138 found
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  1. What is a work of art?Harold Osborne - 1981 - British Journal of Aesthetics 21 (1):3-11.
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  2.  98
    Mathematical beauty and physical science.Harold Osborne - 1984 - British Journal of Aesthetics 24 (4):291-300.
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  3. Notes on the aesthetics of chess and the concept of intellectual beauty.Harold Osborne - 1964 - British Journal of Aesthetics 4 (2):160-163.
  4.  54
    Aesthetic and other forms of order.Harold Osborne - 1982 - British Journal of Aesthetics 22 (1):3-16.
  5.  46
    Aesthetic relevance.Harold Osborne - 1977 - British Journal of Aesthetics 17 (4):291-304.
  6. Odours and appreciation.Harold Osborne - 1977 - British Journal of Aesthetics 17 (1):37-48.
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  7.  79
    Primitive art and society.Harold Osborne - 1974 - British Journal of Aesthetics 14 (4):290-305.
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  8.  37
    Some theories of aesthetic judgment.Harold Osborne - 1979 - Journal of Aesthetics and Art Criticism 38 (2):135-144.
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  9.  26
    The Concept of Creativity in Art.Harold Osborne - 1978 - Dialectics and Humanism 5 (2):5-12.
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  10. Aesthetics and Art Theory. An Historical Introduction.Harold Osborne - 1970 - Philosophy 45 (173):254-255.
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  11.  41
    Expressiveness: Where is the feeling found?Harold Osborne - 1983 - British Journal of Aesthetics 23 (2):112-123.
  12.  91
    Inspiration.Harold Osborne - 1977 - British Journal of Aesthetics 17 (3):242-253.
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  13.  23
    The Art of Appreciation.Dorothy Walsh & Harold Osborne - 1971 - Philosophical Quarterly 21 (84):283.
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  14. Expressiveness in the arts.Harold Osborne - 1982 - Journal of Aesthetics and Art Criticism 41 (1):19-26.
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  15.  28
    Aesthetics and Theory of Art.Harold Osborne - 1971 - Journal of Aesthetics and Art Criticism 30 (2):262-264.
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  16.  36
    Twentieth Century Interpretations of Molloy, Malone Dies, the UnnamableJohn Singer Sargent, Paintings-Drawings-WatercolorsThe Oxford Companion to ArtColeridge and Wordsworth. The Poetry of Growth.Robert D. Hume, J. D. O'Hara, R. Ormond, Harold Osborne & Stephen Prickett - 1971 - Journal of Aesthetics and Art Criticism 29 (3):428.
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  17.  26
    Early Florentine Designers and Engravers: A Comparative Analysis of Early Florentine Nielli, Intarsias, Drawings, and Copperplate EngravingsAesthetics and Criticism.Margaret MacDonald, John Goldsmith Phillips & Harold Osborne - 1956 - Journal of Aesthetics and Art Criticism 14 (3):391.
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  18.  89
    Aesthetics.Harold Osborne - 1972 - London,: Oxford University Press.
    Valéry, P. The idea of art.--Sartre, J.-P. The work of art.--Ingarden, R. Artistic and aesthetic values.--Merleau-Ponty, M. Eye and mind.--Moore, G. E. Wittgenstein's lectures in 1930-33.--Findlay, J. N. The perspicuous and the poignant.--Hungerland, I. C. Once again, aesthetic and non-aesthetic.--Wollheim, R. On drawing an object.--Elliott, R. K. Aesthetic theory and the experience of art.--Savile, A. The place of invention in the concept of art.--Bibliography (p. [178]-184).
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  19. Aesthetics.Harold Osborne & G. J. Warnock - 1975 - Mind 84 (335):475-476.
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  20.  20
    Abstraction and Artifice in Twentieth-Century Art.Harold Osborne - 1984 - Journal of Aesthetics and Art Criticism 42 (4):467-469.
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  21.  6
    Aesthetics and Art Theory: An Historical Introduction.Harold Osborne - 1968 - Longmans.
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  22.  15
    Aesthetics and criticism.Harold Osborne - 1955 - Westport, Conn.,: Greenwood Press.
  23. Aesthetics and Criticism.HAROLD OSBORNE - 1955 - Philosophy 31 (118):262-262.
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  24.  67
    Assessment and stature.Harold Osborne - 1984 - British Journal of Aesthetics 24 (1):3-13.
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  25. Aesthetics and Value.Harold Osborne - 1974 - Revue Internationale de Philosophie 28 (3=109):280.
     
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  26.  27
    Aesthetic experience and cultural value.Harold Osborne - 1986 - Journal of Aesthetics and Art Criticism 44 (4):331-337.
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  27. Aesthetic implications of conceptual art, happenings, etc.Harold Osborne - 1980 - British Journal of Aesthetics 20 (1):6-22.
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  28.  9
    Aesthetics in the modern world.Harold Osborne - 1968 - New York,: Weybright & Talley.
  29.  14
    Appreciation of the Arts.Harold Osborne - 1970 - British Journal of Aesthetics 10 (1):82.
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  30.  77
    Aesthetic perception.Harold Osborne - 1978 - British Journal of Aesthetics 18 (4):307-316.
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  31.  31
    Artistic unity and gestalt.Harold Osborne - 1964 - Philosophical Quarterly 14 (56):214-228.
  32. Correspondence.Harold Osborne - 1984 - British Journal of Aesthetics 24 (3):278-281.
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  33.  26
    Creativity in Art and in Life.Harold Osborne - 1980 - Dialectics and Humanism 7 (3):99-103.
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  34.  20
    Creativity, progress and personality.Harold Osborne - 1984 - Journal of Philosophy of Education 18 (2):213–221.
    Harold Osborne; Creativity, Progress and Personality, Journal of Philosophy of Education, Volume 18, Issue 2, 30 May 2006, Pages 213–221, https://doi.org/10.111.
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  35.  3
    Creativity, Progress and Personality.Harold Osborne - 1984 - Journal of Philosophy of Education 18 (2):213-221.
    Harold Osborne; Creativity, Progress and Personality, Journal of Philosophy of Education, Volume 18, Issue 2, 30 May 2006, Pages 213–221, https://doi.org/10.111.
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  36.  5
    Education in an Affluent State.Harold Osborne - 1986 - The Journal of Aesthetic Education 20 (4):103.
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  37.  16
    Foundations of the philosophy of value.Harold Osborne - 1933 - Cambridge [Eng.]: University Press.
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  38.  63
    From sublime to ridiculous.Harold Osborne - 1964 - British Journal of Aesthetics 4 (3):284-285.
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  39.  90
    Interpretation in science and in art.Harold Osborne - 1986 - British Journal of Aesthetics 26 (1):3-15.
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  40.  17
    Museums and Their Functions.Harold Osborne - 1985 - The Journal of Aesthetic Education 19 (2):41.
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  41.  69
    Non-iconic abstraction.Harold Osborne - 1976 - British Journal of Aesthetics 16 (4):291-304.
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  42.  1
    On Artistic Illusion.Harold Osborne - 1969 - British Journal of Aesthetics 9 (3):217.
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  43.  84
    Organic unity again.Harold Osborne - 1976 - British Journal of Aesthetics 16 (3):210-217.
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  44.  16
    Paperbacks.Harold Osborne & Peter Stockham - 1964 - British Journal of Aesthetics 4 (1):67-70.
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  45.  67
    Professor Louis Arnaud Reid.Harold Osborne - 1986 - British Journal of Aesthetics 26 (4):309-310.
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  46.  63
    Professor Ruth L. saw.Harold Osborne - 1986 - British Journal of Aesthetics 26 (4):307-308.
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  47.  72
    Revelatory theories of art.Harold Osborne - 1964 - British Journal of Aesthetics 4 (4):332-347.
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  48.  12
    Susanne K. Langer's "Mind: An Essay on Human Feeling"Mind: An Essay on Human Feeling, Vol. 2.Harold Osborne - 1984 - Journal of Aesthetic Education 18 (1):89.
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  49.  17
    Susanne K. Langer's "Mind: An Essay on Human Feeling"Mind: An Essay on Human Feeling, Vol. 1.Harold Osborne - 1984 - Journal of Aesthetic Education 18 (1):83.
  50.  13
    The Aesthetic Concept of Craftsmanship.Harold Osborne - 1977 - British Journal of Aesthetics 17 (2):138.
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