziani, F. Casini, B. Centi, G. Gigliotti, F. Chiereghin, G. Chimirri & H. Cixous - 2005 - Rivista di Filosofia 96 (3).
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