7 found
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  1.  22
    Music induces universal emotion-related psychophysiological responses: comparing Canadian listeners to Congolese Pygmies.Hauke Egermann, Nathalie Fernando, Lorraine Chuen & Stephen McAdams - 2014 - Frontiers in Psychology 5.
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  2.  9
    “Beauty Is How You Feel Inside”: Aesthetic Judgments Are Related to Emotional Responses to Contemporary Music.Hauke Egermann & Federico Reuben - 2020 - Frontiers in Psychology 11.
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  3.  7
    Music Listening in Classical Concerts: Theory, Literature Review, and Research Program.Melanie Wald-Fuhrmann, Hauke Egermann, Anna Czepiel, Katherine O’Neill, Christian Weining, Deborah Meier, Wolfgang Tschacher, Folkert Uhde, Jutta Toelle & Martin Tröndle - 2021 - Frontiers in Psychology 12.
    Performing and listening to music occurs in specific situations, requiring specific media. Empirical research on music listening and appreciation, however, tends to overlook the effects these situations and media may have on the listening experience. This article uses the sociological concept of the frame to develop a theory of an aesthetic experience with music as the result of encountering sound/music in the context of a specific situation. By presenting a transdisciplinary sub-field of empirical studies, we unfold this theory for one (...)
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  4.  7
    Psychosocial Work Environment Among Musicians and in the General Workforce in Norway.Anna Détári, Hauke Egermann, Ottar Bjerkeset & Jonas Vaag - 2020 - Frontiers in Psychology 11.
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  5.  10
    Towards a Holistic Understanding of Musician’s Focal Dystonia: Educational Factors and Mistake Rumination Contribute to the Risk of Developing the Disorder.Anna Détári & Hauke Egermann - 2022 - Frontiers in Psychology 13.
    Musicians’ Focal Dystonia is a task-specific neurological movement disorder, affecting 1–2% of highly skilled musicians. The condition can impair motor function by creating involuntary movements, predominantly in the upper extremities or the embouchure. The pathophysiology of the disorder is not fully understood, and complete recovery is extremely rare. While most of the literature views the condition through a neurological lens, a handful of recent studies point out certain psychological traits and the presence of adverse playing-related experiences and preceding trauma as (...)
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  6.  10
    Music-Evoked Nostalgia and Wellbeing During the United Kingdom COVID-19 Pandemic: Content, Subjective Effects, and Function.Hannah Gibbs & Hauke Egermann - 2021 - Frontiers in Psychology 12.
    Nostalgic music is defined as that which evokes feelings of nostalgia through reminders of certain periods of life, places or people. Feelings of nostalgia are said to occur during times of hardship and difficult transitionary periods, such as the first COVID-19 lockdown in the United Kingdom in 2020. Here, the reassurance of the past might have held certainty that could sustain a sense of meaning and purpose in life and influence wellbeing. The aims of the presented study were to explore (...)
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  7.  13
    Music in Mood Regulation and Coping Orientations in Response to COVID-19 Lockdown Measures Within the United Kingdom.Noah Henry, Diana Kayser & Hauke Egermann - 2021 - Frontiers in Psychology 12.
    Music is a tool used in daily life in order to mitigate negative and enhance positive emotions. Listeners may orientate their engagement with music around its ability to facilitate particular emotional responses and to subsequently regulate mood. Existing scales have aimed to gauge both individual coping orientations in response to stress, as well as individual use of music for the purposes of mood regulation. This study utilised pre-validated scales through an online survey in order to measure whether music’s use in (...)
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