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  1.  6
    The Making of Exile Cultures: Iranian Television in Los Angeles.Craig Saper & Hamid Naficy - 1995 - Substance 24 (3):141.
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  2.  9
    Women and the Semiotics of Veiling and Vision in Cinema.Hamid Naficy - 1991 - American Journal of Semiotics 8 (1/2):47-64.
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  3.  2
    Veiled Voice and Vision in Iranian Cinema: The Evolution of Rakhshan Banietemad's Films.Hamid Naficy - 2000 - Social Research 67.
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  4. Between Rocks and Hard Places: The Interstitial Mode of Production in Exilic Cinema.Hamid Naficy - 1999 - In Home, Exile, Homeland: Film, Media, and the Politics of Place. Routledge. pp. 125--147.
  5.  66
    Home, Exile, Homeland: Film, Media, and the Politics of Place.Hamid Naficy (ed.) - 1999 - Routledge.
    Global changes in capital, power, technology and the media have caused massive shifts in how we define home and community, leaving redrawn territories and globalized contexts. This interdisciplinary study of the media brings together essays by accomplished critics to discuss the way film, television, music, and computer and electronic media are shaping identities and cultures in an increasingly globalized world. Ranging from intensely personal to highly theoretical, the contributors explore our complex negotiation of "home" and homeland" in a postmodern world. (...)
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