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  1.  1
    Leviathan and the Myograph: Hermann Helmholtz's “Second Note” on the Propagation Speed of Nervous Stimulations.Henning Schmidgen - 2015 - Science in Context 28 (3):357-396.
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  2.  11
    The Materiality of Things? Bruno Latour, Charles Péguy and the History of Science.Henning Schmidgen - 2013 - History of the Human Sciences 26 (1):3-28.
    This article sheds new light on Bruno Latour’s sociology of science and technology by looking at his early study of the French writer, philosopher and editor Charles Péguy (1873–1914). In the early 1970s, Latour engaged in a comparative study of Péguy’s Clio and the four gospels of the New Testament. His 1973 contribution to a Péguy colloquium (published in 1977) offers rich insights into his interest in questions of time, history, tradition and translation. Inspired by Gilles Deleuze’s philosophy of difference, (...)
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  3.  5
    Pictures, Preparations, and Living Processes: The Production of Immediate Visual Perception (Anschauung) in Late-19th-Century Physiology. [REVIEW]Henning Schmidgen - 2004 - Journal of the History of Biology 37 (3):477 - 513.
    This paper addresses the visual culture of late-19th-century experimental physiology. Taking the case of Johann Nepomuk Czermak (1828-1873) as a key example, it argues that images played a crucial role in acquiring experimental physiological skills. Czermak, Emil Du Bois-Reymond (1818-1896) and other late-19th-century physiologists sought to present the achievements and perspective of their discipline by way of "immediate visual perception (unmittelbare Anschauung)." However, the images they produced and presented for this purpose were strongly mediated. By means of specifically designed instruments, (...)
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  4.  1
    Pictures, Preparations, and Living Processes: The Production of Immediate Visual Perception in Late-19th-Century Physiology.Henning Schmidgen - 2004 - Journal of the History of Biology 37 (3):477-513.
    This paper addresses the visual culture of late-19th-century experimental physiology. Taking the case of Johann Nepomuk Czermak as a key example, it argues that images played a crucial role in acquiring experimental physiological skills. Czermak, Emil Du Bois-Reymond and other late-19th-century physiologists sought to present the achievements and perspective of their discipline by way of "immediate visual perception." However, the images they produced and presented for this purpose were strongly mediated. By means of specifically designed instruments, such as the "cardioscope," (...)
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  5.  30
    Inside the Black Box: Simondon's Politics of Technology.Henning Schmidgen - 2012 - Substance 41 (3):16-31.
    In 1923, Paul Valéry created an artificial world of antiquity. In it the sea could wash up things which, because of their brilliance, hardness, and unfamiliar form, interrupted and irritated well-established habits of thought. Nature or art? Given or created? Earthly or heavenly? Eupalinos, the architect, does not find himself in the position to decide. He throws back into the sea the shiny, ball-like thing he had picked up from the shore only seconds before.1 In the 1950s, the situation has (...)
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  6.  1
    General Physiology, Experimental Psychology, and Evolutionism.Judy Johns Schloegel & Henning Schmidgen - 2002 - Isis 93 (4):614-645.
  7.  10
    Culturing Life: How Cells Became Technologies (Review).Henning Schmidgen - 2008 - Perspectives in Biology and Medicine 51 (2):312-315.
  8.  16
    Das Konzert der Maschinen Simondons politisches Programm.Henning Schmidgen - 2012 - Zeitschrift für Medien- Und Kulturforschung 2012 (2):117-134.
    Gilbert Simondon's essay Du mode d'existence des objets techniques (1958 [On the mode of being of technical objects]) operates in the transitional space between Heidegger's philosophy of technology and contemporary cybernetics. Furthermore, Simondon outlines an explicitly political program that culminates in the demand to emphasize the status of technical objects in the culture of contemporary society by way of human representatives. The basis for this program is his conception of the technical »thing« as a medium. German Gilbert Simondons Abhandlung Du (...)
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  9.  8
    Between the Laboratory and the Museum: Claude Bernard and the Problem of Time.Henning Schmidgen - 2012 - History and Philosophy of the Life Sciences 35 (1):33-37.
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  10.  3
    The Uncertainty of Philosophical Experiments. Rezension Von: Marcel Weber," The Philosophy of Experimental Biology", Cambrigde: Cambridge University Press, 2005.Henning Schmidgen - 2006 - Biological Theory 1 (4):434-435.
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  11.  2
    Die Geschwindigkeit von Gefühlen und Gedanken.Henning Schmidgen - 2004 - Ntm International Journal of History and Ethics of Natural Sciences, Technology & Medicine 12 (2):100-115.
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  12.  1
    Bruno Latour.An Inquiry Into Modes of Existence: An Anthropology of the Moderns. Translated by, Catherine Porter. Xxvii + 486 Pp. Cambridge, Mass./London: Harvard University Press, 2013. $39.95. [REVIEW]Henning Schmidgen - 2014 - Isis 105 (3):673-675.
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  13.  2
    The Uncertainty of Philosophical Experiments: Philosophy of Experimental Biology Marcel Weber Cambridge : Cambridge University Press , 2005 (358 Pp; $75.00 Hbk; ISBN 0521829453). [REVIEW]Henning Schmidgen - 2006 - Biological Theory 1 (4):434-435.
  14.  1
    Culturing Life: How Cells Became Technologies (Review). [REVIEW]Henning Schmidgen - 2008 - Perspectives in Biology and Medicine 51 (2):312-315.
  15. Leben und Erkenntnis. Über eine Entwicklung im Werk von Georges Canguilhem.Henning Schmidgen - 2009 - Paragrana 17 (2).
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  16. Stephen Hilgartner, Science on Stage: Expert Advice as Public Drama. Writing Science. Stanford: Stanford University Press, 2000. Pp. XV+214. Isbn 0-8047-3646-4. £11.95, $18.95. [REVIEW]Henning Schmidgen - 2003 - British Journal for the History of Science 36 (1):87-127.
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  17. Time and Noise: The Stable Surroundings of Reaction Experiments, 1860–1890.Henning Schmidgen - 2003 - Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences 34 (2):237-275.
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