The sensitive dependence on initial conditions associated with nonlinear models imposes limitations on the models’ predictive power. We draw attention to an additional limitation than has been underappreciated, namely, structural model error. A model has SME if the model dynamics differ from the dynamics in the target system. If a nonlinear model has only the slightest SME, then its ability to generate decision-relevant predictions is compromised. Given a perfect model, we can take the effects of SDIC into account by substituting (...) probabilistic predictions for point predictions. This route is foreclosed in the case of SME, which puts us in a worse epistemic situation than SDIC. (shrink)

本书主要内容包括:理性与自由:康德论人权的确立;自律与他律:传统人权观的康德批判;权利与善:康德人权观的当代承继与歧见;主体性与人权论证理论的检视等.

Housed in one volume for the first time are several of the seminal essays on Du Bois's contributions to sociology and critical social theory: from DuBois as inventor of the sociology of race to Du Bois as the first sociologist of American religion; from Du Bois as a pioneer of urban and rural sociology to Du Bois as innovator of the sociology of gender and culture; and finally from Du Bois as groundbreaking sociologist of education and cultural criminologist to Du (...) Bois as critic of the disciplinary decadence of the discipline of sociology. Unlike any other anthology or critical reader on Du Bois, this new volume offers an excellent overview of the critical commentary on arguably one of the most imaginative and innovative, perceptive and prolific founders of the discipline of sociology. (shrink)

La Colombiade war bis zur französischen Revolution ein in Frankreich und in den westeuropäischen Ländern vielbeachtetes Epos. Aus heutiger Sicht ist das gut lesbare Gedicht erneut von Interesse: es wägt Segnungen und Schäden der Kolonialisierung gegeneinander ab, propagiert die Idee eines auf wissenschaftlichem und humanistischem Ethos gegründeten Europas, und artikuliert das aufklärerische Selbstbewusstsein einer schreibenden Frau. Die Einführung der Herausgeberin stellt das Gedicht in den Wissenshorizont der Entstehungszeit und skizziert die Rezeption. Der Anhang informiert über Textvarianten, bringt erläuternde Anmerkungen und (...) einen bibliographischen Informationsteil. (shrink)

Du sens II n'est pas une simple suite du sens I. A.J. Greimas y étend, par un geste décisif, les acquis de la sémiotique à des domaines qui excèdent très largement celui où elle se reconnaît d'emblée. Le texte dit théorique apparaît ainsi comme gouverné par un programme narratif: l'auteur, étudiant une préface de Georges Dumézil, montre comment elle s'organise comme une quête de la vérité, rencontrant des obstacles - c'est-à-dire en des termes analysables par l'étude structurale du récit. D'autres (...) textes, à première vue surprenants, eux aussi, peuvent relever de cette description : est examiné, en particulier, le programme narratif d'une... recette de cuisine. Mais surtout, A.J. Greimas aborde des questions encore plus primordiales que celles qu'il avait jusqu'ici traitées : c'est de la construction de l'objet par le discours ou du sujet dans le discours qu'il donne une description formelle, en décrivant notamment les constellations sémantiques de l'univers du croire et de l'univers du savoir ; en amorçant une étude sémiotique des passions (de la colère par exemple). Le sémio-narratif apparaît ainsi comme une forme bien plus large que le récit littéraire auquel on le ramène en général : il est la trame même non seulement de la communication et de la vie sociale mais aussi de la vie émotionnelle et affective. -- Back cover. (shrink)

Cahiers du Cinema is the most prestigious and influential film journal ever published. An anthology devoted entirely to its writings, in English translation, is long overdue. The selections in this volume are drawn from the colorful first decade of Cahiers, 1951-1959, when a group of young iconoclasts racked the world of film criticism with their provocative views an international cinema--American, Italian, and French in particular. They challenged long-established Anglo-Saxon attitudes by championing American popular movies, addressing genres such as the Western (...) and the thriller and the aesthetics of technological developments like CinemaScope, emphasizing mise en scéne as much as thematic content, and assessing the work of individual filmmakers such as Hawks, Hitchcock, and Nicholas Ray in terms of a new theory of the director as author, auteur, a revolutionary concept at the time. Italian film, especially the work of Rossellini, prompted sharp debates about realism that helped shift the focus of critical discussion from content toward style. The critiques of French cinema have special interest because many of the journal's major contributors and theorists Godard, Truffaut, Rohmer, Rivette, Chabrol were to become same of France's most important film directors and leaders of the New Wave. Translated under the supervision of the British Film Institute, the selections have far the most part never appeared in English until now. Hillier has organized them into topical groupings and has provided introductions to the parts as well as the whale. Together these essays, reviews, discussions, and polemics reveal the central ideas of the Cahiers of the 1950s not as fixed doctrines but as provocative, productive, often contradictory contributions to crucial debates that were to overturn critical thinking about film. (shrink)

Nulle part dans son oeuvre Aristote n'avait traite de la notion de providence. C'est a Alexandre d'Aphrodise, exegete du corpus aristotelicien qui vecut au III siecle que nous devons la tentative originale d'aborder la question du destin et de la providence selon les principes et les methodes du Stagirite. La presente edition, fruit d'un inestimable travail de recherche philologique, riche d'un apparat critique complet, presente un etat des lieux des connaissances sur l'auteur et commente ce texte longtemps meconnu ou se (...) melent les pensees grecques et arabes. La longue introduction fournit une abondante documentation, notamment sur l'identite d'Alexandre d'Aphrodise et propose une liste exhaustive de ses oeuvres, assorties a chaque fois d'un bref commentaire, tant pour les ecrits en grec que pour ceux dont seule la traduction arabe nous est parvenue. De riches commentaires philosophiques donnent tous les elements pour comprendre la portee de ce texte aux influences multiples. Cette edition est en outre dotee d'un stemma, d'une bibliographie, d'un index verborum et d'un index nominum. (shrink)

- Emilie du Châtelet offers an interesting and unusual account of the origin of our representation of extension. - She is an idealist about the essence extension, bodies and space, regarding them as mental constructs. - Du Châtelet's account requires a brute fact about the mind, in apparent tension with the Principle of Sufficient Reason.

Much early modern metaphysics grew with an eye to the new science of its time, but few figures took it as seriously as Emilie du Châtelet. Happily, her oeuvre is now attracting close, renewed attention, and so the time is ripe for looking into her metaphysical foundation for empirical theory. Accordingly, I move here to do just that. I establish two conclusions. First, du Châtelet's basic metaphysics is a robust realism. Idealist strands, while they exist, are confined to non-basic regimes. (...) Second, her substance realism seems internally coherent, so her foundational project appears successful.I have two aims in this paper. Historically, I show that du Châtelet's main source of inspiration was Christian... (shrink)

Émilie Du Châtelet is the only French woman author of a work included in the corpus of clandestine philosophical literature: a set of treatises, dissertations, or letters that circulated in Europe, and especially in France, mainly in manuscript form, during the seventeenth and eighteenth centuries, the main purpose of which was to subject religion to rigorous rational criticism (philosophical, historical, scientific). These Examens de la religion, one of the most controversial works in this corpus, circulated during the eighteenth century and (...) gave rise to a form of legend: sometimes said to be the work of Émilie Du Châtelet, sometimes the result of a form of collaboration between Du Châtelet and the one whose life she shared for a long time: Voltaire. If the feminine point of view on the Bible played a role in the recent attribution of this text to Émilie Du Châtelet, the existence of a properly feminine writing in the wider context of clandestine philosophical literature can now be discussed. This article aims to put this debate into perspective, at both the methodological and philosophical level. (shrink)

Der Mensch als Übender, als sich durch Übungen selbst erzeugendes Wesen - Rainer Maria Rilke hat den Antrieb zu solchen Exerzitien zu Beginn des 20. Jahrhunderts in die Form gefaßt: "Du mußt dein Leben ändern." In seinem Plädoyer für die Ausweitung der Übungszone des einzelnen wie der Gesellschaft entwirft Peter Sloterdijk eine grundlegende und grundlegend neue Anthropologie. Den Kern seiner Wissenschaft vom Menschen bildet die Einsicht von der Selbstbildung alles Humanen. Seine Aktivitäten wirken unablässig auf ihn zurück: die Arbeit auf (...) den Arbeiter, die Kommunikation auf den Kommunizierenden, die Gefühle auf den Fühlenden. Es sind die ausdrücklich übenden Menschen, die diese Existenzweise am deutlichsten verkörpern: Bauern, Arbeiter, Krieger, Schreiber, Yogi, Rhetoren, Instrumentalvirtuosen oder Models. Ihre Trainingspläne und Höchstleistungen versammelt dieses Buch zu einer vergnüglich-instruktiven Lektüre von den Übungen, die erforderlich sind, ein Mensch zu sein. (shrink)

This paper explores the theory of freedom that Emilie du Châtelet advances in her essay “On Freedom.” Using contemporary terminology, we can characterize this theory as a version of agent-causal compatibilism. More specifically, the theory has the following elements: (a) freedom consists in the power to act in accordance with one’s choices, (b) freedom requires the ability to suspend desires and master passions, (c) freedom requires a power of self-motion in the agent, and (d) freedom is compatible with moral necessity (...) but not with physical necessity. While these elements may at first appear disparate, the paper shows that they fit together quite well. The resulting theory is a surprising combination of doctrines that appear to be based on Samuel Clarke’s libertarian account of free will and doctrines that are reminiscent of the compatibilist accounts of John Locke, Anthony Collins, Gottfried Leibniz, and Thomas Hobbes. (shrink)

Lorsque Platon essaie, dans le Sophiste, de réfuter l'argumentation de Parménide à propos de l'inexistence du non- être, il arrive à une conclusion inattendue : c'est la langue grecque qui, du fait d'identifier « ce qui est » aux étants, rend impossible d'exprimer « ce qui n'est pas ». Or, étant donné que le discours faux, propre à la sophistique, suppose que « ce qui n'est pas » existe, Platon examine les théories des philosophes qui l'ont précédé et il découvre (...) que, mis à part le néant absolu, sur lequel il partage le jugement de Parménide, un certain non- être est possible : celui de la prédication. Fidèle à sa philosophie, Platon propose une Forme comme garantie de ce non- être relatif : l' Altérité. Celle-ci, avec sa Forme complémentaire, l'Identité, assure dorénavant la définition de chaque réalité. When Plato, in the Sophist, tries to turn down Parmenides' argumentation about the existence of non-being, he reaches a most unexpected conclusion : i.e. the Creek language, identifying « what is » to « the beings », makes it impossible to express what is not. Now, since tbe false discours, proper to sophistics, supposes that « that wbich is not » exists, Plato examines the théories of the philosophers who came before him and discovers that, apart from the absolute nothingness — on which he shares Parmenides' judgement —, some kind of a non-being is possible, i.e. that of prédication. True to his philosophy, Plato suggests a Form as warrant of such a « relative » non-being : the Différent. This Form, with its complementary Form, the Identity, guarantees the définition of every reality. (shrink)

Ontology as presented in the Advaita works of Vācaspatimiśra, fl. 976-1000, Hindu philosopher.

There is a tension in Emilie Du Châtelet’s thought on mathematics. The objects of mathematics are ideal or fictional entities; nevertheless, mathematics is presented as indispensable for an account of the physical world. After outlining Du Châtelet’s position, and showing how she departs from Christian Wolff’s pessimism about Newtonian mathematical physics, I show that the tension in her position is only apparent. Du Châtelet has a worked-out defense of the explanatory and epistemic need for mathematical objects, consistent with their metaphysical (...) nonfundamentality. I conclude by sketching how Du Châtelet’s conception of mathematical indispensability differs interestingly from many contemporary approaches. (shrink)