In a time when our understanding of nationalism is critically important, Herman Rapaport brings together an original analysis of philosophical nationalism via Derrida's vital lecture series on the subject. Taking society as the core entry point from which all meaningful social relations emerge, enables an explication of Derrida on race, gender, sex, and family. Key 20th century philosophers' writings on nationalism are revisited through Derrida and reveal themselves anew in light of current polarising debates between universalism and tribalism.

'Is There Truth in Art?' includes chapters on atonal music, environmental art, modern German and French poetry, contemporary French fiction, experimental French ...

The purpose of the essay is to contextualize and explain the philosophical project that is under way in Jacques Derrida's Khōraof 1993. Upon a cursory reading, the book will appear to be merely the unpacking of yet another undecidable term that Derrida has located within the history of metaphysics. But, in fact, the stakes of this text are much higher in that Derrida's aim is to continue developing a project that was announced in the late 1960s, namely, to deregionalize ontology. (...) Precisely what Derrida meant by that phrase and the various texts one would have to revisit in order to properly understand how Khōra instrumentalizes deregionalization is what this essay attempts to survey. Lastly, as Husserlian phenomenology is quite central to the concerns of this essay, researchers may consider it as a contribution to the study of Derrida's relation to Husserl's philosophy. Major texts by Derrida that are discussed include The Problem of Genesis in Husserlian Phenomenology, ‘La difference’, Voice and Phenomena, Of Grammatology, ‘Plato's Pharmacy’, ‘How to Avoid Speaking: Denials’, and Khora. Major topics include: the transcendental ego, regional phenomenology, voice and writing, differance, origin, genesis, woman, negative theology, khora, and Plato. (shrink)

This paper considers a minor if not fleeting detail from Marcel Proust's À la recherche du temps perdu which easily escapes noticeability though it is a signifier that reverberates with and, in fact, repeats the extremely well known epiphany of the Madeleine, though by way of an extremely muted parody that I doubt a reader would notice if he or she had not stopped to examine it. This detail concerns a lobster dismantled on Marcel's plate during lunch at the home (...) of the Swanns. My argument is that the figure of the lobster is what psychologists call a "somatic projection," which in this case has a surreal effect, given that the lobster suddenly becomes a substitute for, say, a woman's body. Moreover, by way of a culinary issue concerning the preparation of lobsters in France and the types of lobstersthat are being prepared, the lobster improbably becomes an object that symbolically traverses sexual orientations, which is also a somatic projection of sorts. That the lobster is a fantasized sexual object whose monstrosity is constitutive of a sexual field divided by different orientations is a matter that this paper takes up. The paper ends with a few remarks about Salvador Dali's surrealist use of imagining the lobster as a fetish object for woman's sex. In various degrees, this paper is relevant to gay studies, object relations theory, the study of fantasy, surrealism in fiction, literature and the culinary, psychology and epistemology, visual art, and, of course, Proust studies. (shrink)

As the spell of Jacques Derrida grows stronger, with more translations and analyses appearing every season, it is possible--and necessary--to determine what in his work is truly new and what continues philosophical and literary traditions. Although Martin Heidegger ahs been mentioned before as a precursor of deconstruction, Herman Rapaport is the first to develop the connections between the writings of the German philosopher and Derrida. Heidegger and Derrida discusses the French philosopher's adoption of certain Heideggerean themes and his extension or (...) overturning of them. But Rapaport does more than show how deconstruction builds on the philosophical foundations laid by Heidegger (and also by Hegel, Nietzsche, and Freud). In the most comprehensive study of Derrida's works to date, he tackles the problem of writing an intellectual history about a figure who has put into question the possibility of such a construction and acknowledges Derrida's concerns with Jewish history in relation to Western thought. (shrink)

"First Published in 2002, Routledge is an imprint of Taylor & Francis, an informa company.".

"First Published in 2002, Routledge is an imprint of Taylor & Francis, an informa company.".