This paper aims to institute that the folk song Pamulinawen is essentially a work of art descriptive of Ilokano cultural self-understanding. Specifically, it wants to elucidate that Pamulinanen, per se, is capable of self-assertion; it can usher itself to engage in a dialogue with the Ilokano beholder, and through the mediation of a common pagsasao, it embodies the individual and/or Nakem, the Ilokano collective identity. More than a popular song of courtship among the Ilokanos, the song Pamulinawen (...) then attempts to increase knowledge about Ilokano kananakem so that it serves not only as a piece of Ilokano cultural entertainment but as a medium to express “Ilokano-ness". Through the qualitative methodology, this study mainly employs maiyannatup a panagripirip, a hermeneutical approach to appropriately philosophize on the Ilokano metaphysics, epistemology, and axiology. This approach consists of, among others, palpaliiw and the “Agcaoilon PAR”. (shrink)

Philosophy is not all about parroting Western ideas and categorizations. There are esoteric philosophies, normally labelled as grassroot or indigenous, that are gaining recognition within formal academic circles. The Ilokano philosophy is alive at the margin, nonetheless implicit because its philosophical underpinnings are embedded in the way of life or cultural life of the Ilokanos. But through Maiyannatup a Panagripirip, the tacit Ilokano philosophy becomes outspoken and proves itself to be a rich source of humanistic principles. Dynamically translated (...) as “Appropriate Philosophizing” or “Philosophizing Cultural Life with Prudence”, Maiyannatup A Panagripirip is a methodological paradigm that employs suitable approaches and analyses to generate the Ilokano ontology, epistemology and ethics. It is this paradigm that ushers the Ilokanos to become wisdom-bearers and creators of value rather than mere passive consumers of culture. It unwraps as well the character of the Ilokano language and the discursive potentials of Ilokano philosophy at the arena of cultural pluralism. (shrink)

This paper endeavors to explore and expand the communicative potential of silence from non-Western cultural spaces, of Asian-indigenous worldviews as hermeneutical key to critical and cosmic consciousness. Specifically, it speaks of the llokano cosmic Nakem (cosmic self or cosmic sense of being). At the core of the llokano Nakem is a cosmic impulse that situates this indigenous culture's resilience within the dissipating ecological integrity. Just like in other Asian classical texts, e.g., Taoism where it speaks of a heavenly Dao which (...) is the origin and the law that sustains everything in the world, the Ilokano cosmic self lays at core of cultural belief-an ontology that is deeply founded on the tradition of silence. By seeking out a decisive break from dominant frameworks, this paper argues for the possibility of articulating alternative cultural and linguistic experiences as a political imperative towards a democratized world. (shrink)

This paper aims to show the centrality of the Ilokano indigenous term Nakem (will) as a hermeneutical key to ontological and ethnoreligious musing. It probes the echoes of the sacred in indigenous belief systems and practices as appropriating Christian religiosity. It attempts to rediscover the inherent echoes of the transcendent Nakem (Divine Will) in day-to-day Ilokano life as its epiphany. This paper focuses on the Christian religion but is mindful of the other indigenous expressions of believing in a (...) transcendent God. It interprets the binding force that keeps the phrase “thy will be done” (matungpal koma ti nakemmo) as a fitting description of faith in Ilokano contemporary life. (shrink)