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Iris Vidmar Jovanović
University of Rijeka
  1.  45
    Big Philosophical Questions: Why They Matter and Why They Are Still Around.Iris Vidmar - 2018 - The European Legacy 23 (4):403-415.
    Big philosophical questions—about the mind, the idea of the good, justice, beauty, knowledge—have been the prime interest of philosophers ever since Plato first raised them in his dialogues. However, regardless of how hard philosophers have been trying to find answers to them, it seems that all they have ever managed to do was to find reasons for disagreements, and, on the whole, to have failed to reach a consensus on pretty much anything. Some philosophers now claim that there hasn’t been (...)
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  2.  12
    Rethinking the philosophy – literature distinction.Iris Vidmar - 2019 - Rivista di Estetica 70:156-170.
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  3. O vrijednosti i bezvrijednosti humanističkih nauka: Poučci Helen Small.Iris Vidmar - 2016 - Култура (153):167-182.
    One of the most contentious question in today’s discussions on the educational policies concerns the role and values of the humanities in contemporary society and education. Many see the humanities as empty, unnecessary, inefficient, phony and worthless. This paper offers a rundown of arguments adduced to support this view, followed by an overview of Helen Small’s The Value of the Humanities, which offers an exceptionally critical and insightful analysis into the current debate over the value of the humanities. The paper (...)
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  4. Thought Experiments, Hypotheses, and Cognitive Dimension of Literary Fiction.Iris Vidmar - 2013 - Synthesis Philosophica 28 (1-2):177-193.
    Some authors defend literary cognitivism – the view that literary fiction is cognitively valuable – by drawing an analogy between cognitive values of thought experiments and literary fiction. In this paper my aim is to analyse the reasons for drawing this analogy and to see how far the analogy can be stretched. In the second part, I turn to the claim put forward by literary anti-cognitivists according to which literature can at best be the source of hypotheses, not of knowledge. (...)
     
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  5. Filozofija i književnost o svijetu i čovjeku: isto a različito.Iris Vidmar - 2013 - Prolegomena 12 (2):285-313.
    Suvremeni trendovi analitičke književne estetike sve se češće suočavaju s pitanjem o tome koliko su filozofija i književnost slične, a koliko različite. Ovakvo problematiziranje proizlazi iz činjenice da postoji određeni prostor preklapanja između njih dvije, zbog kojeg se postavlja pitanje o tome što je to po čemu se one razlikuju. Jedan od načina da se na to odgovori jest da pobliže pogledamo i filozofiju i književnost, te da na taj način pokušamo pronaći neko svojstvo po kojem se razlikuju. Boran Berčić (...)
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  6. Filozofski život Odsjeka za filozofiju u Rijeci.Iris Vidmar - 2008 - Filozofska Istrazivanja 28 (2):477-480.
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  7. Filozofski život Odsjeka za filozofiju u Rijeci.Iris Vidmar - 2007 - Filozofska Istrazivanja 27 (4):999-1001.
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  8. Gostujuća predavanja naOdsjeku za filozofiju u Rijeci.Iris Vidmar - 2009 - Filozofska Istrazivanja 29 (2):408-409.
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  9. Jason Stanley, Knowledge and practical interests.Iris Vidmar - 2008 - Croatian Journal of Philosophy 22:167-173.
  10. Mini-simpozij »Vrijednosti umjetnosti«.Iris Vidmar - 2010 - Filozofska Istrazivanja 30 (4):741-742.
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  11. Obilježavanje Svjetskog dana filozofije u Rijeci.Iris Vidmar - 2009 - Filozofska Istrazivanja 29 (2):407-407.
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  12. Predstavljanje knjige Elvia Baccarinija Moralna spoznaja.Iris Vidmar - 2008 - Filozofska Istrazivanja 28 (2):483-483.
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  13. Predavanje Maria Ricciardija »Berlin o slobodi«.Iris Vidmar - 2007 - Filozofska Istrazivanja 27 (2):492-495.
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  14. Predavanje Marine Sbisà »Kontekstualizam«.Iris Vidmar - 2007 - Filozofska Istrazivanja 27 (2):488-489.
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  15. Predavanje Michaela Watkinsa »Problemi s bojama«.Iris Vidmar - 2007 - Filozofska Istrazivanja 27 (2):500-501.
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  16. Riječki dani Davida Daviesa.Iris Vidmar - 2011 - Filozofska Istrazivanja 31 (4):905-908.
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  17. Review: Philosophy of Literature. [REVIEW]Iris Vidmar - 2009 - Synthesis Philosophica 24 (2):378-382.
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  18. Simpozij »Contemporary Philosophical Topics«.Iris Vidmar - 2007 - Filozofska Istrazivanja 27 (4):1005-1011.
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  19. Simpozij »Contemporary Philosophical Issues; Truth, Justice and Beauty«.Iris Vidmar - 2008 - Filozofska Istrazivanja 28 (4):1003-1006.
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  20. Simpozij »Filozofija i umjetnost«.Iris Vidmar - 2011 - Filozofska Istrazivanja 31 (4):900-905.
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  21.  31
    Peter Swirski, Stanislaw Lem: Philosopher of the Future. Reviewed by.Iris Vidmar - 2016 - Philosophy in Review 36 (1):23-25.
    Stanislaw Lem, Philosopher of the Future is a revealing and instructive guide to the philosophical fiction of Stanislaw Lem. Throughout the book, Swirski builds a framework of philosophical and scientific concepts within which Lem’s works should be read, in particular its most significant aspect: Lem’s unyielding concern for knowledge supported by his conviction that literature is an epistemologically valuable tool for exploring reality. Swirski offers a rich background to Lem's litrary career and unravels the depths of Lem’s philosophical fiction.
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  22.  33
    Art, Knowledge and Testimony.Iris Vidmar & Elvio Baccarini - 2010 - Synthesis Philosophica 25 (2):333-348.
    In this paper we want to explore different epistemological benefits that we gain by dealing with some artworks, and our focus is on narrative arts. We claim that there is a sense in which narrative arts can be similar to testimony, in that they provide information which can be epistemologically valuable for cognitive agents such as we are. We identify at least two broad categories of these epistemological benefits, the first one includes ‘facts stating’ and in that sense is parallel (...)
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  23.  13
    Literature and Truth.Iris Vidmar - 2019 - Croatian Journal of Philosophy 19 (2):351-370.
    In this paper I address Jerome Stolnitz’s famous article “On the cognitive triviality of art,” with the aim of defending aesthetic and literary cognitivism against the charges Stolnitz issues at it therein. My defence of literary cognitivism is grounded in contemporary epistemology, which, I argue, is more embracive of cognitive values of literature traditionally invoked by literary cognitivists. My discussion is structured against Stolnitz’s individual arguments, dedicated in particular to the problem of literary truth. After exploring what such notion might (...)
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  24.  29
    Umjetnost, znanje, svjedočanstvo.Iris Vidmar & Elvio Baccarini - 2010 - Synthesis Philosophica 25 (2):333-348.
    U ovom radu želimo istražiti različite epistemološke koristi koje dobivamo putem nekih umjetničkih djela, pri čemu smo primarno usredotočeni na narativne umjetnosti. Tvrdimo da u određenom smislu, narativne umjetnosti mogu biti slične svjedočanstvu, utoliko što pružaju informacije koje mogu biti epistemološki vrijedne za kognitivne djelatnike kakvi smo mi. Razlikujemo barem dvije šire kategorije tih epistemoloških vrijednosti, od kojih prva uključuje ‘navođenje činjenica’ i u tom je smislu pandan paradigmatskom slučaju svjedočanstva u kojem ono što informator govori može biti izvor znanja (...)
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  25.  23
    Deaths in Venice: The Cases of Gustav von Aschenbach by Philip Kitcher.Iris Vidmar - 2016 - Philosophy and Literature 40 (1):320-324.
    From philosophy of science, epistemology, and ethics to political philosophy and philosophy of mathematics, Philip Kitcher has made outstanding contributions to every philosophical discipline. With Deaths in Venice: The Cases of Gustav von Aschenbach, he continues his journey into philosophy of literature he undertook back in 2007 with his book Joyce’s Kaleidoscope. Written in his clear, precise, and occasionally almost poetic style, Deaths in Venice is not only an inspiring new interpretation of Thomas Mann’s famous novel Death in Venice but (...)
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  26.  30
    Is there really a challenge to the cognitive value of literature?Iris Vidmar - manuscript
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  27.  25
    Alan H. Goldman, Philosophy and the Novel.Iris Vidmar - 2015 - Estetika: The European Journal of Aesthetics 52 (1):122-127.
  28.  13
    Murray Smith. Film, Art, and the Third Culture: A Naturalized Aesthetics of Film. Reviewed by. [REVIEW]Iris Vidmar - 2018 - Philosophy in Review 38 (3):123-125.
  29.  21
    Fictional testimony.Snjezana Prijic-Samarzija & Iris Vidmar - 2012 - Prolegomena 11 (1):65-82.
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  30.  29
    Justification Without Awareness.Iris Vidmar - 2009 - Croatian Journal of Philosophy 9 (3):331-339.
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  31.  10
    Reconciling Poetry and Philosophy.Iris Vidmar & Martina Blečić - 2018 - Croatian Journal of Philosophy 18 (3):487-498.
    Poetry and philosophy have had a long and convoluted relation, characterized often by mutual antipathy and rarely by mutual acknowledgment and respect. Plato was one influential philosopher who trashed poetry’s capacities to trade in the domain of truth and knowledge, but it was J. L. Austin who blew the final whistle by dismissing it as non-serious. And while for many poets that was an invitation to dismiss Austin, for many philosophers that was a confirmation of the overall discomfort they had (...)
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  32.  16
    GIBSON, JOHN, ed. The Philosophy of Poetry. Oxford University Press, 2015, 256 pp., $65.00 cloth. [REVIEW]Iris Vidmar - 2016 - Journal of Aesthetics and Art Criticism 74 (3):307-310.
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  33.  19
    Filozofski život.Nebojša Mudri, Ljudevit Hanžek, Tina Marasović, Marijana Filipeti, Marija Lamot, Lovre Grisogono, Nikola Erceg, Mateja Borgudan, Ana Vračar, Milijana Đerić, Boško Pešić, Tomislav Petković, Ivana Zagorac, Ivana Skuhala Karasman, Marija Selak, Željko Maurović, Hrvoje Jurić & Iris Vidmar - 2010 - Filozofska Istrazivanja 30 (4):715-742.
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  34.  13
    Derek Attridge, The Work of Literature. [REVIEW]Iris Vidmar - 2017 - Estetika: The European Journal of Aesthetics 54 (1):138-145.
    A review of Derek Attridge´s The Work of Literature.
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  35.  12
    The Routledge Companion to Philosophy of Literature. [REVIEW]Iris Vidmar - 2016 - Croatian Journal of Philosophy 16 (2):270-283.
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  36.  11
    SWIRSKI, PETER. American Crime Fiction: A Cultural History of Nobrow Literature as Art. Palgrave MacMillan, 2016, xiii + 222 pp., 12 b&w illus., $99.99 cloth. [REVIEW]Iris Vidmar - 2017 - Journal of Aesthetics and Art Criticism 75 (3):318-321.
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  37.  21
    Knowledge and Practical Interests.Iris Vidmar - 2008 - Croatian Journal of Philosophy 8 (1):167-173.
  38.  8
    Epistemic Game of Thrones.Iris Vidmar - 2017 - Synthesis Philosophica 32 (1):215-234.
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  39.  7
    Michael Bergmann, Justification Without Awareness: A Defense of Epistemic Externalism.Iris Vidmar - 2009 - Croatian Journal of Philosophy 9 (3):331-339.
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  40.  1
    Alan H. Goldman, Philosophy and the Novel.Iris Vidmar - 2020 - Estetika: The European Journal of Aesthetics 52 (1):122.
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  41.  1
    Derek Attridge, The Work of Literature.Iris Vidmar - 2020 - Estetika: The European Journal of Aesthetics 54 (1):138.
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  42.  19
    Philosophy of Literature. [REVIEW]Iris Vidmar - 2011 - Croatian Journal of Philosophy 11 (1):113-127.
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  43.  17
    David Davies, Philosophy of the Performing Arts.Iris Vidmar - 2012 - Croatian Journal of Philosophy 12 (1):97-105.
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  44.  14
    Fikcijsko svjedočanstvo.Snježana Prijić-Samaržija & Iris Vidmar - 2012 - Prolegomena 11 (1):65-82.
    U suvremene rasprave o svjedočanstvu C. A. J. Coady uveo je pojam patologije. Radi se o stanovitim otklonima od normalnih slučajeva svjedočenja zbog kojih epistemička vrijednost takvih iskaza postaje dvojbena. Temeljem Coadyjeve analize komunikacijskih akata pokušale smo identificirati uvjete ne-patološkog svjedočanstva kako bismo propitale može li se fikcija smatrati svjedočanstvom. U članku argumentiramo u prilog stava da je moguće govoriti o fikcijskom svjedočanstvu jer praksa fikcije ne krši postavljene uvjete epistemičke odgovornosti govornika/autora; proizvodi epistemičku korist za čitatelja koja predstavlja legitimni (...)
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  45.  12
    Art, connaissance et témoignage.Iris Vidmar & Elvio Baccarini - 2010 - Synthesis Philosophica 25 (2):333-348.
    Dans cet article, nous souhaitons étudier les différents avantages épistémologiques qu’on tire de certains ouvrages artistiques, en nous focalisant sur les arts narratifs. Nous affirmons que, dans un certain sens, les arts narratifs peuvent ressembler au témoignage, dans la mesure où ils fournissent des informations susceptibles d’être épistémologiquement précieuses aux acteurs cognitifs que nous sommes. Nous distinguons au moins deux catégories larges de ces avantages épistémologiques. La première comprend « l’énoncé des faits » et dans ce sens représente le pendant (...)
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  46.  12
    Kunst, Wissen und Zeugnis.Iris Vidmar & Elvio Baccarini - 2010 - Synthesis Philosophica 25 (2):333-348.
    In diesem Paper möchten wir den unterschiedlichen epistemologischen Vorzügen auf den Grund gehen, die wir in der Arbeit mit einigen Kunstwerken erlangen, wobei unser Schwerpunkt in der narrativen Kunst liegt. Wir behaupten, die narrativen Künste könnten in gewissem Sinne dem Zeugnis ähneln, insofern sie Informationen besorgten, die epistemologisch wertvoll für kognitive Agenten wie uns seien. Wir identifizieren zumindest zwei breite Kategorien dieser epistemologischen Vorzüge, die Erste schließt „Tatsachenangaben“ ein und ist in diesem Sinne vergleichbar mit dem paradigmatischen Fall des Zeugnisses, (...)
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  47.  12
    Peter Swirski: Literature, Analytically Speaking: Explorations in the Theory of Interpretation, Analytic Aesthetics, and Evolution.Iris Vidmar - 2011 - Croatian Journal of Philosophy 11 (3):358-370.
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  48.  13
    Comptes rendus de lecture.Nataša Laporte, Rainer Schäfer, Igor Eterović, Amir Muzur, Iris Vidmar & Ivana Zagorac - 2009 - Synthesis Philosophica 24 (2):369-383.
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  49.  7
    The Possibility of Culture: Pleasure and Moral Development in Kant’s Aesthetics. [REVIEW]Iris Vidmar - 2017 - Croatian Journal of Philosophy 17 (3):453-459.
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  50.  11
    Filozofski život.Iris Vidmar, Marijana Filipeti, Emil Kušan, Gabrijela Bašić, Tonči Valentić, Luka Boršić, Marko Tokić, Iva Rinčić, Hrvoje Jurić, Ivan Majić & Bruno Ćurko - 2009 - Filozofska Istrazivanja 29 (2):407-431.
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1 — 50 / 62