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  1. The Arcades Project.Walter Benjamin, Howard Eiland & Kevin Mclaughlin - 2001 - Science and Society 65 (2):243-246.
     
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  2.  27
    Allegories of Falling.Howard Eiland - 2011 - Telos: Critical Theory of the Contemporary 2011 (155):175-190.
    ExcerptAnd therefore as a stranger give it welcome … Shakespeare, Hamlet, 1.5.165At the end, in a role-reversal at once desperate and sublime, Hamlet stills the unaccustomed passion of his stoical friend Horatio by reminding him he's a man first, before being a Dane or antique Roman. He recalls him to himself out of his suicidal flurry by simultaneously appealing to his love and assigning him a duty: in this harsh world to remain and “tell my story”—an echo of the parting (...)
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    Superimposition in Walter Benjamin's Arcades Project.Howard Eiland - 2007 - Telos: Critical Theory of the Contemporary 2007 (138):121-138.
    Among the more prominent nineteenth-century types populating Benjamin's Arcades Project—collector, flâneur, gambler, prostitute, worker, revolutionary—the figure of the flâneur is exemplary for the way he perceives the landscape of the modern city. Distracted to the point of intoxication by the spectacle of the streets, which he views for the most part en passant, he is nonetheless intimately, micrologically involved with some of the most familiar and therefore often most inconspicuous aspects of urban existence. Benjamin underlines this function of “excavating” the (...)
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    Notes on Film.Howard Eiland - 2005 - Telos: Critical Theory of the Contemporary 2005 (130):141-164.
  5.  9
    The Way to Nearness: Heidegger's Interpretation of Presence.Howard Eiland - 1984 - Philosophy and Literature 8 (1):43-54.
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