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  1.  33
    Big Philosophical Questions: Why They Matter and Why They Are Still Around.Iris Vidmar - 2018 - The European Legacy 23 (4):403-415.
    Big philosophical questions—about the mind, the idea of the good, justice, beauty, knowledge—have been the prime interest of philosophers ever since Plato first raised them in his dialogues. However, regardless of how hard philosophers have been trying to find answers to them, it seems that all they have ever managed to do was to find reasons for disagreements, and, on the whole, to have failed to reach a consensus on pretty much anything. Some philosophers now claim that there hasn’t been (...)
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  2.  63
    O vrijednosti i bezvrijednosti humanističkih nauka: Poučci Helen Small.Iris Vidmar - 2016 - Култура (153):167-182.
    One of the most contentious question in today’s discussions on the educational policies concerns the role and values of the humanities in contemporary society and education. Many see the humanities as empty, unnecessary, inefficient, phony and worthless. This paper offers a rundown of arguments adduced to support this view, followed by an overview of Helen Small’s The Value of the Humanities, which offers an exceptionally critical and insightful analysis into the current debate over the value of the humanities. The paper (...)
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  3.  1
    Rethinking the Philosophy – Literature Distinction.Iris Vidmar - 2019 - Rivista di Estetica 70:156-170.
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  4.  6
    Literature and Truth.Iris Vidmar - 2019 - Croatian Journal of Philosophy 19 (2):351-370.
    In this paper I address Jerome Stolnitz’s famous article “On the cognitive triviality of art,” with the aim of defending aesthetic and literary cognitivism against the charges Stolnitz issues at it therein. My defence of literary cognitivism is grounded in contemporary epistemology, which, I argue, is more embracive of cognitive values of literature traditionally invoked by literary cognitivists. My discussion is structured against Stolnitz’s individual arguments, dedicated in particular to the problem of literary truth. After exploring what such notion might (...)
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  5.  28
    Peter Swirski, Stanislaw Lem: Philosopher of the Future. Reviewed By.Iris Vidmar - 2016 - Philosophy in Review 36 (1):23-25.
    Stanislaw Lem, Philosopher of the Future is a revealing and instructive guide to the philosophical fiction of Stanislaw Lem. Throughout the book, Swirski builds a framework of philosophical and scientific concepts within which Lem’s works should be read, in particular its most significant aspect: Lem’s unyielding concern for knowledge supported by his conviction that literature is an epistemologically valuable tool for exploring reality. Swirski offers a rich background to Lem's litrary career and unravels the depths of Lem’s philosophical fiction.
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  6.  28
    Art, Knowledge and Testimony.Iris Vidmar & Elvio Baccarini - 2010 - Synthesis Philosophica 25 (2):333-348.
    In this paper we want to explore different epistemological benefits that we gain by dealing with some artworks, and our focus is on narrative arts. We claim that there is a sense in which narrative arts can be similar to testimony, in that they provide information which can be epistemologically valuable for cognitive agents such as we are. We identify at least two broad categories of these epistemological benefits, the first one includes ‘facts stating’ and in that sense is parallel (...)
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  7.  20
    Deaths in Venice: The Cases of Gustav von Aschenbach by Philip Kitcher.Iris Vidmar - 2016 - Philosophy and Literature 40 (1):320-324.
    From philosophy of science, epistemology, and ethics to political philosophy and philosophy of mathematics, Philip Kitcher has made outstanding contributions to every philosophical discipline. With Deaths in Venice: The Cases of Gustav von Aschenbach, he continues his journey into philosophy of literature he undertook back in 2007 with his book Joyce’s Kaleidoscope. Written in his clear, precise, and occasionally almost poetic style, Deaths in Venice is not only an inspiring new interpretation of Thomas Mann’s famous novel Death in Venice but (...)
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  8.  26
    Is There Really a Challenge to the Cognitive Value of Literature?Iris Vidmar - manuscript
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  9.  22
    Umjetnost, znanje, svjedočanstvo.Iris Vidmar & Elvio Baccarini - 2010 - Synthesis Philosophica 25 (2):333-348.
    U ovom radu želimo istražiti različite epistemološke koristi koje dobivamo putem nekih umjetničkih djela, pri čemu smo primarno usredotočeni na narativne umjetnosti. Tvrdimo da u određenom smislu, narativne umjetnosti mogu biti slične svjedočanstvu, utoliko što pružaju informacije koje mogu biti epistemološki vrijedne za kognitivne djelatnike kakvi smo mi. Razlikujemo barem dvije šire kategorije tih epistemoloških vrijednosti, od kojih prva uključuje ‘navođenje činjenica’ i u tom je smislu pandan paradigmatskom slučaju svjedočanstva u kojem ono što informator govori može biti izvor znanja (...)
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  10.  5
    Michael Bergmann, Justification Without Awareness: A Defense of Epistemic Externalism.Iris Vidmar - 2009 - Croatian Journal of Philosophy 9 (3):331-339.
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  11.  13
    Derek Attridge, The Work of Literature.Iris Vidmar - 2017 - Estetika 54 (1):138-145.
    A review of Derek Attridge´s The Work of Literature.
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  12.  15
    GIBSON, JOHN, Ed. The Philosophy of Poetry. Oxford University Press, 2015, 256 Pp., $65.00 Cloth. [REVIEW]Iris Vidmar - 2016 - Journal of Aesthetics and Art Criticism 74 (3):307-310.
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  13.  5
    Reconciling Poetry and Philosophy.Iris Vidmar & Martina Blečić - 2018 - Croatian Journal of Philosophy 18 (3):487-498.
    Poetry and philosophy have had a long and convoluted relation, characterized often by mutual antipathy and rarely by mutual acknowledgment and respect. Plato was one influential philosopher who trashed poetry’s capacities to trade in the domain of truth and knowledge, but it was J. L. Austin who blew the final whistle by dismissing it as non-serious. And while for many poets that was an invitation to dismiss Austin, for many philosophers that was a confirmation of the overall discomfort they had (...)
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  14.  29
    Justification Without Awareness.Iris Vidmar - 2009 - Croatian Journal of Philosophy 9 (3):331-339.
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  15.  17
    Fictional Testimony.Snjezana Prijic-Samarzija & Iris Vidmar - 2012 - Prolegomena 11 (1):65-82.
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  16.  7
    Murray Smith. Film, Art, and the Third Culture: A Naturalized Aesthetics of Film. Reviewed By.Iris Vidmar - 2018 - Philosophy in Review 38 (3):123-125.
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  17.  17
    Alan H. Goldman, Philosophy and the Novel.Iris Vidmar - 2015 - Estetika 52 (1):122-127.
  18.  10
    SWIRSKI, PETER. American Crime Fiction: A Cultural History of Nobrow Literature as Art. Palgrave MacMillan, 2016, Xiii + 222 Pp., 12 B&W Illus., $99.99 Cloth. [REVIEW]Iris Vidmar - 2017 - Journal of Aesthetics and Art Criticism 75 (3):318-321.
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  19.  17
    Filozofski Život.Nebojša Mudri, Ljudevit Hanžek, Tina Marasović, Marijana Filipeti, Marija Lamot, Lovre Grisogono, Nikola Erceg, Mateja Borgudan, Ana Vračar, Milijana Đerić, Boško Pešić, Tomislav Petković, Ivana Zagorac, Ivana Skuhala Karasman, Marija Selak, Željko Maurović, Hrvoje Jurić & Iris Vidmar - 2010 - Filozofska Istrazivanja 30 (4):715-742.
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  20.  5
    Epistemic Game of Thrones.Iris Vidmar - 2017 - Synthesis Philosophica 32 (1):215-234.
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  21.  2
    Introduction.Iris Vidmar - 2019 - Croatian Journal of Philosophy 19 (2):189-191.
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  22.  21
    Knowledge and Practical Interests.Iris Vidmar - 2008 - Croatian Journal of Philosophy 8 (1):167-173.
  23.  17
    David Davies, Philosophy of the Performing Arts.Iris Vidmar - 2012 - Croatian Journal of Philosophy 12 (1):97-105.
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  24.  8
    The Routledge Companion to Philosophy of Literature. [REVIEW]Iris Vidmar - 2016 - Croatian Journal of Philosophy 16 (2):270-283.
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  25.  19
    Philosophy of Literature. [REVIEW]Iris Vidmar - 2011 - Croatian Journal of Philosophy 11 (1):113-127.
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  26.  11
    Art, connaissance et témoignage.Iris Vidmar & Elvio Baccarini - 2010 - Synthesis Philosophica 25 (2):333-348.
    Dans cet article, nous souhaitons étudier les différents avantages épistémologiques qu’on tire de certains ouvrages artistiques, en nous focalisant sur les arts narratifs. Nous affirmons que, dans un certain sens, les arts narratifs peuvent ressembler au témoignage, dans la mesure où ils fournissent des informations susceptibles d’être épistémologiquement précieuses aux acteurs cognitifs que nous sommes. Nous distinguons au moins deux catégories larges de ces avantages épistémologiques. La première comprend « l’énoncé des faits » et dans ce sens représente le pendant (...)
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  27.  11
    Kunst, Wissen und Zeugnis.Iris Vidmar & Elvio Baccarini - 2010 - Synthesis Philosophica 25 (2):333-348.
    In diesem Paper möchten wir den unterschiedlichen epistemologischen Vorzügen auf den Grund gehen, die wir in der Arbeit mit einigen Kunstwerken erlangen, wobei unser Schwerpunkt in der narrativen Kunst liegt. Wir behaupten, die narrativen Künste könnten in gewissem Sinne dem Zeugnis ähneln, insofern sie Informationen besorgten, die epistemologisch wertvoll für kognitive Agenten wie uns seien. Wir identifizieren zumindest zwei breite Kategorien dieser epistemologischen Vorzüge, die Erste schließt „Tatsachenangaben“ ein und ist in diesem Sinne vergleichbar mit dem paradigmatischen Fall des Zeugnisses, (...)
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  28.  13
    Comptes rendus de lecture.Nataša Laporte, Rainer Schäfer, Igor Eterović, Amir Muzur, Iris Vidmar & Ivana Zagorac - 2009 - Synthesis Philosophica 24 (2):369-383.
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  29.  10
    Book Review: Peter Lamarque, The Philosophy of Literature,(Blackwell 2009). [REVIEW]Iris Vidmar - 2009 - Synthesis Philosophica 24 (2):2.
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  30.  10
    Filozofski Život.Iris Vidmar, Martina Žeželj, Aleksandar Dimitriev, Ivana Zagorac, Senka Suman, Emil Kušan, Ljudevit Hanžek, Snježan Hasnaš, Bruno Ćurko, Goran Grgec, Andrej Ciglar & Dunja Marušić - 2008 - Filozofska Istrazivanja 28 (2):477-507.
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  31.  10
    Peter Swirski: Literature, Analytically Speaking: Explorations in the Theory of Interpretation, Analytic Aesthetics, and Evolution.Iris Vidmar - 2011 - Croatian Journal of Philosophy 11 (3):358-370.
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  32.  11
    Filozofski Život.Iris Vidmar, Marijana Filipeti, Emil Kušan, Gabrijela Bašić, Tonči Valentić, Luka Boršić, Marko Tokić, Iva Rinčić, Hrvoje Jurić, Ivan Majić & Bruno Ćurko - 2009 - Filozofska Istrazivanja 29 (2):407-431.
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  33.  12
    Fikcijsko svjedočanstvo.Snježana Prijić-Samaržija & Iris Vidmar - 2012 - Prolegomena 11 (1):65-82.
    U suvremene rasprave o svjedočanstvu C. A. J. Coady uveo je pojam patologije. Radi se o stanovitim otklonima od normalnih slučajeva svjedočenja zbog kojih epistemička vrijednost takvih iskaza postaje dvojbena. Temeljem Coadyjeve analize komunikacijskih akata pokušale smo identificirati uvjete ne-patološkog svjedočanstva kako bismo propitale može li se fikcija smatrati svjedočanstvom. U članku argumentiramo u prilog stava da je moguće govoriti o fikcijskom svjedočanstvu jer praksa fikcije ne krši postavljene uvjete epistemičke odgovornosti govornika/autora; proizvodi epistemičku korist za čitatelja koja predstavlja legitimni (...)
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  34.  5
    The Possibility of Culture: Pleasure and Moral Development in Kant’s Aesthetics. [REVIEW]Iris Vidmar - 2017 - Croatian Journal of Philosophy 17 (3):453-459.
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  35.  10
    Filozofski Život.Bruno Ćurko, Ivana Kragić, Elvina Šehić, Ivana Skuhala Karasman, Igor Eterović, Goran Grgec, Tomislav Krznar, Marija Selak & Iris Vidmar - 2011 - Filozofska Istrazivanja 31 (4):891-908.
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  36.  8
    Jučer, danas, sutra.Iris Vidmar - 2008 - Filozofska Istrazivanja 28 (4):897-912.
    Unatoč činjenici da je osjećaj protjecanja vremena neodvojivo povezan s našim iskustvom i načinom na koji razmišljamo o njemu, postoje teorije koje na vrijeme gledaju drukčije i tvrde kako je taj osjećaj protjecanja samo naša subjektivna kategorija, nešto što uopće ne odgovara pravoj prirodi vremena. Vrijeme niti teče niti prolazi, ono naprosto jest, jednako realno u svoj svojoj cjelovitosti. Te teorije, prikladno nazvane eternalističkim teorijama, negiraju poseban status kojeg se tradicionalno pridodaje sadašnjosti kao jedinom realnom odsječku vremena i tvrde da (...)
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  37.  7
    Filozofski Život.Iris Vidmar, Marita Brčić, Snježan Hasnaš, Bruno Ćurko, Sead Alić, Dražen Zetić, Tomislav Krznar, Predrag Režan, Ruža Kovačević & Ivana Skuhala Karasman - 2007 - Filozofska Istrazivanja 27 (4):999-1036.
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  38.  11
    Literature, Analytically Speaking.Iris Vidmar - 2011 - Croatian Journal of Philosophy 11 (3):358-370.
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  39.  7
    Swirski, Peter. From Literature to Biterature: Lem, Turing, Darwin, and Explorations in Computer Literature, Philosophy of Mind, and Cultural Evolution. McGill‐Queen's University Press, 2013, 235 Pp., 43 B&W Illus., $26.96 Cloth. [REVIEW]Iris Vidmar - 2014 - Journal of Aesthetics and Art Criticism 72 (4):461-463.
  40.  6
    Yesterday, Today, Tomorrow.Iris Vidmar - 2008 - Filozofska Istrazivanja 28 (4):897-912.
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  41.  5
    Filozofski Život.Vinko Grgurev, Marijana Filipeti, Iris Vidmar, Ivan Andrijanić, Gabriela Bašić, Ljudevit Hanžek, Ivana Zagorac, Marija Selak, Ivana Greguric, Ivana Skuhala Karasman, Snježan Hasnaš, Tomislav Krznar, Željka Metesi Deronjić, Ruža Kovačević, Aleksandar Dimitriev, Vanja Brkljač, Krešimir Babel & Elvina Šehić - 2008 - Filozofska Istrazivanja 28 (4):997-1042.
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  42.  5
    A Companion to the Philosophy of Literature, Eds. Garry L. Hagberg and Walter Jost. [REVIEW]Iris Vidmar - 2014 - Croatian Journal of Philosophy 14 (1):159-176.
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  43.  5
    Filozofski Život.Snježan Hasnaš, Sead Alić, Iris Vidmar, Ivana Zagorac, Marita Brčić, Tonći Kokić, Goran Grgec & Hrvoje Jurić - 2007 - Filozofska Istrazivanja 27 (2):483-505.
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  44. Filozofija i književnost o svijetu i čovjeku: isto a različito.Iris Vidmar - 2013 - Prolegomena 12 (2):285-313.
    Suvremeni trendovi analitičke književne estetike sve se češće suočavaju s pitanjem o tome koliko su filozofija i književnost slične, a koliko različite. Ovakvo problematiziranje proizlazi iz činjenice da postoji određeni prostor preklapanja između njih dvije, zbog kojeg se postavlja pitanje o tome što je to po čemu se one razlikuju. Jedan od načina da se na to odgovori jest da pobliže pogledamo i filozofiju i književnost, te da na taj način pokušamo pronaći neko svojstvo po kojem se razlikuju. Boran Berčić (...)
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  45. Filozofski život Odsjeka za filozofiju u Rijeci.Iris Vidmar - 2008 - Filozofska Istrazivanja 28 (2):477-480.
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  46. Filozofski život Odsjeka za filozofiju u Rijeci.Iris Vidmar - 2007 - Filozofska Istrazivanja 27 (4):999-1001.
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  47. Gostujuća predavanja naOdsjeku za filozofiju u Rijeci.Iris Vidmar - 2009 - Filozofska Istrazivanja 29 (2):408-409.
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  48. Jason Stanley, Knowledge and Practical Interests.Iris Vidmar - 2008 - Croatian Journal of Philosophy 22:167-173.
  49. Mini-simpozij »Vrijednosti umjetnosti«.Iris Vidmar - 2010 - Filozofska Istrazivanja 30 (4):741-742.
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  50. Obilježavanje Svjetskog dana filozofije u Rijeci.Iris Vidmar - 2009 - Filozofska Istrazivanja 29 (2):407-407.
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