Abstract The Me as a socially constructed self presenting itself, is the subject of new conceptual interest. Discourse analysis is the preferred tool for analysis of the linguistic repertoires that we use to order the experience of our selves. But we also present ourselves visually, with some care. An attempt is made to apply a kind of discourse analysis to self?portraits by eminent photographers. Within the process of portraiture and the rules of the pose, professionals should be able to present (...) their true visions of themselves. Specific dilemmas are likely. While women have been the site of many contradictions in themselves as a sight, men in their images must be prepared to bear the castrating power of ?the look?. It might even be that in some romantic sense, there is the revelation of an authentic, spontaneous self. A set of ten examplars is interpreted, ranging from 1901 to 1986. The photographic evidence for men clearly shows situational self?characteristics in terms of the role of the photographer in the period. Although the women included are comparable in status, using the non?verbal interpretative models of Goffman and Wex, they rather demonstrate signs of the conventional submissive feminine identity. Such an analysis of visual discourse cannot decide on the degree of awareness in the presentations. Further the interpretations are as open to rational contradiction as other forms of discourse analysis. (shrink)

The wearable technology field, including terms and areas such as wearable computing and fashionable technology, has been evolving at the cross-section of various disciplines including science, technology, arts, augmented reality, design, cybernetics, ergonomics and fashion. As an example, the research community in wearable computing has been carrying out profound work in understanding and defining many key principles in the field. According to these researchers, the wearable computer is understood as a kind of extension of the body, which enables it to (...) perform tasks that would not otherwise be possible, such as being in several places at the same time.1This is an example of one of the approaches currently existing in this multifaceted field. The field also contains other detectable approaches, each with their own distinct aim. These approaches vary from developing solutions to engineering problems to developments in fashion and design and further to more conceptual approaches in addressing the field with what the author refers to as a playful attitude. When one investigates various projects in the wearable field more closely one can detect at least three clearly distinct approaches. The first approach is to follow the general guidelines for wearable computing development and objectives defined during the 1990s. The second approach sometimes called fashionable technology, to some extent follows similar directives as the first approach, but, in addition, it is strongly related to traditions and expectations in the areas of fashion and textile. The third approach has self-defined aims, which are partially contradictory to the general goals prevailing in the field. This third approach has been left almost without a notice in publications emerging from the field as well as in other theoretical writings concerned of art and technology. Until now the wearable technology field has been discussed primarily as one unified area striving towards similar goals.This article investigates this third approach. It asks how and why some of the projects in the field seem to differ from the general goals persisting in the field, and examines what the possible motivations and intentions behind this alternative approach are. Lastly, the article introduces the Hybronaut as a concept related to the author's practice and research. (shrink)

This article approaches listening practices and the role of technological mediation within ecological sound art, building on findings through the artistic research practices of the two authors. Through documentation of the authors’ ecological sound art practices of aeolian guitar performance, curation, composition, performance on found objects and field recording, we argue that phenomenological variation is inherent to the use of technology across all these forms of performative responsivity, as well as in the analytical forms of listening enacted through stimulated recall (...) and micro-phenomenology. By unpacking the agencies at play in ecological sound art, we discuss how these artistic practices afford “unexpected ways” (Arteaga, 2017, p. 25) to knowledge. The article thus attempts to provide insight into human and non-human agencies at play in phenomenological approaches to ecological sound art and technological mediation, activated through listening. (shrink)

1. Kant on the “Conditions of the Possibility” of Experience -- Claude Piché // 2. Plato and Kantian Transcendental Constructivism -- Tom Rockmore // 3. Kant and Fichte on the Notion of (Transcendental) Freedom -- Violetta L. Waibel // 4. Fichte, Transcendental Ontology, and the Ethics of Belief -- Steven Hoeltzel // 5. Transcendental Philosophy as “Therapy of the Mind”: Fichte’s “Facts of Consciousness” Lectures -- Benjamin D. Crowe // 6. From Transcendental Philosophy to Hegel’s Developmental Method -- William F. (...) Bristow // 7. How Transcendental Is Cohen’s Critical Idealism? -- Halla Kim // 8. Heidegger’s Failure to Overcome Transcendental Philosophy -- Eric S. Nelson // 9. Others as the Ground of Our Existence: Levinas, Løgstrup, and Transcendental Arguments in Ethics -- Robert Stern // 10. Raising Validity Claims for Reasons: Transcendental Reflection in Apel’s Argumentative Discourse -- Matthias Kettner // 11. Transcendental Arguments Based on Question-Answer Contradictions -- Yukio Irie // 12. Consequences of the Transcendental-Pragmatic Consensus Theory of Truth -- Michihito Yoshime // 13. On Jürgen Habermas’s Cognitive Theory of Morality -- Yasuyuki Funaba . (shrink)

Kim examines the fundamental tenets of Immanuel Kant’s theory of morality structural-methodological point of view to highlight the activities of reason vis-à-vis the blind forces of brute nature. The study provides new perspective on Kant's thought to benefit studies of epistemology, modern philosophy, moral theory and philosophy, and ethics.

A substantial reason behind the Confucian canonization of the Yijing can be located in some underlying patterns of thinking common to both the Yijing and The Analects; especially relevant here is the doctrine of rectification of names. In particular, I analyze the fundamental structure of the Yijing by means of the names and symbols standing in unique semantic/semiotic relations to the world, and I go on to suggest that this is what is importantly entailed by the doctrine of the rectification (...) of names when the latter is understood by means of the perlocutionary function of the prescriptive language. (shrink)

1. Self-Love, Sociability, and Autonomy: Some Presuppositions of Kant’s Account of Practical Law -- Jeffrey Edwards // 2. The Virtuous Republic: Rousseau and Kant on the Relation between Civil and Moral Religion -- Günter Zöller // 3. Kant, Pistorius, and Accessing Reality -- Halla Kim // 4. Kant, Fichte, and Transcendental Idealism -- Tom Rockmore // 5. Fichte’s Project: The Jena Wissenschaftslehre -- Daniel Breazeale // 6. The Unity of Reason in Kant and Fichte -- Steven Hoeltzel // 7. (...) Idealism and Nihilism -- Benjamin D. Crowe // 8. Fichte and Semantic Holism -- Yukio Irie // 9. “In and Of Itself Nothing is Finite”: Schelling’s Nature (or So-called Identity) Philosophy -- Michael Vater // 10. Conceptual Schemes, Realism, and Idealism: A Hegelian Approach to Concepts and Reality -- Christian Tewes . (shrink)

In his recent book, Jae-Seong Lee argues that not only Eastern thoughts but also Western philosophy lead us to transcend our ordinary, binary, reflexive thought and become one with the truth, namely, Emptiness, or the true self. But this aspect has not been thoroughly considered in Western metaphysics. After considering Heidegger’s failure to get to the bottom of transcendence through his “Dasein,” Lee looks to the French postmodern ethicists, in particular, Levinas, in this regard. Just like the Mahayana Buddhist philosopher (...) Nāgārjuna did almost two thousand years earlier, Lee suggests that Levinas too may have hit upon the insight that genuine subjectivity can be reached through an openness to the Other as the wholly exterior. Throughout the entire book, Jae-Seong Lee shows a strong interest in postmodern ethics, Daoism, Buddhism, theology, and literature, but in the end, he concludes that Buddhist philosophy, with its focus on Emptiness, would be the best approach to a merging of Eastern and Western Ways of thinking in our search for the ultimate and absolute. Finally, Lee suggests that the general philosophical theory he introduces and develops actually works for literary works including the Book of Job, Count Dracula and Frankenstein. (shrink)

The third section of the Foundations of the Metaphysics of Morals presents a particularly acute interpretative problem that has perplexed generations of Kant commentators. Having devoted the two preceding sections of the work to identifying the supreme principle of morality, Kant, in this section, turns to the task of justifying the principle for rational yet sensually affected beings like humans. However, in the middle of this famous “deduction,” he suddenly confesses that “there is a hidden circle” from which “there is (...) no escape.” Kant’s abrupt confession of the circle leaves the reader deeply puzzled, partly because Kant has so confidently presented his arguments for our subjection to the constraints of the supreme principle of morality up to that point, and partly because no clues are readily apparent as to what the mistake in the arguments might be. Where is the circle located? In this paper I tackle Kant’s problem of the hidden circle in the Foundations. In particular, I will identify and critically discuss three influential interpretations of the fallacy of circularity and offer an alternative reading of Kant’s way out of the problem. (shrink)

The third section of the Foundations of the Metaphysics of Morals presents a particularly acute interpretative problem that has perplexed generations of Kant commentators. Having devoted the two preceding sections of the work to identifying the supreme principle of morality, Kant, in this section, turns to the task of justifying the principle for rational yet sensually affected beings like humans. However, in the middle of this famous “deduction,” he suddenly confesses that “there is a hidden circle” from which “there is (...) no escape.” Kant’s abrupt confession of the circle leaves the reader deeply puzzled, partly because Kant has so confidently presented his arguments for our subjection to the constraints of the supreme principle of morality up to that point, and partly because no clues are readily apparent as to what the mistake in the arguments might be. Where is the circle located? In this paper I tackle Kant’s problem of the hidden circle in the Foundations. In particular, I will identify and critically discuss three influential interpretations of the fallacy of circularity and offer an alternative reading of Kant’s way out of the problem. (shrink)

Spinoza’s stance against “bad” universals is well known but his own view on “good” universals is not obvious. In this paper we examine the ontological status of general terms in Spinoza against the background of his metaphysical ontology. We then move onto his view of universals in his discussions of the three kind of knowledge. I argue that Spinoza’s view may be best characterized as trope-conceptualism. Universals are, considered in things themselves, nothing but tropes, i.e., fully particularized properties of individual (...) objects. In particular, I claim that what Spinoza calls “attributes” in his grand scheme of ontology are tropes, of which we can have “adequate” ideas. Spinoza’s theory is a lot more delicate and sophisticated than is usually construed. (shrink)

This paper is an attempt to understand the main characteristics of the three transitions that Kant makes in his Groundwork in view of his professed purpose of grounding pure moral philosophy. In particular, I show that the method of transition is devised as a way in which Kant can secure the a priori basis of morality in his campaign against naturalism in ethics.

Beloff, elder statesman of the international parapsychological community, presents the fruits of his life-long struggle to come to terms with the paranormal. These take the form of 16 selected essays in chronological order, spanning a period of more than twenty years. These essays deal with topics such as the nature of psi phenomena, their credibility and their diverse philosophical and scientific implications. No subject index. Annotation copyrighted by Book News, Inc., Portland, OR.

The article begins with a discussion about what might constitute consciousness in entities other than oneself and the implications of the mind-brain debate for the possibility of a conscious machine. While referring to several other facets of the philosophy of mind, the author focuses on epiphenomenalism and interactionism and presents a critique of the former in terms of biological evolution. The interactionist argument supports the relevance of parapsychology to the problem of consciousness and the statistical technique of meta-analysis is cited (...) in support of this position. (shrink)

The paper argues that there are effectively only two tenable theories of the mind?brain relationship: ?epiphenomenalism? and ?radical dualism? (interactionism). So long as account is taken only of the conventional sciences, the odds are heavily stacked in favour of epiphenomenalism. However, once the findings of parapsychology are admitted to consideration, a very different situation obtains. It is here argued that parapsychology only makes sense within a dualist metaphysic.

Two questions are examined (a) the differences between creative and uncreative individuals and (b) the differences between artists and scientists. It is concluded that while divergent thinking is a necessary feature of the creative process alike in art and in science the scientific intellect exemplifies more the convergent type. Contrary to what most authorities have said it is here argued that creativity depends more upon the presence of a certain inborn flair than upon personality dynamics.

Alfons Schilling began his long‐term investigations on perception during the early 1960s by designing motion paintings,1 and continued the research with design of optical instruments called Vision Machines.2 Schilling's experiments were constructed as head‐worn objects, or instruments, in various shapes and sizes, which transformed the viewer's perception through first‐hand experience.

Abstract An attempt is made to examine the main principles that underlay the ?Rhinean? school of parapsychology. Five such principles are discussed: (1) that psi can best be assessed using quantitative measures and forced?choice tests; (2) that psi is a function of the unconscious with the implication that objective performance alone is important, not the state of mind of the subject; (3) that psi ability is, to some degree, present in everyone; (4) that only those problems deserve attention for which (...) an unambiguous answer is attainable, with the implication that survival research should be shelved indefinitely and (5) that psi is non?physical. These five principles are then reviewed from our present vantage point and all are found to require qualification to a greater or lesser extent. Some critics, however, want to go further and allege that Rhine led psychical research into a blind alley and that the time has come to revert to the earlier investigative tradition. This, we contend, is defeatist, the more especially since the advent of computers has greatly extended the scope and power of the experimental approach. Despite its inherent difficulties, it remains the indispensable mainstay of our continuing efforts to make sense of the paranormal. (shrink)