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  1. What is a Work of Art?Harold Osborne - 1981 - British Journal of Aesthetics 21 (1):3-11.
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  2.  83
    Mathematical Beauty and Physical Science.Harold Osborne - 1984 - British Journal of Aesthetics 24 (4):291-300.
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  3.  91
    Notes on the Aesthetics of Chess and the Concept of Intellectual Beauty.Harold Osborne - 1964 - British Journal of Aesthetics 4 (2):160-163.
  4.  94
    Odours and Appreciation.Harold Osborne - 1977 - British Journal of Aesthetics 17 (1):37-48.
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  5.  42
    Aesthetic Relevance.Harold Osborne - 1977 - British Journal of Aesthetics 17 (4):291-304.
  6.  16
    The Concept of Creativity in Art.Harold Osborne - 1978 - Dialectics and Humanism 5 (2):5-12.
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  7.  24
    Some Theories of Aesthetic Judgment.Harold Osborne - 1979 - Journal of Aesthetics and Art Criticism 38 (2):135-144.
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  8. Theory of Beauty an Introduction to Aesthetics.Harold Osborne - 1952 - Routledge and Kegan Paul.
     
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  9.  83
    Inspiration.Harold Osborne - 1977 - British Journal of Aesthetics 17 (3):242-253.
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  10.  67
    Primitive Art and Society.Harold Osborne - 1974 - British Journal of Aesthetics 14 (4):290-305.
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  11. Aesthetics and Art Theory. An Historical Introduction.Harold Osborne - 1970 - Philosophy 45 (173):254-255.
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  12.  47
    Aesthetic and Other Forms of Order.Harold Osborne - 1982 - British Journal of Aesthetics 22 (1):3-16.
  13.  37
    Expressiveness: Where is the Feeling Found?Harold Osborne - 1983 - British Journal of Aesthetics 23 (2):112-123.
  14.  86
    Book Reviews. [REVIEW]Harold Osborne - 1983 - British Journal of Aesthetics 23 (1):186-187.
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  15. Aesthetic Implications of Conceptual Art, Happenings, Etc.Harold Osborne - 1980 - British Journal of Aesthetics 20 (1):6-22.
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  16.  60
    Assessment and Stature.Harold Osborne - 1984 - British Journal of Aesthetics 24 (1):3-13.
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  17.  94
    The New Sensibility of the 1960s.Harold Osborne - 1976 - British Journal of Aesthetics 16 (2):99-107.
  18.  81
    Organic Unity Again.Harold Osborne - 1976 - British Journal of Aesthetics 16 (3):210-217.
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  19.  92
    Correspondence.Harold Osborne - 1984 - British Journal of Aesthetics 24 (3):278-281.
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  20.  89
    Interpretation in Science and in Art.Harold Osborne - 1986 - British Journal of Aesthetics 26 (1):3-15.
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  21.  27
    Twentieth Century Interpretations of Molloy, Malone Dies, the UnnamableJohn Singer Sargent, Paintings-Drawings-WatercolorsThe Oxford Companion to ArtColeridge and Wordsworth. The Poetry of Growth.Robert D. Hume, J. D. O'Hara, R. Ormond, Harold Osborne & Stephen Prickett - 1971 - Journal of Aesthetics and Art Criticism 29 (3):428.
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  22. Expressiveness in the Arts.Harold Osborne - 1982 - Journal of Aesthetics and Art Criticism 41 (1):19-26.
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  23.  74
    Aesthetic Perception.Harold Osborne - 1978 - British Journal of Aesthetics 18 (4):307-316.
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  24.  38
    Book Reviews. [REVIEW]Harold Osborne - 1979 - British Journal of Aesthetics 19 (1):186-187.
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  25.  57
    The Quality of Feeling in Art.Harold Osborne - 1963 - British Journal of Aesthetics 3 (1):38-53.
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  26.  64
    Revelatory Theories of Art.Harold Osborne - 1964 - British Journal of Aesthetics 4 (4):332-347.
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  27.  66
    Non-Iconic Abstraction.Harold Osborne - 1976 - British Journal of Aesthetics 16 (4):291-304.
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  28.  71
    Aesthetics.Harold Osborne - 1972 - London: Oxford University Press.
    Valéry, P. The idea of art.--Sartre, J.-P. The work of art.--Ingarden, R. Artistic and aesthetic values.--Merleau-Ponty, M. Eye and mind.--Moore, G. E. Wittgenstein's lectures in 1930-33.--Findlay, J. N. The perspicuous and the poignant.--Hungerland, I. C. Once again, aesthetic and non-aesthetic.--Wollheim, R. On drawing an object.--Elliott, R. K. Aesthetic theory and the experience of art.--Savile, A. The place of invention in the concept of art.--Bibliography (p. [178]-184).
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  29. Aesthetics and Criticism.HAROLD OSBORNE - 1955 - Philosophy 31 (118):262-262.
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  30. "Aretin. A Dialogue on Painting": Lodovico Dolce. [REVIEW]Harold Osborne - 1972 - British Journal of Aesthetics 12 (2):200.
     
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  31. "Art and Morality": R. W. Beardsmore. [REVIEW]Harold Osborne - 1972 - British Journal of Aesthetics 12 (2):189.
     
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  32. "Art and the Spirit of Man": René Huyhge. [REVIEW]Harold Osborne - 1963 - British Journal of Aesthetics 3 (3):278.
     
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  33. Aesthetics and Value.Harold Osborne - 1974 - Revue Internationale de Philosophie 28 (3=109):280.
     
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  34. "Anthony Caro": Richard Whelan and Others. [REVIEW]Harold Osborne - 1975 - British Journal of Aesthetics 15 (1):95.
     
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  35. "Art Et Nature En Grande-Bretagne au XVIIIe Siècle": Edited by Marie-Madeleine Martinet. [REVIEW]Harold Osborne - 1981 - British Journal of Aesthetics 21 (1):89.
     
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  36. "Art Et Symbole À la Renaissance": Pierre Somville. [REVIEW]Harold Osborne - 1984 - British Journal of Aesthetics 24 (3):270.
     
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  37. "Aesthetic Inquiry": Monroe C. Beardsley and Herbert H. Schueller. [REVIEW]Harold Osborne - 1967 - British Journal of Aesthetics 7 (4):395.
     
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  38. "An Introduction to Modern Philosophy": Alburey Castell. [REVIEW]Harold Osborne - 1964 - British Journal of Aesthetics 4 (2):173.
     
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  39. "A Literature of Their Own. British Women Novelists From Brontë to Lessing": Elaine Showalter. [REVIEW]Harold Osborne - 1979 - British Journal of Aesthetics 19 (1):88.
     
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  40. "A Theory of Art": Stephen David Ross. [REVIEW]Harold Osborne - 1982 - British Journal of Aesthetics 22 (3):272.
     
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  41. "Aesthetic the Science": Friedrich Kainz. [REVIEW]Harold Osborne - 1964 - British Journal of Aesthetics 4 (2):172.
     
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  42. "Culture and Art": Lars Aagaard-Morgensen. [REVIEW]Harold Osborne - 1976 - British Journal of Aesthetics 16 (4):377.
     
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  43. "Comparative Aesthetics. Eastern and Western": G. Hanumantha Rao. [REVIEW]Harold Osborne - 1975 - British Journal of Aesthetics 15 (4):375.
     
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  44. "Clive Bell's Eye": William G. Bywater. [REVIEW]Harold Osborne - 1976 - British Journal of Aesthetics 16 (3):280.
     
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  45. "Concerning Contemporary Art": Bernard Smith. [REVIEW]Harold Osborne - 1975 - British Journal of Aesthetics 15 (4):379.
     
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  46. "Concepts of Modern Art": Tony Richardson and Nikos Stangos. [REVIEW]Harold Osborne - 1975 - British Journal of Aesthetics 15 (1):94.
     
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  47. Creativity, Progress and Personality.Harold Osborne - 1984 - Journal of Philosophy of Education 18 (2):213-221.
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  48. "Checan": Rafael Larco Hoyle. [REVIEW]Harold Osborne - 1966 - British Journal of Aesthetics 6 (4):399.
     
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  49. "Documents on Art and Taste in Australia" and "The Antipodean Manifesto": Bernard Smith. [REVIEW]Harold Osborne - 1977 - British Journal of Aesthetics 17 (2):191.
     
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  50. "El Concepto 'Poíesis' En la Filosofía Griega": Emilio Lledó Íñigo. [REVIEW]Harold Osborne - 1962 - British Journal of Aesthetics 2 (4):377.
     
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1 — 50 / 138