The objective of this study is to analyze the measurability and interfirm comparability of sustainability performance through the qualitative content analysis of 12 sustainability reports of mining firms using the Global Reporting Initiative guidelines. The systematic comparison of information disclosed in 92 GRI indicators sheds light on the reasons underlying the impossibility of rigorously measuring and comparing the sustainability performance of firms from the same sector, which are supposed to be strictly following the same reporting guideline. These reasons include qualitative (...) aspects of sustainability, lack of compliance with GRI protocols, indicator contingency, ambiguous or incomplete information, data heterogeneity, and report opacity. The study makes it possible to return to the very notion of sustainability, its meaning, and flexible application by organizations. The results are discussed from three different theoretical perspectives, each of which proposes possible and complementary explanations of the main findings. (shrink)

L'ouvrage propose une analyse de la question de communauté dans la pensée de Michel Henry. Après avoir explicité son positionnement sur cette problématique, l'auteur établit la présence d'une communauté d'habitus en tant que complément nécessaire à la description de la communauté dans les limites d'une phénoménologie matérielle.

Research on the influence of industry on chemical regulation has mostly been conducted within the framework of the production of ignorance. This special issue extends this research by looking at how industry asserts its interests––not just in the scientific sphere but also at other stages of policy-making and regulatory process––with a specific focus on the types of tools or instruments industry has used. Bringing together sociologists and historians specialized in Science and Technology Studies, the articles of the special issue study (...) the arenas in which instruments and practical guidelines for public policy are negotiated or used. The aim is to observe the devices in the making or in action, from the selection of actors to the production of thresholds, criteria, and other technical regulations. The introduction highlights how industry influence on expertise and regulation is undoubtedly far more pervasive and multifarious than has been conceptualized to date by social scientists. Putting this issue back at the heart of both the STS and social sciences research agendas is increasingly urgent and could lead to new inquiries able to highlight these logics even more widely, using fresh empirical examples. (shrink)

Cet article cherche à rendre compte de la signification du concept d'habitus que nous retrouvons chez Michel Henry en tentant de le situer par rapport aux principaux concepts qui sont au fondement de la phénoménologie matérielle.

Philosophe majeur de notre epoque, Henri Maldiney a elabore une phenomenologie de l'existence centree sur l'Ouvert. Preconisant un - retour aux choses memes -, il refute radicalement la separation instauree entre sujet et objet, insistant sur l'experience de la rencontre comme signifiance insignifiable, transpossibilite et transpassibilite, recueil et deploiement. a partir notamment de Binswanger, Straus, Freud, Szondi, Heidegger et plus largement des textes classiques grecs, allemands, chinois, accordant une importance toute particuliere a l'art, il a contribue de maniere decisive (...) a une philosophie du sentir, du rythme et de l'avenement. Lors du colloque de Cerisy, qui a reuni chercheurs, praticiens et artistes, chacun s'est mis a l'epreuve de cette oeuvre magistrale. Les contributions rassemblees ici manifestent l'evolution et l'impact de cette pensee fondamentale pour le XXIe siecle.". (shrink)

All Aristotelians subscribed to the thesis that the soul as the principle of life has many powers. But how are the powers related to the soul’s essence? It has often been argued that medieval philosophers gave two answers to this ques- tion: some took them to be necessary accidents that are distinct from the soul’s essence, whereas others simply identified them with the essence. This paper intends to show that there were alternatives to these two standard models. Peter of John (...) Olivi argued that the powers are not accidents but substantial forms that constitute the soul’s essence. He thereby defended a strong mereological thesis, for he assumed that the powers are literally parts that make together a whole. Henry of Ghent also rejected the idea that powers are accidents. Instead, he defended the claim that a power of the soul is a whole constituted by the soul’s essence and a relation determining the essence to an act and an object. In making this claim, Henry proposed a determination thesis. The paper dis- cusses both theses in detail, looks at the arguments Olivi and Henry adduced against the two standard models, and evaluates their theories in the historical context. (shrink)

Philosophe et penseur du politique, intellectuel marxiste et militant communiste, enseignant, directeur de collection... : à travers le rayonnement de son oeuvre et de sa personne, Louis Althusser a renouvelé la théorie politique et la philosophie de l'histoire, de Machiavel à Marx. Parmi ses contemporains, Michel Foucault exhorte : " Ouvrez les livres d'Althusser! ", Jacques Derrida évoque " la force rayonnante et provocante de sa pensée ", Gilles Deleuze salue l'" Althusser's Band ", et pour Roland Barthes, " le (...) seul modèle acceptable de la science est celui mis au jour par les études d'Althusser sur Marx ". Aliocha Wald Lasowski converse avec vingt écrivains et philosophes qui ont lu, rencontré, parfois travaillé avec Althusser, quand ils n'ont pas fait partie de ses proches. Où l'on mesure à quel point la pensée d'Althusser demeure d'une actualité brûlante. (shrink)

Cet article a déjà paru dans Le Texte et l'Idée, N° 24, 2010, p. 69-89. Nous remercions Olivier Hanse de nous avoir autorisé à le reproduire ici. De 1913 à 1919, la colonie végétarienne du Monte Verità fondée par l'industriel belge Henri Oedenkoven et la pianiste et féministe allemande Ida Hofmann servit de cadre aux cours d'été du chorégraphe Rudolf von Laban. De la sorte, les apprentis-danseurs n'y recevaient pas uniquement des cours d'expression corporelle mais se - 1er (...) XXe siècle – Nouvel article. (shrink)

The aim of this study was to test the effect of face cooling with cold water vs. face cooling with neutral water during high-intensity swimming training on both the core temperature and thermal perceptions in internationally ranked long-distance swimmers during 2 randomized swimming sessions. After a standardized warm-up of 1,200 m, the athletes performed a standardized training session that consisted of 2,000 m at a best velocity then 600 m of aerobic work. Heart rate was continuously monitored during 5 × (...) 400 m, whereas Tco, thermal comfort, and thermal sensation were measured before and after each 400 m. Before and after each 400 m, the swimmers were asked to flow 200 mL of cold water or neutral water packaged in standardized bottles on their face. The swimmers were asked don’t drink during exercise. The velocity was significantly different between cold water and neutral water. The Tco was increased by ±0.5°C at race pace, under both face cooling conditions with no significant difference. No significant changes were noted in mean HR. TC was higher with Cold Cooling than Neutral Cooling and TS was lower with Cold cooling compared with Neutral cooling. The changes in perceptual parameters caused by face cooling with cold water reflect the psychological impact on the physical parameters. The mean velocity was less important with face cooling whereas the heat rate and Tco were the same in the both conditions. The mechanism leading to these results seems to involve brain integration of signals from physiological and psychological sources. (shrink)

This collection of essays offers different ways of seeing twentieth-century art via the medium of aesthetics. Each essay explores a different vision: Pablo Picasso's Mercure , Paul Klee's work from the thirties, Yves Klein's concept of the Void, Ed Ruscha's gunpowder drawings, and Cy Twombly's Bacchus paintings. Having curated exhibitions on the majority of these artists, Olivier Berggruen's acquaintance with their work is profound, and his approach both scholarly and highly intimate. Olivier Berggruen lives in New York and (...) has curated museum exhibitions devoted to Pablo Picasso, Henri Matisse, Yves Klein, Jean-Michel Basquiat, and Ed Ruscha. (shrink)

This essay discusses attempts that have been made to explain the striking similarities between two theories propounded in 1905 by Albert Einstein and Henri Poincaré without any mutual reference.

La philosophie médiévale a cherché la « racine de la liberté » (donc le libre arbitre radical), tantôt dans la raison (Siger de Brabant), tantôt dans la volonté (Henri de Gand), tantôt dans une combinaison des deux : la volonté comme sujet, la raison comme cause (Thomas d’Aquin). Faut-il donner raison à l’une de ces positions, et sont-elles « libertariennes » ( libertarian ) ou compatibilistes? Au lieu de répondre à cette question, l’auteur essaie plutôt de chercher le sol (...) nourricier, plus profond encore, qui donne sens à ce débat : à ce niveau plus fondamental que la dispute scolaire, la liberté consiste, non dans la faculté d’agir autrement, mais dans la manifestation du bien. (shrink)

At the end of the sixteenth century, a new conception of history appeared that Jean Bodin theorized in France as geographistory. Building on the discoveries of the New World and the subsequent onset of globalization, and drawing on Polybius’s Histories as well as Stoic cosmopolitanism, geographistory aimed to impose a coherent and authentic order (“metre en ordre des choses tant désordonnees”) on the puzzle of fortuitous historical events by appealing to the immanent and material nature of things, presented as a (...) kind of Fortune through which events would realize their universal telos. Configured after the model of the destiny of the Roman Empire, which at his apogee dominated all the world urbi et orbi, the growing world’s unity and universality would therefore providentially substitute for both God’s miraculous intervention and the Aristotelian epic hero’s action; which had failed in the eyes of Calvinists because of the historic fiasco of King Henri IV. In that respect, the poet Agrippa d’Aubigné hoped, with his Histoire universelle, to endow history with a new direction and progress (as Bacon and, still later, Bossuet will do) by methodically combining the parameters of time and space, in the manner of panoptic and rotating Baroque perspective. (shrink)

Totalité et infini (1961), oeuvre majeure d'Emmanuel Levinas, est l'exposé de l'éthique de l'altérité qui a fait de lui l'une des figures les plus marquantes de la philosophie du XXe siècle. Dans la trace de lectures multiples (Husserl, Heidegger, Descartes, Platon ou encore Rosenzweig), il y déploie une philosophie éthique qui se départit de tout fondement ontologique. Si Totalité et infini est bien une "oeuvre de ruptures", c'est qu'elle se donne pour projet de rompre avec l'histoire de la philosophie qui (...) donne le primat au même et à la totalité. Penser l'existence, l'advenue au monde et sa signification, à partir de la présence d'autrui, tel est l'ambitieux projet d'Emmanuel Levinas. Ne plus inscrire le "Je" comme fondement de la pensée, tel est son geste révolutionnaire. La relance du motif fondamental de l'"il y a", les gestes de rupture avec la figure de la totalité et certaines traditions de la phénoménologie, de l'épistémologie, voire de la philosophie analytique, l'actualité de l'oeuvre et l'apport pratique de Totalité et infini à l'interprétation du monde contemporain (justice, politique, éducation), le dialogue entre Totalité et infini et des pensées qui ont nourri ou qui ont croisé certains motifs de la pensée de Levinas - Henri Bergson, René Girard, Maurice Blanchot : tels sont les enjeux explorés dans ce livre. (shrink)

Tout est parti d'une demande d'Olivier Kaeppelin, directeur de la Fondation Maeght, chargeant Bernard-Henri Levy de penser la grande exposition de l'été 2013, à la Fondation. Un thème : les rapports de la peinture et de la philosophie. Un principe : traiter à égalité, et faire dialoguer autour de cette thématique, les maîtres de l'art ancien, moderne et contemporain. Un fil directeur : une sorte de "grand récit", découpé en six stations, où l'on voit la philosophie censurer, ou (...) réhabiliter, ou effacer à nouveau, ou au contraire relayer et même remplacer, le travail des peintres. Une aventure : Bernard-Henri Levy a, pour raconter cette histoire, couru les collections privées, les musées de France et d'ailleurs, débusquant ainsi des chefs-d'oeuvre, souvent peu connus et peu vus, qui seront, du 29 juin prochain au 12 novembre, exposés sur les murs de la Fondation Maeght. Le livre enfin, né de cette aventure, est découpé en trois parties. Une longue "Lettre à Olivier Kaeppelin" (80 pages) posant les bases de l'exposition, ses principes théoriques et ceux de l'Esthetique de BHL. Un Journal, tenu de l'été 2011 au printemps 2013, et racontant, jour après jour, le "making of" de cette exposition hors-norme : problèmes esthétiques et techniques, portraits d'artistes ou de collectionneurs, moments d'éblouissement et de déception - tout y est. Et puis, enfin, les images des 120 oeuvres choisies et accompagnées, chaque fois, d'une "notice" à la fois littéraire et scientifique - c'est la troisième partie du livre. Ce livre n'est pas un "catalogue" (même s'il répertorie savamment les oeuvres retenues). Ce n'est pas un "beau livre" (même s'il est richement illustré). C'est un vrai livre, foisonnant, vivant, littéraire de bout en bout, bourré d'anecdotes et de croquis - où l'on retrouve l'encre du BHL philosophe mais aussi romancier et parfois même cinéaste! Bernard-Henri Lévy a, depuis 30 ans, publié plusieurs monographies sur l'art ancien (Piero della Francesca), moderne (Mondrian) ou contemporain (Frank Stella). Ce nouveau livre vient prolonger et, en quelque sorte, couronner cette part moins connue et, jusqu'ici, délibérément discrète de son oeuvre. (shrink)

« L’invocation henryenne de la « structure monadique de l’être » ne doit pas prêter à confusion. En particulier, on ne saurait assimiler les individualités pathétiques aux monades leibniziennes, qui « n’ont point de fenêtres, par lesquelles quelque chose y puisse entrer ou sortir » : la « monadologie » de Michel Henry ne consiste point en une juxtaposition d’idéalités repliées sur elles-mêmes et coordonnées du dehors par une harmonie préétablie […] ». Ces lignes d’Olivier Tinland nous donnent...

Dans quasi toute son histoire, la philosophie a volontiers cultivé son affinité native avec les arts plastiques mais elle s'est en revanche employée à négliger voire mépriser la musique. Un tel bâillon parle et trahit la fascination apeurée que l'art musical, comme un chant de sirènes, produit chez le philosophe. C'est que, loin d'être, comme tour art du reste mais plus radicalement, un divertissement agréable, la musique déploie un autre sens du sens et de la vérité que ceux définis philosophiquement (...) : si elle n'a pas de sens, c'est parce qu'elle est sens. Dans cet essai, l'auteur propose de se mettre à l'écoute de ce sens, autant que le travail du langage et du concept le permet. Porter le langage à sa limite revient ici à dessaisir le sujet de sa position cartésienne de souveraineté pour reconnaître en son tréfonds, sa constitution de vivant respirant d'un souffle qu'il ne peut que recevoir. La respiration porte le rythme qui anime la musique. Par l'analyse de la différenciation rythmique, on pourra comprendre comment le silence, cet indifférencié absolu, est lieu de provenance de toute musique. Les références faites en chemin aux compositeurs, essentiellement Jean-Sébastien Bach, Robert Schumann, Olivier Greif et Henri Dutilleux conduisent par-delà la diversité des siècles et des styles, à ce même creuset d'absolu dont éclôt toute musique. (shrink)

In Virtues of the Will, Bonnie Kent traces late thirteenth-century debates about the freedom of the will, moral weakness, and other issues that helped change the course of Western ethics. She argues that one cannot understand the controversies of the period or see Duns Scotus in perspective without paying due attention to his immediate predecessors: the influential secular master Henry of Ghent, Walter of Bruges, William de la Mare, Peter Olivi, and other Franciscans. Seemingly radical doctrines in Scotus often turn (...) out to be moderate in comparison to other near-contemporary views, and striking Scotistic innovations often turn out to be something approaching commonplaces of Franciscan thought. This study presents the controversies of the period less as a reaction by theologians against philosophy than as genuine philosophical debates about problems raised by Aristotle's thought. And it presents Scotus's teachings less as a break with tradition than as a reasonably natural response to issues debated by his predecessors. The overall aim is to recover part of a late thirteenth-century dialogue about the will and morality. By explaining in a clear, accessible style the sometimes complex issues debated during this period, Virtues of the Will helps readers understand not only the historical and doctrinal context but also the more enduring philosophical problems posed by Aristotle's teachings. (shrink)

[Work in progress.] According to standard late medieval Christian thought, humans in heaven are unable to sin, having been “confirmed” in their goodness; and, nevertheless, are more free than humans are in the present life. The rise of voluntarist conceptions of the will in the late thirteenth century made it increasingly difficult to hold onto both claims. Peter Olivi suggested that the impeccability of the blessed was dependent upon a special activity of God upon their wills and argued that this (...) external constraint upon their wills did not eliminate their freedom. Later voluntarists largely agreed with Olivi in attributing the confirmation of the blessed to be dependent upon God’s activity in some way, but disputed the means by which and the extent to which the wills of those in heaven could be said to retain their freedom. This paper will examine various attempts made to either harmonize these two claims or else to soften the blow of rejecting one of them; among the authors surveyed will be Peter John Olivi, John Duns Scotus, Henry of Harclay, William of Ockham, Walter Chatton, and Margurite Porete. (shrink)

Short description: Part A : Philosophy, Literature, and Knowledge – Chapter I : Idealism and the Absolute – A. J. B. Hampton: “Herzen schlagen und doch bleibet die Rede zurück?” Philosophy, poetry, and Hölderlin’s development of language suffi cient to the Absolute – P. Sabot: L’absolu au miroir de la littérature. Versions de l’Hégélianisme’ chez Villiers de l’Isle Adam et chez Mallarmé – P. Gordon: Nietzsche’s Critique of the Kantian Absolute – Chapter II: Philosophy and Style – J.-P. Larthomas: Le (...) cas Kierkegaard (1813-1855) ou l’écriture comme dialectique de l’écoute – S. Hüsch: Style et signifi cation. Intériorité et communication indirecte chez Søren Kierkegaard – A. Milon: La question du style en philosophie: la grammaire non-style – C. Van Lerberghe: La question du style dans la phénoménologie asubjective de Jan Patocka – Chapter III: Poetry and Philosophy – J.-B. Dussert: Martin Heidegger en ses poèmes – C. de Roche: The poem and the monad: On the reception of Leibniz‘ monadology in Paul Celan’s poetics – M. de Jesus Cabral: Entre théâtre et philosophie : notes sur la poétique de Maurice Maeterlinck – Chapter IV : Literature, Philosophy, and (new) Mythology – A. Martinengo: La raison hors de soi. Herméneutique et mythe chez Paul Ricoeur – G. Boggio Marzet Tremoloso: Démythologisation comme acte mythopoïétique: le cas de Jason de Elisabeth Porquerol. – G. Coulter: Jean Baudrillard: The Literary / Poetic Philosopher – Chapter V : Literature and Ethics – J. Azoulai: L’Éthique de Spinoza dans Bouvard et Pécuchet: un vertige philosophique et littéraire – I. Vendrell: Can Literature be Moral Philosophy? A sceptical view on the Ethics of Literary Empathy – F. Picon: Envisager Todorov: Poétique, éthique et humanisme contemporain – Chapter VI : Philosophy and Textuality – E. Lecler: La littérature : la mort de la philosophie – J. A. Gosetti- Ferencei: Writing in Philosophy and the Literature and Philosophy of Writing (Plato, Mann, Blanchot) –W. Cristaudo: Bringing Back Character and Grammar: Freeing Literature from Excessive Reliance on Philosophy and Theory – C. Alfano: Parenthesising Cracks into the Ground of Philosophy: The Textuality of Stanley Cavell’s Philosophical Writing – Part B: Perspectives of a Dialogue between Philosophy and Literature: Philosophical Refl ections in Literary Creation – Chapter VII : Philosophical Dialogue and Literature – A. Baillot: Tieck et Solger, un dialogue philosophicolittéraire – V. Altachina: Le dialogue philosophique chez Diderot et chez Dostoïevski – Chapter XIII : Bergsonien Infl uences in Literature – C. Dewas: Bergson et Katzantzakis. Les limites du langage comme condition d’une métaphysique de la littérature – E. Pesenti Rossi: La philosophie à l’épreuve de la poésie : Bergson et Ungaretti – Chapter IX : Wittgenstein and Literature – G. Valdemarca: La revanche du sens commun : Wittgenstein, Musil et la chute de la certitude – A. Leaker: From the ‘numinous glow’ to ‘gut squalor’: Transcendence and the Ordinary in Wittgenstein and Don DeLillo’s Underworld – A. den Dulk: Wallace and Wittgenstein: Literature as Dialogue Concerning the Real World – Chapter X: Borges and Semprun: Writers and Philosophers – J.-F. Mattéi: Borges et la philosophie – T. Capmartin: Voyage au bout de la représentation dans Fictions: Quelques remarques ménardiennes sur Borges et le stoïcisme – V. Capdevielle- Hounieu: Jorge Semprún et l’hybridation du littéraire et du philosophique : pour une ‘fi ction essayistique’ – Chapter XI : Literary (Mis-) Readings of Philosophy – P. Lasarte: Misreadings of Arthur Schopenhauer in Sin Rumbo by Eugenio Cambaceres – S. Roldan: Qu’est-ce qui est fort comme la mort selon Maupassant? La détermination ultime d’Olivier Vertin vue sous l’angle de Schopenhauer – B. Nickel: L’infl uence de Ludwig Wittgenstein (1889–1951) sur la poésie concrète – Chapter XII: The Impact of Philosophy on 20th Century Literature and Poetry – B. Ertugrul: Walter Benjamin et Ingeborg Bachmann entre littérature et philosophie – J. Leclercq / M. Watthee-Delmotte: Michel Henry : pour un langage de la subjectivité. La pensée du roman Le Fils du roi – J. Hobus: “The happiness of the concentration camps”: Reading Imre Kertész’ Novel Fatelessness with Albert Camus’ Concept of the Absurd – S. Frogel: Man without God: Nietzsche, Kafka and Camus Der Herausgeber Sébastian Hüsch, Studium der Philosophie, Geschichte,. (shrink)

In this remarkably ambitious book, Robert Pasnau has sought to trace out the story of medieval epistemology during its formative years, 1250 to 1350, and to draw conclusions both regarding the tenability of views advanced during the High Middle Ages and regarding the relation of medieval epistemology to early modern epistemology. In the history of cognitive theories, Pasnau discusses mainly the figures of Thomas Aquinas, Henry of Ghent, Peter John Olivi, and William of Ockham, although brief treatments are also included (...) of Roger Bacon and William Crathorn. The conclusions that Pasnau draws are that none of the epistemological theories advanced by the principal authors treated is altogether satisfactory and that medieval epistemology provides a direct antecedent to early modern epistemology since, on Pasnau’s reading, even the cognitive theory of a figure such as Aquinas relies on a kind of representationalism. (shrink)

The article discusses the philosophical and theological currents that made their appearance at the university of Paris in the thirteenth century and prepared the rise of the philosophy and theology of John Duns Scotus. The principal rival orientations were newly the introduced Aristotelianism, as represented by Roland of Cremona, Albert the Great, Thomas Aquinas and his Dominican pupils, Siger of Brabant, and Boethius of Dacia, and the traditional and conservative Augustinianism, which found its defenders above all within the Franciscan order, (...) where two schools of thought can be distinguished before Scotus: the older school culminating in St Bonaventure, and the second school, with Matthew of Aquasparta, William of La Mare, William of Ware, Peter Olivi and others. The heterodox tendencies within the thirteenth century Aristotelianism lead to an official condemnation in 1277 by Church and university authorities of 219 of its tenets regarded as erroneous, yet this fact did not stop further continuance and development of this current. After this condemnation there appeared syncretistic solutions by Henry of Ghent and Giles of Rome; also mysticism of Pseudo-Dionysian inspiration (Eckhart) made its appearance. Against this background the origin and rise of the doctrine of John Duns Scotus can be explained as one more attempt to steer a middle course between the rival extremes of Aristotelianism and Augustinian Platonism and to include in a comprehensive synthesis the most valuable elements present in both currents. This attempt prepared the way for the new philosophy of the fourteenth century, although at the same time became the target of criticism by its representatives. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:SubStance 32.3 (2003) 109-132 [Access article in PDF] Passages Beyond the Resistance:René Char's Seuls demeurent and its Harmonics in Semprun and Foucault Van Kelly —Les actions du poète ne sont que la conséquence des énigmes de la poésie. —Le poète ne jouit que de la liberté des autres. René Char Spanish-born writer Jorge Semprun, in his memoir of deportation to Buchenwald, L'écriture ou la vie (1994), tells how in (...) spring 1945 he first came to read what is arguably René Char's first influential book of poetry, Seuls demeurent, and to recite on the liberated camp's assembly ground one of the keynote poems of the collection, "La liberté," as an emblem of his survival. Although Char had published several collections prior to World War II, Seuls demeurent was a major sign that something had changed in his poetry and politics, that he was about to entrer dans la carrière, to borrow the phrase that historian Olivier Wieviorka uses to describe the political and cultural ascension of French resisters in the postwar era. 1 A Gaullist officer, Marc, present at the liberation of Buchenwald in mid-April 1945, gave a copy of Seuls demeurent to Semprun, who had been deported for resistance activities in France. Semprun immediately felt that this book transcended what better-known writers had published from the late 1930s through early 1944, when he lost contact with a French literary scene he knew well (L'écriture, 79-87).Indeed, Seuls demeurent resonated so strongly in the post-Liberation years that it furnished a major reference point in Foucault's preface to his Folie et déraison (1961), where the philosopher links his own critique of social repression with Char's "Partage formel," the poetic sequence of aphorisms that concludes Seuls demeurent. Without mentioning his source (either poet or title of the poem), Foucault quotes from aphorism XXII, where Char praises the uncanny murmur he calls "étrangeté légitime," 2 and where we might hear the whispers of the Resister's legitimate revolt against repression as well as a legitimate strangeness or new self-assertive idiom within poetry. [End Page 109]It is interesting that Semprun and Foucault route their early encounters with Char's writing through the more explicitly poetical Seuls demeurent, and not through Feuillets d'Hypnos, a series of maxims, action portraits, and homages published in 1946 inGallimard's « Espoir » series, directed by Albert Camus, Char's friend. In Feuillets d'Hypnos, Char described, aphoristically more than anecdotally, his experience in the southern French Resistance. Seuls demeurent (and eventually other poems in a similar vein from his 1948 compendium Fureur et mystère, into which Seuls demeurent was merged alongside Feuillets d'Hypnos) purveyed Char's most lasting political and ideological impact on the generations represented by Semprun and Foucault.To understand how Seuls demeurent and the liberational poetics it initiated might spur two such nonconformist yet widely divergent left intellectual projects—Semprun's politique fiction, which resulted in novels like La deuxième mort de Ramón Mercader (1969), and Foucault's archeologies of social control—we must try to read Char's work back into the immediacy of its era, with the help of historians like H.R. Kedward, Henri Michel and others, despite the fact that Seuls demeurent is striated with discernible secondary work—the displacements and condensations that the Occupation and Liberation induced in its survivors and itinerants. Semprun and Foucault, in their quotations from Char's poetry, attest to the sense of personal empowerment that his voice effected. Perhaps something in his poetics, especially its mode of interaction with history, anticipated such readers.I will explore these ideas by showing, first, how in Seuls demeurent Char's poetic re-enactment of his passage through WWII foregrounds historical events and violence, but privileges poetry as a means of giving overriding sense to the war, and more specifically to the French internal Resistance, to the extent that it was morally distinct (if not always organizationally severed) from De Gaulle's external... (shrink)

This contribution looks at how the topic of sleep, prominent in the Parva naturalia, is picked up by philosophers and theologians of the late thirteenth century in texts that are not directly commentaries on the Parva naturalia. In particular, the chapter looks at the question of what sort of activity sleep is and whether it is possible to have higher-level cognitive activities during sleep. While most authors deny outright that we can perform acts of thinking while we are asleep, others (...) defend the occurrence of thought during sleep. Authors discussed include Henry of Ghent, Richard of Middleton, Thomas Aquinas, Peter of Tarentaise, and Peter John Olivi. (shrink)

The third volume of The Cambridge Translations of Medieval Philosophical Texts will allow scholars and students access, for the first time in English, to major texts that form the debate over mind and knowledge at the center of medieval philosophy. Beginning with thirteenth-century attempts to classify the soul's powers and to explain the mind's place within the soul, the volume proceeds systematically to consider the scope of human knowledge and the role of divine illumination, intentionality and mental representation, and attempts (...) to identify the object of human knowledge in terms of concepts and propositions. The authors included are Henry of Ghent, Peter John Olivi, William Alnwick, Peter Aureol, William Ockham, William Crathorn, Robert Holcot, Adam Wodeham as well as two anonymous Parisian masters of arts. This volume will be an important resource for scholars and students of medieval philosophy, history, theology and literature. (shrink)

The third volume of The Cambridge Translations of Medieval Philosophical Texts will allow scholars and students access in English, to major texts that form the debate over mind and knowledge at the center of medieval philosophy. Beginning with thirteenth-century attempts to classify the soul's powers and to explain the mind's place within the soul, the volume proceeds systematically to consider the scope of human knowledge and the role of divine illumination, intentionality and mental representation, and attempts to identify the object (...) of human knowledge in terms of concepts and propositions. The authors included are Henry of Ghent, Peter John Olivi, William Alnwick, Peter Aureol, William Ockham, William Crathorn, Robert Holcot, Adam Wodeham as well as two anonymous Parisian masters of arts. This volume will be an important resource for scholars and students of medieval philosophy, history, theology and literature. (shrink)

The third volume of The Cambridge Translations of Medieval Philosophical Texts will allow scholars and students access in English, to major texts that form the debate over mind and knowledge at the center of medieval philosophy. Beginning with thirteenth-century attempts to classify the soul's powers and to explain the mind's place within the soul, the volume proceeds systematically to consider the scope of human knowledge and the role of divine illumination, intentionality and mental representation, and attempts to identify the object (...) of human knowledge in terms of concepts and propositions. The authors included are Henry of Ghent, Peter John Olivi, William Alnwick, Peter Aureol, William Ockham, William Crathorn, Robert Holcot, Adam Wodeham as well as two anonymous Parisian masters of arts. This volume will be an important resource for scholars and students of medieval philosophy, history, theology and literature. (shrink)

?Petrus Johannis Olivi is today considered one of the most important intellectuals of the second half of the 13th century. Although he died at a young age, he left behind an impressive philosophical and theological work which was placed under the censure of the Church various times. The contributions in this volume reveal a broad spectrum of Olivi's different scholarly methods, demonstrating his intellectual activity and presenting some of his most original philosophical theories.".

Henry Morris (1889-1961), the great educational philosopher, and initiator of the integrated community educational centre - embodied in the Cambridgeshire village college system - was county education officer and had his first 'memorandum' on the concept of community education printed by the Cambridge University Press. 1984 is both the 60th anniversary of his first memorandum and the 400th anniversary of the Press and this commemorative book will be published to coincide with a number of events to celebrate that. The book (...) is a collection of his papers, mainly about community education, edited by Professor Harry Re;e, who is closely associated with the Community Education Development Centre in Coventry. (shrink)

This collection of 216 letters offers an accessible, single-volume distillation of the exchange between celebrated brothers William and Henry James. Spanning more than fifty years, their correspondence presents a lively account of the persons, places, and events that affected the Euro-American world from 1861 until the death of William James in August 1910. An engaging introduction by John J. McDermott suggests the significance of the Selected Letters for the study of the entire family.

Henri Meschonnic was a linguist, poet, translator of the Bible and one of the most original French thinkers of his generation. He strove throughout his career to reform the understanding of language and all that depends on it. His work has had a shaping influence on a generation of scholars and here, for the first time, a selection of these are made available in English for a new generation of linguists and philosophers of language. This Reader, featuring fourteen texts (...) covering the core concepts and topics of Meschonnic's theory, will enrich, enhance and challenge your understanding of language. It explores his key ideas on poetics, the poem, rhythm, discourse and his critique of the sign. Meschonnic's vast oeuvre was continuously preoccupied with the question of a poetics of society; he constantly connected the theory of language to its practice in various fields and interrogated what that means for society. In exploring this fundamental question, this book is central to the study and philosophy of language, with rich repercussions in fields such as translation studies, poetics and literary studies, and in redefining notions such as rhythm, modernity, the poem and the subject. (shrink)