There are few books in any language which attempt to survey the whole range of Lukács' work. English readers may, therefore, consider themselves fortunate to have available the present volume and, doubly fortunate, to have forthcoming in late 1970 or early 1971 yet another book by one of the present contributors, István Mészáros, titled the Life and Work of Georg Lukács. The work under review is based on a series of lectures in 1968 at the Graduate School of Contemporary European (...) Studies at the University of Reading. The Introduction by Parkinson is largely expository and concentrates on Lukacs' celebrated Geschichte und Klassenbewusstsein. The individual essays which follow are critical examinations of Lukács' views in the fields of philosophy, sociology, and literary criticism. The essays are generally of a high caliber and the differences which the authors express in relation to various aspects of Lukács are themselves testimony to the complexity and depth of his thought. The most comprehensive, and, in many ways, the most interesting approach to Lukács is in the lead-off essay by Mészáros which, in the context of dealing with his concept of the dialectic, seeks to disclose the basic structure of Lukács' thought and to establish its continuity from the young Lukács to the mature Lukács. Mészáros finds from the very beginning not only a revolutionary turn in Lukács' structure of thought, but along with it--or within it--or perhaps even conditioning it--a complex and far-ranging "ought". The "ought-ridden" character of Lukács' thought, Mészáros claims, is both the source of some of his great intellectual achievements and of some of his great failures, particularly when he substitutes ideology and moral postulates for mediated, concrete reality. Those interested in the development of the concept of the dialectic from Hegel to Marx and from Marx to the present will find Mészáros' discussion of Lukács' categories of "totality" and "mediation" informative and thought-provoking. H. A. Hodges examines Lukács' critique of philosophical irrationalism and singles out for special study his comments on the degree to which Dilthey and Mannheim contributed toward this trend. Parkinson, in addition to writing the introduction, has an essay on the nature of Besonderheit, the central category of Lukács' aesthetics. He translates Besonderheit as "speciality" or "the special." Roy Pascal digs into Lukács' concept of totality as developed in the Ästhetik and as applied in his critique of Walter Scott and of Kafka. In addition, there is an essay by David Craig on how, in Lukács' view, history molds literature, and another essay by Stanley Mitchell on Lukács' concept of the "beautiful." All in all, while the book does not represent a definitive or inclusive introduction to the work of Lukács, it does constitute an important landmark in presenting many important dimensions of his thought, as well as some highly critical appraisals of its validity and importance.--H. B. (shrink)
ABSTRACTAnxiety and depression diagnoses are associated with suicidal thoughts and behaviours. However, a categorical understanding of these associations limits insight into identifying dimensional mechanisms of suicide risk. This study investigated anxious and depressive features through a lens of suicide risk, independent of diagnosis. Latent class analysis of 97 depression, anxiety, and suicidality-related items among 616 psychiatric outpatients indicated a 3-class solution, specifically: a higher suicide-risk class uniquely differentiated from both other classes by high reported levels of depression and anxious arousal; (...) a lower suicide-risk class that reported levels of anxiety sensitivity and generalised worry comparable to Class 1, but lower levels of depression and anxious arousal; and a low to non-suicidal class that reported relatively low levels across all depression and anxiety measures. Discriminants of the higher suicide-risk class included borderline personality disorder; report... (shrink)
Pt. I. Writings on the theory of logic: I. Pure logic or the logic of quality apart from quantity. II. The substitution of similars. III. On the mechanical performance of logical inference. IV. On a general system of numerically definite reasoning.--Pt. II. John Stuart Mill's philosophy tested: I. On geometrical reasoning. II. On resemblance. III. The experimental methods. IV. Utilitarianism. V. On the method of difference.
Complex systems can be characterized by classes of equivalency of their elements defined according to system specific rules. We propose a generalized preferential attachment model to describe the class size distribution. The model postulates preferential growth of the existing classes and the steady influx of new classes. According to the model, the distribution changes from a pure exponential form for zero influx of new classes to a power law with an exponential cut-off form when the influx of new classes is (...) substantial. Predictions of the model are tested through the analysis of a unique industrial database, which covers both elementary units (products) and classes (markets, firms) in a given industry (pharmaceuticals), covering the entire size distribution. The model's predictions are in good agreement with the data. The paper sheds light on the emergence of the exponent tau approximately 2 observed as a universal feature of many biological, social and economic problems. (shrink)
Aquesta publicació recull els textos de les ponències de "L'encontre Fora d'equi libri", organitzat pel Departament de Cultura i Mitjans de Comunicació els dies 5, 6 i 7 de setembre de 2008, que planteja el paper de la inestabilitat i la tra nsformació en el món contemporani. Les causes, els mecanismes i les conseqüèncie s d'estar fora d'equilibri apareixen de forma diversa en els més diversos àmbits de les ciències, les humanitats i la creació en general. L'encontre s'organitzàe n tres (...) sessions: "homo ecologicus", que reflexiona sobre el fer de manera respec tuosa amb l'ambient; "viure el canvi", que reflexiona sobre la necessitat d'adap tació a un món canviant, i "artistes al laboratori", que reflexiona sobre les co ndicions favorables al procés de creació. (shrink)