This excellent collection contains 13 essays from Gadamer'sKleine Schriften,dealing with hermeneutical reflection, phenomenology, existential philosophy, and ...
In these essays, Gadamer justifies the reasons for a philosophical interest in health and medicine, and a corresponding need for health practitioners to enter into a dialogue with philosophy.
Originating from a confrontation with the contemporary French thought, especially with Jacques Derrida, the article discusses the question of the relation between text and interpretation. It receives the basic impulse for the deliberation on the theme from the tradition of hermeneutics and from the philosophy of Martin Heidegger, from his considerations upon the subjects of the circle of understanding and the phenomenon of language. What is the relation of the text towards the language? What comes from the language forth into (...) the text? What does understanding between speakers mean and what does it mean that there can be commonly given to us something like texts, or even that in mutual understanding something comes into being that is, like a text, one and the same thing for us? How has the concept of the text been able to undergo such a universal extension? In this theme more is at stake than reflections upon the methodology of the philological sciences. Text is more than a title for the subject matter of literary research. Interpretation is more than the technique of scientifically interpreting texts. (shrink)
This essay was Gadamer 's position paper in the April 1981 “debate” with Derrida at a conference on “Text and Interpretation” held at the Sorbonne in Paris. In it he discusses his approach to texts and several elements of Derrida's philosophy,..
This volume makes available for the first time in English the most important of Hans-Georg Gadamer's extensive writings on art and literature. The principal text included is 'The Relevance of the Beautiful', Gadamer's most sustained treatment of philosophical aesthetics. The eleven other essays focus particularly on the challenge issued by modern painting and literature to our customary ideas of art, and use that challenge to revitalize our understanding of it. Gadamer demonstrates the continuing importance of such concepts as imitation, truth, (...) symbol, and play for our appreciation of contemporary art, and thereby establishes its continuity with the Western tradition. The essays here are not technical and are readily accessible to the beginning student and the general reader. The collection as a whole serves to illustrate the practice of hermeneutics and to introduce Gadamer's thought. Robert Bernasconi provides an introduction clarifying the central aims of the essays and their relations to Gadamer's major work, Truth and Method, and to the philosophy of art since Kant. A bibliography of Gadamer's writings available in English is also included. (shrink)
"This book is a virtual case study in the application of hermeneutical principles to illuminate philosophical texts. The book contains translations of eight of Gadamer's best known essays on Plato.
Understanding is a ‘language event’ founded upon a ‘silent agreement’ between participants in a conversation. This silent agreement, built up of conversational aspects held in common, is what makes social solidarity possible and shows that the methods of science are an inappropriate starting point for our self-understanding. However, with the advent of industrial technical civilization, the question arises whether understanding has come under the control of a centrally steered communication system where language is a consciously wielded instrument of politics with (...) a corresponding loss of free insight and critical judgement. Only via a hermeneutic logic of words, which begins from recognition that words get their meaning from the open space of living conversation, can critical judgement be defended in the face of the authority of science and technology. (shrink)
These five essays on Hegel give the English-speaking reader a long-awaited opportunity to read the work of one of Germany's most distinguished philosophers, Hans-Georg Gadamer.
With reference to Plato and Aristotle, Gadamer discusses the question of what is left of friendship and solidarity in an age of `anonymous responsibility.'.
Hermeneutics is a mantic art involved in the translation of the unintelligible into the intelligible. However, within modern contexts the term possesses a more methodological sense - ‘a universal doctrine for the interpretation of signs’. This conception of hermeneutics was given impetus during the Renaissance with the quest for theological objectivity, but it was with Schleiermacher and other philosophers of the Romantic movement that hermeneutics was viewed as a universal ‘dialogical’ condition. The Romantic conception of hermeneutics was psychologized by Dilthey (...) and re-founded upon the principle of consciousness. With Heidegger became conceived as an ontological phenomenon identical to Existenz itself. For Gadamer, hermeneutics criticizes the ‘pale abstractions’ of Enlightenment conceptions of philosophy for neglecting the work of concepts in philosophy; concepts that have their origins in the self-critical communicative movement of human interpretation. (shrink)
Brings together all of Gadamer's published writings on Celan's poetry, and makes them available in English for the first time. This is accessible commentary on a notoriously difficult poet.
It has been claimed, out of admiration for the great thinker, that his political errors have nothing to do with his philosophy. If only we could be content with that! Wholly unnoticed was how damaging such a “defense” of so important a thinker really is. And how could it be made consistent with the fact that the same man, in the fifties, saw and said things about the industrial revolution and technology that today are still truly astonishing for their foresight?In (...) any case: no surprise should be expected from those of us who, for fifty years, have reflected on what dismayed us in those days and separated us from Heidegger for many years: no surprise when we hear that in 1933—and for years previous, and for how long after?—he “believed” in Hitler. But Heidegger was also no mere opportunist. If we wish to dignify his political engagement by calling it a “standpoint,” it would be far better to call it a political “illusion,” which had notably little to do with political reality. If Heidegger later, in the face of all realities, would again dream his dream from those days, the dream of a “people’s religion” [Volksreligion], the later version would embrace his deep disappointment over the actual course of affairs. But he continued guarding that dream—and kept silent about it. Earlier, in 1933 and 1934, he thought he was following his dream, and fulfilling his deepest philosophical mission, when he tried to revolutionize the university from the ground up. It was for that that he did everything that horrified us at that time. For him the sole issue was to break the political influence of the church and the tenacity of academic bossdom. Even Ernst Jünger’s vision of “the worker” [der Arbeiter] was given a place beside his own ideas about overcoming the metaphysical tradition via the reawakening of Being. Later, as is known, Heidegger wandered all the way to his radical talk of the end of philosophy. That was his “revolution.” Hans-Georg Gadamer is professor emeritus of philosophy at the University of Heidelberg. His books include Truth and Method, Philosophical Hermeneutics, The Idea of the Good in Platonic-Aristotelian Philosophy, and The Relevance of the Beautiful and Other Essays. John McCumber, associate professor of philosophy at Northwestern University, is the author of Poetic Interaction: Language, Freedom, Reason. (shrink)
In the years shortly before and after the publication of his classic _Truth and Method_, the eminent German philosopher Hans-Georg Gadamer returned often to questions surrounding religion and ethics. In this selection of writings from _Gesammelte Werke_ that are here translated into English for the first time, Gadamer probes deeply into the hermeneutic significance of these subjects. Gadamer raises issues of importance to ethicists and theologians as well as students of language and literature. In such outstanding essays as "Kant and (...) the Question of God," "Thinking as Redemption: Plotinus between Plato and Augustine," and "Friendship and Self-Knowledge: Reflections on the Role of Friendship in Greek Ethics," Gadamer discusses the nature of moral behavior, ethics as a form of knowing, and the hermeneutic task of mediating ethos and philosophical ethics with one another. (shrink)
The arts, taken as whole, govern the metaphysical heritage of the western philosophical tradition. The arts possess absoluteness in that in the experience of art we recognize something as ‘aright’, as true. Art also possesses absoluteness because it transcends all historical differences between eras. Art - and philosophy - possess a contemporaneity in that they attune themselves to the present time. Art is thus not a refined pleasure but something that shows us a world that is there for itself and (...) as such. The significance of art therefore cannot be understood aesthetically but only through Plato’s theory of ‘the exact’ and the Aristotelian conception of energeia as a motion without a path or a goal. (shrink)
Representative works are interpreted in light of the two great political movements of the nineteenth century: the abolition of slavery and the women's rights movement.
Since Schleiermacher and Hegel it has been part of the tradition of German philosophy to view the history of philosophy as an essential aspect of philosophy itself. The topic of “Heidegger and the History of Philosophy” should be considered with this in mind, which means that our question is as follows: Within this general attitude towards the history of philosophy, which has dominated German philosophy since Hegel, what distinctive attitudes are to be found in Heidegger? The context assumed by the (...) question is clear: it is that created by the rise of historical consciousness. It was part of the heritage of German Romanticism that not only historical research as a whole but also the position of philosophical theories would henceforth be affected by the problem of the nature of history. Before the Romantic period there was no such thing as the history of philosophy in the sense we are concerned with here. There was only the sort of scholarship which compiles lists. Hegel’s concept of a history of philosophy was itself in the fullest sense “philosophy;” it was a special subdivision of the philosophy of history, which was itself an attempt to demonstrate the presence of reason in history. Indeed, Hegel termed the history of philosophy the very heart of world history. However, the substantive portion of the Hegelian history of philosophy—its attempt to exhibit the necessity underlying the sequence of forms of philosophical thought, and thus the “rational” character of the history of thought—did not survive the criticism of the “historical school.”. (shrink)
