Results for 'Inbal Guter'

82 found
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  1.  30
    A Critique of Susanne Langer’s View of Musical Temporality.Eran Guter & Inbal Guter - 2018 - Proceedings of the European Society for Aesthetics, Vol. 10.
    Susanne Langer’s idea of the primary apparition of music involves a dichotomy between two kinds of temporality: “felt time” and “clock time.” For Langer, musical time is exclusively felt time, and in this sense, music is “time made audible.” However, Langer also postulates what we would call ‘a strong suspension thesis’: the swallowing up of clock time in the illusion of felt time. In this paper we take issue with the ‘strong suspension thesis’ and its implications and ramifications regarding not (...)
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  2. Impurely Musical Make-Believe.Eran Guter & Inbal Guter - 2015 - In Alexander Bareis & Lene Nordrum (eds.), How to Make-Believe: The Fictional Truths of the Representational Arts. De Gruyter. pp. 283-306.
    In this study we offer a new way of applying Kendall Walton’s theory of make-believe to musical experiences in terms of psychologically inhibited games of make-believe, which Walton attributes chiefly to ornamental representations. Reading Walton’s theory somewhat against the grain, and supplementing our discussion with a set of instructive examples, we argue that there is clear theoretical gain in explaining certain important aspects of composition and performance in terms of psychologically inhibited games of make-believe consisting of two interlaced game-worlds. Such (...)
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  3.  32
    Musical Profundity: Wittgenstein's Paradigm Shift.Eran Guter - 2019 - Apeiron. Estudios de Filosofia 10:41-58.
    The current debate concerning musical profundity was instigated, and set up by Peter Kivy in his book Music Alone (1990) as part of his comprehensive defense of enhanced formalism, a position he championed vigorously throughout his entire career. Kivy’s view of music led him to maintain utter skepticism regarding musical profundity. The scholarly debate that ensued centers on the question whether or not (at least some) music can be profound. In this study I would like to take the opportunity to (...)
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  4. Wittgenstein on Mahler.Eran Guter - 2013 - In Danièle Moyal-Sharrock, Volker A. Munz & Annalisa Coliva (eds.), Mind, Language and Action: Contributions to the 36th International Wittgenstein Symposium. Austrian Ludwig Wittgenstein Society.
    In this paper I explain Wittgenstein’s ambivalent remarks on the music of Gustav Mahler in their proper musico-philosophical context. I argue that these remarks are connected to Wittgenstein’s hybrid conception of musical decline and to his tripartite scheme of modern music. I also argue that Mahler’s conundrum was indicative of Wittgenstein’s grappling with his own predicament as a philosopher, and that this gives concrete sense to Wittgenstein’s admission that music was so important to him that without it he was sure (...)
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  5. On Not Explaining Anything Away.Eran Guter & Craig Fox - 2018 - In Gabriele M. Mras, Paul Weingartner & Bernhard Ritter (eds.), Philosophy of Logic and Mathematics, Contributions to the 41st International Wittgenstein Symposium. Kirchberg am Wechsel, Austria: Austrian Ludwig Wittgenstein Society. pp. 52-54.
    In this paper we explain Wittgenstein’s claim in a 1933 lecture that “aesthetics like psychoanalysis doesn’t explain anything away.” The discussions of aesthetics are distinctive: Wittgenstein gives a positive account of the relationship between aesthetics and psychoanalysis, as contrasted with psychology. And we follow not only his distinction between cause and reason, but also between hypothesis and representation, along with his use of the notion of ideals as facilitators of aesthetic discourse. We conclude that aesthetics, like psychoanalysis, preserves the verifying (...)
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  6. Wittgenstein, Modern Music, and the Myth of Progress.Eran Guter - 2017 - In Ilkka Niiniluoto & Thomas Wallgren (eds.), On the Human Condition – Essays in Honour of Georg Henrik von Wright’s Centennial Anniversary, Acta Philosophica Fennica vol. 93. Helsinki: Societas Philosophica Fennica. pp. 181-199.
    Georg Henrik von Wright was not only the first interpreter of Wittgenstein, who argued that Spengler’s work had reinforced and helped Wittgenstein to articulate his view of life, but also the first to consider seriously that Wittgenstein’s attitude to his times makes him unique among the great philosophers, that the philosophical problems which Wittgenstein was struggling, indeed his view of the nature of philosophy, were somehow connected with features of our culture or civilization. -/- In this paper I draw inspiration (...)
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  7.  22
    “A Small, Shabby Crystal, yet a Crystal”: A Life of Music in Wittgenstein’s Denkbewegungen.Eran Guter - forthcoming - In B. Sieradzka-Baziur, I. Somavilla & C. Hamphries (eds.), Wittgenstein's Denkbewegungen. Diaries 1930-1932/1936-1937: Interdisciplinary Perspectives. Innsbruck, Austria: StudienVerlag.
    Ludwig Wittgenstein's life and writings attest the extraordinary importance that the art of music had for him. It would be fair to say even that among the great philosophers of the twentieth century he was one of the most musically sensitive. Wittgenstein’s Denkbewegungen contains some of his most unique remarks on music, which bear witness not only to the level of his engagement in thinking about music, but also to the intimate connection in his mind between musical acculturation, the perils (...)
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  8. Wittgenstein on Musical Depth and Our Knowledge of Humankind.Eran Guter - 2017 - In Garry L. Hagberg (ed.), Wittgenstein on Aesthetic Understanding. Palgrave-Macmillan. pp. 217-247.
    Wittgenstein’s later remarks on music, those written after his return to Cambridge in 1929 in increasing intensity, frequency, and elaboration, occupy a unique place in the annals of the philosophy of music, which is rarely acknowledged or discussed in the scholarly literature. These remarks reflect and emulate the spirit and subject matter of Romantic thinking about music, but also respond to it critically, while at the same time they interweave into Wittgenstein’s forward thinking about the philosophic entanglements of language and (...)
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  9. The Good, the Bad, and the Vacuous: Wittgenstein on Modern and Future Musics.Eran Guter - 2015 - Journal of Aesthetics and Art Criticism 73 (4):425-439.
    This article explains Wittgenstein's distinction between good, bad, and vacuous modern music which he introduced in a diary entry from January 27, 1931. I situate Wittgenstein's discussion in the context of Oswald Spengler's ideas concerning the decline of Western culture, which informed Wittgenstein's philosophical progress during his middle period, and I argue that the music theory of Heinrich Schenker, and Wittgenstein's critique thereof, served as an immediate link between Spengler's cultural pessimism and Wittgenstein's threefold distinction. I conclude that Wittgenstein's distinction (...)
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  10. Ornamentality in the New Media.Eran Guter - 2010 - In Anat Biletzki (ed.), Hues of Philosophy: Essays in Memory of Ruth Manor. College Publications. pp. 83-96.
    Ornamentality is pervasive in the new media and it is related to their essential characteristics: dispersal, hypertextuality, interactivity, digitality and virtuality. I utilize Kendall Walton's theory of ornamentality in order to construe a puzzle pertaining to the new media. the ornamental erosion of information. I argue that insofar as we use the new media as conduits of real life, the excessive density of ornamental devices which is prevalent in certain new media environments, forces us to conduct our inquiries under conditions (...)
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  11. A Surrogate for the Soul: Wittgenstein and Schoenberg.Eran Guter - 2011 - In Enzo De Pellegrin (ed.), Interactive Wittgenstein. Springer. pp. 109--152.
    This article challenges a widespread assumption, arguing that Wittgenstein and the Austrian composer Arnold Schoenberg had little in common beyond their shared cultural heritage, overlapping social circles in fin-de-ciecle Vienna. The article explores Wittgenstein's aesthetic inclinations and the intellectual and philosophical influences that may have reinforced them. The article culminates in an attempt to form a Wittgensteinian response to Schoenberg's dodecaphonic language and to answer the question as to why Wittgenstein and Schoenberg arrived at very different ideas about contemporary music (...)
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  12. Wittgenstein Reimagines Musical Depth.Eran Guter - 2016 - In Stefan Majetschak Anja Weiberg (ed.), Aesthetics Today: Contemporary Approaches to the Aesthetics of Nature and of Art, Contributions to the 39th International Wittgenstein Symposium (Kirchberg am Wechsel: ALWS, 2016). pp. 87-89.
    I explore and outline Wittgenstein's original response to the Romantic discourse concerning musical depth, from his middle-period on. Schopenhauer and Spengler served as immediate sources for Wittgenstein's reliance on Romantic metaphors of depth concerning music. The onset for his philosophic intervention in the discourse was his critique of Schenker's view of music and his general shift toward the 'anthropological view', which occurred at the same time. In his post-PI period Wittgenstein was able to reimagine musical depth in terms of vertically (...)
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  13.  64
    Toward an Aesthetics of New-Media Environments.Eran Guter - 2016 - Proceedings of the European Society for Aesthetics.
    In this paper I suggest that, over and above the need to explore and understand the technological newness of computer art works, there is a need to address the aesthetic significance of the changes and effects that such technological newness brings about, considering the whole environmental transaction pertaining to new media, including what they can or do offer and what users do or can do with such offerings, and how this whole package is integrated into our living spaces and activities. (...)
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  14.  28
    Logic and the Art of Memory: The Quest for a Universal Language: Book Reviews. [REVIEW]Eran Guter - 2007 - British Journal of Aesthetics 47 (4):451-454.
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  15.  54
    Wittgenstein on Musical Experience and Knowledge.Eran Guter - 2004 - In J. C. Marek & E. M. Reicher (eds.), Experience and Analysis: Papers of the 27th International Wittgenstein Symposium. Austrian Ludwig Wittgenstein Society.
    Wittgenstein’s thinking on music is intimately linked to core issues in his work on the philosophy of psychology. I argue that inasmuch musical experience exemplifies the kind of grammatical complexity that is indigenous to aspect perception and, in general, to concepts that are based on physiognomy, it is rendered by Wittgenstein as a form of knowledge, namely, knowledge of mankind.
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  16.  74
    Critical Study: An Inadvertent Nemesis—Wittgenstein and Contemporary Aesthetics.Eran Guter - 2005 - British Journal of Aesthetics 45 (3):296-306.
  17.  42
    Schoenberg and Wittgenstein: The Odd Couple.Eran Guter - 2009 - In V. A. Munz, K. Puhl & J. Wang (eds.), Language and World, Contributions to the 32nd International Wittgenstein Symposium.
    This paper is an elaborate response to Stanely Cavell's suggestion that Schoenberg's idea of the 12-tone row is a serviceable image of Wittgenstein's idea of grammar. I argue that this suggestion underplays what must be a major premise in any argument for yoking Wittgenstein and Schoenberg: Wittgenstein's philosophically entrenched rejection of modern music. I consider this omission in the context of Wittgenstein's idiosyncratic emulation of Schenker's theory of music in order to facilitate a direct comparison between Wittgenstein's and Schoenberg's sharply (...)
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  18.  5
    Virtual Driving and Risk Taking: Do Racing Games Increase Risk-Taking Cognitions, Affect, and Behaviors?Peter Fischer, Jörg Kubitzki, Stephanie Guter & Dieter Frey - 2007 - Journal of Experimental Psychology: Applied 13 (1):22-31.
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  19.  6
    A Pagan Spoiled: Sex and Character in Wagner's Parsifal.Eran Guter - 2005 - British Journal of Aesthetics 45 (4):456-458.
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  20.  36
    Aesthetics A-Z.Eran Guter - 2010 - Edinburgh University Press.
    This introduction to aesthetics provides a layered treatment of both the historical background and contemporary debates in aesthetics. Extensive cross-referencing shows how issues in aesthetics intersect with other branches of philosophy and other fields that study the arts. Aesthetics A-Z is an ideal guide for newcomers to the field of aesthetics and a useful reference for more advanced students of philosophy, art history, media studies and the performing arts.
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  21. Wittgenstein and Aesthetics. [REVIEW]Eran Guter - 2004 - The Bertrand Russell Society Quarterly 124.
     
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  22.  88
    Where Languages End: Ludwig Wittgenstein at the Crossroads of Music, Language, and the World.Eran Guter - 2004 - Dissertation, Boston University
    Most commentators have underplayed the philosophical importance of Wittgenstein's multifarious remarks on music, which are scattered throughout his Nachlass. In this dissertation I spell out the extent and depth of Wittgenstein's engagement with certain problems that are regarded today as central to the field of the aesthetics of music, such as musical temporality, expression and understanding. By considering musical expression in its relation to aspect-perception, I argue that Wittgenstein understands music in terms of a highly evolved, vertically complex physiognomic language-game, (...)
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  23.  17
    Güter, Tugenden, Pflichten.Johannes Fischer - 2006 - Ethik in der Medizin 18 (2):148-163.
    Ist es Aufgabe der Medizinethik und medizinethischer Kommissionen, moralische Urteile von der Art zu fällen, dass eine Handlung oder Praktik, wie der assistierte Suizid, moralisch richtig oder legitim ist? Der folgende Beitrag argumentiert dafür, dass sich die Medizinethik solcher Urteile enthalten sollte. Seine These ist, dass die Aufgabe der Medizinethik nicht in moralischen Bewertungen, sondern in der Reflexion auf diejenigen Güter, Tugenden und Pflichten besteht, die bei einer solchen Handlung oder Praktik auf dem Spiel stehen. In diesem Sinne übt er (...)
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  24.  7
    Inbal Ofer and Tamar Groves , Performing Citizenship. Social Movements Across the Globe, London/New York, Routledge, 2016.Jovana Papović - 2018 - Filozofija I Društvo 29 (3):465-468.
    Inbal Ofer and Tamar Groves, Performing Citizenship. Social Movements across the Globe, London/New York, Routledge, 2016. Jovana Papović.
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  25. Klimawandel, globale Gerechtigkeit und die Ethik globaler öffentlicher Güter - einige grundlegende begriffliche Fragen.Christian Seidel - 2012 - In Matthias Maring (ed.), Globale öffentliche Güter in interdisziplinären Perspektiven. KIT Scientific Publishing.
  26.  5
    Güter, Tugenden, PflichtenGoods, Virtues, Duties—On the “Sittlich” Fundaments of Medical Ethics.Johannes Fischer - 2006 - Ethik in der Medizin 18 (2):148-163.
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  27.  9
    Die Vielfalt guter Gründe und die Theorie praktischer Rationalität.Julian Nida-Rümelin - 1994 - ProtoSociology 6:103-113.
    There is a plurality of good reasons for action. An adequate theory of practical rationality has to be compatible with it even if it requires certain modifications of our everyday practices of reasoning. Usual theories of practical rationality do not pass this test. It is envisaged how to revise adequately our understanding of practical rationality.
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  28.  11
    Lothar III. und die Mathildischen Güter. Thomas Groß.Maureen C. Miller - 1992 - Speculum 67 (3):679-680.
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  29.  9
    6. Der Einwand, unsere These der trotz ihrer idealen Existenz bestehenden Einbettung der Urteilswahrheit in die wirkliche Welt personaler Akte stelle einen Rückfall in einen überholten Platonismus, in den Psychologismus oder sogar eine unüberzeugende Mischung beider dar – Guter und schlechter Platonismus sowie sechs verschiedene Bedeutungen von Psychologismus.Josef Seifert - 2009 - In De Veritate - Über Die Wahrheit, Band 1+2, de Veritate - Über Die Wahrheit: 1: Wahrheit Und Person. 2: Der Streit Um Die Wahrheit. De Gruyter. pp. 455-460.
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  30.  8
    Ein guter Philosoph ist stets darauf bedacht, ob nicht auch ein anderer Böses macht.Hartmut Kliemt - 1990 - Analyse & Kritik 12 (2):174-189.
    The fact that Peter Singer was prevented from lecturing in Germany as well as the fact that the discussion of his book ,Practical Ethics, was rendered impossible raises important questions about freedom. Surprisingly some philosophers have joined the political factions which strive to suppress free discussion. In this quite polemical article some of their views are rejected. The only way to weed out error is free discussion.
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  31.  4
    Guter König Und Doch Verfolger? Die Religionspolitik des Westgotenkönigs Leovigild Im Urteil der Zeitgenössischen Historiker.Markus Mülke - 2016 - Frühmittelalterliche Studien 50 (1):99-128.
    Name der Zeitschrift: Frühmittelalterliche Studien Jahrgang: 50 Heft: 1 Seiten: 99-128.
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  32.  5
    Metamorphosen des Gemeinwohls: Von der Herrschaft guter polizey zur Regierung durch Freiheit und Sicherheit.Matthias Bohlender - 2001 - In Harald Bluhm & Herfried Münkler (eds.), Gemeinwohl Und Gemeinsinn: Historische Semantiken Politischer Leitbegriffe. De Gruyter. pp. 247-274.
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  33.  4
    Ein Ach so Guter Europäer: Thomas Common Und Seine Nietzsche-Zeitschrift Notes for Good Europeans.Renate Reschke & Volker Gerhardt - 2007 - In Renate Reschke & Volker Gerhardt (eds.), Nietzsche Und Europa – Nietzsche in Europa. Akademie Verlag.
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  34.  3
    "Ich wollte, ich ware ein guter Schuhflicker...": Das ungluckliche Leben des bayerischen Astronomen Johann Nepomuck Fischer : Eine dokumentarische Biographie. Wolfgang Hernschier. [REVIEW]Jurgen Kiefer - 1999 - Isis 90 (3):600-600.
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  35.  3
    9. Fiktionen, Wissen und andere kognitive Güter.Oliver R. Scholz - 2014 - In Tilmann Köppe & Tobias Klauk (eds.), Fiktionalität: Ein Interdisziplinäres Handbuch. De Gruyter. pp. 209-234.
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  36.  1
    Güter/güterlehre.Reiner Anselm - 2013 - Zeitschrift Für Evangelische Ethik 57 (3):218-221.
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  37. Reinhart Biernatzki, Kant und die höchsten Güter der Religion nach Paul Deussen.Heinrich Hasse - 1927 - Schopenhauer Jahrbuch:302-303.
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  38. Kollektive Güter und individuelle Verantwortung.Anton Leist - 1989 - Analyse & Kritik 11 (2):179-196.
    In acting within large groups the single actor typically suffers from the symptom of irrelevance of his contribution. A single contributory effect may be extremely small or, due to 'threshold effects', even non-existent. Given such conditions not only self-interested action, also purely altruistically motivated contribution seems to be rendered irrational. The article reasons that the famous 'principles of generalization' are of no help on this problem. However, a 'principle of division' could be used in show-ing that in many situations of (...)
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  39. Güter und Werte.Max Scheler - 1913 - Jahrbuch für Philosophie Und Phänomenologische Forschung 1 (2):411.
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  40. "Materiale Wertethik und Güter", resp. Zweckethik.Max Scheler - 1913 - Jahrbuch für Philosophie Und Phänomenologische Forschung 1 (2):407.
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  41.  24
    Ökonomisierung von Krankenhaustätigkeit – Chancen, Grenzen Und Risiken Einer Marktorientierten MedizinEconomization of Hospital Activities—Opportunities, Limits, and Risks of a Market-Oriented Medicine.Alexander Dietz - 2011 - Ethik in der Medizin 23 (4):263-270.
    In der Diskussion über Ökonomisierung im Gesundheitswesen werden oft wesentliche Begriffsunterscheidungen außer Acht gelassen. Um feststellen zu können, in welchem Fall die Rede von Ökonomisierung oder Ökonomismus im negativen Sinn angemessen ist, muss zwischen dem Gesellschaftsbereich Wirtschaft und der ökonomischen Dimension in allen Gesellschaftsbereichen (wie dem Gesundheitswesen) unterschieden werden. Es muss geklärt werden, wo ökonomische Ziele verfolgt werden sollen und wo andere Ziele mit ökonomischen Mitteln verfolgt werden sollen. Im Blick auf die Frage nach einer Marktsteuerung des Gesundheitswesens ist zu (...)
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  42.  9
    The Role of Multiword Building Blocks in Explaining L1–L2 Differences.Inbal Arnon & Morten H. Christiansen - 2017 - Topics in Cognitive Science 9 (3):621-636.
    Why are children better language learners than adults despite being worse at a range of other cognitive tasks? Here, we explore the role of multiword sequences in explaining L1–L2 differences in learning. In particular, we propose that children and adults differ in their reliance on such multiword units in learning, and that this difference affects learning strategies and outcomes, and leads to difficulty in learning certain grammatical relations. In the first part, we review recent findings that suggest that MWUs play (...)
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  43.  16
    More Than Words: The Role of Multiword Sequences in Language Learning and Use.Morten H. Christiansen & Inbal Arnon - 2017 - Topics in Cognitive Science 9 (3):542-551.
    The ability to convey our thoughts using an infinite number of linguistic expressions is one of the hallmarks of human language. Understanding the nature of the psychological mechanisms and representations that give rise to this unique productivity is a fundamental goal for the cognitive sciences. A long-standing hypothesis is that single words and rules form the basic building blocks of linguistic productivity, with multiword sequences being treated as units only in peripheral cases such as idioms. The new millennium, however, has (...)
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  44.  9
    “Piensa” Twice: On the Foreign Language Effect in Decision Making.Albert Costa, Alice Foucart, Inbal Arnon, Melina Aparici & Jose Apesteguia - 2014 - Cognition 130 (2):236-254.
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  45.  31
    Granularity and the Acquisition of Grammatical Gender: How Order-of-Acquisition Affects What Gets Learned.Inbal Arnon & Michael Ramscar - 2012 - Cognition 122 (3):292-305.
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  46.  13
    Statistical Learning Is Not Age‐Invariant During Childhood: Performance Improves With Age Across Modality.Amir Shufaniya & Inbal Arnon - 2018 - Cognitive Science 42 (8):3100-3115.
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  47.  12
    More Than Words: The Role of Multiword Sequences in Language Learning and Use.Morten H. Christiansen & Inbal Arnon - forthcoming - Cognitive Science.
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  48.  7
    Statistical Learning, Implicit Learning, and First Language Acquisition: A Critical Evaluation of Two Developmental Predictions.Inbal Arnon - forthcoming - Topics in Cognitive Science.
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  49.  3
    Anxiolytic Treatment Impairs Helping Behavior in Rats.Inbal Ben-Ami Bartal, Haozhe Shan, Nora M. R. Molasky, Teresa M. Murray, Jasper Z. Williams, Jean Decety & Peggy Mason - 2016 - Frontiers in Psychology 7.
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  50.  5
    Wissen, Verstehen und Weisheit.Christoph Baumberger - 2019 - In Martin Grajner & Guido Melchior (eds.), Handbuch Erkenntnistheorie. Stuttgart, Germany: pp. 110-115.
    Die Erkenntnistheorie wird meist als Theorie des Wissens charakterisiert. In jüngerer Zeit ist der alleinige Fokus auf Wissen kritisiert und sind weitere epistemische Güter diskutiert worden. Verstehen und Weisheit sind von besonderer Bedeutung. Erstens ist Verstehen ein hohes und Weisheit vielleicht das höchste epistemische Gut; beide scheinen epistemisch wertvoller zu sein als Wissen (Riggs 2003). Zudem ist unklar, ob der epistemische Wert von Wissen den Wert seiner Bestandteile (z.B. wahre, gerechtfertigte Meinung) übersteigt. Es ist behauptet worden, dass sich für Verstehen (...)
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